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Alexander Cockburn's India Journal: Travels with Sainath Fakers and fakirs of the Indian neoliberal disaster, from the Indian elites to Bill Gates to Bill Clinton to the New York Times; heroes and villains of the Indian press; 5,000 suicides in Andhra Pradesh and the rise and fall of Chandrababu Naidu, World Bank posterboy; what the British did to India, from Warren Hastings to the Falkland Road; what Indians did to architecture, from the Taj Mahal to the dawn of concrete; making weight in upland Kerala; why America needs south Indian cooking; homage to the great peasant rebellion of 1857; can India recover from "reform"? Get the answers you're looking for in the latest subscriber-only edition of CounterPunch... CounterPunch Online is read by millions of viewers each month! But remember, we are funded solely by the subscribers to the print edition of CounterPunch. Please support this website by buying a subscription to our newsletter, which contains fresh material you won't find anywhere else, or by making a donation for the online edition. Remember contributions are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! or write CounterPunch, PO BOX 228, Petrolia, CA 95558 |
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Other Lands Have Dreams: From Baghdad to Pekin Prison by KATHY KELLY ![]() Today's Stories June 14, 2005 Forrest Hylton Fred Gardner Steve Breyman Paul Craig Roberts
June 13, 2005 Gary Leupp Dave Lindorff John Stauber Fred Gardner Evelyn J. Pringle Norman Solomon Winslow T.
Wheeler
June 10 / 12, 2005 Alexander
Cockburn Sharon
Smith Brian
Cloughley Chris
Kromm Heather
Gray Kevin
Zeese Mickey
Z. Gary
Leupp Eli
Stephens Nick
Dearden Oscar
Olivera Robert
Fisk Michael
Dickinson Poets'
Basement Website
of the Weekend
Len
Colodny Christopher
Brauchli Ron
Jacobs Dave
Lindorff Katrina
Yeaw / Alex Schmaus Alan
Farago Saul
Landau
June 8, 2005 Jim
Hougan Alan
Maass Jason
Leopold Niranjan
Ramakrishnan Dave
Zirin Derrick
O'Keefe Diana
Johnstone Website
of the Day
June 7, 2005 Forrest
Hylton Greg
Moses / Susan van Haitsma Lenni
Brenner Col.
Dan Smith Joshua
Frank Dave
Lindorff Margot
Veranes / Adrian Navarro Michael
Neumann
June 6, 2005 Stew
Albert Paul
Craig Roberts Nicole
Colson Ali
Khan Jason
Leopold Charles
Walker Poff Ramzy
Baroud Rep.
John Conyers Evelyn
Pringle Gary
Corseri Website
of the Day June 4 / 5, 2005 Alexander
Cockburn James
Petras Robert
Fisk Patrick
Cockburn Rev.
William Alberts Saul
Landau Mario
Lamo Jimenez Dave
Lindorff Lance
Selfa Tom
Crumpacker Joshua
Frank Fred
Gardner Michael
Dickinson Roger
Martin Reza
Fiyouzat Ben
Tripp Graeme
Greenback Poets'
Basement
June 3, 2005 Paul
Craig Roberts Joseph
Massad Jeff
Halper Tom
Barry Bruce
K. Gagnon Joshua
Frank Mickey
Z. Gary
Leupp Website
of the Day
June 2, 2005 Paul
Craig Roberts Forrest
Hylton Mike
Whitney Brian
Cloughley Mazin
Qumsiyeh Russell
D. Hoffman Norman
Madarasz Norman
Solomon David
Price Website
of the Day
June 1, 2005 James
Petras Justin
Delacour Edward
Jay Epstein Omar
Barghouti / Lisa Taraki Dave
Lindorff Kevin
Zeese Jason
Leopold William
S. Lind
May 31, 2005 Sen.
