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Today's Stories March 29 / 30, 2008 Alexander Cockburn Patrick Cockburn Mike Whitney Christopher Brauchli William Blum Robert Fantina John Ross Allison Kilkenny Nelson P. Valdes Suzanne Baroud Richard Rhames Christopher Fons Carl Finamore Eamonn McCann Missy Beattie Fred Gardner Kim Nicolini Jeffrey St. Clair Poets' Basement Website of the Weekend
March 28, 2008 Saul Landau Alan Farago Peter Morici Andy Worthington Felice Pace Peter Montague Dave Lindorff March 27, 2008 Patrick Cockburn Binoy Kampmark Joanne Mariner Norman Solomon William S. Lind John V. Walsh Robert Weissman Ron Jacobs Ralph Nader David Macaray John Borowski Website of
the Day
March 26, 2008 Stan Cox Sharon Smith Anita Sinha / Jill Tauber Matt Vidal William S. Lind Joe Mowrey Dave Lindorff Ray McGovern Justin Smith Sam Husseini Martha Rosenberg Michael Dickinson Website of the Day
March 25, 2008 Ishmael Reed Corey D. B.
Walker Linn Washington Jr. Alan Farago Vijay Prashad Joshua Frank Ralph Nader David Rovics Peter Morici Dave Zirin David Krieger Website of
the Day March 24, 2008 Jeffrey St.
Clair Peter Morici Uri Avnery Wajahat Ali Paul Craig Roberts George Ciccariello-Maher Stephen Lendman Christopher
Brauchli Cat Woods Stacey Warde Dave Lindorff Website of
the Day
March 22 / 23, 2008 Ralph Nader Nicole Colson James Petras Laura Carlsen Greg Moses Andy Worthington Michael Dickinson John Ross Missy Comley Beattie David Michael
Green Ramzy Baroud Martha Rosenberg Paul Watson Isabella Kenfield James Murren Jacob Hornberger Kathlyn Stone Seth Sandronsky Kim Nicolini Jeffrey St.
Clair Poets' Basement Website of
the Weekend
March 21, 2008 Marleen Martin Peter Montague Saul Landau Anis Hamadeh Jacob Hornberger Khalil Nakhleh Adam Isacson Kenneth Couesbouc Madis Senner Monica Benderman Website of the Day March 20, 2008 Damien Millet
/ Mike Whitney John Ross Dave Lindorff Wajahat Ali Jill Nagle Manuel Garcia, Jr. Dan La Botz Robert Weissman Stella Dallas
/ Website of the Day
March 19, 2008 Patrick Cockburn Robert Fisk Jeff Taylor Ed Ruggero Ron Jacobs Christopher
Fons Sherwood Ross Cynthia McKinney Joshua Frank Robert Weissman Walter Brasch Yifat Susskind Andrew Wimmer Website of
the Day
March 18, 2008 David Price Paul Craig
Roberts Tim Wise Patrick Cockburn Conn Hallinan James T. Phillips Uri Avnery David Macaray Marjorie Cohn Peter Zinn Dan La Botz Monica Benderman
March 17, 2008 Pam Martens Sasan Fayazmanesh Nelson P. Valdés Peter Morici Wajahat Ali Ronnie Cummins Shaun Harkin Ali Khan Robert Jensen P. Sainath Greg Moses Dr. Susan Block Website of the Day
March 15 / 16, 2008 Patrick Cockburn Mike Whitney Ralph Nader Robert Pollin Diane Christian Wajahat Ali Tom Wright
/ Alan Farago Greg Moses Michael Hudson Martha Rosenberg John Goekler Uzma Aslam
Khan Oren Ben-Dor David Underhill Fred Gardner David Michael
Green Rev. William E. Alberts Gail Dines David Yearsley Chris Clarke Poets' Basement Website of
the Day
March 14, 2008 Paul Craig
Roberts Don Santina
Patrick Cockburn
Tim Rinne Robert Fantina
Saul Landau
David Macaray
Franklin Lamb
Michael Neumann
March 13, 2008 Paul Craig
Roberts Mike Whitney
Assaf Kfoury
Andy Worthington Adam Federman
March 12, 2008 Dave Lindorff
R.F. Blader
Yonatan Mendel
Jonathan Cook
Bill and Kathy
Christison James J. Brittain
Ron Jacobs
March 11, 2008 Paul Craig
Roberts Ed O'Loughlin
Ramzy Baroud Kathy Christison
China Hand John Joslin
Mike Averko
Ben Rosenfeld
Thierry Paquot
March 10, 2008 Uri Avnery
Col. Dan Smith
R.F. Blader
Michael Neumann
Bob Fitrakis
and Harvey Wasserman James J. Brittain
Missy Comley
Beattie March 8-9, 2008 Weekend Edition JoAnn Wypijewski
Mike Whitney
Peter Morici
Ralph Nader
Jonathan Cook
Steve Niva
Bill and Kathy
Christison Hervé
Do Alto and Franck Poupeau Eric Walberg
Scott Johnson
Mark Scaramella
Bill Clinton Poet's Basement
Website of
the Weekend March 7, 2008 Patrick Cockburn
Robin Blackburn
Saul Landau
Binoy Kampmark
Chris Floyd
Andy Worthington Will Potter March 6, 2008
March 6, 2008 Vincent Navarro Forrest Hylton Peter Morici George Ciccariello-Maher John Ross Jacob Hornberger Paul Watson Dan Bacher Website of the Day
March 5, 2008 Cockburn /
St. Clair Joanne Mariner Fidel Castro Christopher
Brauchli Steven Sherman Dave Lindorff James Murren Adam Engel Website of Day
March 4, 2008 Wajahat Ali William Blum Bill Quigley Ralph Nader Patrick Irelan James J. Brittain
/ Norman Solomon Jacob Hornberger Andy Worthington Mike Averko Website of the Day
March 3, 2008 Jennifer Loewenstein Alan Farago Richard Gott Wajahat Ali Paul Craig Roberts Robert Weissman Uri Avnery Martha Rosenberg Eva Liddell Michael Donnelly Website of the Day
March 1 / 2, 2008 Alexander Cockburn Paul Craig
Roberts Kathleen and Bill Christison Nelson P. Valdés Christopher Brauchli Ron Jacobs John Ross Robert Fantina Robert Weissman Mohammed Omer Remi Kanazi Bob Jackson Richard Rhames Franklin Lamb Rannie Amiri David Michael
