FacebookTwitterRedditEmail

The Indian Point Nukes: a Disaster Waiting to Happen

“Indian Point” is a film about the long problem-plagued Indian Point nuclear power plants that are “so, so risky—so close to New York City,” notes its director and producer Ivy Meeropol. “Times Square is 35 miles away.”

The plants constitute a disaster waiting to happen threatening especially the lives of the 22 million people who live within 50 miles from them. “There is no way to evacuate—what I’ve learned about an evacuation plan is that there is none,” says Meeropol. The plants are “on two earthquake fault lines,” she notes. “And there is a natural gas pipeline right there that an earthquake could rupture.”

Meanwhile, both plants, located in Buchanan, New York along the Hudson River, are now essentially running without licenses. The federal government’s 40-year operating license for Indian Point 2 expired in 2013 and Indian Point 3’s license expired last year. Their owner, Entergy, is seeking to have them run for another 20 years—although nuclear plants were never seen as running for more than 40 years because of radioactivity embrittling metal parts and otherwise causing safety problems. (Indian Point 1 was opened in 1962 and closed in 1974, its emergency core cooling system deemed impossible to fix.)

At Indian Point 2 and 3 there have been frequent accidents and issues involving releases of radioactivity through the years. The discharges of tritium or irradiated water, H30, which cannot be filtered out of good water, into the aquifer below the Westinghouse nuclear plants and also the Hudson River have been a major concern.

But it’s not just Indian Point that “Indian Point” is about. The film emphasizes: “With so much attention focused on Indian Point, the future of nuclear plants in the United States might depend on what happens here.”

“I would give the film an ‘A.’ I wholeheartedly recommend it for wide release throughout the United States,” says Priscilla Star, founder of the Coalition Against Nukes: “It is a stellar learning tool. It depicts the David-versus-Goliath struggle involving those trying to close these decrepit nuclear plants and the profit-hungry nuclear industry. It shows grassroots activists fighting the time bombs in their community.”

The film premiered at the Tribeca Film Festival last year. For the past two weeks it has been showing five-times-a-day at the Film Society of Lincoln Center, also in Manhattan. That run will go until Thursday, July 21. On Friday, July 22, it is to open in Los Angeles. After its theatrical release, it will air on the Epix cable TV channel.

Among those in the film are anti-Indian Point activist Marilyn Elie and long-time environmental journalist Roger Witherspoon who has written extensively about Indian Point. And also Entergy employees appear. Meeropol and her crew were given full access to the nuclear plants.

The documentary provides a special focus on Dr. Gregory Jaczko. He was chairman of the U.S. Nuclear Regulatory Commission (NRC) when the Fukushima nuclear plant disaster in Japan began in March 2011. As notes Meeropol, Jaczko sought to have “lessons learned” from the Fukushima catastrophe—which involved General Electric nuclear plants—applied to nuclear power plants in the U.S. And he was given “a really tough time.” Pressure by the nuclear industry caused Jaczko, with a doctorate in physics from the University of Wisconsin, Madison, to be “pushed out” as NRC chairman and member. Meeropol tells of how “this guy, a decent person trying to do his job, was completely abused.”

Meeropol, in an interview, said the NRC “is too closely linked to the nuclear industry. It’s not going to do anything that the nuclear industry regards as too costly or onerous. I want that to be one of the biggest takeaways from the film—how a regulatory body cares more about the industry it is supposed to regulate than the public. And of all industries that should be regulated, it’s the nuclear power industry.” She said she found the nuclear industry and nuclear energy officials in the U.S. government “one and the same.”

Meeropol began the “Indian Point” film project in January 2011. She had moved from Brooklyn up to the Hudson Valley “a decade ago when our son was born. Commuting in and out of the city on the Metro-North train, I went right past the plants. They looked so foreboding and odd there in that beautiful landscape.”

Also, until she, her husband and son moved upstate, “having lived in New York City, I had no idea how close they were to the city.”

Further, in the community where they went to live, Cold Spring, 15 miles from the plants. “we could hear the [emergency] sirens” from the plants and she was unsettled receiving in the mail an “emergency preparedness booklet titled: ‘Are You Ready?’”

So the experienced filmmaker started doing research on the “dangerous endeavor of making nuclear energy.” With the Fukushima disaster beginning just a few months after she started on the film, that “broadened” its perspective.

She said the films she has made have always been “character-driven” and she was attracted to feature in “Indian Point” Marilyn Elie—“she knows her stuff”—and Roger Witherspoon. “I liked his dynamic. He is a journalist. She is an activist.” She stressed to Entergy officials that she would be even-handed “and quite amazingly was given access” to the plants. Her connecting with Jaczko was crucial. It “became my crusade to redeem Greg Jaczko before the world.”

She started making the film on a shoe string. “I ran out of money numerous times.” But she was able to get financial support from the Sundance Institute, the New York Foundation for the Arts and the Catapult Fund, and individual contributions. And “partnering” with Julie Goldman, founder of Motto Films, was extremely important. Goldman is also producer of “Indian Point.” A “very generous grant” was received from the MacArthur Foundation which also “opened up other doors.”

