FacebookTwitterGoogle+RedditEmail

A Battle Cry for the Confused and Vulnerable

by LORENZO WOLFF

About twice a year someone says that there’s a new band that’s gonna save Rock and Roll. Some trendsetter decides that leather jackets and guitars are cool again, and critics old and young praise them for “saving” Rock, like it’s some feeble old man on his deathbed. Well the Gaslight Anthem has given us proof that Rock and Roll doesn’t need any saving, it’s alive and well and it’s living in central Jersey.

The Gaslight Anthem emerged out of the New Brunswick, New Jersey hardcore scene in 2005 with their first album Sink or Swim, an unpolished highly energetic LP that laid the groundwork for their future material. In between the dates of their daunting tour schedule they wrote and recorded their second album, an EP called Senor and the Queen, which was considerably stronger and more focused than their first attempt. The ’59 Sound continues to build on the formula of their previous efforts, finally showing what the Gaslight Anthem is really capable of.

This album is not a technical masterpiece. Pat Metheny fans should probably stop reading this review right about now. No single musician stands out as a virtuoso, and very similar chord patterns are used in almost every song. What’s great about this album is that it sounds like a real band recorded it. Brain Fallon’s voice is comfortable and confident while still sounding urgent, and his band supports him without stepping on his toes. In every track you can hear endless hours of basement practices and months upon months of touring.

The ’59 Sound is full of images. Each song paints a picture of the social and physical landscape from which it emerged. Diners and Ferris wheels populate a landscape of beaches and highways. The characters aren’t glamorous, but they’re immediately recognizable. Who doesn’t know someone like Sandy and Johnny in “Even Cowgirls Get the Blues”, a couple who grew up and lost their exuberance?

Or Anna in “Here’s Looking At you, Kid,” the girl who moved out of a small town and lost herself in the city? The characters and places in this album are what make it genuine, like it came to life by itself and this album is merely a record of it.

The masterpiece of this album is the last song “The Backseat”, a gut-wrenching tribute to the pain of adolescence. In every line you can hear the frustration of someone who doesn’t know where he’s going, how he’s getting there, or why he’s even trying. It’s a battle cry for the confused and vulnerable. Anyone who has ever been a teenager knows what Fallon means when he sings,

“In the back seat we just tried to some room for our knees
In the backseat we just tried to find some room to breathe”.

So thanks a lot, but Rock and Roll doesn’t need any help. You can keep your sunglasses and you can keep your prop guitars. You can keep your savior, as long as we’ve got the Gaslight Anthem.

LORENZO WOLFF is a musician living in New York. He can be reached at: lorenzowolff@gmail.com

 

 

 

 

More articles by:

LORENZO WOLFF is a musician living in New York. He can be reached at: lorenzowolff@gmail.com

February 22, 2018
Mark Schuller
Haiti’s Latest Indignity at the Hands of Dogooders, Oxfam’s Sex Scandal
Jeffrey Sommers
Bond Villain in the World Economy: Latvia’s Offshore Banking Sector
Mark Schuller
Haiti’s Latest Indignity at the Hands of Dogooders, Oxfam’s Sex Scandal
T.J. Coles
How the US Bullies North Korea, 1945-Present
Ipek S. Burnett
Rethinking Freedom in the Era of Mass Shootings
Manuel E. Yepe
Fire and Fury: More Than a Publishing Hit
Patrick Bobilin
Caught in a Trap: Being a Latino Democrat is Being in an Abusive Relationship
Laurel Krause
From Kent State to Parkland High: Will America Ever Learn?
Terry Simons
Congress and the AR-15: One NRA Stooge Too Many
George Wuerthner
Border Wall Delusions
Manuel García, Jr.
The Anthropocene’s Birthday, or the Birth-Year of Human-Accelerated Climate Change
Thomas Knapp
Extraordinary Popular Delusions and the Madness of Russiagate
February 21, 2018
Cecil Bothwell
Billy Graham and the Gospel of Fear
Ajamu Baraka
Venezuela: Revenge of the Mad-Dog Empire
Edward Hunt
Treating North Korea Rough
Binoy Kampmark
Meddling for Empire: the CIA Comes Clean
Ron Jacobs
Stamping Out Hunger
Ammar Kourany – Martha Myers
So, You Think You Are My Partner? International NGOs and National NGOs, Costs of Asymmetrical Relationships
Michael Welton
1980s: From Star Wars to the End of the Cold War
Judith Deutsch
Finkelstein on Gaza: Who or What Has a Right to Exist? 
Kevin Zeese - Margaret Flowers
War Preparations on Venezuela as Election Nears
Wilfred Burchett
Vietnam Will Win: Military Realities
Steve Early
Refinery Safety Campaign Frays Blue-Green Alliance
Ali Mohsin
Muslims Face Increasing Discrimination, State Surveillance Under Trump
Julian Vigo
UK Mass Digital Surveillance Regime Ruled Illegal
Peter Crowley
Revisiting ‘Make America Great Again’
Andrew Stewart
Black Panther: Afrofuturism Gets a Superb Film, Marvel Grows Up and I Don’t Know How to Review It
CounterPunch News Service
A Call to Celebrate 2018 as the Year of William Edward Burghardt Du Bois by the Saturday Free School
February 20, 2018
Nick Pemberton
The Gun Violence the Media Shows Us and the State Violence They Don’t
John Eskow
Sympathy for the Drivel: On the Vocabulary of President Nitwit
John Steppling
Trump, Putin, and Nikolas Cruz Walk Into a Bar…
John W. Whitehead
America’s Cult of Violence Turns Deadly
Ishmael Reed
Charles F. Harris: He Popularized Black History
Will Podmore
Paying the Price: the TUC and Brexit
George Burchett
Plumpes Denken: Crude thinking
Binoy Kampmark
The Caring Profession: Peacekeeping, Blue Helmets and Sexual Abuse
Lawrence Wittner
The Trump Administration’s War on Workers
David Swanson
The Question of Sanctions: South Africa and Palestine
Walter Clemens
Murderers in High Places
Dean Baker
How Does the Washington Post Know that Trump’s Plan Really “Aims” to Pump $1.5 Trillion Into Infrastructure Projects?
February 19, 2018
Rob Urie
Mueller, Russia and Oil Politics
Richard Moser
Mueller the Politician
Robert Hunziker
There Is No Time Left
Nino Pagliccia
Venezuela Decides to Hold Presidential Elections, the Opposition Chooses to Boycott Democracy
Daniel Warner
Parkland Florida: Revisiting Michael Fields
FacebookTwitterGoogle+RedditEmail