Green Conn Hallinan Faheem Hussain Poets' Basement Website of
the Weekend
February 29, 2008 Matt Gonzalez Jonathan Cook Joshua Frank Anthony DiMaggio Linn Washington, Jr. Binoy Kampmark Robert Bryce Sonja Karkar Dave Lindorff Website of
the Day
February 28, 2008 Patrick Cockburn Fred Gardner Michael Levitin William S.
Lind David Macaray Stephen Fleischman George Wuerthner Laura Carlsen Carl Finamore Michael Dickinson Website of the Day
February 27, 2008 David Rosen Vijay Prashad Harvey Wasserman Andy Worthington Wajahat Ali Peter Morici Stephen Philion Michael Donnelly Erica Rosenberg / Website of
the Day
February 26, 2008 Debbie Nathan Alan Dershowitz
Harvey Wasserman Michael Colby Gary Leupp David Orchard Martha Rosenberg Fran Shor Serge Halimi Global Balkans Website of
the Day
February 25, 2008 Roger Morris Anthony DiMaggio Ralph Nader Patrick Cockburn Paul Craig Roberts Peter Morici Dave Lindorff Saul Landau
/ Heather Gray Robert Weitzel John Halle Website of the Day
Alexander Cockburn Paul Craig
Roberts Wajahat Ali Ralph Nader Jürgen
Vsych Fidel Castro Andy Worthington David Macaray Jeremy Scahill David Krieger Ron Jacobs Michael Garrity Brian McKenna Missy Beattie Fred Gardner Boris Kagarlitsky Mike Ferner Dan Bacher Christopher
Ketcham Poets' Basement Website of
the Weekend
February 22, 2008 Mike Whitney Jason Hribal Liaquat Ali Khan Joshua Frank Dave Lindorff Liliana Segura Robert Fantina Yifat Susskind Norm Kent Website of
the Day February 21, 2008 Saul Landau Elizabeth Schulte Helen Redmond Benjamin Dangl Michael Levitin Liam Leonard Patrick Irelan Linn Cohen-Cole Michael Simmons CounterPunch
News Service Website of the Day
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Weekend
Edition The Musical Patriot"All the World's a Hospital"By DAVID YEARSLEY Bach has many lessons to teach us, though they are rarely for the faint-of-heart. Indeed, faintness of heart itself is one of the main themes of this often dark music. For Bach the weakness of the body is the central fact of earthly life, and the human propensity for moral and physical disease contaminates even the enjoyment of music itself. To listen to Bach is therefore to listen to a paradox: the pleasure to be had from his religious cantatas relies on bodily organs and inclinations prone to sin and degradation. Bach's own sensual appetites, not to say stamina, can be gauged by the sheer quantity of his (pro)creative (re)production over five decades: he fathered more than a thousand works (many of more than an hour's duration) and some twenty children by two different women. More than half of these children died in infancy. Nothing specific is known about the medical measures taken on behalf of these children, though my survey of a number of household instruction books from the period shows that many of the ills, both grave and merely inconvenient (e.g., hemorrhoids), were treated with a variety of seemingly benign herbal concoctions as well as with powerful chemical potions, including various dangerous substances such as mercury. Then as now, what didn't kill the patient tended to make him or her stronger. Bach's own medical travails over his relatively long life of sixty-five years are documented only near the end. Forensic historians generally believe diabetes was the chronic condition that eventually claimed him. Four months before his death in July of 1750, Bach was operated on in Leipzig by the English occulist, John Taylor, a womanizing ophthamologist then traveling through Germany in his trademark coach painted with images of the eye. Taylor later had a go at the aged Handel's eyes, and with a similarly negative effect. That the two greatest musical minds of the era ended their earthly days in total darkness did not prove to be useful to Taylor's later reputation, though it has secured him infamous cameos in dozens of biographies of Bach and Handel. (Favoring the ploy of leaving town abruptly after operating on a single eye and before he had to face the direct results of his botched surgeries, Taylor spent his last several years blind himself, a bit of poetic justice that did not escape his numerous detractors' notice. Samuel Johnson described Taylor as one of the best examples of "how far impudence could carry ignorance.") Burial sermons and obituaries of Bach's time often detailed the last hours of earthly life of the deceased, and consistently included a line or two about the efforts of the family to secure the best possible medical care for the dying. This rhetorical gesture was intended to salve the family's collective conscience and to inform congregations or newspaper readers that the survivors had done all they could by bringing in experts equipped with the most advanced-and often costly-medical knowledge. The physicians either unwittingly delivered the coup de grace in the form of some toxin or confirmed that further struggle was hopeless. So it is in Bach's obituary: " a few hours later he suffered