FacebookTwitterRedditEmail

A Plant Closing War, Viewed From Inside

Last winter, protestors wearing yellow vests commanded center stage in France. Their grassroots challenge to the neoliberal regime of President Emmanuel Macron drew on a long tradition of labor militancy, including factory closing fights. When these protestors still had blue collar jobs and belonged to unions, they probably looked a lot more like the red-vest-wearing strikers in At War.

At War, a new movie from Cinema Libre Studio, vividly portrays shop-floor resistance to corporate power in small-town France. The dialogue is in French with English subtitles. But the cast is largely actual factory workers. And the film opens with a scene familiar to anyone ever involved in manufacturing union bargaining in the U.S.

A workforce of 1,100 employed in a rural auto parts plant has already agreed to 8 million euros worth of givebacks to keep the place open. The Agen plant is still profitable but, according to management, no longer globally competitive. So now, the fictional Perrin Industries is terminating its local job protection deal that was the quid pro quo for labor concessions. By order from corporate headquarters in Germany, the factory will be closed and production shifted elsewhere.

Before meeting with the company about this sudden decision, union delegates hold a tense caucus among themselves. There is palpable anger and a sense of betrayal. Their principal shop floor leader is Laurent, played by award-winning French actor Vincent Lindon. Laurent, a fiery speaker, tries to lay down initial ground rules that include “no insulting management.” Instead, he urges everyone to “fight intelligently.”

Bargaining table restraint doesn’t last long when the plant manager informs union negotiators that “it’s not bosses versus workers anymore. It’s all of us together in the same boat.” As Laurent angrily points out, the area around Agen is already an “employment wasteland,” with few new job opportunities. Severance packages are not what the workers want. They intend to fight for the jobs they already have.

The rest of this hyper-realistic film depicts a factory occupation and a public campaign to keep the plant open. Few movies have ever done a better job of capturing the rollercoaster ride of a long strike, plus the look, sound, and feel of local union life, viewed from the inside.

Road Warriors

Among the challenges facing workers in any plant closing fight is getting public officials on their side, even in situations where the employer has benefited from past state subsidies or tax incentives. (“The Constitution protects private enterprise,” one French government envoy primly reminds the Perrin workers.)

The strikers in At War become “road warriors,” a group of roving union activists who travel to seek support and put pressure on targets elsewhere. They confront riot police during a mass demonstration at the Confederation of Industries in Paris. They defy an unfavorable court ruling and send roving pickets to shut down a sister plant 500 miles away. They solicit strike fund donations from other embattled union members. “Hello Perin workers,” says one message of solidarity, arriving at strike headquarters with a check enclosed. “We have the same assholes running our firm.”

Throughout their struggle, they seek a face-to-face meeting with the German CEO of the Dimke Group, the parent company of Perrin which has decided to close the Agen plant instead of selling it, as the strikers demand. Meanwhile, heated exchanges between worker representatives and their management counterparts continue at the bargaining table, as workers and their families face mounting economic pressure.

Two months into the strike, fissures develop between the various labor organizations represented in the plant—the FO, CGT, and a less militant enterprise union. Laurent discovers that the company unionists, worn out and discouraged, have been side-barring with management about “bumping up the check” (i.e. getting a better severance deal in return for accepting the plant closing).

Laurent and his outspoken ally Melanie accuse their co-workers of “licking the bosses’ boots.” But both face wider doubts about the viability of their strike strategy and leadership. “The plant’s closing down. It’s done,” says Bruno, a bargaining committee member ready to throw in the towel. With police and management protection, Bruno and others take off their strike stickers (which proclaim the unity of “1,100 in Struggle”) and return to work.

A “Quality Dialogue?”

Nevertheless, the struggle briefly takes a brighter turn when Martin Hauser, the German CEO, finally agrees to a meeting, mediated by the French ministry of employment. Hauser proves to be a world class corporate smoothie, fluent in French. He mentions that he has a French mother-in-law and a second home in the French countryside. He welcomes what he calls a “quality dialogue” (of the German labor relations sort).

That “dialogue” deteriorates fast when the Dimke Group dismisses a rival firm’s “unrealistic” offer to buy the Agen plant. “French law requires an owner to look for buyers, but does not require them to accept any offer,” Hauser reminds the trade unionists. In exasperation, the CEO accuses them of “refusing to see market reality,” which he likens to “demanding a whole new world or living in another world,”

It’s not union negotiators who have the final word in this frustrating exchange. An angry crowd of strikers make the evening news by surrounding Hauser’s car, after the meeting, and over-turning it. The CEO and two bodyguards emerge bloodied and shaken up. In the ensuing media and political backlash, union members are thrown on the defensive, leading to bitter personal accusations and recriminations.

