Pakistan Through the Eyes of a Native Son

Tariq Ali opens his new book The Duel: Pakistan on the Flight Path of American Power, with the declaration that the struggle in Pakistan is not a battle between Islamists and tribal residents of Waziristan and the Pakistani government, but between the government and the bulk of the Pakistani population.  In fact, continues Ali, this has always been the case.  He then continues by explaining historically why and how this is so.

Ali was a leader of the popular resistance movement that spread through Pakistan in  the late 1960s, culminating in the 1969 fall of Ayub Khan’s military dictatorship.  It is  his participation in this movement that informs his passionate belief that a truly democratic Pakistan can exist.  Unfortunately, it is also the defeat of that movement–most graphically illustrated in the decision by the Pakistan Peoples Party (PPP) leader Zia Bhutto to attack East Pakistan in 1970 in a murderous civil war that resulted in the birth of Bangladesh–that forces Ali to admit that the rule of the military must be removed in order for such a democracy to come into fruition.  Furthermore, the corruption that defines Pakistan’s major parties has to be destroyed.

The Duel is a tale of conflict not only between the government and the people, but between different agencies of the government, various landed families that fight to rule the land, and even occasionally murderous feuds between family members.  It is also a history of a nation created because religious differences were fanned into armed conflict to serve imperial needs.  In other words, it is a tale that is representative of many nations created in the wake of World War Two and the the dissolution of earlier colonial empires that followed that disruptive war.   At the same time, it is a story that is uniquely Pakistani.

When discussing the role of Islamist fundamentalist groups in Pakistan’s history and current reality Ali is consistent in his portrayal of these groups as perpetual supporters of the most reactionary elements in the Pakistani military and government.  He also looks at the roots of these groups and explains how those same forces were involved in their creation.  He challenges their intolerant application of their version of Islam and argues that this interpretation is contrary to the sentiment of most Pakistanis and their historical roots in forms of Islam that have nothing to do with the Wahabbist beliefs expressed by the fundamentalists. .  At the same time, Ali mocks the popular western Christian contention that Islam is a monolith and all of Islam is a threat to the western world.  He writes that a primary reason that the neo-Taliban are enjoying popular support in Afghanistan and the tribal regions of the NW Frontier in Pakistan is not because people necessarily agree with their interpretation of Islam, but because they are the most effective resistance to the occupation of Afghanistan and the NATO incursions into Pakistan.  Furthermore, Foreign troops’ lack of knowledge of local cultures, ethnic differences, and religious commitments creates a situation where the US in its arrogance sees an entire ethnic group as the enemy.  By doing so, they create a the reality they describe.

This is a provocative history that informs the reader and challenges the western perception that Pakistan is a democracy, Ali’s text spares no Pakistani general or politician in its narrative.  Nor does it rationalize or minimize the constant intervention by Washington into Pakistan’s affairs.  Written by a man who understands what his country might be while rejecting what it is, the narrative is analytical with an undertone of love for a people.  As always, Ali brings in literary and other cultural references which do more than merely spice up the text; they reveal the true spirit of a people.  It is that spirit where Ali places his hope as he describes a history of corruption, sycophancy, and ego.  Challenging the dominant political view in Pakistan and India, he challenges both peoples to look at each other as allies, not as enemies.  He further argues that maintaining the latter situation only serves those whose interests lie with Washington and the local war machines.

The book ends by asking questions as to Pakistan’s future, especially as regards Washington’s bipartisan insistence that not only is Afghanistan a good war, but that it is also a war that must be won by the US and its NATO allies.  It is quite clear that Ali believes further US armed intervention into Pakistani territory is not only dangerous to the stability of the region, but to the world.  Ali’s description of the US-created government in Kabul is applicable to that in Iraq and other US colonies as well:  “an army not meant to serve the nation, but to impose order on its people, on behalf of outside powers; a civil administration that will have no control over health, education, etc. all of which will be run by foreign NGOs…, and a government whose foreign policy is identical to Washington’s.”

The Duel is  an important book.  There has been very little published in English about Pakistan that doesn’t merely parrot the positions of the Pakistan government, the US desires for that government, or some combination of the two. It is written in an engaging and accessible style.  As the US widens its war against those who would defy its designs into Pakistan, it becomes essential reading for anyone who refuses to accept the Orientalist narrative spewed by the policy makers in Washington, DC.   Ali has written a history that explains and interprets the reality of Pakistan that is free of western prejudices and self-serving assumptions conceived in the foreign policy bureaucracies of DC and London.

RON JACOBS is author of The Way the Wind Blew: a history of the Weather Underground, which is just republished by Verso. Jacobs’ essay on Big Bill Broonzy is featured in CounterPunch’s collection on music, art and sex, Serpents in the Garden. His first novel, Short Order Frame Up, is published by Mainstay Press. He can be reached at: rjacobs3625@charter.net


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Ron Jacobs is the author of Daydream Sunset: Sixties Counterculture in the Seventies published by CounterPunch Books. His latest offering is a pamphlet titled Capitalism: Is the Problem.  He lives in Vermont. He can be reached at: ronj1955@gmail.com.

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