a stroke; and this was followed by a raging fever, as a victim of which, despite every possible care given him by two of the most skillful physicians of Leipzig, on July 28, 1750, a little after a quarter past eight in the evening, in the sixty-sixth year of his life he quietly and peacefully, by the merit of his Redeemer, departed this life." In the midst of the most concerted creative outpouring in the history of Western music and still in the hearty haleness of mid-life, the forty-eight year-old Bach -- one wife recently buried and several of children by his new young wife soon to die -- produced a magnificent, if little-known, cantata Es ist nicht Gesundes an meinem Leibe, BWV 25 devoted to human illness of mind and body. One is unlikely to hear this unrelenting work, the ultimate exercise in negative body imaging, in a chaste Pilates studio in your neighborhood. Hypochondriacs are advised to secure their Ipods against this potentially debilitating Bachian virus. The work opens with a chorus to the text: "There is nothing healthy in the face of God's threats, and there is no peace in my bones from my sin." The cantata's poetry is drawn from a collection published in 1720 by the Lutheran clergyman, Johann Rambach, who also a wrote a thick and explicit book on Christ's crucifixion, a tome owned by Bach's second wife, Anna Magdalena. The greatest master of Christian masochistic imagery before Mel Gibson, Rambach loved to write about pain and suffering, all the better to advertise the joys available in heaven. Bach introduces the opening chorus with heavy-burdened sighs in the orchestra, then gives a slower version of this same figure to voices bewailing their mortal bodies. At dramatic moments in the course of this portentous musical discourse, Bach introduces a full texture of brass instruments playing the familiar tune of the Passion chorale, whose text would have been known to contemporary congregations: "My heart is filled with longing / To pass away in peace." From the tribulations of the earthly body, escape comes only from the world itself; this shimmering hymn is the song of heaven, both harmonious with and independent from the tortured, serpentine counterpoint of the voices and other instruments. A tenor recitative follows
this chorus-like 18th-century operas, Bach's cantatas generally
alternate movements devoted to the quick delivery of large chunks
of text (recitatives) with more static reflections using shorter
poetic units and involving a great deal of textual repetition
(arias). In twisted, pain-wracked melodic contours and pain-wracked
chromatic harmonies, Bach lays out the central thesis of the
work: "the whole world is a hospital, filled with countless
people, even children in their cribs, stricken by illness."
One person suffers the fever of lust, another stinks with pride,
a third (and here thinks of the Healthcare executives of our
times) is tossed into a premature grave by the consumption of
avarice. The leprosy of sin devastates the limbs of all people.
"Who is my doctor?" asks the recitative rhetorically
at its lonely conclusion. The sicknesses here cataloged
are both metaphorical and real: sin is the cause of all suffering,
but Bach's musical depictions of a host of maladies in the bass
aria alone are so detailed and evocative that they must have
made his infirm and often sickly congregations uncomfortably
conscious of their bodies and all the diseases and discomforts
that attended them. On the most obvious the level, the cantata retails the scorn for earthly existence harbored by millenarians and political quietists: in a world of questionable medical procedures and constantly menacing disease, the only hope is offered in heaven. While the melodies, diseases, and medical practices may be mostly different, the song remains the same: for the religious and non-religious alike, death is the only real cure. In that Bach's gripping music captures the opposing forces of hope and futility felt by all patients, then as now, it offers a strange solace. Even in its exacting representations of pain and suffering, the cantata soothes, partly by looking beyond its immediate circumstances and sorrows, while at the same time wallowing in them. One doesn't have to be religious to recognize the weirdly ecstatic quality in the music and the complicated psychological state it represents. Dependent on the body to be sung, played and heard, the cantata paradoxically does seem to strive for the transcendence of the fragile physical condition of humanity. Does the music succeed? Even the good doctor Hippocrates himself had to admit Ars longa, vita brevis: Art is long, life is short. David Yearsley teaches at Cornell University, and
is author of Bach
and the Meanings of Counterpoint (Cambridge University Press).
He's also a long-time contributor to the Anderson Valley Advertiser.
He can be reached at dgy2@cornell.edu
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