At War pulls no punches about the personal sacrifices and weighty responsibilities of workers who become strike leaders. This film should be required viewing during union training of shop stewards, local officers, and bargaining committee members.

Cinema Libre Studio wants to reach a much broader audience when the film opens in New York, Los Angeles and other cities in July. It’s also looking for labor organizations to sponsor showings to their own members. Let’s hope that some unions take advantage of this offer—because the war on workers, whether in France or the U.S., shows no sign of letting up.

More articles by:

Steve Early has been active in the labor movement since 1972. He was an organizer and international representative for the Communications Workers of American between 1980 and 2007. He is the author of four books, most recently Refinery Town: Big Oil, Big Money and The Remaking of An American City from Beacon Press. He can be reached at Lsupport@aol.com

bernie-the-sandernistas-cover-344x550
September 19, 2019
Richard Falk
Burning Amazonia, Denying Climate Change, Devastating Syria, Starving Yemen, and Ignoring Kashmir
Charles Pierson
With Enemies Like These, Trump Doesn’t Need Friends
Lawrence Davidson
The Sorry State of the Nobel Peace Prize
Evaggelos Vallianatos
The Scourge in the White House
Urvashi Sarkar
“Not a Blade of Grass Grew:” Living on the Edge of the Climate Crisis in the Sandarbans of West Bengal
Thomas Knapp
Trump and Netanyahu: “Mutual Defense” or Just Mutual Political Back-Scratching?
Dean Baker
Is There Any Lesser Authority Than Alan Greenspan?
Gary Leupp
Warren’s Ethnic Issue Should Not Go Away
George Ochenski
Memo to Trump: Water Runs Downhill
Jeff Cohen
What George Carlin Taught Us about Media Propaganda by Omission
Stephen Martin
The Perspicacity of Mcluhan and Panopticonic Plans of the MIC
September 18, 2019
Kenneth Surin
An Excellent Study Of The Manufactured Labour “Antisemitism Crisis”
Patrick Cockburn
The Saudi Crown Prince Plans to Make Us Forget About the Murder of Jamal Khashoggi Before the US Election
W. T. Whitney
Political Struggle and Fixing Cuba’s Economy
Ron Jacobs
Support the Climate Strike, Not a Military Strike
John Kendall Hawkins
Slouching Toward “Bethlehem”
Ted Rall
Once Again in Afghanistan, the U.S. Proves It Can’t Be Trusted
William Astore
The Ultra-Costly, Underwhelming F-35 Fighter
Dave Lindorff
Why on Earth Would the US Go to War with Iran over an Attack on Saudi Oil Refineries?
Binoy Kampmark
Doctored Admissions: the University Admissions Scandal as a Global Problem
Jeremy Corbyn
Creating a Society of Hope and Inclusion: Speech to the TUC
Zhivko Illeieff
Why You Should Care About #ShutDownDC and the Global Climate Strike  
Catherine Tumber
Land Without Bread: the Green New Deal Forsakes America’s Countryside
Liam Kennedy
Boris Johnson: Elitist Defender of Britain’s Big Banks
September 17, 2019
Mario Barrera
The Southern Strategy and Donald Trump
Robert Jensen
The Danger of Inspiration in a Time of Ecological Crisis
Dean Baker
Health Care: Premiums and Taxes
Dave Lindorff
Recalling the Hundreds of Thousands of Civilian Victims of America’s Endless ‘War on Terror’
Binoy Kampmark
Oiling for War: The Houthi Attack on Abqaiq
Susie Day
You Say You Want a Revolution: a Prison Letter to Yoko Ono
Rich Gibson
Seize Solidarity House
Laura Flanders
From Voice of America to NPR: New CEO Lansing’s Glass House
Don Fitz
What is Energy Denial?
Dan Bacher
Governor Newsom Says He Will Veto Bill Blocking Trump Rollback of Endangered Fish Species Protections
Thomas Knapp
Election 2020: Time to Stop Pretending and Start Over
W. Alejandro Sanchez
Inside the Syrian Peace Talks
Elliot Sperber
Mickey Mouse Networks
September 16, 2019
Sam Husseini
Biden Taking Iraq Lies to the Max
Paul Street
Joe Biden’s Answer to Slavery’s Legacy: Phonographs for the Poor
Paul Atwood
Why Mattis is No Hero
Jonathan Cook
Brexit Reveals Jeremy Corbyn to be the True Moderate
Jeff Mackler
Trump, Trade and China
Robert Hunziker
Fukushima’s Radioactive Water Crisis
Evaggelos Vallianatos
The Democrats and the Climate Crisis
Michael Doliner
Hot Stuff on the Afghan Peace Deal Snafu
FacebookTwitterRedditEmail