Great Caesar’s Ghost!: A Specter Haunts Hollywood in the Coen’s Anti-Anti-Commie Goofball Comedy

Hot on the heels of the Oscar-nominated Trumbo another 1950s-set movie about Hollywood Reds has been released. The prolific Coen Brothers’ Hail, Caesar! is a zany Tinseltown satire with an all-star cast that rather promiscuously – and drolly – mixes fact and fiction. Although you wouldn’t know it from the movie’s somewhat deceptive, widespread advertising, Caesar’s subtext revisits the specter that haunted Lalaland then: Communism. The Coens’ had frequently tackled this topic in 1991’s Barton Fink, inspired by that playwright of proletarian theater, Clifford Odets, and his imagined movie colony misadventures.

Josh Brolin portrays MGM (called here, rather pointedly, “Capital”) veep Eddie Mannix, a real life character known as a “fixer,” due to tough tactics he deployed to rather zealously guard stars’ errant private lives in order to protect studio interests. (Some suspected this exec/enforcer of foul play, including mob ties and involvement in the 1959 gunshot death of TV’s Superman, George Reeves, who’d romanced Mannix’s wife – Bob Hoskins portrayed Mannix in the 2006 film Hollywoodland about Reeves’ mysterious end.)

Most of Caesar’s other fact-based characters, however, have a nom de plume – or, rather, nom de film, as the case may be. Trying to pierce Mannix’s cone of silence over his wayward talents is Oscar winner Tilda Swinton in a double role as the Hollywood gossip columnists (who hate that appellation), Louella Parsons and Hedda Hopper, here called Thessaly and Thora Thacker, rival tabloid twins. (Helen Mirren’s dead on incarnation of the wretched Hopper earned her a Golden Globe nom for Trumbo). Scarlett Johansson depicts Esther Williams – known for her aquatic exploits in flicks such as 1949’s Neptune’s Daughter and 1952’s Million Dollar Mermaid – as DeeAna Moran, a naughty nautical nymphomaniac.

Venezuelan Veronica Osorio of the Upright Citizens Brigade quite fetchingly portrays Carlotta Valdez, who seems to be a cross between the Brazilian “Tutti Frutti girl” Carmen Miranda and that “Mexican Spitfire” Lupe Velez. In a kooky cameo Frances McDormand (Joel Coen’s wife) plays the editor C.C. Calhoun, who seems inspired by Hollywood’s most fabled female editor, Dede Allen (she cut 1981’s Reds and remember that great montage at the end of 1967’s Bonnie and Clyde, when Warren Beatty and Faye Dunaway get whacked in a hail of bullets?).

[PLOT SPOILER ALERTS:] Channing Tatum plays the Gene Kelly-like actor/dancer Burt Gurney, who conducts espionage for Moscow. Kelly was near the Hollywood Left and his former wife Betsy Blair (Oscar-nommed for 1955’s Marty), who I met at the LA Times Festival of Books, ran afoul of the Hollywood Blacklist and was either a close fellow traveler or “card carrying, dues paying member” of the Communist Party USA. I also met Kelly’s third wife, nee Patricia Ward, at the one woman show about her late husband she presented at Pasadena Playhouse, and she told me Kelly was “very progressive.”

A clownish George Clooney plays fatuous star Baird Whitlock and it’s hard for this reviewer to pinpoint the thesp who inspired this character, since the Hollywood of the 1950s had so many blithe celebs. Nevertheless, Whitlock has a pivotal role: While acting in one of that era’s religious epics which, like 1959’s Ben Hur was set during the Roman empire (hence the Coens’ title, Hail, Caesar!), Whitlock is kidnapped by a pair of lefty extras acting in cahoots with a cell of Communist Party screenwriters. They discuss dialectical materialist gobbledygook at their Malibu seaside lair, which is reminiscent of John Wayne’s Hawaii-set Reds-under-the-beds 1952 Big Jim McLain, wherein the Duke busts a commie ring in the islands, starring as a Joe McCarthy-type HUAC investigator, whose name even has the Wisconsin senator’s initials. (Big Jim McLain was actually suggested by the case of the Hawaii 7, although Wayne’s agitprop flick twisted this persecution of Hawaii labor organizers.)

Screenwriters such as Dalton Trumbo and John Howard Lawson were especially persecuted during the Red Scare, although the Malibu cell is led by an academic called Prof. Marcuse – a clear reference to the Marxist theoretician Herbert Marcuse, who wrote One Dimensional Man and whose students included Angela Davis. The socialist cell’s Marxist musings are derived from Das Kapital with a “K” – in contrast to Capital studio with a “C.” Cold War propaganda justified witch-hunting of LaLaLand leftists because, among other things, it was alleged that they were Soviet agents acting in collusion with those gremlins in the Kremlin, undermining mom and apple pie.

