FacebookTwitterGoogle+RedditEmail

Western “Culture” is Wrecking Entire Continents

You say “European cultural institutions”, and what should come immediately to mind are lavish concerts, avant-garde art exhibitions, high quality language courses and benevolent scholarships for talented cash-strapped local students.

It is all so noble, so civilized!

Or, is it really? Think twice!

I wrote my short novel, “Aurora”, after studying the activities of various Western ‘cultural institutions’, in virtually all the continents of the Planet. I encountered their heads; I interacted with the ‘beneficiaries’ of various funding schemes, and I managed to get ‘behind the scenes’.51vacfmtul-_sx311_bo1204203200_

What I discovered was shocking: these shiny ‘temples of culture’ in the middle of so many devastated and miserable cities worldwide (devastated by the Western imperialism and by its closest allies – the shameless local elites), are actually extremely closely linked to Western intelligence organizations. They are directly involved in the neo-colonialist project, which is implemented virtually on all continents of the world, by North America, Europe and Japan.

‘Culture’ is used to re-educate and to indoctrinate mainly the children of the local elites. Funding and grants are put to work where threats and killing were applied before. How does it work? It is actually all quite simple: rebellious, socially-oriented and anti-imperialist local artists and thinkers are now shamelessly bought and corrupted. Their egos are played on with great skill. Trips abroad for ‘young and talented artists’ are arranged, funding dispersed, scholarships offered.

Carrots are too tasty, most would say, ‘irresistible’. Seals of approval from the Empire are ready to stamp those blank pages of the lives of still young, unrecognized but angry and sharp young artists and intellectuals from those poor, colonized countries. It is so easy to betray! It is so easy to bend.

Some, very few countries are almost incorruptible, like Cuba. But Cuba is a unique country. And it is intensively demonized by the Western propaganda. “Patria no se vende!” they say there, or in translation “One does not sell Fatherland!” But one, unfortunately, does, almost everywhere else in the world: from Indonesia to Turkey, from Kenya to India.

***

Aurora” opens in a small cafe in an ancient city in Indonesia (which is not called Indonesia). Hans, the German head of an unnamed cultural institute is talking to his local ‘disciples’. He loves his life here: all the respect he gets, those countless women he is sexually possessing and humiliating, the lavish lifestyle he is allowed to lead.

A woman enters; a beautiful woman, a proud woman, an artist, a woman who was born here but who left, many years ago, for far away Venezuela. Her name is Aurora. Her husband is Orozco, a renowned revolutionary painter. Aurora’s sister was killed in this country, because she refused to give up her revolutionary art. She was kidnapped, tortured, raped, and then murdered. Hans, the head of a European cultural organization, was involved.

Aurora confronts Hans, and in reality, the entire European culture of plunder and colonialism.

And that night she is joined, she is supported, by Wolfgang Amadeus Mozart, or more precisely, by his merry ghost, who is thoroughly disgusted of being used as one of the symbols of the ‘culture’ which destroyed him personally, which destroyed the very essence of the arts, and which has been in fact destroying, for centuries, this entire Planet.

***

When I recently shared the plot of “Aurora” with a local ‘independent’ filmmaker in Khartoum, Sudan, he first listened attentively, and then with horror, and in the end he made a hasty dash towards the door. He escaped, not even trying to hide his distress. Later I was told that he is fully funded by Western ‘cultural institutions’.

After reading it, my African comrades, several leading anti-imperialist fighters, immediately endorsed the book, claiming that it addressed some of the essential problems their continent is facing.

The cultural destruction the Empire is spreading is similar everywhere: in Africa, Asia and in Latin America.

I wrote “Aurora” as a work of art, as fiction. But I also wrote it as a J’accuse, as a detailed study of cultural imperialism.

My dream is that it would be read by millions of young thinkers and artists, on all continents, that it would help them to understand how the Empire operates, and how filthy and disgraceful betrayal is.

