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Today's Stories

April 11, 2008

Nikolas Kozloff
The Clintons and Their Sordid Colombia Advocacy

Sharon Smith
Let Them Eat Ethanol!

Yigal Bronner / Neve Gordon
Digging for Trouble: the Politics of Archaeology in East Jerusalem

Alan Farago
Eating South Florida

 

April 10, 2008

Mathieu Vernerey
Tibet for the Tibetans!

Elizabeth Schulte
Slavery in the Fields

David Macaray
Labor Unions Will Never Get a Fair Shake

Ashley Smith
The Rise of Muqtada al-Sadr

Peter Morici
Driving Up Debt and Dragging Down Growth

Jacob Hornberger
The Military's Distintegrating Family Life

Harold Austin
Snitch or Else: Prison Officials Threaten Gang Drop Outs

Website of the Day
Hillary: the Wal-Mart Videos

 

April 9, 2008

Paul Craig Roberts
The Fading American Economy

Winslow T. Wheeler
Congressional Theater: the Petraeus / Crocker Hearings

C. Hand
Why Dave Marash Left Al Jazeera

Paul Krassner
Sex and Violins

Paul Wolf
Colombian "Magnicidio" Remains a Mystery After 60 Years

Wajahat Ali
Alien Invasion!

Karyn Strickler
Lost in the Fumes: the Sierra Club Sells Out to Clorox

Dan La Botz
Confronting the Economic Crisis

Eric Walberg
The Shadow of Munich: Another NATO Flop

Robin Millenthal
Enough Already! Growth and the Tar Sands Economy

Website of the Day
Conservative Nanny State

April 8, 2008

Mike Whitney
Should Khalid Sheikh Mohammed be Set Free?

Nikolas Kozloff
Bush Bullies Congress on Colombia Deal

Greg Moses
Migrant Detention in South Texas

Joshua Frank
The Other Military Draft

John Ross
Mexico City's Urban Tribes Go on the Warpath Against EMOS

Michael Donnelly
Hillary's Western Swing

John V. Walsh
Why Obama Lost Massachusetts

Jeff Nygaard
Health, Security and Mandates

Bill Piper
Last Shot for a Bush Legacy?

Sen. Russ Feingold
Legal Representation and the Death Penalty

Website of the Day
Catonsville 9, Forty Years Later

 

April 7, 2008

Ishmael Reed
The Irish Black Thing

Harry Browne
Irish Peace Activist Acquitted; Deported

Uri Avnery
Tibet and Palestine

Lenni Brenner
Obama's Constitution, His Pastor and His Unbelieving Mom in Heaven

Ayesha Ijaz Khan
America Must Respect Pakistan's Democracy

Robert Fisk
Fearful Lives in the Land of the Free

Edwin Krales
Ensuring the Success of Fascism in Spain: the US Corporate Role

Chris Genovali
Vancouver Island's Dwindling Ancient Forests

Website of the Day
LA Artists Against War

 

April 5 / 6, 2008

Alexander Cockburn
Did the Elites Want MLK Dead?

Ramzy Baroud
There are No Checkpoints in Heaven

Ralph Nader
Runaway Bailouts

David Yearsley
How Scott Joplin Had Wall Street Down

Saul Landau
Sex Politics in America

Paul Craig Roberts
The Petraeus and Crocker Show

Lawrence Korb / Ian Moss
Rev. Jeremiah Wright, a True Patriot

Seth Sandronsky
Meet America's Promise Alliance: Colin Powell's New Gig

John Ross
La Cumbia de la Doctrina Bush: Colombia Kills Four Mexican Students in Ecuador Bombing

Robert Fantina
McCain, Republicans and Family Values

David Michael Green
Back to Disaster: Hoover at Home, Tet Abroad

Missy Beattie
McCan't

Patrick Bond
Vultures Circle Zimbabwe

Dr. Susan Block
The New American Pot Dealers

Phyllis Pollack
The Stones Meet the Press

Adam Engel
The Boobus in the Lie

Jeffrey St. Clair
Booked Up

Poets' Basement
Diamand and St. Clair

Website of the Weekend
Richard Pryor Goes to the Gun Shop

 

 

April 4, 2008

Dave Lindorff
The Night I Heard King Had Been Shot

Greg Moses
Missing King

Ron Jacobs
Two Murders, 40 Years On: Bobby Hutton and Martin Luther King, Jr.

Alan Farago
Show Me the Size of Your Bail Out and I'll Show You Mine

Alison Weir
Funding Our Decline: U.S. Aid to Israel

David Rosen
Rape as an Instrument of Total War

Robert Weissman
The Unrealized Dream

Jacob Hornberger
Was Killing Iraqi Children Worth It?

Jackie Corr
Hillary and Obama Head for Butte

Carl Finamore
Taking On United Airlines

Laray Polk
We Are All Dith Pran

Susie Day
Advice for the War-Torn

Website of the Day
Winter Soldiers: a Video Portrait

 

April 3, 2008

Peter Morici
The Deepening Recession

Joe Bageant
The Audacity of Depression

Andy Worthington
Cleared But Still Detained: The Ordeal of Moroccan Prisoner Said al-Boujaadia

Nikolas Kozloff
Condi's Divide and Rule Strategy in South America

Rannie Amiri
The U.S. Disdain for Mideast Democracy

David Macaray
More Labor Strife in Hollywood

Stephen Lendman
Lynne Stewart's Long Struggle for Justice

Website of the Day
The True Face of Da Vinci?

