FacebookTwitterGoogle+RedditEmail

Landscape of Fear

by KEN AVIDOR

I always keep my sketchbook/journal and sometimes a digital camera handy in case I see a person or something in the landscape that I can record and take back to my studio to use in my artwork.

October 24th, a warm sunny day, I was riding my Schwinn Suburban north of downtown Minneapolis near the entrance of the Cedar Lake Trail. I just started sketching and photographing a big, roadside billboard when a a little white vehicle pulled up. The window rolled down and a uniformed security guard told me I couldn’t take pictures of the “the ramp”.

I told him I was taking a picture of the billboard and I asked him what law said I couldn’t take pictures of a parking ramp, assuming I did want to take a picture of a parking ramp. The security guard says “taking pictures of the ramp endangers safety”.

I said the First Amendment of the Constitution protected my right to draw or photograph the American landscape we all live in and look at every day. I asked him if he would have told Rembrandt, Van Gogh and Picasso to move on as well. He responded by calling the cops and turning on the flashing lights on top of his little white vehicle. I really didn’t think the police would bother with this call, so I started sketching the billboard in my journal.

Ten minutes later, a squad car pulls up and two bemused officers step out to question me. They agree that I have a right to photograph and draw the billboard, but they advise me that I would be behaving less “suspicious” if I didn’t draw something “ugly” like the billboard, but instead drew “something nice like the IDS building.”

Up to that point I thought that all this had something to do with terrorism. But if a terrorist was photographing and sketching potential targets, wouldn’t the IDS building, the tallest building on the skyline be a more likely target than a lowly municipal parking ramp? According to the officers that questioned me, the problem boiled down to aesthetics…I guess “ugly” billboards and the parking ramp in the background are not on the MPD list of approved subjects for artistic depiction.

It was really bizarre to have to listen to these art critics with badges telling me which subjects I should portray in my artwork to avoid ‘suspicion”. The cops were very nice and polite, but I couldn’t help remembering that there’s a bunch of people being held in Guantanamo and elsewhere “under suspicion” of being terrorists.

I have been stopped before for photographing and sketching in public. Usually this happens in the privatized landscape of suburban strip malls. This is the first time I’ve been harassed for sketching on a sidewalk in Minneapolis, a city of galleries, museums and universities. I always thought Minneapolis was too smart to succumb to the terror frenzy. If sketching and photographing something “ugly” is “suspicious” in this tiny liberal outpost, we’re in big trouble.

KEN AVIDOR is an artist in Minneapolis. He can be reached through his website, Avidor Studios.

 

May 03, 2016
Gary Leupp
Hillary Clinton’s Foreign Policy Resumé: What the Record Shows
Michèle Brand – Arun Gupta
What is the “Nuit Debout”?
Chuck Churchill
The Failures of Capitalism, Donald Trump and Right Wing Terror
Dave Marsh
Bernie and the Greens
John Wight
Zionism Should be on Trial, Not Ken Livingstone
Rev. John Dear
A Dweller in Peace: the Life and Times of Daniel Berrigan
Patrick Cockburn
Saudi Arabia’s Great Leap Forward: What Would Mao Think?
Doug Johnson Hatlem
Electoral Votes Matter: Hillary Clinton or Bernie Sanders vs Donald Trump
Chris Gilbert
Venezuela Today: This Must Be Progress
Pepe Escobar
The Calm Before the Coming Global Storm
Ruth Fowler
Intersecting with the Identity Police (Or Why I Stopped Writing Op-Eds)
Victor Lasa
The Battle Rages on in Spain: the Country Prepares for Repeat Elections in June
Jack Rasmus
Is the US Economy Heading for Recession?
Dean Baker
Time for an Accountable Federal Reserve
Ted Rall
Working for US Gov Means Never Saying Sorry
Dave Welsh
Hunger Strikers at Mission Police Station: “Stop the execution of our people”
John Eskow
The Death of Prince and the Death of Lonnie Mack
May 02, 2016
Michael Hudson – Gordon Long
Wall Street Has Taken Over the Economy and is Draining It
Paul Street
The Bernie Fade Begins
Ron Jacobs
On the Frontlines of Peace: the Life of Daniel Berrigan
Louis Yako
Dubai Transit
Bill Quigley
Teacher, Union Leader, Labor Lawyer: Profile of Chris Williams Social Justice Advocate
Patrick Cockburn
Into the Green Zone: Iraq’s Disintegrating Political System
Lawrence Ware
Trump is the Presidential Candidate the Republicans Deserve
Ron Forthofer
Just Say No to Corporate Rule
Ralph Nader
The Long-Distance Rebound of Bernie Sanders
Ken Butigan
Remembering Daniel Berrigan, with Gratitude
Nicolas J S Davies
Escalating U.S. Air Strikes Kill Hundreds of Civilians in Mosul, Iraq
Binoy Kampmark
Class, Football, and Blame: the Hillsborough Disaster Inquest
George Wuerthner
The Economic Value of Yellowstone National Park
Rivera Sun
Celebrating Mother Jones
Nyla Ali Khan
Kashmir and Postcolonialism
Mairead Maguire
Drop the Just War Theory
Weekend Edition
April 29, 2016
Friday - Sunday
Andrew Levine
What is the Democratic Party Good For? Absolutely Nothing
Roberto J. González – David Price
Anthropologists Marshalling History: the American Anthropological Association’s Vote on the Academic Boycott of Israeli Institutions
Robert Jacobs
Hanford, Not Fukushima, is the Big Radiological Threat to the West Coast
Ismael Hossein-Zadeh
US Presidential Election: Beyond Lesser Evilism
Dave Lindorff
The Push to Make Sanders the Green Party’s Candidate
Peter Linebaugh
Marymount, Haymarket, Marikana: a Brief Note Towards ‘Completing’ May Day
Ian Fairlie
Chernobyl’s Ongoing Toll: 40,000 More Cancer Deaths?
Pete Dolack
Verizon Sticks it to its Workers Because $45 Billion isn’t Enough
Moshe Adler
May Day: a Trade Agreement to Unite Third World and American Workers
Margaret Kimberley
Dishonoring Harriet Tubman
Deepak Tripathi
The United States, Britain and the European Union
Eva Golinger
My Country, My Love: a Conversation with Gerardo and Adriana of the Cuban Five
FacebookTwitterGoogle+RedditEmail