Annual Fundraising Appeal

Here’s an important message to CounterPunch readers from Chris Hedges….

Hedges2

Chris Hedges calls CounterPunch “the most fearless, intellectually rigorous and important publication in the United States.” Who are we to argue? But the only way we can continue to “dissect the evils of empire” and the “psychosis of permanent war” is with your financial support. Please donate.

Day8

Yes, these are dire political times. Many who optimistically hoped for real change have spent nearly five years under the cold downpour of political reality. Here at CounterPunch we’ve always aimed to tell it like it is, without illusions or despair. That’s why so many of you have found a refuge at CounterPunch and made us your homepage. You tell us that you love CounterPunch because the quality of the writing you find here in the original articles we offer every day and because we never flinch under fire. We appreciate the support and are prepared for the fierce battles to come.

Unlike other outfits, we don’t hit you up for money every month … or even every quarter. We ask only once a year. But when we ask, we mean it.

CounterPunch’s website is supported almost entirely by subscribers to the print edition of our magazine. We aren’t on the receiving end of six-figure grants from big foundations. George Soros doesn’t have us on retainer. We don’t sell tickets on cruise liners. We don’t clog our site with deceptive corporate ads.

The continued existence of CounterPunch depends solely on the support and dedication of our readers. We know there are a lot of you. We get thousands of emails from you every day. Our website receives millions of hits and nearly 100,000 readers each day. And we don’t charge you a dime.

Please, use our brand new secure shopping cart to make a tax-deductible donation to CounterPunch today or purchase a subscription our monthly magazine and a gift sub for someone or one of our explosive  books, including the ground-breaking Killing Trayvons. Show a little affection for subversion: consider an automated monthly donation. (We accept checks, credit cards, PayPal and cold-hard cash….)

paypal-donate-21

Don’t want to donate through PayPal?
Then click here to donate through our secure server.

 To contribute by phone you can call Becky or Deva toll free at: 1-800-840-3683

Thank you for your support,

Jeffrey, Joshua, Becky, Deva, and Nathaniel

CounterPunch
 PO Box 228, Petrolia, CA 95558

When Ugly is Suspicious

Landscape of Fear

by KEN AVIDOR

I always keep my sketchbook/journal and sometimes a digital camera handy in case I see a person or something in the landscape that I can record and take back to my studio to use in my artwork.

October 24th, a warm sunny day, I was riding my Schwinn Suburban north of downtown Minneapolis near the entrance of the Cedar Lake Trail. I just started sketching and photographing a big, roadside billboard when a a little white vehicle pulled up. The window rolled down and a uniformed security guard told me I couldn’t take pictures of the "the ramp".

I told him I was taking a picture of the billboard and I asked him what law said I couldn’t take pictures of a parking ramp, assuming I did want to take a picture of a parking ramp. The security guard says "taking pictures of the ramp endangers safety".

I said the First Amendment of the Constitution protected my right to draw or photograph the American landscape we all live in and look at every day. I asked him if he would have told Rembrandt, Van Gogh and Picasso to move on as well. He responded by calling the cops and turning on the flashing lights on top of his little white vehicle. I really didn’t think the police would bother with this call, so I started sketching the billboard in my journal.

Ten minutes later, a squad car pulls up and two bemused officers step out to question me. They agree that I have a right to photograph and draw the billboard, but they advise me that I would be behaving less "suspicious" if I didn’t draw something "ugly" like the billboard, but instead drew "something nice like the IDS building."

Up to that point I thought that all this had something to do with terrorism. But if a terrorist was photographing and sketching potential targets, wouldn’t the IDS building, the tallest building on the skyline be a more likely target than a lowly municipal parking ramp? According to the officers that questioned me, the problem boiled down to aesthetics…I guess "ugly" billboards and the parking ramp in the background are not on the MPD list of approved subjects for artistic depiction.

It was really bizarre to have to listen to these art critics with badges telling me which subjects I should portray in my artwork to avoid ‘suspicion". The cops were very nice and polite, but I couldn’t help remembering that there’s a bunch of people being held in Guantanamo and elsewhere "under suspicion" of being terrorists.

I have been stopped before for photographing and sketching in public. Usually this happens in the privatized landscape of suburban strip malls. This is the first time I’ve been harassed for sketching on a sidewalk in Minneapolis, a city of galleries, museums and universities. I always thought Minneapolis was too smart to succumb to the terror frenzy. If sketching and photographing something "ugly" is "suspicious" in this tiny liberal outpost, we’re in big trouble.

KEN AVIDOR is an artist in Minneapolis. He can be reached through his website, Avidor Studios.