Counter Silence
by ALI ZNAIDI
Light withers in the cemetery.
This cemetery is a sea of tar
housing inky bodies.
Only worms like to lick
those antiquated bodies
devoid of post-modern spiritual lanes.
Those bodies take the shape of
formless lusterless holograms
dissipating in a myriad of labyrinths.
Death is insinuating through the clayish walls
looking for a shadow;
for smothered sounds:
That bee which died yesterday
is still buzzing.
a decapitated rainbow
by ALI ZNAIDI
politics necessitates lies…
— a flashing blue thick mascara hiding
thin brittle eyelashes
… & when the political discourse destroys
dreams
…& when politicians’ words turn to be just
pop-up guns
…& when their words are woven into pulp
fiction
the great dreams, the translucent colours
soon to be a decapitated rainbow
thin light represses thick light!
Orgasmic Reverberations
by ALI ZNAIDI
This exhausted body exhibits
undressed
wounds.
The bones are exposed.
The marrow is in the raw.
Pain is being turned into a song.
—Sad beats echoing orgasmic austerity
measures.
Ali Znaidi (b.1977) lives in Redeyef, Tunisia. He is the author of several chapbooks, including Experimental Ruminations (Fowlpox Press, 2012), Moon’s Cloth Embroidered with Poems (Origami Poems Project, 2012), Bye, Donna Summer! (Fowlpox Press, 2014), and Taste of the Edge (Kind of a Hurricane Press, 2014).
Editorial Note: (Please Read Closely Before Submitting)
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