 

April 2, 2008

Diane Farsetta
Indian Point on the Potomac

Harry Browne
Bertie Ahern Laid Low by Secretary

Wajahat Ali
The Folly of Attacking Iran: a Conversation with Steven Kinzer

George Wuerthner
Open Season on Wolves

Col. Dan Smith
The Militarization of America

Philippe Marlière
The Politics of Bling-Bling in France: Sarkozy's Cultivated Anti-Intellectualism

Steve Early
A Purple Uprising in Oakland

Bernard Chazelle
Saving the American Left

Reza Fiyouzat
Bowling in Hell

 

April 1, 2008

Jeff Leys
Fracturing the Peace to End the War

Thomas P. Healy
Restoring the Constitution: a Conversation with Daniel Ellsberg

Winslow T. Wheeler
When Pigs Sprout Wings: Mangled Rationales for a Fatter Defense Budget

Roxanne Dunbar-Ortiz
New Deal Nostalgia

Patrick Irelan
Cocaine, Colombia and the Cartels

Andy Worthington
The Case of Ahmed Khalfan Ghailani

John V. Walsh
The Shunning of Ralph Nader

Michael J. Smith
Woolly Mamet

Robert Weissman
The New Philip Morris--Even Worse Than the Old?

Dave Lindorff
Bush's Defining Moments

Martha Rosenberg
Brain Mist Disease: Boss Hog's Gift to Humanity

Website of the Day
Support Briana!

 

March 31, 2008

Mike Whitney
Dead on Arrival: Paulson's Fixit Plan for Wall Street

Mats Svensson
Walls, Tunnels and Daily Humiliations

Paul Rockwell
Hillary's Lies About Outsourcing

Paul Craig Roberts
A Third American War in the Making?

Patrick Cockburn
Sadr Calls for Ceasefire

Peter Dale Scott
The Showdown

Alfredo Molano
Cultura Mafiosa in Colombia

Peter Morici
Why Paulson's Reform Plan Falls Short

Uri Avnery
Day of the Land, 32 Years Later

Michael Simmons
The American Bard in New Orleans

Betsy Roberts / Karen Orr
The Clorox Coup

Phyllis Pollack
First the Sun and Then the Moon: Scorsese Does the Stones

Website of the Day
Five Years Too Many

 


March 29 / 30, 2008

Alexander Cockburn
When They Pick Up the Phone at 3 AM, What Will They Say?

Patrick Cockburn
Iraqi Police Refuse to Back Maliki's Attacks on Medhi Army

Mike Whitney
Bernanke's Next Big Bail Out Plan

Christopher Brauchli
The Pastor of Armageddon and the Slave Sale: McCain, Lieberman and Rev. Hagee

William Blum
China, Tibet and the Propaganda Olympics

Robert Fantina
Iraq Troika: McCain, Obama and Clinton

John Ross
AMLO, the Comeback Kid? Fighting the Privatization of Mexico's Oil

Allison Kilkenny
Shady Lending Hits Home

Nelson P. Valdés
Cuba, the Beatles and Historical Context

Suzanne Baroud
The Great Lake of Gaza: a New Crisis in the Making

Richard Rhames
Social Security: Throwing Granny from the Gravy Train

Christopher Fons
Transcending the 60s? Obama and the Baby Boomers

Carl Finamore
Misery at 35,000 Feet: Mergers Stall, Fares Soar, Services Slump and Consumers Sour

Eamonn McCann
Hillary Misremembers Again!

Missy Beattie
Justice and the Monsters of War

Fred Gardner
Jim Thorpe, All-American

Kim Nicolini
Cock Chuggers and Cheese Curls: Richard Kelly's "Southland Tales"

David Yearsley
"All the World's a Hospital"

Jeffrey St. Clair
Booked Up

Poets' Basement
Valentine and Ko Un

Website of the Weekend
Hidden Iraq

 

March 28, 2008

Saul Landau
Growing Dread About Iraq

Alan Farago
Other People's Money: the Chop Shop Economy

Peter Morici
Knocking Down False Economic Gods

Andy Worthington
Plight of the Uyghus: a Chinese Muslim's Desperate Plea from Guantánamo

Felice Pace
Ashes of Lies: Why No One Trusts the US Forest Service

Peter Montague
Sierra Club Cleans House -- With Clorox!

Dave Lindorff
The Mumia Exception


March 27, 2008

Patrick Cockburn
Basra Erupts

Binoy Kampmark
Free Market Apostates

Joanne Mariner
"Was George Washington a Terrorist?"

Norman Solomon
NPR News: National Pentagon Radio?

William S. Lind
Mars Only Knocks Once: a Prognosis for Iraq

John V. Walsh
Obama's Speech: a Touch of Bigotry?

