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Read Cockburn and St. Clair's Whiteout: the CIA, Drugs and the Press and discover how the CIA gave a helping hand to the opium lords who took over Afghanistan, thus ushering the Taliban into power.


CounterPunch: Complete Coverage of 9/11 and the War on Afghanistan

New Print Edition of CounterPunch Published December 20: Catherine Campbell on public health agents acting as police; JoAnn Wypijewski on big labor in Las Vegas; and a profile of Rodrigo Villamizar, Bush's crooked Colombian pal. Subscribe Now!

January 9, 2002

Rafiq Kathwari
Kashmir Will Make Ground Zero Look Like a Bonfire

January 8, 2002

Prudence Crowther
Sting Like a B-52

Nelson Valdés
Al-Qaeda at Guantanamo Bay

John Chuckman
Dark Tales from the
Ministry of Truth

Richard Corn-Revere
Do We Fear Freedom?

Joan Hoff
The Nixon You Haven't Heard

January 7, 2002

Lawrence McGuire
Confusing Economic Tales About Argentina

Wael Masri
They Are Taking
Our Rights Away

Philip Farruggio
Better Medicine

January 6, 2002

Ralph Nader
Students Put the Heat on Foreign Sweatshops

Tariq Ali
Battleground Kashmir

January 5, 2002

Mark Schneider
Kifah: The Movie Star
Israel Killed

Edward Said
Is Israel More Secure Now?

January 4, 2002

CG Estabrook
Anti-War = Anti-Globalization

Jordan Green
What's Changed in New York

January 3, 2002

Walt Brasch
Exit Cheney, Enter Ridge

Mokhiber and Weissman
The 10 Worst Corporations
of 2001

Robert Hunter Wade
America's Empire Rules an Unbalanced World

Shahid Alam
Is There an Islamic Problem?

January 2, 2002

Ross Regnart
Patriot Act Redefines the Mob as "Terrorist Associates"

John Chuckman
The Republicans' Secret Plan X

David Vest
Turn, Turn, Turn

January 1, 2002

Kathy Kelly
Iraq's New Year

December 31, 2001

John Absood
An Alternative to War in Iraq

Ramzi Kysia
Iraq Goes Radioactive

December 28, 2001

John Chuckman
Observing George Bush

Suren Pillay
Civilian Bodies

Aaron Lehmer
Inviting Future Terrorism

December 27, 2001

Patrick McNamara
Palestinian Children Bear Brunt of Mideast Violence

Nelson Valdés
A Possible Scenario on the Location of bin Laden

Jensen and Mahajan
Remember the Afghan Dead

Philip Farruggio
A New Year's Resolution

Ramzi Kysia
The People of the Valley

December 26, 2001

John Chuckman
In Praise of the Unspeakable

Sam Bahour
2002: Year of the Twos

December 25, 2001

Jennifer Loewenstein
Israel's Human Rights Record

December 24, 2001

Sam Bahour
It Happened One Morning

Yair Khilou
Why I Resisted Being Drafted into the Israeli Army

Michael Chisari
War as Diversionary Tactic

Cockburn/St. Clair
Enron and the Green Seal


A Photographic Journal of Life in an Afghan Refugee Camp
By Judith Mann

Resources:
100s of Links About 9/11


CounterPunch:
Complete Coverage of 9/11 and Its Aftermath


Five Days That
Shook The World:
Seattle and Beyond

By Alexander Cockburn
and Jeffrey St. Clair
Photos by Allan Sekula

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Published Oct. 15, 2001

8-Page Special Issue

War Diary

CIA's Assassination Plan a History of Torture in US Prisons

bin Laden and Bush Business Connections

Aisha Ikramuddin on the Hidden Hype of US Food Bombs

Peter Linebaugh on Pakistan

Christopher Hitchens' Love for Mrs. Thatcher

Jiang Zemin Tells Bush:
Nuke 'Em


Search CounterPunch

Read Whiteout and Find Out How the CIA's Backing of the Mujahideen Created the World's Most Robust Heroin Market and Helped to Finance the Rise of the Taliban and Osama bin Laden

Whiteout:
CIA, Drugs & the Press

by Alexander Cockburn
and Jeffrey St. Clair

The Memphis Blues Again:
Six Decades of Memphis Music Photographs
Photos by Ernest Withers
Text by Daniel Wolff

The New Intifada:
Resisting Israel's Apartheid

Edited by Roane Carey

A Pocket Guide to
Environmental Bad Guys
by James Ridgeway
and Jeffrey St. Clair

The Phoenix Program
by Douglas Valentine

Al Gore:
A User's Manual
by Cockburn
and St. Clair

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Reviews of Gore:
a User's Manual


Private Warriors
by Ken Silverstein

CounterPunch's Booktalk

January 9, 2002

The Super-Burqa
and the Big Tent

By David Vest

In Afghanistan, as of this writing, women have not yet been bombed out of their burqas. It is risky to be the first in one's village to shed the uniform of anonymity.

At The Dancing Bare establishment, in Portland, Oregon, no one wears a burqa. There are no "women of cover" at the Dancing Bare. (Is there a "cover charge"?) Yet it is equally hard to discard the uniform of anonymity.

The sign outside The Dancing Bare tonight says, "Proud to be Americans." Whether the sentiment refers to the management or to the live nude dancers, or to all of them, is left to the imagination.

That nude dancing could be construed as an act of patriotism has not perhaps occurred to everyone. What exactly is the patriotic message of nude dancing? "We must uphold men's unlimited sexual access to women (and children?), otherwise the terrorists win"? Is that it? That can't be right. I must be tired.

On the Internet, too, the smut merchants love their country, to such an extent that to distinguish between pornography and patriotism can seem difficult if not pointless. Obscene depictions of Osama bin Laden and George W. Bush have turned up on Usenet newsgroups where people upload and download what were once called "dirty pictures."

What are we not seeing while we look at these ubiquitous pictures where everything, literally everything, is visible? The humanity of the participants? Besides that. Photos of civilian casualties? Acknowledgement of civilian casualties? Accountability for civilian casualties?

Photos would be "too disturbing." We must remember our "objectives."

Here is the operative principle: "War is Hell. Knowing that, we do not need to know it."

Just get it done and spare us the details. Comes down to cases, what's worse? Knowing or not knowing? Therefore we leave all that to the Three 'R's -- Rather, O'Reilly and Rivera -- and place the entire American people inside a super-burqa. This is the Big Tent, for sure.

"Son this ain't a dream no more, it's the real thing," as the poet, our only reliable source of news, tells us.

It feels safe inside the national super-burqa, sort of. We have dirty pictures and football to look at under our "cover." We've got hymns and handguns and Paul McCartney to sing about "Freedom." It's a little weird that we can't see out, at least not clearly, and sometimes we have to fight back a panic reflex when they come and take somebody out of the Big Tent, like the poor Enron people or that Arab-American Secret Service agent, but we'll get used to it.

We'll have to. What's the alternative?

After all, it's risky to be the first to take off an invisible burqa. We might see what's going on under all this "cover."

And where could that lead? Next thing we know, somebody next to us might be saying, "Let's roll."

David Vest is a regular writer for CounterPunch, a poet and piano-player for the Pacific Northwest's hottest blues band, The Cannonballs. Visit his website at http://www.mindspring.com/~dcqv