More articles by:

Andre Vltchek is a philosopher, novelist, filmmaker and investigative journalist. He has covered wars and conflicts in dozens of countries. Three of his latest books are his tribute to “The Great October Socialist Revolution” a revolutionary novel “Aurora” and a bestselling work of political non-fiction: “Exposing Lies Of The Empire. View his other books here. Watch Rwanda Gambit, his groundbreaking documentary about Rwanda and DRCongo and his film/dialogue with Noam Chomsky “On Western Terrorism”. Vltchek presently resides in East Asia and the Middle East, and continues to work around the world. He can be reached through his website and his Twitter.

June 19, 2018
Ann Robertson - Bill Leumer
We Can Thank Top Union Officials for Trump
Lawrence Davidson
The Republican Party Falls Apart, the Democrats Get Stuck
Sheldon Richman
Trump, North Korea, and Iran
Richard Rubenstein
Trump the (Shakespearean) Fool: a New Look at the Dynamics of Trumpism
Kevin Zeese - Margaret Flowers
Protect Immigrant Rights; End the Crises That Drive Migration
Gary Leupp
Norway: Just Withdraw From NATO
Kristine Mattis
Nerd Culture, Adultolescence, and the Abdication of Social Priorities
Mike Garrity
The Forest Service Should Not be Above the Law
Colin Todhunter
Pro-GMO Activism And Smears Masquerade As Journalism: From Seralini To Jairam Ramesh, Aruna Rodrigues Puts The Record Straight
Doug Rawlings
Does the Burns/Novick Vietnam Documentary Deserve an Emmy?
Kenneth Surin
2018 Electioneering in Appalachian Virginia
Nino Pagliccia
Chrystia Freeland Fails to See the Emerging Multipolar World
John Forte
Stuart Hall and Us
June 18, 2018
Paul Street
Denuclearize the United States? An Unthinkable Thought
John Pilger
Bring Julian Assange Home
Conn Hallinan
The Spanish Labyrinth
Patrick Cockburn
Attacking Hodeidah is a Deliberate Act of Cruelty by the Trump Administration
Gary Leupp
Trump Gives Bibi Whatever He Wants
Thomas Knapp
Child Abductions: A Conversation It’s Hard to Believe We’re Even Having
Robert Fisk
I Spoke to Palestinians Who Still Hold the Keys to Homes They Fled Decades Ago – Many are Still Determined to Return
Steve Early
Requiem for a Steelworker: Mon Valley Memories of Oil Can Eddie
Jim Scheff
Protect Our National Forests From an Increase in Logging
Adam Parsons
Reclaiming the UN’s Radical Vision of Global Economic Justice
Dean Baker
Manufacturing Production Falls in May and No One Notices
Laura Flanders
Bottom-Up Wins in Virginia’s Primaries
Binoy Kampmark
The Anguish for Lost Buildings: Embers and Death at the Victoria Park Hotel
Weekend Edition
June 15, 2018
Friday - Sunday
Dan Kovalik
The US & Nicaragua: a Case Study in Historical Amnesia & Blindness
Jeremy Kuzmarov
Yellow Journalism and the New Cold War
Charles Pierson
The Day the US Became an Empire
Jonathan Cook
How the Corporate Media Enslave Us to a World of Illusions
Ajamu Baraka
North Korea Issue is Not De-nuclearization But De-Colonization
Andrew Levine
Midterms Coming: Antinomy Ahead
Louisa Willcox
New Information on 2017 Yellowstone Grizzly Bear Deaths Should Nix Trophy Hunting in Core Habitat
Jeffrey St. Clair
Roaming Charges: Singapore Fling
Ron Jacobs
What’s So Bad About Peace, Man?
Robert Hunziker
State of the Climate – It’s Alarming!
L. Michael Hager
Acts and Omissions: The NYT’s Flawed Coverage of the Gaza Protest
Dave Lindorff
However Tenuous and Whatever His Motives, Trump’s Summit Agreement with Kim is Praiseworthy
Robert Fantina
Palestine, the United Nations and the Right of Return
Brian Cloughley
Sabre-Rattling With Russia
Chris Wright
To Be or Not to Be? That’s the Question
David Rosen
Why Do Establishment Feminists Hate Sex Workers?
Victor Grossman
A Key Congress in Leipzig
John Eskow
“It’s All Kinderspiel!” Trump, MSNBC, and the 24/7 Horseshit Roundelay
Paul Buhle
The Russians are Coming!
FacebookTwitterGoogle+RedditEmail