Robert Weissman
How Things Work

Ron Jacobs
Meeting Charlie Ehlen

Ralph Nader
Put Impeachment Back on the Table

David Macaray
Court Rules Against Grocery Workers

John Borowski
Clearcutting the History of Forest Destruction

Website of the Day
Going Out for an English

 

March 26, 2008

Stan Cox
The Germs Next Door

Sharon Smith
Greed Pays: Welfare on Wall Street

Anita Sinha / Jill Tauber
Dreams Turned into Rubble in New Orleans

Matt Vidal
So Much for the Self-Regulating Market

William S. Lind
Operation Cassandra

Joe Mowrey
The Audacity of Hypocrisy: Obama's Pandering to Israel

Dave Lindorff
Duck and Cover (Up): Hillary Under Fire

Ray McGovern
Frontline's War: Too Timid, Too Little, Too Late

Justin Smith
Why Race and Gender are Separate Issues

Sam Husseini
The Winter Soldier Hearings and Indy Media

Martha Rosenberg
Blood on Ice: Gentlemen, Pick Up Your Clubs

Michael Dickinson
Politicians as Dogs

Website of the Day
The Wal-Mart Virus: How the Infection Spread

 

March 25, 2008

Ishmael Reed
The Crazy Rev. Wright

Corey D. B. Walker
The Politics of Jeremiah Wright

Linn Washington Jr.
Racism in America and Other Uncomfortable Facts

Alan Farago
The Money Launderers: a Picnic for Wall St. Insiders

Vijay Prashad
A Glimmer of Hope From the Gulf Coast

Joshua Frank
A Silver Lining to the Bush Years?

Ralph Nader
How Public Servants Can Help End This War

David Rovics
If I Can't Dance: Why is the Left So Boring?

Peter Morici
America's Banks are Broken

Dave Zirin
Olympic Flames: China's Crackdown in Tibet

David Krieger
The Crisis in Tibet

Website of the Day
Memorializing Iraq

March 24, 2008

Jeffrey St. Clair
Blonde Ambition: Hillary's Berserker Campaign for 2012

Peter Morici
Digging Out of the Recession

Uri Avnery
Two Americas

Wajahat Ali
First of the Mohicans: an Interview with Rep. Keith Ellison

Paul Craig Roberts
Inside the Shell Game

George Ciccariello-Maher
The Coming War on Venezuela

Stephen Lendman
Sami Al-Arian's Long Ordeal

Christopher Brauchli
Possessing Someone Else's Country

Cat Woods
A Letter to Mom on Obama

Stacey Warde
Tax Burden

Dave Lindorff
The American Dead Hits 4,000, But Who's Counting?

Website of the Day
Live from the Longest Walk

 

March 22 / 23, 2008

Ralph Nader
Bush Blisters the Truth on Iraq

Nicole Colson
Can You Afford to Feed Your Family?

James Petras
The Cost of Unilateral Humanitarian Initiatives

Laura Carlsen
From Bombs to Markets: The Andean Crisis and the Geopolitics of Trade

Greg Moses
Tolerance and the American Pulpit

Andy Worthington
Torture Stories Dog Guantánamo Trials

Michael Dickinson
Art on Trial

John Ross
Bush's Surge Hits Mosul

Missy Comley Beattie
Killer Economics

David Michael Green
Happy Anniversary, America!

Ramzy Baroud
The Coming Uncertain War on Iran

Martha Rosenberg
Easter Egg Shells from Hell

Paul Watson
Evolution is Going to the Dogs in the Galapagos

Isabella Kenfield
Monsanto's Raid on Brazil

James Murren
Logging v. Water in Honduras

Jacob Hornberger
Sex and the Immigration Officer

Kathlyn Stone
Ben Heine, Master of the Art of Resistance

Seth Sandronsky
Rethinking New Mexico's History

Kim Nicolini
Class, Gender and Abortion in Communist Romania

Jeffrey St. Clair
Booked Up: What I'm Reading This Week

Poets' Basement
Wilson, Woods, Gibbons and Orloski

Website of the Weekend
Merci, McCain!

 

March 21, 2008

Marleen Martin
Land Behind Bars: the Hidden Casualties of America's "War on Crime"

Peter Montague
Run Your Car on Coal? Maybe Not

Saul Landau
Monroe's Deadly Doctrine

Anis Hamadeh
Merkel in the Knesset

Jacob Hornberger
McCain's Al Qaeda Scare: Slip or Tactic?

Khalil Nakhleh
Al Nakba of 1948: How Long Will It Persist?

Adam Isacson
Colombia, Paramilitary Threats and Assassinations

Kenneth Couesbouc
Money for Nothing

Madis Senner
Will the Feds Underwrite the Stock Market?

Monica Benderman
The Costs of Freedom: What Are You Willing to Pay?

Website of the Day
Stop Foreclosures and Evictions

March 20, 2008

Damien Millet /
Eric Toussaint
The Triple Failing of the Big Private Banks

Mike Whitney
Winding Up Bear

John Ross
What Do We Owe Iraq?

Dave Lindorff
Paying the Piper: the Bodies and Bills are Piling Up

Wajahat Ali
Pakistan on Fire

Jill Nagle
Memo to Sex Workers: Stop Financing Shock Journalism

Manuel Garcia, Jr.
Obama and the Psychic Auto-Shrink-Wrapping Called Race in America

Dan La Botz
Obama's Race Speech

Robert Weissman
Alternative Power: Shutting Down the API

Stella Dallas /
Jennifer Matsui

Apostasy Now! Mamet, Enter Stage Right

Website of the Day
The Angry Monk

 

March 19, 2008

Patrick Cockburn
A War of Lies

Robert Fisk
The Little Men and the Inferno

Jeff Taylor
Five Years of War in Iraq

Ed Ruggero
From Pinkville to Iraq: the Dark Anniversary of My Lai

Ron Jacobs
Who'll Stop the Rain?

