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HOW MODERN MONEY WORKS — Economist Alan Nasser presents a slashing indictment of the vicious nature of finance capitalism; The Bio-Social Facts of American Capitalism: David Price excavates the racist anthropology of Earnest Hooten and his government allies; Is Zero-Tolerance Policing Worth More Chokehold Deaths? Martha Rosenberg and Robert Wilbur assay the deadly legacy of the Broken Windows theory of criminology; Gaming the White Man’s Money: Louis Proyect offers a short history of tribal casinos; Death by Incarceration: Troy Thomas reports from inside prison on the cruelty of life without parole sentences. Plus: Jeffrey St. Clair on how the murder of Michael Brown got lost in the media coverage; JoAnn Wypijewski on class warfare from Martinsburg to Ferguson; Mike Whitney on the coming stock market crash; Chris Floyd on DC’s Insane Clown Posse; Lee Ballinger on the warped nostalgia for the Alamo; and Nathaniel St. Clair on “Boyhood.”
"Look at Those Dead Bastards"

Real War Games

by SAUL LANDAU

Write “war games.” Hit Google search. In a millisecond untold possibilities appear. I endure a Charmin toilet paper commercial where a cartoon bear wipes his butt with the tissues. Then I enter the real game: “You’re a young cadet, taking part in war games, war zones include jeeps, tanks and jets to take cover behind,” the screen assures me.

Animated characters emerge. I try in vain to manipulate them to shoot the others before they shoot me. Harmless fun, part of the American Dream – at least when you’re escaping from reality!

Now type www.collateralmurder.com  Click on the video on top of the screen and you’ll see a reality show of the American experience in Baghdad in 2007.

In early April Wikileaks (a whistle-blowing and investigative journalism organization) released 17-minute edited black-and-white video taken from the camera attached to the Apache helicopter’s gun sight . This “classified” military video shows the gunners blowing away 12 civilians, including two Reuters news employees working in a Baghdad neighborhood. The internet public can now “enjoy” this video with its reality soundtrack. Imagine, from your computer screen or blackberry, you see real bullets hit dirt in front of their human targets.

The static-infested sound track features some of the shooters guffawing as their victims drop.  Will this tape inspire brand new video games that allow kids lounging in their living rooms to blow away image that look like people?

In the video a group of seemingly unarmed men walk down a street. Then we see a man carrying something black in his hand.  Hard to know what it is from a small image taken at a distance of several hundred feet. There had been combat somewhere in that neighborhood.

They do not know that in the air at a distance. Apache helicopter guns with attached cameras record the men walking, soldiers chatter into the radio about their suspicions until one “discovers” a gun in a man’s hand (it later turned out to be a camera). The soldier identifies it as an AK-47 and gets permission to fire.

We watch bullets churning up dirt, men falling and a soldier’s voice says:: “ha ha I hit ‘em .”

At one point, as the camera shows the corpses in the street, a soldier in sums up the quarter hour: “Look at those dead bastards.” Still another soldier chimes in :  “Light em all up. Come on, fire!”

This chatter occurs while a man, Saeed Chmagh, crawls, wounded on the ground. A solider in the gunship pleads: over the radio as if the wounded man could hear him to pick up a gun so he can finish him. Saeed subsequently died. The uniformed US gunmen, flying in a highly armored war copter, also shot and killed Reuters photographer Namir Noor-Eldeen. He held a camera, not a rifle, in his hand.

Then a van drives up, men emerge from it and from nearby houses and pick a wounded Iraqi. The Apache pilots plead to re-engage and quickly receive permission to open fire a second time. The Apache guns pulverize the van,  seriously wounding two children (as ground troops later discovered). Later in the video a Bradley vehicle enters the screen. Its driver laughingly reports. “I just ran over a body.” Neighbors reported the “body” of a man had been alive until the Bradley cut him in half.

WikiLeaks said it obtained the video from military whistleblowers and had been able to view and investigate it after breaking the encryption code.

Major John Redfield, a Central Command spokesman, said on Wednesday that neither Central Command based in Tampa, Florida, nor U.S. forces in Iraq "have a copy of that video" but added: "We’re not disputing the authenticity of it."

Amnesty International called for an independent, thorough and impartial investigation into the incident shown in the video. The Pentagon had classified the film before WikiLeaks told the military censors to stuff it. 
A senior US military official confirmed the video’s authenticity. The media at first ignored it. After all, Tiger Woods was about to hold a press conference.

Remember a common war against terrorism cliché: “They hate us for our freedom.”

Maybe “their” hate comes from concrete actions, not our freedom. The contents of this video shows the daily reality of war – when US troops invade and occupy another country – now 8 years in Afghanistan.

 In the fall of 2002 while filming “Iraq: Voices from the Street,” I asked Iraqis if they wanted the US to liberate them from Saddam Hussein.  In each neighborhood Iraqis pleaded, and demanded I tell President Bush not to come to Iraq. None defended Saddam Hussein. All scoffed at the idea that the regime had hidden wmd.

“Who invites you here?” one man asked. “Do not come. Not welcome. To come to another man’s land when you are not welcome is rude, bad manners.”

Millions of Vietnamese might have said “ditto” as millions of Afghans and Iraqis still do. No one invited us. The US government invades other countries, kills lots of its people, destroys its land, property and integrity and calls it defense of freedom and spread of democracy. But who invited us?

SAUL LANDAU is an Institute for Policy Studies fellow whose films are available (roundworldproductions.com). He is the author of A Bush and Botox World.

 

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