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Should the Left Cheer the Dollar's Drop? How to make the bankers scream: Robert Pollin, world's best obituarist of Clintonomics, explains it all for you. Do police states make people feel safer? Vicente Navarro on Franco's Spain, Cockburn on Ireland in the Fifties under the Catholic Hierarchy, Alevtina Rea on growing up in Brezhnev-time. Capitalism's true utopia? St Clair on the Pentagon's no-bid arms contracts. How's the press doing in Iraq? Patrick Cockburn tells all to Omar Waraich. Get the answers you're looking for in the latest subscriber-only edition of CounterPunch... CounterPunch Online is read by millions of viewers each month! But remember, we are funded solely by the subscribers to the print edition of CounterPunch. Please support this website by buying a subscription to our newsletter, which contains fresh material you won't find anywhere else, or by making a donation for the online edition. Remember contributions are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! or write CounterPunch, PO BOX 228, Petrolia, CA 95558 |
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Other Lands Have Dreams: From Baghdad to Pekin Prison by KATHY KELLY ![]() Today's Stories May 14 / 15, 2005 Alexander
Cockburn May 13, 2005 Tom
Stephens Patrick
Cockburn Mike
Whitney Chris
Floyd Jenna
Orkin Dave
Lindorff Joshua
Frank Website
of the Day May 12, 2005 Paul
Craig Roberts Uri
Avnery Greg
Moses Carolyn
Baker Pat
Williams William
S. Lind Jack
Random Gary
Leupp
May 11, 2005 Patrick
Cockburn Kevin
Zeese Christopher
Brauchli Zalman
Amit Robert
Shull Mike
Whitney Dr.
Teresa Whitehurst Norman
Solomon
May 10, 2005 Richard
Drayton Dave
Zirin Jackie
Corr Dave
Lindorff Michael
Donnelly Reza
Fiyouzat Scott
Parkin Stephen
Babcock Alan
Farago Michael
Neumann Website
of the Day
May 9, 2005 Louis
Proyect Robert
Fisk Kevin
Zeese Joshua
Frank Sasha
Kramer Andrew
Wimmer Jeffrey
Webber Jeffrey
St. Clair
May 7 / 8, 2005 Alexander
Cockburn Gary
Leupp Saul
Landau Joe
DeRaymond Daniela
Ponce Heather
Williams Gregory
Elich Anis
Memon John
Chuckman Mike
Whitney Ron
Jacobs Colin
Kalmbacher Lance
Selfa Fred
Gardner Ben
Tripp Mickey
Z. Richard
Joseph Dr.
Susan Block Poets'
Basement
May 6, 2005 Patrick
Cockburn Erin
Yoshioka Sam
Husseini Dave
Lindorff Kevin
Zeese Joshua
Frank Dan
Bacher P.
Sainath
May 5, 2005 Carles
Mutaner Carl
G. Estabrook Farrah
Hassen Kevin
Zeese Michael
Leonardi Bennett
Ramberg Ray
McGovern Norman
Solomon Nicole
Colson Brian
Concannon, Jr.
May 4, 2005 Colin
Kalmbacher John
Walsh Greg
Moses Ali
Khan Chris
Floyd Linda
S. Heard Dave
Zirin William
S. Lind Gary
Leupp Website
of the Day
May 3, 2005 Dave
Lindorff Brian
Cloughley Ira
Kurzban Seth
Sandronsky Gilad
Atzmon Michael
Donnelly Alex
Sanchez Peter
Linebaugh
May 2, 2005 Ron
Jacobs Stan
Goff Karyn
Strickler Joshua
Frank Kevin
Zeese Vicente
Navarro
April 30 / May 1, 2005 Alexander
Cockburn Gabriel
Kolko Jennifer
Loewenstein Lee
Sustar Saul
Landau T.W.
