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The Gores and PMRC were prudent about one sector of the recording industry, headquartered in their occasional home port of Tennessee. Country music, despite its obsession with despair, drinking, adultery, suicide, and revenge, was spared their scrutiny.

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Jeffrey St. Clair is editor of CounterPunch. His most recent book is An Orgy of Thieves: Neoliberalism and Its Discontents (with Alexander Cockburn). He can be reached at: sitka@comcast.net or on Twitter @JeffreyStClair3