Christopher Fons
Obama Takes the Race Bait

Sherwood Ross
In Defense of Rev. Wright

Cynthia McKinney
An Urgent Crisis: Confronting America's Racial Disparities

Joshua Frank
The Kool-Aid That Kills

Robert Weissman
Monsanto's Genetic Food Gamble

Walter Brasch
It's a Welfare State--If You're Rich

Yifat Susskind
Iraqi Women Resist the Occupation

Andrew Wimmer
War Demands Its Due

Website of the Day
Glimpses of Nature

 

March 18, 2008

David Price
The Military "Leveraging" of Cultural Knowledge

Paul Craig Roberts
The Collapse of American Power

Tim Wise
Of National Lies and Racial America: Jeremiah Wright, Barack Obama and the Unacceptability of Truth

Patrick Cockburn
One of the Most Disastrous Wars Ever Fought

Conn Hallinan
Afghanistan, a River Running Backward

James T. Phillips
Monsters: Past, Present and Wannabe

Uri Avnery
The Killing in Bethlehem

David Macaray
Could Wal-Mart Revive the Labor Movement?

Marjorie Cohn
Beware an Attack on Iran

Peter Zinn
Obama in New Orleans

Dan La Botz
The Economic Crisis, Labor and the Left

Monica Benderman
Where are We Going?

 

March 17, 2008

Pam Martens
The Fed's Wall Street Dilemma

Sasan Fayazmanesh
The US, Iran and the Policy of Dual Containment

Nelson P. Valdés
The Imperial Branding of Simon Bolivar and the Cuban Revolution

Peter Morici
The Corrosive Consequences of the Trade Deficit

Wajahat Ali
Disrobing the Nine: a Conversation with Jeffrey Toobin on the Supreme Court Since 9/11

Ronnie Cummins
Beyond Progressive Malpractice: Taking Down Big Pharma

Shaun Harkin
Saint Patrick's Day in Fortress America

Ali Khan
No Pardon for Musharraf

Robert Jensen
Beyond Peace

P. Sainath
Oh, What a Lovely Waiver!

Greg Moses
Jeremiah was a Bullhorn

Dr. Susan Block
Advice for Eliot Spitzer

Website of the Day
No Cowboys

 

March 15 / 16, 2008

Patrick Cockburn
How to Destroy a Country in Five Years

Mike Whitney
Bearly Alive: Investment Giant Rushed to ICU by Panicky Fed Chief

Ralph Nader
Of Laws and Men

Robert Pollin
It's Still the Economy, Stupid

Diane Christian
The Poetics of Perversity: From Boccaccio to Spitzer

Wajahat Ali
Faking the Hood: a Conversation with Ishmael Reed

Tom Wright /
Therese Saliba

Rachel Corrie's Case for Justice

Alan Farago
Back to Florida: Where Bushtime Began

Greg Moses
Raiding the Family Room in Texas

Michael Hudson
A Grand Global Bargain?

Martha Rosenberg
Why Hillary's Favorite Chicken Company is Eying China

John Goekler
Fourth Generation Warfare in a Fifth Generation Conflict

Uzma Aslam Khan
A Letter to Barack Obama: Where's the Change, Barack?

Oren Ben-Dor
The Silencing of Gilad Atzmon

David Underhill
Mammon, Morals and the Mobile Tanker Deal

Fred Gardner
The Education of Eliot Spitzer

David Michael Green
Why Spitzer Should Have Resigned (and Why He Shouldn't Have)

Rev. William E. Alberts
Jesus, Entombed in Heaven

Gail Dines
It's All About the John: Prostitution and Male Power

David Yearsley
Conducting, Anarchy and the Problem of When to Begin

Chris Clarke
Walking with Zeke: the Luckiest of Dogs

Poets' Basement
Anderson, Lodge & Subiet

Website of the Day
Deviant Art

 

March 14, 2008

Paul Craig Roberts
Watching the Dollar Die

Don Santina
Vichy Democrats: Pelosi and the Politics of Collaboration

Patrick Cockburn
Iraqi Mother Vows Revenge on US: How She Lost Her Husband and Her Sons

Tim Rinne
StratCom Rules! The Next War Will Start in Nebraska

Robert Fantina
In Torture We Trust

Saul Landau
Letter to the Presidents-in-Waitings

David Macaray
Common Myths About Labor Unions

Franklin Lamb
Is the Bush Administration Switching Horses in Lebanon

Michael Neumann
The One State Illusion: Reply to My Critics

March 13, 2008

Paul Craig Roberts
Republicans and "Free Market" Zealots Bring Disaster to America

Mike Whitney
Meltdown Looms Larger As Credit Markets Freeze

Assaf Kfoury
"One-State or Two State?"- Sterile Debate on False Alternatives

Andy Worthington
Afghan Hero Who Died in Guantánamo: The Background to the Story

Adam Federman
From Autopia to Autogeddon: Cars Reach the End of the Road

March 12, 2008

Dave Lindorff
Bringing Down Spitzer: It's the Big Brother Who Should Bother US

R.F. Blader
The Spitzer Backlash

Yonatan Mendel
How to be an Israeli Journalist. Never Write "Murder" or "Palestine"

Jonathan Cook
One State or Two? Neither. The Issue is Zionism

Bill and Kathy Christison
Fallon and Gates -- At Least One Cheer

James J. Brittain
Was the U.S. Involved in Killing the FARC-EP Leaders

Ron Jacobs
"All the Money You Make Will Never Buy Back Your Soul"

