home / subscribe / about us / books / archives / search / links / feedback

Read Cockburn and St. Clair's Whiteout: the CIA, Drugs and the Press and discover how the CIA gave a helping hand to the opium lords who took over Afghanistan, thus ushering the Taliban into power.


CounterPunch: Complete Coverage of 9/11 and the War on Afghanistan

New Print Edition of CounterPunch Published February 20: the Lie That Won Bush the Election; Harvey Matusow: the Death of a Snitch; an Honest Outlaw, the Legacy of Waylon Jennings; Jack Henry Abbott and the New Anti-Crime Wave; Debating Liberal Laptop Bombers. Subscribe Now!

February 27, 2002

Alexander Cockburn
Daniel Pearl: Should His
Editors Have Sent Him There?

February 26, 2002

Jonathan Steele
Kabul's Loss

Vasily Streltsov
The Pentagon in
the Transcaucusas

CounterPunch Wire
How Corporations Use Shadowy "527" Groups to Influence Politicians

Lt. Col. Robert Bowman
ABM Treaty: Alive or Dead?

Rep. Dennis Kucinich
A Prayer for America

February 25, 2002

John Clarke
Interrogated at US Border

Blankfort, Poirier, Zeltzer
ADL Blinks, Settles Spying Case

Alex Lynch
Naked from Sin:
The Ordeal of Nahla
and Sami Al-Arian

John Chuckman
Ashcroft Speaks in Tongues

February 24, 2002

David Vest
Skate Date

February 23, 2002

Tom Turnipseed
Axis of Evil and
Media Monopolies

Bahour/Dahan
Cracks in the Occupation

February 22, 2002

Alexander Cockburn
Axel of Evil: Sex Crimes
and the Constitution

February 21, 2002

Gary Leupp
The Philippines: Second Front in US's Global War

David Vest
Reagan Clone Project?

Mokhiber and Weissman
Chicago School and Corporate America: Rotten to the Core

February 20, 2002

Bernard Weiner
The Shallow Throat Document

Kay Lee
The Prison Guard Who Never Owned Up to His Crimes

February 19, 2002

David Orr
Waylon Jennings, the Duke,
and the Navajo

John Chuckman
The Devil and Georgie Bush

Prudence Crowther
Giblet Gravitas

Ramzi Kysia
Caught in the Iraq DMZ

February 18, 2002

Ron Jacobs
The US and Iran

George Lewandowski
Empire in Declline

Lenni Brenner
Life and Death of a Folk Hero

February 17, 2002

Robert Fisk
Lost in a Pit of Desperation

February 16, 2002

Phillip Cryan
Colombia in War Time

February 15, 2002

C.G. Estabrook
From New York to Porto Alegre

Robert O'Brien
The View from Porto Alegre

Mokhiber/Weissman
Resisting the Assassins

February 14, 2002

Levy and Easton
Ante Pavelic
Real Butcher of the Balkans

Joan Claybrook
Dear Jeb Bush,
About You and Enron

John Chuckman
Time for a Woman Prez

Alexander Cockburn
Banning the Koran

February 13, 2002

Sen. Russ Feingold
War Powers and
the War on Terror

Tom Turnipseed
Bush's Folly

George Monbiot
American Imperialism

February 12, 2002

Uri Avnery
The Great Game:
Oil, Sharon and Iran

Tommy Ates
Black Land Loss

February 11, 2002

Walt Brasch
The Synergizing of America

John Troyer
Enron's Deep Throat?

February 9, 2002

John Blair
Criticize Cheney, Go to Jail

 


A Photographic Journal of Life in an Afghan Refugee Camp
By Judith Mann

Resources:
100s of Links About 9/11


CounterPunch:
Complete Coverage of 9/11 and Its Aftermath


Five Days That
Shook The World:
Seattle and Beyond

By Alexander Cockburn
and Jeffrey St. Clair
Photos by Allan Sekula

(Click Here to Order from CounterPunch Online at 20% Off Amazon.com's price!)

INSIDE

Subscribe Online!

EXCLUSIVE TO
COUNTERPUNCH
SUBSCRIBERS


Published Oct. 15, 2001

8-Page Special Issue

War Diary

CIA's Assassination Plan a History of Torture in US Prisons

bin Laden and Bush Business Connections

Aisha Ikramuddin on the Hidden Hype of US Food Bombs

Peter Linebaugh on Pakistan

Christopher Hitchens' Love for Mrs. Thatcher

Jiang Zemin Tells Bush:
Nuke 'Em


Search CounterPunch

Read Whiteout and Find Out How the CIA's Backing of the Mujahideen Created the World's Most Robust Heroin Market and Helped to Finance the Rise of the Taliban and Osama bin Laden

Whiteout:
CIA, Drugs & the Press

by Alexander Cockburn
and Jeffrey St. Clair

The New Crusade:
America's War on Terrorism

By Rahul Mahajan

The Memphis Blues Again:
Six Decades of Memphis Music Photographs
Photos by Ernest Withers
Text by Daniel Wolff

The New Intifada:
Resisting Israel's Apartheid

Edited by Roane Carey

 

A Pocket Guide to
Environmental Bad Guys
by James Ridgeway
and Jeffrey St. Clair

The Phoenix Program
by Douglas Valentine

Al Gore:
A User's Manual
by Cockburn
and St. Clair

Buy This Explosive
New Book at an
Amazing Discount!
 