Mike Gravel David
Krieger Tad
Daley Joshua
Frank Richard
Gott Norman
Solomon Tom
Segev Walter
Brasch Diana
Johnstone
May 28 / 30, 2005 Alexander
Cockburn Richard
Lichtman Sharon
Smith Paul
Craig Roberts Dave
Lindorff Ramzy
Baroud Brian
Cloughley Fred
Gardner Lee
Sustar Joshua
Frank Justin
E.H. Smith Jackie
Corr Michael
Kimaid Toufic
Haddad Justin
Taylor Amir
Butler Ben
Tripp Poets'
Basement
May 27, 2005 Gary
Leupp Daniel
Estulin Kevin
Zeese Robert
Fisk Dave
Zirin Website
of the Day
Hot Stories Alexander Cockburn Subcomandante
Marcos Norman Finkelstein Steve Niva Dardagan,
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June 14, 2005 Basketball in the BarrioSacred HoopsBy DAVE ZIRIN Top-ranked boxer Juan "Hispanic Causing Panic" Lazcano didn't know what hit him. The lightweight contender returned to his El Paso, Texas neighborhood to encourage a room of young children to "follow your dreams." Lazcano was sharp as a tack and surefooted as a saint on Sunday. But a simple question stunned him like a stiff right cross. "Why do you box?" It was asked by a nine year old boy named Mateo and it's a question that could perhaps only have been asked at a jewel of a camp called Basketball in the Barrio. Now in its tenth year, Basketball in the Barrio is an annual living demonstration of how sports can develop the best angels in our nature. It's also the story of how a shoestring basketball camp can be a bulwark for change. At the cost of one dollar per person, Basketball in the Barrio opens its doors to the youth of the Segundo Barrio in El Paso. But like the root of a Texas Cedar, basketball is only the foundation. The camp also exposes kids to flamenco dancing, muralists, mariachi, and even ballet. These are all aspects of what is called "border culture" -- or culture of the "fronterizo." Border culture is the dynamic mix of the US and Mexico that merges in El Paso and it's neighbor city, Juarez, Mexico. In much of Texas, "border culture" is looked upon with racist derision; something to sneer at, to shun, and to treat as if unclean. Basketball in the Barrio teaches kids to revel in it, like the dry heat of the desert sun. This is the guiding philosophy
of the camp's director Rus Bradburd. Rus is not someone who,
upon first glance, resembles a fronterizo. He's also a "I couldn't stand that most of the kids in El Paso couldn't afford to go the basketball camps in El Paso," says Bradburd, over the surrounding shouts and steady thumping of 100 basketballs. "All over the country, big time college coaches, who are already overpaid, are making a fortune off of kids with these deluxe basketball camps. I wanted a camp that was not only accessible, but where we could play a role in talking about border culture and cultural traditions, where these kids could see that their culture is nothing to be embarrassed about but something they could wear as a point of pride." The kids at the camp span the gamut from expert dribblers, somehow pounding the ball with electric speed through their spindly legs, to those who look like they might trip over the foul line. But all treat the game, and each other, with tender respect. Amber Avila, age 10, has been attending the camp for three years. She is typical of the children here in that she loves basketball but also holds it in a perspective that would shame many adult sports writers and armchair strategists alike. When asked what position she plays, Amber says nonchalantly, "Oh, I can play the 1,2 or the 3." [Basketball lingo for point guard, shooting guard or small forward.] She says proudly that her dream is to play in the WNBA, but likes the fact that the camp offers more, because, in her words, "not everyone's dream is to play basketball and we kids need to reach for our dreams." She also enjoys camp because "the boys aren't rude." One of those presumably polite boys, Chris Travieso, 10, also loves Basketball in the Barrio because, "I can learn about my history and play basketball at the same time. Also it's a great place to make friends and learn new things." Amber, Chris and all the young people embrace the border culture with the same gusto they take to the court. Perhaps the most stunning sight of this year's camp was when a former dancer in the Mexican National Ballet made her presentation. Many of the children had never seen ballet in their lives and some of the coaches feared how a ballet lesson for 120 elementary age children would go over. But the kids took to it like the parched take to ice water. When this brave, flinty ballerina asked for volunteers, much of the camp, including