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HOLLYWOOD AND THE CIA — Film historian Ed Rampell details Hollywood’s entangled relationship with the CIA and the Pentagon; HOUSES OF THE DEAD: Nancy Kurshan exposes the cruel human rights offenses taking place inside America’s vast gulag of Control Unit Prisons; BROTHERHOOD OF SUMMER:  David Macaray charts the history of the most powerful union in the US: the Baseball Players Association; TAR SANDS COME TO AMERICA: Steve Horn explains how the Keystone Pipeline debates have diverted  attention from Big Oil’s other plans to transport Alberta’s oil into the US. PLUS: Jeffrey St. Clair on CONSTITUTIONAL ENTROPY; Mike Whitney on HOW THE BANKS TARGETED BLACKS; Chris Floyd on THE RISE OF BRITAIN’S TEA PARTY; Kristin Kolb on THE NEEDLE AND THE DAMAGE DONE; Kim Nicolini on the FILMS OF WILLIAM FRIEDKIN; and Lee Ballinger on POETS VS. THE ONE PERCENT.
A Photo Essay

Cairo Before the Blast

by ANDRE VLTCHEK

Cairo, January 28, 2013.

The smoke everywhere, tear gas, riot police with light and heavy weapons, protesters, religious cadres, even common thugs. Passionate speeches and confusion: I spoke to dozens of people and nobody knows what to do. Where are the protests supposed to lead? Dozens are dying in Port Said; hundreds may soon die in Cairo: the atmosphere is tense.

“Go away!” I am screamed at by one of the protesters. “They will soon start shooting.”

My eyes are watery – I had no time to buy gas mask.

The walls separate the city from the US Embassy and block at least 3 streets. I call it “Cairo Wall”. People are climbing it to get to safety. But where is safety? Climbing goes on in both directions. Around the wall, the stores get looted. There are thugs hiding in the ranks of protesters. There is misery, scavengers and beggars, all around the Tahrir Square.

I did not detect euphoria, this time: just a readiness to fight and to sacrifice. For what? I asked. “Against the government. Against the new constitution”, I was told. “Against what, that I understand. But for what?” No answer comes.

“Take my photo!” screams a kid. “I will soon fight.”

And the number of armed men keeps growing. And protesters are arriving, too. And the night is falling on the city. And Egypt is at the crossroad, ready to explode.

Primitive but provoking art.

Cairo street art.

 

Guards at the US Embassy.

Guards at the US Embassy.

 

Ready to fight.

Ready to fight.

 

Riot police and a blown up car.

Riot police and a torched car.

 

Breaking out the heavy stuff against the protesters.

Breaking out the heavy stuff against the protesters.

 

Some smile in the middle of the chaos.

Some smiles in the middle of the chaos.

 

An offering of shells.

An offering of shells.

They think the President should go far away.

They think the President should go far away.

 

One way to go to war.

One way to go to war.

A brave local reporter.

A brave local reporter.

Advancing through tear gas.

Advancing through tear gas.

 

An eager young man.

An eager young man.

 

Behind the Cairo wall.

Behind the Cairo wall.

 

Climbing to safety.

Climbing to safety.

 

Through the pinhole.

Through the pinhole.

 

Throwing stones at armed forces

Throwing stones at armed forces.

 

Cairo Wall separating city from the US Embassy area.

Cairo Wall separating city from the US Embassy area.

 

Child in the rioting city.

Child in the rioting city.

 

Determined anti-government voice.

Determined anti-government voice.

Andre Vltchek is a novelist, filmmaker and investigative journalist. He covered wars and conflicts in dozens of countries. His book on Western imperialism in the South Pacific – Oceania – is published by Lulu. His provocative book about post-Suharto Indonesia and market-fundamentalist model is called “Indonesia – The Archipelago of Fear” (Pluto). After living for many years in Latin America and Oceania, Vltchek presently resides and works in East Asia and Africa. He can be reached through his website.

All photos by Andre Vltchek.