March 11, 2008

Paul Craig Roberts
How to End the Subprime Crisis

Ed O'Loughlin
How Israeli Troops Invade Homes in Gaza, Brutalize, Smash and Steal

Ramzy Baroud
'Unwavering Commitment' to Inequality

Kathy Christison
One State or Two? The Debate Over Israel and Palestine

China Hand
PRC Plays it Cool, as U.S. Tries to Amp Up Pressure on Iran

John Joslin
Thank You, Nafta! Welcome to Weirton, Home of the Discount Cigarette

Mike Averko
Serb Politics, Kosovo and the Moscow-Washington Divide

Ben Rosenfeld
Gavin Newsom's Kneejerk Plan

Thierry Paquot
High Rise, Low Spirits:The Curse of the Tower Block

March 10, 2008

Uri Avnery
"Kill A Hundred Turks and Rest": The Five-Day War in Gaza

Col. Dan Smith
Scoring the "Surge" and What Lies Beyond

R.F. Blader
Why "Lock Them Up and Throw Away the Key" is Losing its Sheen

Michael Neumann
The One-State Illusion: More is Less

Bob Fitrakis and Harvey Wasserman
Did the Republicans Give Hillary Her Victory in Ohio?

James J. Brittain
Anti-Uribe Protests in Colombia and the World

Missy Comley Beattie
The Passion of John McCain

March 8-9, 2008 Weekend Edition

JoAnn Wypijewski
The Only Way to Fight the Clintons

Mike Whitney
Sorting Through the Rubble in Post Bubble America

Peter Morici
Fed and Treasury Fiddle as Economy Plummets

Ralph Nader
The Silent Violence of Gaza's Suffering that Candidates Ignore

Jonathan Cook
The Meaning of Gaza's Shoah

Steve Niva
Behind the Israeli Escalation in Gaza

Bill and Kathy Christison
Crisis over Teheran's Alleged Nuclear Plans Nearing Climax

Hervé Do Alto and Franck Poupeau
Bolivia: Morales is Checked

Eric Walberg
To Leave and Stay at the Same Time: Putin to Medvedev to…?

Scott Johnson
City of A Thousand Foreclosures

Mark Scaramella
James Brown's Gate

Bill Clinton
President Clinton's Remarks on Naming William M. Daley as NAFTA Task Force Chairman

Poet's Basement
St. Thomasino, Engel, Davies and Willson

Website of the Weekend
Hillary Blackens Barack

March 7, 2008

Patrick Cockburn
Why Iraq Could Blow-Up in John McCain's Face

Robin Blackburn
Question for Barrack Obama: Why Afghanistan is the'Right War'?

Saul Landau
The Stupid Economy

Binoy Kampmark
When Competition is Good: McCain and the Muddled Democrats

Chris Floyd
Crushing the Ants: Admiral Fallon and His Empire

Andy Worthington
Spanish Drop "Inhuman" Extradition Request for Guantánamo Britons

Will Potter
Before the Smoke Even Clears in Seattle: Bringing Out the T Word

March 6, 2008

 

March 6, 2008

Vincent Navarro
The Next Failure of Health Reform

Forrest Hylton
High Stakes in the Andes: Colombia's Cornered President

Peter Morici
Why the Dollar is So Cheap

George Ciccariello-Maher
Counter-Attack of the Bureaucrats

John Ross
Taxi! Taxi! The Dark Side of the Oscars

Jacob Hornberger
No Standing to Lecture on Justice

Paul Watson
Illegal Japanese Whaling by the Numbers

Dan Bacher
Off the Deep End

Website of the Day
A Katrina Reader Online

 

March 5, 2008

Cockburn / St. Clair
A Great Day for John McCain (and Maybe Nader)

Joanne Mariner
After Guantanamo

Fidel Castro
The Raid on Ecuador: Underestimating Rafael Correa

Christopher Brauchli
The Turkish Invasions

Steven Sherman
Obama and the Prospects for a Renewal of the Left

Dave Lindorff
Busting Bush & Co. in New England

James Murren
Bombing Somalia

Adam Engel
Necropolis Now

Website of Day
Remember Song

 

March 4, 2008

Wajahat Ali
Mumbo Jumbo: Naming Names with Ishmael Reed

William Blum
How Could Hillary Have Known?

Bill Quigley
The Cleansing of New Orleans

Ralph Nader
The Prince Harry Solution

Patrick Irelan
Oil and Health in Venezuela

James J. Brittain /
R. James Sacouman

Uribe's Colombia is Destabilizing a New Latin America

Norman Solomon
The War Election

Jacob Hornberger
Hillary in Waco: the Missing Apology

Andy Worthington
Guantánamo and the European Parliament

Mike Averko
Kosovo and the Press

Website of the Day
Tex-Mex Primary

 

March 3, 2008

Jennifer Loewenstein
Gazan Holocaust

Alan Farago
American Politics and the Faltering Economy

Richard Gott
Colombian Deaths in Ecuador

Wajahat Ali
Who Speaks for a Billion Muslims? Analyzing the World Gallup Poll with John Esposito

Paul Craig Roberts
The Mukasey Conspiracy: a Bi-Partisan Attack on the Constitution

Robert Weissman
When Multinationals Say Adieu

Uri Avnery
Good Morning, Hamas

Martha Rosenberg
When Your Meat is a Downer

Eva Liddell
Leave the Next Dance for Bill

Michael Donnelly
Will Ferrell Does Flint

Website of the Day
Muddy Waters: Train Fare Home Blues

 

