culture

“Can I Be Frank?” is the Most Important Show in New York Right Now

On Seeing Will Self Again

Emperor of Iceland, Titan of the Tutu

Unfamiliar: the New World of Espionage

My Discovery of Howl!

Ginsberg at 100

Pentecostal Epic and Opera

Remembering Artists From Another Time: John Piper

The Zany Survival of “The Physicists” Spoofs the Atomic Era and More

It’s All About Image: Declining American Symbolic Power

Up and Out on Ascension

Haydn’s “Sun” Quartets Light up Berlin

Fred Anderson, North American Writer

Long Live New Orleans and All of the Beauty Out There Like Her

Bach and Bitcoin

Darkology and the Deep Roots of American Racism: A Conversation with Rhae Lynn Barnes

On Chuck Klosterman’s “Football”

Alexandre Dumas and His Revolutionary Novel “The Count of Monte Cristo”

Sound History

The Invisible Forest

The Etymology of 420

NATO Yes, EU No:  Euro-Turkish Music in Berlin

Venice Restored

Young Communists Grow Older

Belshazzar in Berlin: Handel Writes on The Wall of the Comic Opera

Political Tinsel Town in the Mid-1970s

Everything that Rises Must Converge: Hemingway’s “The Sun Also Rises”

Is AI Born Biased?

The Most Original Modernist Painting in Venice

Searching for Hound Dog Taylor: a Chicago Blues Escapade

Jessica Mitford and Me

Rediscovering Fanon

Letter From Skopje, North Macedonia

Sound Police at the Oscars

Family Furnishings:  Sofa and Soundtrack in Jim Jarmusch’s Father Mother Sister Brother