Culture & Reviews

Civil War, Alex Garland’s Gripping War Between the Cinematic States

Israelism Bucks Blind Faith in Israeli Occupation, Apartheid and “the Jewish Disneyland”

Los Alamos, Mon Amour: Gone with the Downwind

Suicide and the Novelist

Nuclear Power Plant is Ground Zero in SOS – THE SAN ONOFRE SYNDROME

Bombshells: Barbie and the Nuclear Age

Inside the Mind of Ted Kaczynski

For Russia, With Love

We Don’t Know How It Ends

A Choice of Evils

Megamen for Donuts

Richland: Smalltown Americana – With an Atomic Twist

The Hollywood Red Scare, 75 Years Later

The Fight Against Native American Mascoting

Emancipation, Hollywood’s Best Civil War Film Ever

It’s All Gonna Break

Phillips’ Formula: The Art of Politicizing Noir on Page and Screen

Blowing Up is Hard to Do

The Spoils of War

Nothing to be Afraid of in Here

The Big Case: On the Trail of the Mole on the CIA’s 7th Floor

The Gospel According to Darwin

Oyez, Oyez, Oy Vey, The People’s Choice: Roe

Exploring Reflections of Modern Capitalism within Science Fiction

A New Film Inspired By the Murder of George Floyd

Common Sense in the Form of Theory

James Cromwell Vs. Starbucks

Ukrainian Actress Presents Antiwar Cinematic Stunner at SEEfest

The Solution to Homelessness Is Not Death

This Year at Marienbad

What Really Cost Donald Trump the 2020 Election

Will’s Smith’s Gift to Racists

Re-Reading Theodor Adorno’s The Authoritarian Personality in an Age of Authoritarianism

The Empyreal Horn of Wadada Leo Smith

A Failure of Vision

The New Deal, Writers and Rediscovering America

Greed is Us: Titans, The Rise of Wall Street

Ku Klux Climate: Coal, Petro-Palingenesis, and the Historical Materialism of Fossil Fascism

The Ugly Marriage of Postmodernism and Neoliberalism

“Put the Blood Back In”: Martín Espada on Poetry, Book Banning, and Radical Politics

We Cannot Truly Die

Hendrix in Our Time

Give Them A Migraine! Fan-boy Ben Burgis Slobbers over Christopher Hitchens

Fromm, Arendt, and Today’s Authoritarian Moment

Peter Weiss and His Pièce de Résistance

Onokhov of the North: Coming of Age in Chukotka

​Red Alert: The Redhead, the Red Scare and Aaron Sorkin’s Big Lie Caught Red-handed

The Young Lords Ride Again

Is Cinema Dead Again?

Bend It Like Megan: Will World Cup Winners Also Become Equality’s Champs in LFG?