FacebookTwitterGoogle+RedditEmail

Hollywood and Race

This Sunday, nearly 40 million people are likely to tune in to see who captures an Oscar at the annual Academy Awards ceremonies. Winning the award can add millions to a film’s box office and supercharge the career of an actor, director, screenwriter or editor. According to the Academy’s 2009-10 fiscal year tax filing, the Oscars generated $81.3 million in revenue. This is a big deal.

It is avidly watched by the moviegoing population of this sprawling and diverse nation of more than 300 million people, and by millions more around the world. Hollywood sets styles, captures imaginations, touches dreams. Worldwide, movies provide people with much of what they think about America.

Yet, the 5,765 voting members of the Academy are far from representative of the moviegoing public. They are more akin to the old packed juries of the segregated South. A remarkable investigation by Los Angeles Times reporters pierced the screen of secrecy to reveal that the voting members are a stunning 94 percent Caucasian and 77 percent male. Only 2 percent are African American, and less than 2 percent are Latino. Their median age is 62, and only 14 percent are younger than 50.

The Academy’s leaders say the organization is trying to do better, but it is hard to see any evidence of that. Since 2004, the names of 1,000 invitees have been published: 89 percent white, and 73 percent male. The 43 member Academy Board of Governors has all of six women, one of whom is the sole person of color. The Academy’s executive branch is 98 percent white, as is its writers branch. Corporate boardrooms do better than that.

Defenders of the Academy say its membership reflects a combination of legacy (memberships are for life) and achievement. But the sad reality is that the membership reflects hiring patterns that are equally skewed. The Times story quotes writer/editor Phil Auden Robinson, who concludes: “If the industry as a whole is not doing a great job in opening up its ranks, it’s very hard for us to diversify our membership.”

Not surprisingly, the voting tends to reflect the composition of the voters. In the 83 years of the Academy, the Times reports, only 4 percent of Oscars have been awarded to an African American. Only one woman has received the award for directing.

In 2011, not a single minority person was among the 45 nominees for the major awards: best actor, best actress, best supporting actor, best supporting actress, director, original and adapted screenplay. More astounding, the Academy failed to identify even one black male presenter for the awards. African-American actors were not only shut out of the awards; they were shut out of the attention that comes from presenting them.

This year, at least, minorities will not be shut out. Viola Davis, Octavia Spencer and Mexican-born Demian Bichir will contend for major acting awards.

It is long past time for the industry to open up and for the Academy to reach out. It was long past time back in 1996 when the Rainbow Coalition organized a nationwide protest over the lack of minority Oscar nominees. Women and minorities dream of becoming directors, producers, writers, cinematographers and editors just as white men do. Young talent drives Hollywood and our popular culture more than the established older generation. And Hollywood’s audience across the country and around the world is young and diverse.

Hollywood defines what is hip. But when it comes to diversity, the Academy is about 50 years behind the times.

Rev. Jesse L. Jackson is founder and president of the Rainbow PUSH Coalition.

More articles by:

Weekend Edition
February 22, 2019
Friday - Sunday
Timothy M. Gill
Why is the Venezuelan Government Rejecting U.S. Food Supplies?
John Pilger
The War on Venezuela is Built on Lies
Andrew Levine
Ilhan Omar Owes No Apologies, Apologies Are Owed Her
Jeffrey St. Clair
That Magic Feeling: the Strange Mystique of Bernie Sanders
David Rosen
Will Venezuela Crisis Split Democrats?
Jeffrey St. Clair - Joshua Frank
Curtain Call: A Response to Edward Curtin
Nick Pemberton
Donald Trump’s National Emergency Is The Exact Same As Barack Obama’s National Emergency
Paul Street
Buried Alive: The Story of Chicago Police State Racism
Rob Seimetz
Imagined Communities and Omitting Carbon Emissions: Shifting the Discussion On Climate Change
Ramzy Baroud
Russian Mediation: The Critical Messages of the Hamas-Fatah Talks in Moscow
Michael Welton
Dreaming Their Sweet Dreams: a Peace to End Peace
Robert Hunziker
Global Warming’s Monster Awakens
Huma Yasin
Chris Christie Spins a Story, Once Again
Ron Jacobs
Twenty-First Century Indian Wars
Robert Fantina
The U.S. and Venezuela: a Long History of Hostility
Lance Olsen
Climate and Money: a Tale of Two Accounts
Louis Proyect
El Chapo and the Path Taken
Fred Gardner
The Rise of Kamala Harris
John W. Whitehead
Rule by Fiat: National Crises, Fake Emergencies and Other Dangerous Presidential Powers
Kollibri terre Sonnenblume
Biomass is Not “Green”: an Interview With Josh Schlossberg
John Feffer
Answering Attacks on the Green New Deal
W. T. Whitney
US Racism and Imperialism Fuel Turbulence in Haiti
Kim Ives
How Trump’s Attacks on Venezuela Sparked a Revolution in Haiti
Mike Ferner
What War Films Never Show You
Lawrence Wittner
Should the U.S. Government Abide by the International Law It Has Created and Claims to Uphold?
James Graham
A Slow Motion Striptease in France
Dave Lindorff
Could Sanders 2.0 Win It All, Getting the Democratic Nomination and Defeating Trump?
Jill Richardson
Take It From Me, Addiction Doesn’t Start at the Border
Yves Engler
Canada and the Venezuela Coup Attempt
Tracey L. Rogers
We Need a New Standard for When Politicians Should Step Down
Gary Leupp
The Sounds of Silence
Dan Bacher
Appeals Court Rejects Big Oil’s Lawsuit Against L.A. Youth Groups, City of Los Angeles
Robert Koehler
Are You White, Black or Human?
Ralph Nader
What are Torts? They’re Everywhere!
Sarah Schulz
Immigrants Aren’t the Emergency, Naked Capitalism Is
James Campbell
In the Arctic Refuge, a Life Force Hangs in the Balance
Matthew Stevenson
Pacific Odyssey: Corregidor’s Iconography of Empire
Jonah Raskin
The Muckraking Novelist Dashiell Hammett: A Red Literary Harvest
Kim C. Domenico
Revolutionary Art and the Redemption of the Local
Paul Buhle
Life and Crime in Blue Collar Rhode Island
Eugene Schulman
J’Accuse!
Nicky Reid
Zionists are the Most Precious Snowflakes
Jim Goodman
The Green New Deal Outlines the Change Society Needs
David Yearsley
The Political Lyre
Cesar Chelala
The Blue Angel and JFK: One Night in Camelot
FacebookTwitterGoogle+RedditEmail