many of the boys, stormed the court to take instructions on how to stand on their toes and plie. This entire experience is shaped by a unique collection of instructors who descend upon El Paso from around the country. Doug Harris, a documentary filmmaker and former NBA draftee who travels to the camp from the Bay Area, calls his annual trip to El Paso "a pilgrimage." The word fits because the adults arrive with a sacredly shared commitment to the idea that sports can be a force for social change. Another coach, Debbie Weinreis, makes her journey from St. Paul, Minnesota. After playing college ball at near-by New Mexico, Weinreis was a pro for 15 years in Europe. She says that she returns because, "In many camps I've been a part of, there is just too much pressure on the bottom line. Most of these kids will not go pro, but they do have to go on in life. We want them to see that there are options." She also likes teaching in an environment where boys and girls aren't separated but work together. "This camp does a great job of making it a place where girls, who from ages 6-10 are more physically advanced anyway, can star." Many of the coaches work with an organization called Athletes United for Peace. This movement spirit shapes the spirit of the camp as a bulwark for change. El Paso is a military town that will see an influx of 15,000 troops in the next year. Basketball in the Barrio, in the face of the billion-dollar weaponry the kids witness every day, tries to offer another perspective. As Bradburd says, "It's a camp that tries to teach peace and tolerance. This is not a flag waving camp. The kids get enough of that on TV and in school. It's fine that this camp can be one place that doesn't push patriotism down their throats... [Besides] how are we supposed to teach kids not to hit each other, to not be bullies, when it's our foreign policy?" And in El Paso, foreign policy colludes with the domestic like few other places in the country. The border has become militarized with hysteria over "illegal" immigration as well as fears that Al Quada will attack from the south. The specter of a "Juan bin Laden" has intensified an atmosphere of mistrust and racism. A Coors Light Billboard in El Paso says it all with the slogan "Always Cool, Aqui or There." In other words, get it through your heads: you are either "Here" or "There" -- but Coors can cross the border even if you can not. The beauty of border culture is something unimaginable to the corporations that have stripped El Paso of jobs and made Juarez the home base for their maquiladoras. This makes those around Basketball in the Barrio all the more determined to help people remember and carry on the tradition of the fronterizo. Coach Steve Yellen, a former UTEP player and member of Athletes United for Peace says, "We want these kids to have pride in their community, pride in their culture, and pride in themselves." This consistent call for "pride" is not just a well-worn homily, but something all the instructors recognize as a necessary component for survival in El Paso. This is a city, in the words of Javier Diaz, that is "excluded, disconnected, and disrespected" throughout Texas. Diaz, a 75-year-old retired guidance counselor in El Paso Public Schools, speaks while watching the kids do a dribbling drill called "the impossible catch." "We are an island in the state," he says. "El Paso is a proud blue collar town, but we are promoted as being little more than low wages, cheap labor, and not worth giving a damn about. We have a political elite in Texas that wants to just strangle common people like us that live in Segundo Barrio. That's why Basketball in the Barrio is so important. It teaches not just sports but self-respect. It can keep alive border culture, which to me means taking the best of Anglo and Mexican culture and combining them to educate our young about art, beauty, and tolerance. To be a 'fronterizo' is to be a whole person." It's because the camp is forging whole people that led young Mateo to ask Juan Lazcano that simple question: "Why do you box?" It's a question that defines the worldview of Basketball in the Barrio: why fight when you can learn, when you can play, and when you can dance? Dave Zirin's new book "What's
My Name Fool? Sports and Resistance in the United States"
will be in stores in June 2005. Check out his revamped website
edgeofsports.com. You
can receive his column Edge of Sports, every week by e-mailing
edgeofsports-subscribe@zirin.com.
Contact him at whatsmynamefool2005@yahoo.com.
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