FacebookTwitterGoogle+RedditEmail

Storm in an A-Cup

Paedophilia is a motherhood issue, and the Australian Prime Minister Kevin Rudds’ personal opinion was that he found the work  “revolting” and without “artistic merit”. He told the Nine Network that “kids deserve to have the innocence of their childhood protected”. Of course they do.

But why pick on an art, when trainer bras and sexy lingerie for 6 years olds are hot items, when 5 years olds go to beauty parlours and have makeovers to celebrate their birthdays, when the advertising industrys’ use of very young “models” is morally questionable at so many levels, when ads for jeans are shot like pornography, when ads for lipstick are shot like pornography, when  ads for cars are shot like pornography, and when 75% of the internet is pornography.

Why pick on Henson, one of the artists in the high school art syllabus for heavens sake, when our whole popular culture, what’s on our telly, in our videos, our movies ,our mags and our newspapers, is shot through with exploitative and violent sexuality. Why worry about Henson when that celebration of sadism, The Passion of the Christ, was a world wide hit.

Why pick on an art photographer, when Paris Hilton’s home-movie porno shot her to stardom, and matrons devouring their womens magazines at the hairdresser are tut-tutting about Britneys split-pink pole dance, when entertainers and sportstars of the ilk of  the Beckhams have replaced saints as objects of veneration, and our mass media regurgitates all this  vomit as though it matters. And we all gossip about it as though it matters, and meanwhile the ice caps are melting.

“Kids deserve to have the innocence of their childhood protected” – of course they do, but… as if.  Are kids protected by the commercial TV channels beaming ads into their cots from the day their eyes open. Or when “wrong body” fears induced by the aforementioned use of “models” in advertising apparently causes children to suffer obesity, anorexia,and  bulimia. Or when shopaholia replaces creativity and the goal of endless economic growth is not to be questioned, which is why the icecaps are melting. Kids are not protected when the environment isn’t.

Kids are not protected when subjected to U.S. air strikes in Iraq and Afghanistan, or when they are blown up by old American cluster bombs in Laos and Cambodia, which happens often and is reported rarely, because most of the space in the newspaper is devoted to the the Beckhams or Paris or Britneys’ public meltdowns and the latest baby-bump sightings.

Why pick on an art photographer when the substance which powers our whole society – oil – is starting to dry up. At a time of global food and water shortages, our planet is entering an era of dramatic climate change, and the only obvious way out of the mess is nuclear power which will put the means to create nuclear weapons into the hands of more nutters with grudges.

Henson’s disturbing images of pale pubescent nudes in eerie end-of-the-world twilight situations may well be a comment on the scenario described above – consciously or unconsciously.  Artists often apprehend the times they live in. After all, the children he depicts are the ones who’ll be left to live in the mess.

Meanwhile, can’t we have scandals over things that matter more than budding pubic hair, like an $80 million corporate bonus being considered “fair”, or that a sole tycoon can manipulate the media on several continents and be lauded. Come on you trusty boys and girls in blue; haul away the loan sharks, the polluters and the pedophiles – leave the artworks on the wall.

RICHARD NEVILLE has been around a while. He lives in Australia, the land
that formed him. In the Sixties he raised hell in London and published Oz. He can be reached through his bracing websites,
http://www.homepagedaily.com/ and http://www.richardneville.com.au/

 

More articles by:

RICHARD NEVILLE lives in Australia, the land that formed him. In the Sixties he raised hell in London and published Oz. He can be reached through his websites, http://www.homepagedaily.com/ and http://www.richardneville.com.au/

Weekend Edition
September 21, 2018
Friday - Sunday
Paul Street
Laquan McDonald is Being Tried for His Own Racist Murder
Brad Evans
What Does It Mean to Celebrate International Peace Day?
Alexandra Isfahani-Hammond
Hurricane Florence and 9.7 Million Pigs
Nick Pemberton
With or Without Kavanaugh, The United States Is Anti-Choice
Andrew Levine
Israel’s Anti-Semitism Smear Campaign
Jim Kavanagh
“Taxpayer Money” Threatens Medicare-for-All (And Every Other Social Program)
Jonathan Cook
Palestine: The Testbed for Trump’s Plan to Tear up the Rules-Based International Order
Jeffrey St. Clair
Roaming Charges: the Chickenhawks Have Finally Come Back Home to Roost!
David Rosen
As the Capitalist World Turns: From Empire to Imperialism to Globalization?
Jonah Raskin
Green Capitalism Rears Its Head at Global Climate Action Summit
James Munson
On Climate, the Centrists are the Deplorables
Robert Hunziker
Is Paris 2015 Already Underwater?
Arshad Khan
Will Their Ever be Justice for Rohingya Muslims?
Jill Richardson
Why Women Don’t Report Sexual Assault
Dave Clennon
A Victory for Historical Accuracy and the Peace Movement: Not One Emmy for Ken Burns and “The Vietnam War”
W. T. Whitney
US Harasses Cuba Amid Mysterious Circumstances
Nathan Kalman-Lamb
Things That Make Sports Fans Uncomfortable
George Capaccio
Iran: “Snapping Back” Sanctions and the Threat of War
Kenneth Surin
Brexit is Coming, But Which Will It Be?
Louis Proyect
Moore’s “Fahrenheit 11/9”: Entertaining Film, Crappy Politics
Ramzy Baroud
Why Israel Demolishes: Khan Al-Ahmar as Representation of Greater Genocide
Ben Dangl
The Zapatistas’ Dignified Rage: Revolutionary Theories and Anticapitalist Dreams of Subcommandante Marcos
Ron Jacobs
Faith, Madness, or Death
Bill Glahn
Crime Comes Knocking
Terry Heaton
Pat Robertson’s Hurricane “Miracle”
Dave Lindorff
In Montgomery County PA, It’s Often a Jury of White People
Louis Yako
From Citizens to Customers: the Corporate Customer Service Culture in America 
William Boardman
The Shame of Dianne Feinstein, the Courage of Christine Blasey Ford 
Ernie Niemi
Logging and Climate Change: Oregon is Appalachia and Timber is Our Coal
Jessicah Pierre
Nike Says “Believe in Something,” But Can It Sacrifice Something, Too?
Paul Fitzgerald - Elizabeth Gould
Weaponized Dreams? The Curious Case of Robert Moss
Olivia Alperstein
An Environmental 9/11: the EPA’s Gutting of Methane Regulations
Ted Rall
Why Christine Ford vs. Brett Kavanaugh is a Train Wreck You Can’t Look Away From
Lauren Regan
The Day the Valves Turned: Defending the Pipeline Protesters
Ralph Nader
Questions, Questions Where are the Answers?
Binoy Kampmark
Deplatforming Germaine Greer
Raouf Halaby
It Should Not Be A He Said She Said Verdict
Robert Koehler
The Accusation That Wouldn’t Go Away
Jim Hightower
Amazon is Making Workers Tweet About How Great It is to Work There
Robby Sherwin
Rabbi, Rabbi, Where For Art Thou Rabbi?
Vern Loomis
Has Something Evil This Way Come?
Steve Baggarly
Disarm Trident Walk Ends in Georgia
Graham Peebles
Priorities of the Time: Peace
Michael Doliner
The Department of Demonization
David Yearsley
Bollocks to Brexit: the Plumber Sings
FacebookTwitterGoogle+RedditEmail