My wife and I have been binge watching the ABC series (2014-2020) ‘How To Get Away With Murder’, streaming on Netflix (a new thing for us, in 2020, after no TV of any kind since about 2004).
What I find intriguing about this show is that it is a chained murder soap opera heavily laced with extensive social justice stories and courtroom speeches, all made commercially viable and popular by liberal use of hyperactive sex scenes, fast-paced hyper-dramatic emotionalism, cast inclusivity by all parameters (black, white, Latino/Latina, Asian, Muslim, gay, straight, bi, every possible permutation of those), fast-paced “gritty” violence, glitzy ‘hip’ (sic) modernism/colloquialism/argot, with a crew of millennials front and center, along with an Academy Award winning actress (Viola Davis, the lead) who is also producer/executive producer (which undoubtedly was essential to getting the original ABC approval and funding), and – excellently – a large number of African-American actors/actresses who are: strong, pivotal, quick, sharp, superb with language (from the King’s English all the way to ghetto, downhome and jailhouse argot), eye-appealing when that is necessary for the stories, and both “heroes” and “villains.”
Even with the many exaggerations and razzmatazz for commercial appeal, the show has managed to really blast away (mercilessly) at many injustices in American society. I think the show is a good example of the entertainers behind it using their professional skills to really put out strong and timely social justice messages while simultaneously cutting good paychecks for themselves. Of course, one could instead argue that they are somewhat cynically exploiting popular social justice hopes (of the Barack Obama type of “hope and change” longings) to capture “audience share,” but I don’t think that is the case.
Because of our binge watching of this show (6 seasons of 15 episodes each = 90), those social justice issues (as expressed really vividly in the show) have been much on my mind.
Viola Davis is the star and standout performer, the whole series is built around her as an actress, and around her character. She’s phenomenal. Excepting her, my favorite characters are “Frank Delfino” and “Bonnie Winterbottom,” they have enviable fortitude. My favorite hairstyle for “Annalise Keating” (Viola Davis) is her last one. I’ll be thinking of this show the next time I’m called to jury duty.