FacebookTwitterGoogle+RedditEmail

Gaza: Resistance Through Poetry

“(At dawn) … I will resist … (Since) upon the wall there is still a white sheet … And my fingers are yet to (completely) dissolve.”

This is a translated verse from Mu’in Bseiso’ “Three Walls of the Torture Chamber”. He was -and remains – one of Gaza’s most influential intellectual and renowned poets.

After Israel occupied the Gaza Strip in 1967, he lived in exile for the rest of his life, hopping from one country to another. Many of Gaza’s great intellectuals were exiled as well; others languished in jail or were assassinated.

Bseiso died in some London hotel in 1984. One of his older plays carrying this verse envisaging his death.

“And my tongue was a sword … But I am now dying … And my (only) witnesses are these four muted walls.”

Every phase of Bseiso’s literary work carried clues to the struggle faced by Palestinians throughout their modern history, which he echoed in his poems until his passing. His words spoke of resistance, love, torture chambers and naked walls, children coloring on a beach, exile … oh, the endless exile.

But Resistance featured prominently in almost everything he wrote.

“If I fall, comrade, in the struggle, take my place,

And gaze at my lips as they halt the madness of the wind.

I have not died … I am still calling you from beyond my wounds.

Sound your drums, so that the whole people may heed your call and fight …” (The Battle)

The spirit of Gaza is the spirit of Mu’in Bseiso: beautiful, poetic, tortured, strong, undying, and loving and although confined by ever-shrinking spaces, always resisting.

I am writing this, not only as a nod of gratitude to Gaza’s great poet for the way he influenced me and several generations of Palestinian and Arab intellectuals in Gaza and elsewhere, but to denote a fact that seems to escape many of us: Gaza is also an abode of poetry.

Alas, how many of us can name a single Palestinian poet from Gaza? Likely, very few. It is because we are accustomed to affiliating Gaza with death, not life. Poetry is the greatest intellectual affirmation of life because great poets never die. Their verses linger like the roots of an ancient Palestinian olive tree.

This is what Asmaa al-Ghoul, one of Gaza’s finest young writers and bloggers, wrote of a poetry festival held in Gaza City a few years ago. The event, which took place in 2013, was staged sometime between the two most destructive wars launched by Israel against the besieged Strip:

“It was standing room only, after all seats at the French Cultural Center had been taken,” she reported. The crowd came to celebrate Gaza’s poets, including Hind Jawdah, who recited:

“I have no thirst above my forehead … No love under my skin … My waist is not snapping … Nor has the cactus raised itself to my face … I am on a horse of lust … Combing the hair of freedom … The gypsy girl is dancing and inspiring the world.”

Gaza has not inspired the world because of its high death toll as a result of Israeli wars, because of its polluted water or because it is becoming growingly ‘uninhabitable’ – as a United Nations report recently indicated. Gaza is inspiring because it is still standing, despite everything.

Not just standing, but living and – dare I say – thriving, too. Reporting from Gaza last week, Yousef Aljamal wrote of a similar crowd that flocked the Science and Cultural Center in Al-Nuseirat Refugee Camp. The reason they gathered was to celebrate the life and works of William Shakespeare.

After a few passionate speeches about the great English poet, the audience watched an animation film of King Lear, composed and performed by the Refugee Camp’s youth.

“Dr. Abdallah Kurraz, Professor of English Literature at Al-Azhar University, highlighted Shakespeare’s ability ‘to use language and discuss universal themes such as freedom and equality,” wrote Aljamal.

Yousef Aljamal lives in Al-Nuseirat Refugee Camp. His family suffered irreversible losses from war and siege. His brother, Omar, was killed by the Israeli army in 2004. He was a Resistance fighter. The family named one of their newborn children, Omar – to carry on the legacy of their eldest son.

A few years later, in 2007, Yousef’s sister, Zeinab, died because of the Israeli siege on the impoverished Strip.

“She had a problem with her gallbladder. She had to undergo surgery. The operation was described as ‘simple’ by doctors, yet some of the equipment needed for it was not available in Gaza hospitals,” he wrote. All of her attempts at acquiring permission to reach a hospital in Jerusalem have failed, owing to the Israeli pretext that she was a ‘security threat.’

“Poison started to spread in her body through the veins. Her skin turned yellow, literally. I was shocked as I saw yellow invading her body when I went to visit her at al-Aqsa Martyrs Hospital in Deir al-Balah.” Soon after, Zeinab died.

But Yousef, 27, has an unsubdued energy for life. He is a reporter, a translator, a scholar, and a community organizer. He has helped translate and edit several books on Gaza and written many articles from the Strip. While much of his work is, rightly, dedicated to the suffering of Palestinians there as a result of Israel’s wars and protracted siege, a large portion of his work is also a testament to the resilient spirit of Gazans. Yousef, like most Gazans, refuses to see himself as a victim.

But can the rest of us understand that? Helping an American organization raise funds to host the Rachel Corrie Ramadan Soccer Tournament in Gaza, I shared a press release on social media, urging supporters to donate.

