• Monthly
  • $25
  • $50
  • $100
  • $other
  • use PayPal

ONE WEEK TO DOUBLE YOUR DONATION!

A generous CounterPuncher has offered a $25,000 matching grant. So for this week only, whatever you can donate will be doubled up to $25,000! If you have the means, please donate! If you already have done so, thank you for your support. All contributions are tax-deductible.
FacebookTwitterRedditEmail

Juliano, One Year Later

One year ago today, as I sat on a bus heading from New York to Philadelphia, in the middle of my book tour for The Hour of Sunlight: One Palestinian’s Journey from Prisoner to Peacemaker, my cell phone rang. It was my friend Yousef Munayyer. I assumed he was calling about the book reading we were organizing a few days later at the Jerusalem Fund/Palestine Center.

But Yousef was calling to let me know about what he was seeing unfold on the ticker of an Arabic news site. An Israeli theatre director had just been shot and killed in Jenin Refugee Camp in the West Bank, the ticker said. There was no name yet. And it had not yet hit the Hebrew or English press. I didn’t need the name to know. It was Juliano Mer-Khamis, co-founder of The Freedom Theatre in Jenin Refugee Camp. There was no one else it could have been.

First response, as my first response always is: Try to get more information. Figure out who needs to be told, what needs to be done.

When the emotions came, they were as complex as my feelings about Juliano. It would be an overstatement to call him a friend, though I had socialized with him on many occassions. It didn’t feel accurate to call him a colleague, though I had worked with him for years on the board of the US based Friends of the Jenin Freedom Theatre. I respected Juliano greatly, and admired him deeply—though I don’t think I ever communicated that to him. But he also frustrated and alarmed me at times. In fact, the last time I saw Juliano, my co-board members and I argued with him for hours. I left The Freedom Theatre in Jenin Refugee Camp the following morning with a sense of impending doom. I had no idea, however, that the doom would take the form three months later of a masked assailant pumping bullets at close range into Juliano’s head and chest outside the theatre.

One year later, and Juliano’s murderer has not been apprehended.

One year later, and Juliano’s colleagues and students at The Freedom Theatre are still dealing with the loss and the trauma, including the continued trauma of being targeted by the Israeli military in repeated attacks against the theatre and its staff and students.

Yet one year later, remarkably, The Freedom Theatre continues. And continues to use art as a powerful form of protest and resistance.

I hope you will take a moment to remember (or learn about) Juliano.

I hope you will find ways to support and stand in solidarity with the courageous staff and students of The Freedom Theatre.

In a video I made for The Freedom Theatre, Juliano says: “At the end, there’s a feeling that the spirit is here—it’s already seeded. And it’s going to only grow. And I don’t believe that someone, or anyone, can stop it.”

It was exactly that spirit that the still-unknown assailant was trying to destroy when he stepped out of the shadows, pumped Juliano full of lead, and then disappeared back into the alleys of the refugee camp.

The assailant did not succeed. And more than ever, we must work for the spirit of freedom and artistic resistance that Juliano seeded so passionately, to continue to grow.

JEN MARLOWE is an award-winning documentary filmmaker, author, playwright, human rights advocate, and founder of donkeysaddle projects. Her new book, The Hour of Sunlight: One Palestinian’s Journey from Prisoner to Peacemaker, co-written with and about Palestinian peace activist Sami Al Jundi, has just been published by Nation Books. Her previous book was Darfur Diaries: Stories of Survival. Her email address is: jenmarlowe@hotmail.com

More articles by:
bernie-the-sandernistas-cover-344x550
Weekend Edition
October 18, 2019
Friday - Sunday
Anthony DiMaggio
Trump as the “Anti-War” President: on Misinformation in American Political Discourse
Jeffrey St. Clair
Roaming Charges: Where’s the Beef With Billionaires?
Rob Urie
Capitalism and the Violence of Environmental Decline
Paul Street
Bernie in the Deep Shit: Dismal Dem Debate Reflections
Andrew Levine
What’s So Awful About Foreign Interference?
T.J. Coles
Boris Johnson’s Brexit “Betrayal”: Elect a Clown, Expect a Pie in Your Face
Joseph Natoli
Trump on the March
Ashley Smith
Stop the Normalization of Concentration Camps
Pete Dolack
The Fight to Overturn the Latest Corporate Coup at Pacifica Has Only Begun
Jeremy Kuzmarov
Russophobia at Democratic Party Debate
Chris Gilbert
Forward! A Week of Protest in Catalonia
Daniel Beaumont
Pressing Done Here: Syria, Iraq and “Informed Discussion”
Daniel Warner
Greta the Disturber
M. G. Piety
“Grim Positivism” vs. Truthiness in Biography
John Kendall Hawkins
Journey to the Unknown Interior of (You)
Christopher Fons – Conor McMullen
The Centrism of Elizabeth Warren
Nino Pagliccia
Peace Restored in Ecuador, But is trust?
Rebecca Gordon
Extorting Ukraine is Bad Enough But Trump Has Done Much Worse
Kathleen Wallace
Trump Can’t Survive Where the Bats and Moonlight Laugh
Clark T. Scott
Cross-eyed, Fanged and Horned
Eileen Appelbaum
The PR Campaign to Hide the Real Cause of those Sky-High Surprise Medical Bills
Olivia Alperstein
Nuclear Weapons are an Existential Threat
Colin Todhunter
Asia-Pacific Trade Deal: Trading Away Indian Agriculture?
Sarah Anderson
Where is “Line Worker Barbie”?
Brian Cloughley
Yearning to Breathe Free
Jill Richardson
Why are LGBTQ Rights Even a Debate?
Jesse Jackson
What I Learn While Having Lunch at Cook County Jail
Kathy Kelly
Death, Misery and Bloodshed in Yemen
Maximilian Werner
Leadership Lacking for Wolf Protection
Arshad Khan
The Turkish Gambit
Kollibri terre Sonnenblume
Rare Wildflower vs. Mining Company
Dianne Woodward
Race Against Time (and For Palestinians)
Norman Ball
Wall Street Sees the Light of Domestic Reindustrialization
Ramzy Baroud
The Last Lifeline: The Real Reason Behind Abbas’ Call for Elections
Binoy Kampmark
African Swine Fever Does Its Worst
Nicky Reid
Screwing Over the Kurds: An All-American Pastime
Louis Proyect
“Our Boys”: a Brutally Honest Film About the Consequences of the Occupation
Coco Das
#OUTNOW
Cesar Chelala
Donald Trump vs. William Shakespeare
Ron Jacobs
Calling the Kettle White: Ishmael Reed Unbound
Stephen Cooper
Scientist vs. Cooper: The Interview, Round 3 
Susan Block
How “Hustlers” Hustles Us
Charles R. Larson
Review: Elif Shafak’s “10 Minutes 38 Seconds in This Strange World”
David Yearsley
Sunset Songs
October 17, 2019
Steve Early
The Irishman Cometh: Teamster History Hits the Big Screen (Again)
FacebookTwitterRedditEmail