Charles R. Larson

Charles R. Larson is Emeritus Professor of Literature at American University, in Washington, D.C. Email = Twitter @LarsonChuck.

Review: Roy Scranton’s “War Porn”

Become a Part of History: Buy a Brick for the Make America Great Again Wall

Review: Thomas Keneally’s “Napoleon’s Last Island”

Review: Mohed Altrad’s “Badawi”

Review: Brit Bennett’s “The Mothers”

Review: Sjón’s “Moonstone: the Boy Who Never Was”

Review: Okey Ndibe’s “Never Look an American in the Eye”

Review: Juan Gabriel Vásquez’s “Reputations”

Queen Lear? Deborah Levy’s “Hot Milk”

Review: Helen Dewitt’s “The Last Samurai”

Review: J. D. Vance’s “Hillbilly Elegy”

Ali Eteraz’s “Native Believer”

Review: Jonathan Safran Foer’s “Here I Am”

Review: Paulina Chiziane’s “The First Wife: a Tale of Polygamy”

Review: Basma Abdel Aziz’s “The Queue”

Review: Adrien Bosc’s “Constellation”

Review: Lisa Smith’s “Girl Walks Out of a Bar”

Review: B. George’s “The Death of Rex Ndongo”

Review: Han Kang’s “The Vegetarian”

Review: William E. Jones’s “True Homosexual Experiences”

Review: John Gregory Brown’s “A Thousand Miles from Nowhere”

Mychal Denzel Smith’s “Invisible Man, Got the Whole World Watching: a Young Black Man’s Education”

A Review of Mary Roach’s “Grunt”

Ghana’s Dark Past

On Homecoming and Belonging