 

 

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Apri1 11, 2008

An Interview with Pulitzer Prize-Winning Novelist Junot Diaz

Revenge of the Ghetto Nerd

By WAJAHAT ALI

The Ghetto nerd came to America at age 6 with his impoverished Dominican family, like so many others before them, yearning to taste the "American Dream." The Ghetto nerd suffered the brutal jabs and blows of the "American reality" as his family suffered one epic tragedy after another. The Ghetto nerd immersed himself in literature, inhaling popular culture like air, snorting fantasy and science fiction like cerebral cocaine, and drowning himself in the wondrous, exaggerated worlds of comic books. The Ghetto nerd hustled, like so many hustlers, by working an assortment of odd jobs to pay college tuition and later earn an MFA graduate degree from Cornell. In 1996, the Ghetto nerd published his first work, a collection of short stories Drown, to ecstatic acclaim heralding him as the one of the great, young fiction writers of the new century by The New Yorker. After a 12-year hiatus, the Ghetto Nerd returns as the winner of 2008's Pulitzer for Best Fiction Novel, The Brief Wondrous Life of Oscar Wao, an exciting and fresh work that literally explodes with ideas, simultaneously destroying cherished yet simplistic myths of "The American Dream," while creating a unique vision of observing the tragic, hopeful, forgotten, yet all too common, multicultural and multigenerational experience of an "American" family.

A month before winning the Pulitzer, I sat with Junot Diaz, the Ghetto Nerd himself, for a revealing and candid discussion about the devastating "curse" and emotional scars of a tyrannical dictatorship ­ in this case that of Dominican Republic's horrific General Trujillo ­ on an immigrant, American family; the mainstream "whitewashing" of "brown" experiences; the power of popular culture and comics books to express one's personal narrative; the arrogance of "Whiteness"; and the emergence of a multicultural voice reflecting an ethnic, "All American" America

ALI: The novel begins with a quote by Derek Walcott: "I have Dutch, nigger, and English in me, and either I'm nobody, or I'm a nation." Is this statement a microcosm of the multicultural identity of a modern and past America? Has America and American literature always been this way you think?

DIAZ: Part of me was thinking more in a sense that that there is no national definition; in other words, all national definitions have to contend with the specificity of the individual. That's what I find in some ways to be so intriguing. The identities that we cleave to or create for ourselves are often simplifying myths more than anything else. I guess part of it is that, clearly, there's no greater or perhaps more alluring simplifying myth than the myth of America with the capital "A." Which says it is a sort of un-nuanced "good." But, there's another line to that opening quote which is the same way a national definition has to struggle to incorporate the individual, it's also possible for an individual to become a national identity.

If you think about the book, the book argues that a freakish individual, in the case of the Dominican Republican dictator Trujillo, a very specific individual, became a national character. I think the quote is not just a note of celebration, but it also sounds as a warning "fetish-ising" the individual, which is exactly what the cult of Trujillo did ­ it "fetishised" one individual.

ALI: Let's talk about the fuku, the curse, or as one of the characters later refers to it as "the fuck you" ­ "the Curse and Doom of the New World," a plague, a curse, an endless foreboding tragedy that links a family from the mother country to the new country. Can you briefly explain it?

DIAZ: There's another argument in the book for what the fuku is. Folkloric-ly in the Dominican Republic, there's this belief that there's this huge quantity of bad luck that has been generated in or around of what we call the conquest of the New World. The project of the New World, which created this sort of bad luck radiation, that went across the planet. And that so much of the evil and the problems we have in what we call the "contemporary world" were produced and sort of exacerbated by this malevolent, historical radiation. Some folk are actually quite adept at manipulating this bad luck energy, and other folks don't even believe it exists. It was an interesting way, at a narrative level, to think about the power of history, and the longevity of consequences.

ALI: The novel, like the language, the cultural references, the ethnicities and histories of the character, reminded me of a collage ­ a volatile and combustible mash up ­ a mix tape of real, unreal, past, present, hilarity, and tragedy and so forth. As immigrants or progeny of immigrants, can we divorce our past and our roots in America? Should the young generations say, as they often do, "That was them, that's not me. I'm not Dominican, I'm American!" You and the fuku seem to suggest otherwise, no?

DIAZ: This gets back to our initial conversation about the myth we tell ourselves. I think there is nothing more damning than a myth that denies all antecedents that basically says that "that was then and I'm sort of new creature." Then again, there's nothing more damning than a myth which denies that there are a new set of experiences and a new set of challenges that young people have to face. I would say my book would make an argument for a personal vision of an individual's relationship to history.

We are simultaneously autonomous as history but equally enslaved by it. It's these two quite opposite states that make it so difficult to have conversations about this. You know, when you're like hanging out at the mall and you're just trying to buy a pair of earplugs for your iPod, it's real hard to make an argument for a larger, historical movement. But that very activity if viewed from a different perspective and from a much longer range, certainly makes you realize how much of a product of history you are. And I do think if the book was arguing anything is that most of us are like Oscar [The morbidly overweight, tragically geeky, alienated protagonist of The Brief Wondrous Life of Oscar Wao] and his family in that we don't believe that history has any hold on us, and yet it's quite clear we are the children of history.

ALI: Let's talk comics shall we.

DIAZ: Let's do it.

