Charles R. Larson

Charles R. Larson is Emeritus Professor of Literature at American University, in Washington, D.C. Email = Twitter @LarsonChuck.

Review: Hernan Diaz’s “In the Distance”

Review: Daniel Galera’s “The Shape of Bones”

Review: Sasha Abramsky’s “Jumping at Shadows: The Triumph of Fear and the End of the American Dream”

Review: Paul Yoon’s “The Mountain”

Review: Nicole Krauss’s “Forest Dark”

Review: Abdulrazak Gurnah’s “Gravel Heart”

Review: Gijs Van Hensbergen’s “The Sagrada Família”

Review: Orhan Pamuk’s “The Red-Haired Woman”

Review: Lawrence P. Jackson’s “Chester B. Himes”

Review: Curtis Dawkins’ “The Graybar Hotel”

Review: Omar Robert Hamilton’s “The City Always Wins”

Review: Norman Lock’s “A Fugitive in Walden Woods”

Review: James Q. Whitman’s “Hitler’s American Model”

Review: Max Décharné’s “Vulgar Tongues: An Alternative History of English Slang”

Review: Igiaba Scego’s “Adua”

The Crybaby in the White House

Review: Alain Mabanckou’s “Black Moses”

Review: Malin Persson Giolito’s “Quicksand”

Review: Arundhati Roy’s “The Ministry of Utmost Happiness”

Review: Édouard Louis’s “The End of Eddy”

Review: Michel Stone’s “Border Child”

Review: Mary V. Dearborn’s “Ernest Hemingway”

Review: Allan Lichtman’s “The Case for Impeachment”

Review: Ivanka Trump’s “Women Who Work”

Review: Domenico Starnone’s “Ties”