I also wrote this note: “The Rachel Corrie Football tournament is one of the most uplifting events held in Gaza every Ramadan. It makes a whole lot of young people happy. It brings the community together. It espouses a sense of joy at a time that Palestinians in the Gaza Strip need it most.”

While many seemed enthusiastic to spread the word, a reader from London wrote to me: “Isn’t it best to spend the money on feeding the starving children instead of silly football tournaments?”

Reading the comment made me wonder if we are all guilty of dehumanizing Gaza. Forget about the Israeli hasbara machine that attempts to paint Gazans as terrorists and those digging tunnels to obtain food and freedom as criminals and smugglers. Sadly, many of those who strongly stand in solidarity with Gaza have fallen into the same trap: seeing Gazans as perpetual victims, mutilated bodies, starving children, destroyed homes …

To highlight Israel’s human rights violations, some feed into that narrative which almost refuses to see Gazans as strong, dignified human beings, creative, loving, living and resisting.

True, the wars have devastated Gaza and the siege is severely diminishing its ability to develop the massive and promising human capital it has. But it has not disfigured its essence, or lessened its humanity. Gaza remains a place of poets, artists, dabka dancers and untamable spirits of utterly resilient and refreshingly stubborn people.

More articles by:

Dr. Ramzy Baroud has been writing about the Middle East for over 20 years. He is an internationally-syndicated columnist, a media consultant, an author of several books and the founder of PalestineChronicle.com. His latest book is My Father Was a Freedom Fighter: Gaza’s Untold Story (Pluto Press, London). His website is: ramzybaroud.net

Weekend Edition
November 16, 2018
Friday - Sunday
Jonah Raskin
A California Jew in a Time of Anti-Semitism
Andrew Levine
Whither the Melting Pot?
Joshua Frank
Climate Change and Wildfires: The New Western Travesty
Nick Pemberton
The Revolution’s Here, Please Excuse Me While I Laugh
T.J. Coles
Israel Cannot Use Violent Self-Defense While Occupying Gaza
Rob Urie
Nuclear Weapons are a Nightmare Made in America
Paul Street
Barack von Obamenburg, Herr Donald, and Big Capitalist Hypocrisy: On How Fascism Happens
Jeffrey St. Clair
Roaming Charges: Fire is Sweeping Our Very Streets Today
Aidan O'Brien
Ireland’s New President, Other European Fools and the Abyss 
Pete Dolack
“Winners” in Amazon Sweepstakes Sure to be the Losers
Richard Eskow
Amazon, Go Home! Billions for Working People, But Not One Cent For Tribute
Ramzy Baroud
In Breach of Human Rights, Netanyahu Supports the Death Penalty against Palestinians
Brian Terrell
Ending the War in Yemen- Congressional Resolution is Not Enough!
John Laforge
Woolsey Fire Burns Toxic Santa Susana Reactor Site
Ralph Nader
The War Over Words: Republicans Easily Defeat the Democrats
M. G. Piety
Reading Plato in the Time of the Oligarchs
Rafael Correa
Ecuador’s Soft Coup and Political Persecution
Brian Cloughley
Aid Projects Can Work, But Not “Head-Smacking Stupid Ones”
David Swanson
A Tale of Two Marines
Robert Fantina
Democrats and the Mid-Term Elections
Joseph Flatley
The Fascist Creep: How Conspiracy Theories and an Unhinged President Created an Anti-Semitic Terrorist
Joseph Natoli
Twitter: Fast Track to the Id
William Hawes
Baselines for Activism: Brecht’s Stance, the New Science, and Planting Seeds
Bob Wing
Toward Racial Justice and a Third Reconstruction
Ron Jacobs
Hunter S. Thompson: Chronicling the Republic’s Fall
Oscar Gonzalez
Stan Lee and a Barrio Kid
Jack Rasmus
Election 2018 and the Unraveling of America
Sam Pizzigati
The Democrats Won Big, But Will They Go Bold?
Yves Engler
Canada and Saudi Arabia: Friends or Enemies?
Cesar Chelala
Can El Paso be a Model for Healing?
Mike Ferner
The Tragically Misnamed Paris Peace Conference
Barry Lando
Trump’s Enablers: Appalling Parallels
Ariel Dorfman
The Boy Who Taught Me About War and Peace
Binoy Kampmark
The Disgruntled Former Prime Minister
Faisal Khan
Is Dubai Really a Destination of Choice?
Arnold August
The Importance of Néstor García Iturbe, Cuban Intellectual
James Munson
An Indecisive War To End All Wars, I Mean the Midterm Elections
Nyla Ali Khan
Women as Repositories of Communal Values and Cultural Traditions
Dan Bacher
Judge Orders Moratorium on Offshore Fracking in Federal Waters off California
Christopher Brauchli
When Depravity Wins
Robby Sherwin
Here’s an Idea
Susan Block
Cucks, Cuckolding and Campaign Management
Louis Proyect
The Mafia and the Class Struggle (Part Two)
David Yearsley
Smoke on the Water: Jazz in San Francisco
Elliot Sperber
All of Those Bezos
FacebookTwitterGoogle+RedditEmail