ALI: There is another opening quotation to the novel, a Fantastic Four comic reference: "Of what importance are brief, nameless livesto Galactus, the eater of worlds." Throughout the novel, you invoke celestial figures, near Gods of the comic and fantasy universe with omniscient awareness and limitless capacity for tyranny. There's Darksied and his all-enveloping Omega Beams, The Watchmen's near deity Dr. Manhattan, Fantastic Four's Galactus. The oppressive nature of Frank Millar's despotic The Dark Knight Returns, Tolkein's Mordor and so forth. So, how does the comic narrative relate to the concept of tyranny and oppression as experienced by Oscar, his family, and immigrants?

DIAZ: I think part of what's happening is that I'm using prepackaged metaphors to communicate. I think it's difficult for your average, contemporary reader to really grasp what a Trujillo meant, because there's no analogous experience for most people. They wouldn't know what it would mean to be on an island or culture where one individual would have such supreme power. But, when you evoke sort of science fiction, comic book genre, then Trujillo is sort of like Sauron [The tyrannical antagonist from Tolkein's Lord of the Rings Trilogy.]. Suddenly, there's this already prepackaged metaphor that allows people to somewhat understand the extremity of the figure you are talking about.

I think the genres are very interested in tyrannies and control and power and the consequences of all these things in ways traditional literature isn't. You can go and randomly pick up and read a comic book and that comic would have more to do with dictatorship and the loss of human freedoms than your standard novel on the bookshelf. In one way it was sort of deploying these preoccupations of power, dictatorships, comic book genres to clarify and to explain the world I was trying to bring to life, i.e. the Dominican Republic. Simultaneously, I was also trying to make these metaphors in some ways was a "browning" of these incredibly "White" metaphors. My sort of talking about a third world Sauron and an immigrant Fantastic Four, it sort of emphasizes, at least I thought it brought into stark relief how much our popular narrative, like comic books and science fiction, rely on thinly veiled troupes of racialized and cultured "others."

ALI: Like the X-men for example.

DIAZ: Yeah, I mean X-men doesn't exist without the deeper preoccupation of race and otherness in the Americas. The same thing as the contact with the alien species, the first contact narrative in science fiction, it's just in some ways a newly updated version of the Columbus exchange, or the Europeans encountering the New World.

ALI: Let's talk about Whiteness.

DIAZ: Sure, what about it?

ALI: How do you respond to critics, mostly White, who think your themes, plot and dialogue is only for ethnic audiences and might be difficult to cross over with "mainstream audiences". I say this because rarely to never does "Whiteness" ask "ethnic" people whether or not mainstream culture is accessible to "us." Furthermore, there's this "whitewashing" of brown literature ­ the movie versions of Allende's House of The Spirits starring Meryl Streep and all White actresses. This book seems to be kind of flipping off these old guard, Euro centric police people who say the Western Canon must all be White and English.

DIAZ: I think it's so interesting what you're saying. One of the things about White supremacy is that it is never satisfied with what it has gained. What fascinates me is, for example, take the narrative of A Beautiful Mind, the book about that Princeton professor, yeah? Talk about a rarified world, talk about an extremely White world in which this character was living in and moving in. But, when it came time to make the Hollywood picture, that world still was not "White enough." I mean he was married to a woman from Costa Rica. And, they were like, "You know what? Screw that! We're going to make that character White!"

This happens again, and again, and again. What's fascinating to me is that it's as if when Whiteness gets a chance to rewrite the story it will even re-write a predominantly White story even Whiter! The perfect example is Ursula Leguin's Earth Sea Trilogy, a story where all the characters were all kind of brown. And Hollywood came out and said, "Hmmph, it's not enough that it was written by a White person, we have to make it Whiter than White."

I think as a writer of color, as an artist of color, especially one who identifies himself or herself as such, and thinks there is nothing limiting or ghetto-izing of calling oneself a writer of color, simply stating that doesn't absolve me from universality, in fact I think it brings me closer to it. The universal is found in the specific. Writers of color, we often have to wrestle with an enormous amount of ridiculousness. I'm often asked as a writer how do I think my race, culture, ethnicity influenced my writing, and none of my White peers get asked that. I think my Dominican-ness has less impact on my writing than White privilege has on, say, Rick Moody or Jonathan Francis.

White privilege is an enormous bonus to White writers, yet they are never asked to interrogate it. It's sort of a standard thing. It's like the subway stops in New York. This is the literary equivalent of the subway stops, where Black and Latino men are always being stopped and frisked, and White men are not. I think this is just the literary subway frisk, and till we get a better world, the only thing we can do is to point it out and constantly when given a chance to turn the tables. I always love driving White writers crazy by asking them, "So, how do you think your Whiteness influenced your writing or your success?"

ALI: How do they respond?

DIAZ: Well, you know, they always respond the same way. They're astonished! Because, they never have to be asked that.

ALI: They never have to defend it, criticize it, or confront it actually.

DIAZ: That's the whole thing about power. In that, power is invisible to itself.

ALI: I want to flip that. You have two descriptions in your book. Let me read them: "Jack Pujols' the schools handsomest - (Whitest)- boy." Then you have this one, "That's the kind of culture I belong to: people took their child's black complexion as an ill omen." That last quote can transcend ethnic boundaries, that's me speaking as a South Asian and Muslim. Now, we see Obama, Hillary, and the whole conflict of Latino/ Black voting divide. Why the blinders for colored folk? Why the need to define oneself by oppressing another ­ separating the darker part of ourselves figuratively and literally? "See, we're not Black, we're not the 'other,' please accept us White man!" Even though to "Whiteness," we're all the same.

