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March
3, 2002
Bernard
Weiner
War
on Terrorism for Dummies
Paul Cox
Boycott
Mel Gibson's
"We Were Soldiers"
Frederick
Hudson
Toward
a Nonviolent Africa:
Bill Sutherland's Quest
Eric Schaeffer
Dear
Christie Whitman:
Take This Job and Shove It
John Chuckman
Why
the Rest of Planet is Unnerved by America
March
2, 2002
Alexander
Cockburn
Sweat,
Sex, Feet and
the Working Class
March
1, 2002
Brendan
Sexton III
What's
Wrong With Black Hawk Down: an Actor Speaks Out
Terry
Diggs
Why
Twain's Pudd'nhead
Wilson Still Matters
David
Krieger
Nuclear
Terrorism
and US Nuclear Policy
February
28, 2002
James
T. Phillips
Baghdad,
Spring 1992
Gideon
Samet
Sharon
Must Go
Rep. Ron
Paul
Before
We Bomb Iraq
M. Shahid
Alam
Samuel
Huntington:
Peddling Civilizational Wars
St. Clair
/ Cockburn
Rumble
from the Jungle:
Ecaudorian Farmers Fight
DynCorp's ChemWar
February
27, 2002
Eric Hobsbawm
The
Future of War and Peace
John Troyer
About
that WTC Memorial
Mokhiber
/ Weissman
Wired
for Democracy
or Business?
Alexander
Cockburn
Daniel
Pearl: Should His
Editors Have Sent Him There?
February
26, 2002
Jonathan
Steele
Kabul's
Loss
Vasily
Streltsov
The
Pentagon in
the Transcaucusas
CounterPunch
Wire
How
Corporations Use Shadowy "527" Groups to Influence
Politicians
Lt. Col.
Robert Bowman
ABM
Treaty: Alive or Dead?
Rep. Dennis
Kucinich
A
Prayer for America
February
25, 2002
John Clarke
Interrogated
at US Border
Blankfort,
Poirier, Zeltzer
ADL
Blinks, Settles Spying Case
Alex Lynch
Naked
from Sin:
The Ordeal of Nahla
and Sami Al-Arian
John Chuckman
Ashcroft
Speaks in Tongues
February
24, 2002
David
Vest
Skate
Date
February
23, 2002
Tom Turnipseed
Axis
of Evil and
Media Monopolies
Bahour/Dahan
Cracks
in the Occupation
February
22, 2002
Alexander
Cockburn
Axel
of Evil: Sex Crimes
and the Constitution
February
21, 2002
Gary Leupp
The
Philippines: Second Front in US's Global War
David
Vest
Reagan
Clone Project?
Mokhiber
and Weissman
Chicago
School and Corporate America: Rotten to the Core
February
20, 2002
Bernard
Weiner
The
Shallow Throat Document
Kay Lee
The
Prison Guard Who Never Owned Up to His Crimes
February
19, 2002
David
Orr
Waylon
Jennings, the Duke,
and the Navajo
John Chuckman
The
Devil and Georgie Bush
Prudence
Crowther
Giblet
Gravitas
Ramzi
Kysia
Caught
in the Iraq DMZ
February
18, 2002
Ron Jacobs
The
US and Iran
George
Lewandowski
Empire
in Declline
Lenni
Brenner
Life
and Death of a Folk Hero
February
17, 2002
Robert
Fisk
Lost
in a Pit of Desperation
February
16, 2002
Phillip
Cryan
Colombia
in War Time
February
15, 2002
C.G. Estabrook
From
New York to Porto Alegre
Robert
O'Brien
The
View from Porto Alegre
Mokhiber/Weissman
Resisting
the Assassins
February
14, 2002
Levy and
Easton
Ante
Pavelic
Real Butcher of the Balkans
Joan Claybrook
Dear
Jeb Bush,
About You and Enron
John Chuckman
Time
for a Woman Prez
Alexander
Cockburn
Banning
the Koran
February
13, 2002
Sen. Russ
Feingold
War
Powers and
the War on Terror
Tom Turnipseed
Bush's
Folly
George
Monbiot
American
Imperialism
February
12, 2002
Uri Avnery
The
Great Game:
Oil, Sharon and Iran
Tommy
Ates
Black
Land Loss
February
11, 2002
Walt Brasch
The
Synergizing of America
John Troyer
Enron's
Deep Throat?