Croft Nikolas
Kozloff William
Blum Dave
Lindorff Joshua
Frank Doug
Giebel Steven
Erlanger Fred
Gardner Mike
Whitney Kurt
Nimmo Joe
DeRaymond Michael
Dickinson Mickey
Z. Justin
Taylor Poets
Basement Website
of the Weekend
Hot Stories Alexander Cockburn Subcomandante
Marcos Norman Finkelstein Steve Niva Dardagan,
Slobodo and Williams Steve
J.B. Sheldon
Rampton and John Stauber Wendell
Berry CounterPunch
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Corrie Gore Vidal Francis Boyle
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Weekend Edition "The Ski Mask Way"50 Cent's PleaBy DOUGLAS VALENTINE Brent Staples recently slammed 50 Cent, the Rap/Hip Hop lyricist, in an article in the NY Times. Mr. Staples accused 50 Cent of being a discredit to his musical genre by promoting misogyny, materialism and murder. I have been informed by my older sister, a sociology professor at one of the colleges that did not erupt in violent protest over Bush's illegal invasion and occupation of Iraq, that Staples is wrong on two counts. He does not understand that Rap/Hip Hop "is the center of lots of sturm und drang. But there is excellent analysis of the genre which places it in historical context and in relationship to other musical genres that are "violent" but white." Nor does Staples understand
"50 Cent's hidden ironic meaning." In "Ski Mask Way," Mr Cent explains that the protagonist, his alter ego, is trying to "catch me sumthin." In the chorus we learn that sumthin is a watch, or chain, or them nice earrings. The alter-ego entreats the person who has these nice ornaments to "Take that shit off, move I'll break you off properly." Mr Cent's alter-ego, the capitalist exploiter of blacks, minorities, and working class people everywhere, gets his "the fast way, ski mask way." Mr Cent mocks this individuals de-humanized materialism, saying:
In Verse Two, Mr Cent vents his alter ego's wrath on the music producers who control his industry. He warns the owner of the label he's currently contracted with not to try to commercialize his art. He tells how "the last nigga that tried" to do that "Got hit, keeled over, and bled 'til he died." Mr Cent, having lived this experience, quotes the metaphorically murdered corporate executive "little sister" (whom we understand to be the shareholders in the company), who is now financially "hog-tied" with her "momma in the livin room" (a not to vague reference to the historical link between oppressed black women working as servants in white households), as having seen the inherent stupidity in her brother's brash actions. Indeed. Mr. Cent savagely attacks the
"house nigger" blacks in the Bush Administration, neo-cons
like Colin Powell and Condi Rice in this verse, saying that they
make money from robbery (obviously an allusion to the invasion
and occupation of Iraq) and selling drugs, a direct reference
to the CIA's cocaine sideline in Colombia. Mr Cent, like his
spiritual guide and fellow Baltimoron, Edgar Allan Poe, finds
solace in smoking marijuana by the kilo. Like Ginsberg and Landau,
he uses his body as a metaphor for modern America; that body
is infused with the CIA's poison and only when he uses the sauna,
by which he means engages in his artistry, does the coke comes
out his pores, cleansing us as well as him with a flush of poetic
grace.
In Verse Two, the story takes
a sudden sad twist. Apparently, upon becoming the new Che Guevara,
Mr Cent has been mercilessly but, happily, ineffectually pursued
by federal agents. The feds are obviously unaware of the historical
context of his Mr Cent's actions, as he describes them above.
Nor have they read the available excellent analysis on Mr Cent's
inevitable behavior, as he so wonderfully and beautifully expresses
in his art. Mr Cent preaches communist revolution through the mindless repetition of the chorus:
Obviously, we are charmed by his sense of irony, the way he mocks the capitalist system. In that same vein, I have written a playful "beef" reply to "Ski Mask." I hope no person of color is offended by my Bad Rap/Hippity-Hoppity song, "50 Cent Plea" "50 Cent Plea" White boy made me do it. Yeah, I shot dat nigga White boy made me do it. Yeah, I sold dat dope. White boy made me do it. Yeah, I fucked dat little bitch White boy made me do it. (Here the syncopated music stops and Mr Cent's alter ego breaks into a free verse passage, as we imagine he would spoof Bush and his abuse of working class America.) Yeah, I'm a pimp and a player Thus ends my ode to Mr 50 Cent piece. In the spirit of "beef" I'd like to say to him, in my opinion, "You are capitalism's
poster boy of the week, not society's child. (I'm sure Mr Cent will appreciate the pun on his silly name. God, he should grab his 38 Special and shoot hisself in his empty head for giving hisself such a ridiculous nickname. How do he come up with that shit?) Douglas Valentine is the author of The Hotel Tacloban, The Phoenix Program, and TDY. His fourth book, The Strength of the Wolf: The Federal Bureau of Narcotics, 1930-1968, is newly published by Verso. The Strength of the Wolf, has received the Choice Academic Excellence Award and is being published in Russia. Tthe sequel, The Strength of the Pack, is being published by University Press of Kansas in December 2005. For information about Mr. Valentine, and his books and articles, please visit his web sites at www.DouglasValentine.com and http://members.authorsguild.net/valentine
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