FacebookTwitterGoogle+RedditEmail

On Gilad Atzmon’s “The Definitive Israeli Lexicon”

Infamous for his earlier book, “The Wandering Who?: A Study in Jewish Identity Politics” (2011), Gilad Atzmon has collaborated with Italian cartoonist and interior designer, Enzo Apicella to produce “The Definitive Israeli Lexicon, A to Zion”.

Since the publication of “The Wandering Who?” Atzmon has been vilified and dragged through the mud of slander by the Jewish/Israeli establishment, accused of anti-Semitism and being a self-hating Jew.  Born in Israel of Jewish parents, and having served in the IDF, Atzmon became disenchanted, to say the least, with Israel and its policies in Palestine and against the Palestinian people.  He moved to England to follow a career in jazz music as a talented saxophone player, and put himself through university where he studied philosophy and earned a masters degree.

Atzmon has been on the road playing concerts and lecturing on the meaning of his book for a number of years, and despite the criticisms of it, it still sells widely and has had an enormous influence on public opinion of Judaism and Israeli policies.  The same public who were moved by Walt and Mearsheimer’s book, “The Israeli Lobby”, are moved by Atzmon.atzmonlex

The book under review is, on the surface, of a much different nature.  “A to Zion” is intended to be a book of humor, attacking the shibboleths of Zionism.  But, as we know, Jewish humor is directed at itself and is often self deprecating.  Atzmon uses it often in his lectures and conferences.  And in his travels he has picked up a lot of this humor and translates it in this book as jabs against Zionism.  A short aphoristic book of only a hundred or so pages, it is designed to alphabetically define certain aspects of Zionism and Zionist personalities in one-liner jabs.  Interspersed throughout are delicious cartoons by Apicella, a cartoonist I have never encountered before this book.  His drawings are clever enough to be editorial cartoons in any newspaper.  They probably are in Italy.

Here are just a few of the one liners that grab attention:

* Aliya – Jewish immigration to Israel; initially it was supposed to solve the Jewish question.  In practice, it just moved it to a new location.

* Bar Mitzvah – the moment when the male Jew accepts that his foreskin is not going to grow back.

* Humour, Jewish – diverts attention from the problematic symptoms by means of self-deprecation.

* Zionism – a false promise to take the Jews away and to give the goyim a break.

Please, run out and buy a copy of this book.  It will knock a hole in all your prejudices.

A short video on The Definitive Israeli Lexicon.

Eugene Schulman lives in Geneva, Switzerland.

More articles by:
Weekend Edition
September 21, 2018
Friday - Sunday
Paul Street
Laquan McDonald is Being Tried for His Own Racist Murder
Brad Evans
What Does It Mean to Celebrate International Peace Day?
Alexandra Isfahani-Hammond
Hurricane Florence and 9.7 Million Pigs
Nick Pemberton
With or Without Kavanaugh, The United States Is Anti-Choice
Andrew Levine
Israel’s Anti-Semitism Smear Campaign
Jim Kavanagh
“Taxpayer Money” Threatens Medicare-for-All (And Every Other Social Program)
Jonathan Cook
Palestine: The Testbed for Trump’s Plan to Tear up the Rules-Based International Order
Jeffrey St. Clair
Roaming Charges: the Chickenhawks Have Finally Come Back Home to Roost!
David Rosen
As the Capitalist World Turns: From Empire to Imperialism to Globalization?
Jonah Raskin
Green Capitalism Rears Its Head at Global Climate Action Summit
James Munson
On Climate, the Centrists are the Deplorables
Robert Hunziker
Is Paris 2015 Already Underwater?
Arshad Khan
Will Their Ever be Justice for Rohingya Muslims?
Jill Richardson
Why Women Don’t Report Sexual Assault
Dave Clennon
A Victory for Historical Accuracy and the Peace Movement: Not One Emmy for Ken Burns and “The Vietnam War”
W. T. Whitney
US Harasses Cuba Amid Mysterious Circumstances
Nathan Kalman-Lamb
Things That Make Sports Fans Uncomfortable
George Capaccio
Iran: “Snapping Back” Sanctions and the Threat of War
Kenneth Surin
Brexit is Coming, But Which Will It Be?
Louis Proyect
Moore’s “Fahrenheit 11/9”: Entertaining Film, Crappy Politics
Ramzy Baroud
Why Israel Demolishes: Khan Al-Ahmar as Representation of Greater Genocide
Ben Dangl
The Zapatistas’ Dignified Rage: Revolutionary Theories and Anticapitalist Dreams of Subcommandante Marcos
Ron Jacobs
Faith, Madness, or Death
Bill Glahn
Crime Comes Knocking
Terry Heaton
Pat Robertson’s Hurricane “Miracle”
Dave Lindorff
In Montgomery County PA, It’s Often a Jury of White People
Louis Yako
From Citizens to Customers: the Corporate Customer Service Culture in America 
William Boardman
The Shame of Dianne Feinstein, the Courage of Christine Blasey Ford 
Ernie Niemi
Logging and Climate Change: Oregon is Appalachia and Timber is Our Coal
Jessicah Pierre
Nike Says “Believe in Something,” But Can It Sacrifice Something, Too?
Paul Fitzgerald - Elizabeth Gould
Weaponized Dreams? The Curious Case of Robert Moss
Olivia Alperstein
An Environmental 9/11: the EPA’s Gutting of Methane Regulations
Ted Rall
Why Christine Ford vs. Brett Kavanaugh is a Train Wreck You Can’t Look Away From
Lauren Regan
The Day the Valves Turned: Defending the Pipeline Protesters
Ralph Nader
Questions, Questions Where are the Answers?
Binoy Kampmark
Deplatforming Germaine Greer
Raouf Halaby
It Should Not Be A He Said She Said Verdict
Robert Koehler
The Accusation That Wouldn’t Go Away
Jim Hightower
Amazon is Making Workers Tweet About How Great It is to Work There
Robby Sherwin
Rabbi, Rabbi, Where For Art Thou Rabbi?
Vern Loomis
Has Something Evil This Way Come?
Steve Baggarly
Disarm Trident Walk Ends in Georgia
Graham Peebles
Priorities of the Time: Peace
Michael Doliner
The Department of Demonization
David Yearsley
Bollocks to Brexit: the Plumber Sings
FacebookTwitterGoogle+RedditEmail