February
9, 2002
John Blair
Criticize
Cheney, Go to Jail
A Photographic Journal of Life
in an Afghan Refugee Camp
By Judith Mann
Resources:
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About 9/11
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Coverage of 9/11 and Its Aftermath
Five
Days That
Shook The World:
Seattle and Beyond
By Alexander
Cockburn
and Jeffrey St. Clair
Photos by Allan Sekula
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CIA's Assassination Plan a History of
Torture in US Prisons
bin Laden and Bush
Business Connections
Aisha Ikramuddin on the Hidden Hype
of US Food Bombs
Peter Linebaugh on
Pakistan
Christopher Hitchens' Love for Mrs. Thatcher
Jiang Zemin Tells Bush:
Nuke 'Em
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CounterPunch
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How the CIA's Backing of the Mujahideen Created the World's Most
Robust Heroin Market and Helped to Finance the Rise of the Taliban
and Osama bin Laden
Whiteout:
CIA, Drugs & the
Press
by Alexander
Cockburn
and Jeffrey St. Clair
The New Crusade:
America's War on Terrorism
By Rahul Mahajan
The Memphis Blues Again:
Six Decades of Memphis Music Photographs
Photos by Ernest Withers
Text by Daniel Wolff
The New Intifada:
Resisting Israel's Apartheid
Edited by Roane Carey
A Pocket Guide to
Environmental Bad Guys
by James Ridgeway
and Jeffrey St. Clair
The
Phoenix Program
by Douglas Valentine
Al Gore:
A User's Manual
by Cockburn
and St. Clair
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Reviews of Gore:
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March 3, 2002
The Rebel Angel
Grammy Ham 'n Jam
By David Vest
Here's what it has all come down to: a studio
pick-up band of session players took home the Grammy for Album
of the Year.
Granted, it was the Oh
Brother, Where Art Thou soundtrack's producer, T-Bone
Burnett, who gave a bizarre speech in which he appeared to be
accepting the award on behalf of James Joyce.
But it was a thrown-together group of
bluegrass journeymen, genuine authentic no-namers, whose version
of "Man of Constant Sorrow" really brought home the
bacon for the album.
None of the musicians who performed music
from the soundtrack was allowed to say a word. Emmylou Harris,
Gillian Welch and Alison Kraus, whose brief number was infinitely
sexier than the half-naked young divas from Moulin Rouge, stood
silent, temporary no-namers.
Was Ralph
Stanley even on the stage? The bluegrass legend, whose
definitive recording of "Man of Constant Sorrow" was
not used on the soundtrack, performed his acapella version of
"O, Death," a song usually associated with Dock Boggs,
from a spotlighted position in the audience. Fortunately he was
not made to wear a Ku Klux Klan sheet (his number is lip-synched
by a Klansman in the movie). In fact, Dr. Stanley looked rather
dashing in a tuxedo. For a moment everyone thought he was Tony
Bennett or at least Rod Steiger.
Bob Dylan almost threw the evening into
complete chaos by actually playing live rock and roll music,
complete with blistering guitar solo (when was the last time
anyone played a guitar solo on the Grammies? Was it Dylan in
1998? The brief noodling by The Edge that started this year's
show does not count).
I don't know about you, but I could hear
people screaming all through Dylan's performance of "Cry
A While" from Love
and Theft. Yet TV showed none of the audience response,
other than the briefest glimpse of the standing ovation he received
before the show's producers cut the applause off brutally in
mid-clap to bring on the next presenters. The abrupt segway,
coupled with an inept introduction ("What can I say? Here's
Bob Dylan"), seemed a tad on the shabby side for an artist
of this stature.
Dylan, whose own recording of "Man
of Constant Sorrow" appeared on his first album almost
forty years ago, won a Grammy for Best Contemporary Folk Recording.
The Irish artist Enya, who has never
recorded "Man of Constant Sorrow," won for Best New
Age Recording. Her CD, A
Day Without Rain, was not nominated for Album of the
Year. It should have been. This is an album that just lay there
in the stores when it first came out, getting little air play.
It built slowly, by word of mouth, until the single "Only
Time" became a huge hit.
Enya is the ultimate stealth bomber.
Since early 1989, when Watermark dethroned Roy Orbison's Mystery
Girl as the top-selling CD in the world, Enya has quietly sold
over 10,000 CDs a day, according to her official web site. Other
estimates run even higher.
David Vest
writes the Rebel Angel column for CounterPunch. He is a poet
and piano-player for the Pacific Northwest's hottest blues band,
The Cannonballs.
He can be reached at: davidvest@springmail.com
Visit his website at http://www.rebelangel.com
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