Charles R. Larson
Review: Roy Scranton’s “War Porn”
November 21, 2016Review: Thomas Keneally’s “Napoleon’s Last Island”
November 11, 2016Review: Mohed Altrad’s “Badawi”
November 4, 2016Review: Brit Bennett’s “The Mothers”
October 28, 2016Review: Sjón’s “Moonstone: the Boy Who Never Was”
October 21, 2016Review: Okey Ndibe’s “Never Look an American in the Eye”
October 14, 2016Review: Juan Gabriel Vásquez’s “Reputations”
October 7, 2016Queen Lear? Deborah Levy’s “Hot Milk”
September 30, 2016Review: Helen Dewitt’s “The Last Samurai”
September 23, 2016Review: J. D. Vance’s “Hillbilly Elegy”
September 16, 2016Ali Eteraz’s “Native Believer”
September 9, 2016Review: Jonathan Safran Foer’s “Here I Am”
September 2, 2016Review: Paulina Chiziane’s “The First Wife: a Tale of Polygamy”
August 26, 2016Review: Basma Abdel Aziz’s “The Queue”
August 19, 2016Review: Adrien Bosc’s “Constellation”
August 12, 2016Review: Lisa Smith’s “Girl Walks Out of a Bar”
August 5, 2016Review: B. George’s “The Death of Rex Ndongo”
July 29, 2016Review: Han Kang’s “The Vegetarian”
July 22, 2016Review: William E. Jones’s “True Homosexual Experiences”
July 15, 2016Mychal Denzel Smith’s “Invisible Man, Got the Whole World Watching: a Young Black Man’s Education”
July 1, 2016A Review of Mary Roach’s “Grunt”
June 24, 2016Ghana’s Dark Past
June 17, 2016On Homecoming and Belonging
June 10, 2016
