Culture & Reviews

Civil War, Alex Garland’s Gripping War Between the Cinematic States

Ed Rampell April 14, 2024

Israelism Bucks Blind Faith in Israeli Occupation, Apartheid and “the Jewish Disneyland”

Ed Rampell February 11, 2024

Los Alamos, Mon Amour: Gone with the Downwind

Ed Rampell January 21, 2024

Suicide and the Novelist

Ed Rampell January 7, 2024

Nuclear Power Plant is Ground Zero in SOS – THE SAN ONOFRE SYNDROME

Ed Rampell October 8, 2023

Bombshells: Barbie and the Nuclear Age

Kirsten Gronlund August 20, 2023

Inside the Mind of Ted Kaczynski

Steve O’Keefe August 6, 2023

For Russia, With Love

Ed Rampell July 30, 2023

We Don’t Know How It Ends

Steve O’Keefe July 2, 2023

A Choice of Evils

Ed Rampell July 2, 2023

Megamen for Donuts

Nicky Otis Smith June 18, 2023

Richland: Smalltown Americana – With an Atomic Twist

Ed Rampell June 11, 2023

The Hollywood Red Scare, 75 Years Later

Ed Rampell May 14, 2023

The Fight Against Native American Mascoting

Ed Rampell March 26, 2023

Emancipation, Hollywood’s Best Civil War Film Ever

Ed Rampell February 19, 2023

It’s All Gonna Break

Nicky Otis Smith September 11, 2022

Phillips’ Formula: The Art of Politicizing Noir on Page and Screen

Ed Rampell September 4, 2022

Blowing Up is Hard to Do

Susie Day August 28, 2022

The Spoils of War

Ben Terrall August 14, 2022

Nothing to be Afraid of in Here

Nicky Otis Smith July 31, 2022

The Big Case: On the Trail of the Mole on the CIA’s 7th Floor

Ed Rampell July 24, 2022

The Gospel According to Darwin

Ed Rampell July 17, 2022

Oyez, Oyez, Oy Vey, The People’s Choice: Roe

Ed Rampell July 3, 2022

Exploring Reflections of Modern Capitalism within Science Fiction

Marvin Palencia July 3, 2022

A New Film Inspired By the Murder of George Floyd

Ed Rampell June 12, 2022

Common Sense in the Form of Theory

Chris Wright June 5, 2022

James Cromwell Vs. Starbucks

Ed Rampell May 29, 2022

Ukrainian Actress Presents Antiwar Cinematic Stunner at SEEfest

Ed Rampell May 15, 2022

The Solution to Homelessness Is Not Death

Steve O’Keefe May 7, 2022

This Year at Marienbad

Jeffrey St. Clair April 17, 2022

What Really Cost Donald Trump the 2020 Election

Steve O’Keefe April 10, 2022

Will’s Smith’s Gift to Racists

Ed Rampell April 3, 2022

Re-Reading Theodor Adorno’s The Authoritarian Personality in an Age of Authoritarianism

Scott Remer March 27, 2022

The Empyreal Horn of Wadada Leo Smith

Ron Jacobs March 27, 2022

A Failure of Vision

Shalon van Tine March 13, 2022

The New Deal, Writers and Rediscovering America

Ben Terrall March 6, 2022

Greed is Us: Titans, The Rise of Wall Street

Ed Rampell February 27, 2022

Ku Klux Climate: Coal, Petro-Palingenesis, and the Historical Materialism of Fossil Fascism

Paul Street February 27, 2022

The Ugly Marriage of Postmodernism and Neoliberalism

Ron Jacobs February 20, 2022

“Put the Blood Back In”: Martín Espada on Poetry, Book Banning, and Radical Politics

David Masciotra February 20, 2022

We Cannot Truly Die

Robert Hunziker February 13, 2022

Hendrix in Our Time

Jeffrey St. Clair February 6, 2022

Give Them A Migraine! Fan-boy Ben Burgis Slobbers over Christopher Hitchens

Andrew Stewart January 30, 2022

Fromm, Arendt, and Today’s Authoritarian Moment

Scott Remer January 23, 2022

Peter Weiss and His Pièce de Résistance

Ron Jacobs January 23, 2022

Onokhov of the North: Coming of Age in Chukotka

Ed Rampell January 16, 2022

​Red Alert: The Redhead, the Red Scare and Aaron Sorkin’s Big Lie Caught Red-handed

Ed Rampell January 9, 2022

The Young Lords Ride Again

Ed Rampell December 19, 2021

Is Cinema Dead Again?

Jack Wareham July 17, 2021

Bend It Like Megan: Will World Cup Winners Also Become Equality’s Champs in LFG?

Ed Rampell July 11, 2021