Hail, Caesar! has great fun lampooning this canard. Of course, none of the blacklisted North American-born filmmakers went into exile behind the so-called “Iron Curtain” – Joseph Losey went to England, Ben and Norma Barzman to France, Trumbo to Mexico, etc. While they may have been pro-Soviet, they were motivated more by pro-labor, anti-racist, anti-fascist motives than by love for Uncle Joe and Moscow, where – as said – NONE of them settled.

This offbeat spoof of Hollywood and the Cold War is sly, wry and zany, although there are only a few laugh-out-loud moments (unlike the Coens’ hilarious 1987 Raising Arizona and their funnier 1996 Fargo). Hail, Caesar! also includes recreations of classic Hollywood tableaux with great pictorial panache from Westerns, musicals (full of homoerotic camp), swim scenes and religious spectacles (movies which, the Coens imply, propagated America’s ideological response to Marxism). Hail, Caesar! is not so much a screwball comedy per se, but rather a wacky, inventive, original goofball comedy.

Joel and Ethan Coen, who also gave us 1998’s The Big Lebowski (reportedly inspired by indie avatar Jeff Dowd), also co-wrote the recent powerful dramas Bridge of Spies and Unbroken, proving that the creators of Hail, Caesar!’s anti-anti-Communist romp are forces to be reckoned with in the Hollywood Babylon Empire. Hail, Coens!

More articles by:

Ed Rampell is a contributor to the new book on America’s former Poet Laureate “Conversations With W.S. Merwin” and co-author of “The Hawaii Movie and Television Book“.

July 17, 2018
Conn Hallinan
Trump & The Big Bad Bugs
Robert Hunziker
Trump Kills Science, Nature Strikes Back
John Grant
The Politics of Cruelty
Kenneth Surin
Calculated Buffoonery: Trump in the UK
Binoy Kampmark
Helsinki Theatrics: Trump Meets Putin
Patrick Bond
BRICS From Above, Seen Critically From Below
Jim Kavanagh
Fighting Fake Stories: The New Yorker, Israel and Obama
Daniel Falcone
Chomsky on the Trump NATO Ruse
W. T. Whitney
Oil Underground in Neuquén, Argentina – and a New US Military Base There
Doug Rawlings
Ken Burns’ “The Vietnam War” was Nominated for an Emmy, Does It Deserve It?
Rajan Menon
The United States of Inequality
Thomas Knapp
Have Mueller and Rosenstein Finally Gone Too Far?
Cesar Chelala
An Insatiable Salesman
Dean Baker
Truth, Trump and the Washington Post
Mel Gurtov
Human Rights Trumped
Binoy Kampmark
Putin’s Football Gambit: How the World Cup Paid Off
July 16, 2018
Sheldon Richman
Trump Turns to Gaza as Middle East Deal of the Century Collapses
Charles Pierson
Kirstjen Nielsen Just Wants to Protect You
Brett Wilkins
The Lydda Death March and the Israeli State of Denial
Patrick Cockburn
Trump Knows That the US Can Exercise More Power in a UK Weakened by Brexit
Robert Fisk
The Fisherman of Sarajevo Told Tales Past Wars and Wars to Come
Gary Leupp
When Did Russia Become an Adversary?
Uri Avnery
“Not Enough!”
Dave Lindorff
Undermining Trump-Putin Summit Means Promoting War
Manuel E. Yepe
World Trade War Has Begun
Binoy Kampmark
Trump Stomps Britain
Wim Laven
The Best Deals are the Deals that Develop Peace
Kary Love
Can We Learn from Heinrich Himmler’s Daughter? Should We?
Jeffrey St. Clair
Franklin Lamb, Requiescat in Pace
Weekend Edition
July 13, 2018
Friday - Sunday
Brian Cloughley
Lessons That Should Have Been Learned From NATO’s Destruction of Libya
Paul Street
Time to Stop Playing “Simon Says” with James Madison and Alexander Hamilton
Jeffrey St. Clair
Roaming Charges: In the Land of Formula and Honey
Aidan O'Brien
Ireland’s Intellectuals Bow to the Queen of Chaos 
Michael Collins
The Affirmative Action Silo
Andrew Levine
Tipping Points
Geoff Dutton
Fair and Balanced Opinion at the New York Times
Ajamu Baraka
Cultural and Ideological Struggle in the US: a Final Comment on Ocasio-Cortez
David Rosen
The New McCarthyism: Is the Electric Chair Next for the Left?
Ken Levy
The McConnell Rule: Nasty, Brutish, and Unconstitutional
George Wuerthner
The Awful Truth About the Hammonds
Robert Fisk
Will Those Killed by NATO 19 Years Ago in Serbia Ever Get Justice?
Robert Hunziker
Three Climatic Monsters with Asteroid Impact
Ramzy Baroud
Europe’s Iron Curtain: The Refugee Crisis is about to Worsen
Nick Pemberton
A Letter For Scarlett JoManDaughter
Marilyn Garson
Netanyahu’s War on Transcendence