• Monthly
  • $25
  • $50
  • $100
  • $other
  • use PayPal

ONE WEEK TO DOUBLE YOUR DONATION!

A generous CounterPuncher has offered a $25,000 matching grant. So for this week only, whatever you can donate will be doubled up to $25,000! If you have the means, please donate! If you already have done so, thank you for your support. All contributions are tax-deductible.
FacebookTwitterRedditEmail

How an Activist Fathered a Media Critic

As a child, David Cromwell got an invaluable insight into the way the corporate media skews the news.

Scattered around his family’s Scottish home were “mainstream” newspapers like the Daily Record and Glasgow Herald. But among them was also the non-corporate Daily Worker, later to become the Morning Star, which his father not only bought, but sold.

“Dad had plenty of left-wing and Communist pamphlets, magazines and books around the house,” he writes in his new book, Why Are We The Good Guys? “I could see from quite early on in my life that there were different takes on the way the press would report, or not report, and analyse ‘the news’.”

Cromwell went on to co-found watchdog website Media Lens, which has challenged journalists for more than a decade by issuing “alerts” that criticise the way the press report, or do not report, and analyse “the news”.

He has written several books, both alone and with his Media Lens co-editor, David Edwards. But Why Are We The Good Guys? is made all the more appealing by the fact that Cromwell, 50, has made it far more personal in describing his childhood and career. Did he feel that his past books had been a little too dry to reach a wider audience?

“Reaching a wider audience isn’t really a motivating factor for my writing,” he replies. “It doesn’t and can’t work like that. I write what I like and if other people get to hear about it by word of mouth, for instance, and like it, that’s fine.

“It’s hard for me to be objective, of course, but if you’re talking about the two Media Lens books, I don’t think they were dry at all. They’re packed with sharp observations, gob-smacking exchanges with journalists and even discussions of psychology and philosophy that you will rarely find in books about ‘current affairs’ or journalism.

“This book has more personal aspects to it because I’ve long wanted to write about some aspects of my upbringing and experiences that have shaped the critical approach I take to understanding news, politics and the state of the world.”

The book recounts how Cromwell was studying for a PhD in astrophysics and “trying to understand what was going on inside solar flares” when his then-girlfriend suggested he apply for a job with a big oil company.

“Shell were aiming to recruit not just geologists and geophysicists for oil and gas exploration, but physicists too.”

As unlikely as it may sound, the Communist sympathiser’s son ended up working for Shell for five years. Yet it was perhaps his training and work as a scientist that that made him more likely to question the status quo.

After all, one of Cromwell’s heroes, the intellectual and media critic Noam Chomsky, says that – contrary to the humanities – in the sciences, “the goal is to learn how to do creative work, and to challenge everything”.

Cromwell disagrees. “The best scientists do indeed think creatively, and perhaps ‘challenge everything’, but only in their own, usually narrow, field,” he says.

“Being brilliant at pushing forward our understanding of the fundamental forces of the universe or human evolution or how cancer develops doesn’t seem to lead to stronger challenges to the status quo. If anything, it can leave less time and effort for that.”

Challenging the status quo certainly requires time and effort. Media Lens’s monitoring of the media is exhaustive and, most likely, exhausting. In his book, Cromwell quotes the eighth-century Indian sage Shantideva, saying: “This is no time to sleep, you fool!” Does he get any sleep?

“I certainly can’t claim to live up to Shantideva’s code of conduct,” jokes Cromwell. “I’ve got a pretty normal family life with a partner and two children. I have several files on my computer to collect quotes, thoughts, ideas for alerts, and so on.”

However, just monitoring the hyperactive Media Lens message board must take up considerable time. Media Lens’s followers are a predictably sceptical bunch and don’t hold back in criticising Media Lens.

Yet Media Lens has been called a “cult” by at least one corporate journalist for the way its followers collectively email journalists when encouraged to by its alerts.

Cromwell refers in his book to Danny Wallace’s Join Me: The True Story of a Man Who Started a Cult by Accident. Does he feel he has accidentally started a cult in Media Lens?

“What an intriguing question,” he says. “No, I don’t think the point is fair. In fact, on quite extreme occasions, it’s been deployed as an ignorant smear against us and our readers. There have been many variations, all suggesting that the people who support what we do are a homogeneous mass of uncritical worshippers.

“Have these journalists ever even read our media alerts or books, and visited our message board and seen the feisty debates going on? Or seen the emails we get, even from people who say they like what we do?

“If anything, it’s the herd mentality of corporate journalists – the almost uniformly hostile treatment of Julian Assange is classic – that exhibits cult-like behaviour.”