DIAZ: I think the issue is incredibly complicated. I think that there's a lot that's going on. It's not easy for individuals or communities to deal with sort of the "White supremacist" racialization of the world. Making accommodations with it, trying to find a place sort of jostling for privilege while trying to avoid the kind of pitfalls of victimization, I mean all these things twist people into ontological pretzels: our attempts to define ourselves in some healthy, meaningful way while simultaneously resisting. The very communities that talk about Obama or how you hear "Latinos don't support Obama." I go, "Hmmn? I wonder if they're looking at it in a nuanced way." Because my friends do [support Obama], but I haven't heard of any of their parents running out to support him. I think these things are really complicated, but what is really important and really useful is that the horrifying maple of White supremacy that all cultures are sort of dancing around - I think that drives a lot of us crazy and causes a lot of us to define ourselves in ways that are not productive.

ALI: In "Love and Consequences," a critically acclaimed but fraudulent memoir published recently, Margaret B. Jones lied about her life as a half-white, half-Native American girl growing up in South-Central Los Angeles as a foster child among gang-bangers, and running drugs for the Bloods. Talk to me about this: White writers faking "Ghetto lifestyles" and writing about stuff they don't know, and the mainstream publishers who love to publish them and make money off it. As one who has come from a "ghetto" and knows that world, how does that make you feel, and how can you stop the exploitation?

DIAZ: I mean you can't. Look, the media, reading audiences, publishers, editors, agents and writers are all complicit in trying to sell what I would call "narratives of consolation." There is nothing more consoling to people than this little narrative [In a slow, condescending voice] "The ghetto is tough and full of evil, bad gangsters, and good kids are fucked up by this experience. But, every now and then, a very good kid passes through this experience and emerges at the end a whole and healed person."

That's such a ridiculous narrative at every level. It allows us to simultaneously experience the titillation of the underclass "other," while reliving us of the fact that like 90% of the people who live as the underclass stay as the underclass. When you read a book by a survivor, either as a fiction or memoir, it immediately brings survivor bias. You know this person is going to make it. So, even if you spend 200-300 pages in a made up, fictional ghetto hell, you know there is light at the end of the tunnel. And it doesn't work that way. The world is not a redemptive, Oprah Winfrey narrative. The world is too complicated. I think that in some ways these are sort of that fake memoirs, where everybody wants to truck in sort of these simplified myths of our country. Whether they are the racial myths, or urban myths, or even those myths that "In the end, even if things are really tough but if you're just good and stick to your values, you'll make it. Where America is a country where you can pull yourself up."

All these things combine in the reasons why these memoirs are extremely popular. I think there's a lot going on there. I think it's really fucking sad, man. I mean it's really, really sad. No matter how many of us write this complicated vision of America that is no longer just simply "Boyz in the Hood" - in the end America really just wants their "Boyz in the Hood." They want their really simple, fucking shit.

I think there's a lot of money to be made. There's a lot of money to be made selling Americans drugs. Whether it's the real kind of drugs destroying communities, or it's the much more subtle and insidious drug of "bogus narratives of comfort." There's always going to be money in that. There's always going to be people who will be willing to fucking sell their soul to turn their buck on it.

ALI: Let's talk about self-loathing and the need for assimilation. Oscar never fits in - both with his own community and due to his Ghetto Nerd tendencies and intellectualism, which flies in the face of machismo culture. And he never fits in with mainstream, because, well, he's not White. How is this reflective of not only your experience as an American writer but also part of the larger immigrant, Dominican experience?

DIAZ: These are not parables. I don't think there's an equal sign where Oscar being fat equals a Dominican sort of writer. I think there are credible ironies in that even in communities that are ostracized by a larger, mainstream community there are people within these very communities who are ostracized for what seems to be completely arbitrary reasons. In Oscar's case, he's really nerdy and that's enough to get him blacklisted from the world of Dominican-ness. I think part of what I was interested in as a writer was sort of exploring the internal tyranny of a community.

I mean, I think you can write about how bad White people are till the cows come home, but to me that is nowhere near as interesting as the ways that people who are tyrannized from the outside who are even more insanely tyrannical when they go home and close their doors. I think that's why Oscar is such an interesting character for me. In some ways, he really, really, really wants to fit in. Yet, there's nothing he can do to convince anybody to let him join their club. It's fascinating. What happens to a person when nobody lets you fit in?

ALI: The TV shows Heroes took the idea of your new novel, which in part is about the supernatural destruction of New York City, which they in part took from Alan Moore's graphic novel The Watchmen. So, are you still gonna' do it: the psychic terrorist kills NYC plot?

DIAZ: We'll see. I want to, but it has to work on its own terms. The thought of a superpower individual destroying a city is so old and has been so long in the back of our minds, that I'm not surprised it hasn't been done ten, twenty or thirty times. But, hopefully, if I can do this, I'll bring something new to it, which is something you always hope for.

ALI: Is it going to take 10 years again this time?

DIAZ: (Laughs) No answer. Don't even know.

Wajahat Ali is Pakistani Muslim American who is neither a terrorist nor a saint. He is a playwright, essayist, humorist, and Attorney at Law, whose work, "The Domestic Crusaders," (www.domesticcrusaders.com) is the first major play about Muslim Americans living in a post 9-11 America. His blog is at http://goatmilk.wordpress.com/. He can be reached at wajahatmali@gmail.com

 

 

 

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