The avidly pro-nuclear New York Times (its pro-Indian Point editorials never cease and its last reporter who long covered the plants and the nuclear industry has now gone on to a job with the PR arm of the industry) said in its review: “’Indian Point’ is a good overview of the issues, with insights into the problems of regulating the industry.” It complained about Meeropol’s being “steadfast in providing both sides.”

Meanwhile, Indian Point sits there on the Hudson, continuing with accidents and in emitting what the NRC says are “permissible” levels of radioactivity. They are highly likely candidates for a Chernobyl or Fukushima-level catastrophe in the most highly populated area of the United States. And the NRC, steadfastly ignoring Jaczko’s warnings, in league with Entergy, seeks to let the decrepit time bombs run for another 20 years—just asking for disaster.

The good news is that New York State Governor Andrew Cuomo has been endeavoring to have the Indian Point nuclear plants closed and safe-energy activists and an array of environmental and safe-energy organizations are working hard to shut them down—and the film “Indian Point” is out.

More articles by:

Karl Grossman, professor of journalism at State University of New York/College at Old Westbury, and is the author of the book, The Wrong Stuff: The Space’s Program’s Nuclear Threat to Our Planet. Grossman is an associate of the media watch group Fairness and Accuracy in Reporting (FAIR). He is a contributor to Hopeless: Barack Obama and the Politics of Illusion.

bernie-the-sandernistas-cover-344x550
February 26, 2020
Matthew Hoh
Heaven Protect Us From Men Who Live the Illusion of Danger: Pete Buttigieg and the US Military
Jefferson Morley
How the US Intelligence Community is Interfering in the 2020 Elections
Patrick Cockburn
With Wikileaks, Julian Assange Did What All Journalists Should Do
Manuel García, Jr.
Climate Change and Voting 2020
Kollibri terre Sonnenblume
Russiagate: The Toxic Gift That Keeps on Giving
Andrew Bacevich
Going Off-Script in the Age of Trump
Jeremy Kuzmarov
Anti-Russian Xenophobia Reaches Ridiculous Levels
Ted Rall
Don’t Worry, Centrists. Bernie Isn’t Radical.
George Wuerthner
Whatever Happened to the Greater Yellowstone Coalition?
Scott Tucker
Democratic Socialism in the Twenty-First Century
Jonah Raskin
The Call of the Wild (2020): A Cinematic Fairy Tale for the Age of Environmental Disaster
George Ochenski
Why We Shouldn’t Run Government Like a Business
Binoy Kampmark
Julian Assange and the Imperium’s Face: Day One of the Extradition Hearings
Nozomi Hayase
Assange’s Extradition Hearing Reveals Trump’s War on Free Press Is Targeting WikiLeaks Publisher
Peter Harrison
Is It as Impossible to Build Jerusalem as It is to Escape Babylon? (Part Two)
Max Moran
Meet Brad Karp, the Top Lawyer Bankrolling the Democrats
David Swanson
Nonviolent Action for Peace
Ed Sanders
The Ex-Terr GooGoo Eyes “The Russkies Did it!” Plot
February 25, 2020
Michael Hudson
The Democrats’ Quandary: In a Struggle Between Oligarchy and Democracy, Something Must Give
Paul Street
The “Liberal” Media’s Propaganda War on Bernie Sanders
Sheldon Richman
The Non-Intervention Principle
Nicholas Levis
The Real Meaning of Red Scare 3.0
John Feffer
Cleaning Up Trump’s Global Mess
David Swanson
How Are We Going to Pay for Saving Trillions of Dollars?
Ralph Nader
Three Major News Stories That Need To Be Exposed
John Eskow
What Will You Do If the Democrats Steal It from Sanders?
Dean Baker
What If Buttigieg Said That He Doesn’t Accept the “Fashionable” View That Climate Change is a Problem?
Jack Rasmus
The Nevada Caucus and the Desperation of Democrat Elites
Howard Lisnoff
The Powerful Are Going After Jane Fonda Again
Binoy Kampmark
Viral Losses: Australian Universities, Coronavirus and Greed
John W. Whitehead
Gun-Toting Cops Endanger Students and Turn Schools into Prisons
Marshall Sahlins
David Brooks, Public Intellectual
February 24, 2020
Stephen Corry
New Deal for Nature: Paying the Emperor to Fence the Wind
M. K. Bhadrakumar
How India’s Modi is Playing on Trump’s Ego to His Advantage
Jennifer Matsui
Tycoon Battle-Bots Battle Bernie
Robert Fisk
There’s Little Chance for Change in Lebanon, Except for More Suffering
Rob Wallace
Connecting the Coronavirus to Agriculture
Bill Spence
Burning the Future: the Growing Anger of Young Australians
Eleanor Eagan
As the Primary Race Heats Up, Candidates Forget Principled Campaign Finance Stands
Binoy Kampmark
The Priorities of General Motors: Ditching Holden
George Wuerthner
Trojan Horse Timber Sales on the Bitterroot
Rick Meis
Public Lands “Collaboration” is Lousy Management
David Swanson
Bloomberg Has Spent Enough to Give a Nickel to Every Person Whose Life He’s Ever Damaged
Peter Cohen
What Tomorrow May Bring: Politics of the People
Peter Harrison
Is It as Impossible to Build Jerusalem as It is to Escape Babylon?
FacebookTwitterRedditEmail