The feisty debates on Media Lens’s message board include accusations of hypocrisy. Cromwell and Edwards have been blocked from following some journalists on Twitter, yet Media Lens has banned message boarders such as former New York Times journalist Daniel Simpson and blogger Dissident93. That blogger, also known as Robert Shone, wrote a ZNet article criticising Media Lens that he claims it still hasn’t responded to.

Cromwell says Media Lens responded to Shone on numerous occasions long ago, but the responses have since dropped off the bottom of the message board. Asked why Media Lens hasn’t responded to Shone’s ZNet article, he says: “We learned a long time ago that constantly responding to unreasonable critics just feeds their obsession and inner turmoil. It’s why we stopped.” Asked if he feels he has ever lost an argument, Cromwell says: “No.”

However, even Media Lens’s most relentless critics, such as Simpson, admit to still using it as a “cuttings service” to keep up with events. Media Lens’s service is free, yet just as with Cromwell’s father, it still offers an invaluable insight into the way the corporate media skews the news.

Mat Ward writes for Green Left Weekly.

 

More articles by:
bernie-the-sandernistas-cover-344x550
Weekend Edition
October 18, 2019
Friday - Sunday
Anthony DiMaggio
Trump as the “Anti-War” President: on Misinformation in American Political Discourse
Jeffrey St. Clair
Roaming Charges: Where’s the Beef With Billionaires?
Rob Urie
Capitalism and the Violence of Environmental Decline
Paul Street
Bernie in the Deep Shit: Dismal Dem Debate Reflections
Andrew Levine
What’s So Awful About Foreign Interference?
T.J. Coles
Boris Johnson’s Brexit “Betrayal”: Elect a Clown, Expect a Pie in Your Face
Joseph Natoli
Trump on the March
Ashley Smith
Stop the Normalization of Concentration Camps
Pete Dolack
The Fight to Overturn the Latest Corporate Coup at Pacifica Has Only Begun
Jeremy Kuzmarov
Russophobia at Democratic Party Debate
Chris Gilbert
Forward! A Week of Protest in Catalonia
Daniel Beaumont
Pressing Done Here: Syria, Iraq and “Informed Discussion”
Daniel Warner
Greta the Disturber
M. G. Piety
“Grim Positivism” vs. Truthiness in Biography
John Kendall Hawkins
Journey to the Unknown Interior of (You)
Christopher Fons – Conor McMullen
The Centrism of Elizabeth Warren
Nino Pagliccia
Peace Restored in Ecuador, But is trust?
Rebecca Gordon
Extorting Ukraine is Bad Enough But Trump Has Done Much Worse
Kathleen Wallace
Trump Can’t Survive Where the Bats and Moonlight Laugh
Clark T. Scott
Cross-eyed, Fanged and Horned
Eileen Appelbaum
The PR Campaign to Hide the Real Cause of those Sky-High Surprise Medical Bills
Olivia Alperstein
Nuclear Weapons are an Existential Threat
Colin Todhunter
Asia-Pacific Trade Deal: Trading Away Indian Agriculture?
Sarah Anderson
Where is “Line Worker Barbie”?
Brian Cloughley
Yearning to Breathe Free
Jill Richardson
Why are LGBTQ Rights Even a Debate?
Jesse Jackson
What I Learn While Having Lunch at Cook County Jail
Kathy Kelly
Death, Misery and Bloodshed in Yemen
Maximilian Werner
Leadership Lacking for Wolf Protection
Arshad Khan
The Turkish Gambit
Kollibri terre Sonnenblume
Rare Wildflower vs. Mining Company
Dianne Woodward
Race Against Time (and For Palestinians)
Norman Ball
Wall Street Sees the Light of Domestic Reindustrialization
Ramzy Baroud
The Last Lifeline: The Real Reason Behind Abbas’ Call for Elections
Binoy Kampmark
African Swine Fever Does Its Worst
Nicky Reid
Screwing Over the Kurds: An All-American Pastime
Louis Proyect
“Our Boys”: a Brutally Honest Film About the Consequences of the Occupation
Coco Das
#OUTNOW
Cesar Chelala
Donald Trump vs. William Shakespeare
Ron Jacobs
Calling the Kettle White: Ishmael Reed Unbound
Stephen Cooper
Scientist vs. Cooper: The Interview, Round 3 
Susan Block
How “Hustlers” Hustles Us
Charles R. Larson
Review: Elif Shafak’s “10 Minutes 38 Seconds in This Strange World”
David Yearsley
Sunset Songs
October 17, 2019
Steve Early
The Irishman Cometh: Teamster History Hits the Big Screen (Again)
FacebookTwitterRedditEmail