Reviews of Gore:
a User's Manual


Private Warriors
by Ken Silverstein

CounterPunch's Booktalk

February 27, 2002

Tragedy Defies Representation
in WTC Memorial

By John Troyer

The year 2002 is a palindrome--meaning a word or number decipherable the same way backward and forward. Palindromes in calendar years are often the subject of mathematical proofs demonstrating the rarity of their occurrence.

I have begun contemplating another palindromic year, 1991. I could say many things about 1991: America started the year at war in the Middle East under the leadership of President George Bush; Saddam Hussein was described as evil by aforementioned President Bush in speeches to the nation; and the approval ratings for presidential policy were astronomically high for a period of months.

The past and present have an uncanny relationship when palindromes are involved, yet the distinct historical qualities produced by 10 years of change (or lack of it) do create important cultural differences. My interest in palindromes, however, is not entirely in years or governmental policy; rather, I am focused on how remembering events from the past function backward and forward in the space of memory.

In the impossibly quick duration of days since the events on Sept. 11, a persistent and uncomfortable question has lingered in my mind: now what? Since January, I have repeatedly pondered not so much what to write but how to begin writing a critique of the historical moment in which the U.S. populace finds itself.

I am not so quick to roll heroically onward for the sake of forced normalcy and social productivity. What remains unclear in my mind is how much, if at all, life has changed in most of America. The people who died in New York, Washington, D.C., and Pennsylvania most certainly left behind family members in a radically different state of everyday life.

But for the rest of the United States, I remain unsure. The one location I do believe intense critical thinking needs to focus-- for a moment at least-- is the crater left by the collapse of the World Trade Center towers.

In recent months, The New York Times has run a series of stories on the difficulties in designing and creating a memorial in Manhattan at the site of the collapsed World Trade Center towers. Discussions about the national requirement for a memorial began almost immediately after the events of Sept. 11 and will continue for many months, and probably years, to come.

Round-the-clock crews clearing the area have worked at a rapid and unprecedented rate, emptying the area where the towers once stood. The quick removal of debris has forced the uncomfortable question I find myself contemplating: now what?

What kind of memorial-- or maybe it should be a monument-- can or should be built for the people who died in New York because of the events related to Sept. 11? Should said memorial and monument consider the people who also died in Washington, D.C., and the Pentagon?

What kind of designed object or place can adequately articulate such a drastic and indescribably chaotic moment? Proposals for various memorial designs have begun pouring into City Hall in New York. I want to make my own suggestion.

Leave the hole created by the collapsed towers as the memorial-- unmodified and unaltered.

Do not build a park with aesthetically pleasing gardens or commission new sculptures to represent the dead. Most importantly-- and I am being entirely serious-- do not build a gift shop.

Leave the void created on Sept. 11 as an absence that reminds everybody who stares into it of what happened. No video screens reproducing television images of buildings collapsing 1,000 times a day, no tour guides pointing to where offices once stood, no long speeches by an A-list collection of intellectuals and politicians describing how a new memorial park will prevent Americans from ever forgetting what happened on Sept. 11.

Building a memorial of vast size and sentimentality only guarantees all will be forgotten, securing the events of Sept. 11 a footnote in history books. Building a new office tower complex on the site also guarantees a covering over of the past. If the physical devastation is covered over, the need to understand how and why such events could transpire will be lost in the design.

Memorial designs have a tendency to give explanations and produce meanings legitimating design choices. A vast crater in the ground like the one in Manhattan resists being easily explained away, and that is exactly what a memorial should do: produce a critique of historical conditions.

Maya Lin's Vietnam War Memorial in Washington, D.C., is the rare design that makes a person think about the countless names and deaths listed one after the other. Simple as the design is, it is difficult to forget or ignore the historical moment called the Vietnam War.

Likewise in Sarajevo, the capital of Bosnia and Herzegovina, craters produced in the city by bombing during the war have been filled in with a hardened, red putty. The medium-to-large red splotches are flush with the sidewalk, and pedestrians easily glide over the areas. Signs do not adorn each of the filled in craters, and a person is left to ask, as I did, why are red splotches covering the street? The answer I received caught me off guard: "It is national memorial. Those are the places where many people were killed during the war, so we remember that it happened." The areas of red are everywhere in Sarajevo, as if a giant fountain pen had been shaken, covering the city in macabre ink-spots.

Ultimately, the questions regarding the design of a memorial in New York (and Washington, D.C., and Pennsylvania) will have to deal with two questions: What must be forgotten and what must be remembered.

As a side note, I am indebted to the writings of Michel de Certeau ("Heterologies," "The Practice of Everyday Life" and "The Writing of History") as texts providing significant insight into these topics. National Public Radio has begun a series of interesting segments with the "Lost and Found Sound" project producing a Sonic Memorial recording the aural memories of the World Trade Center towers. The NPR project is a compelling argument against concrete memorials: how the space of memory is filled with voices and sounds
impossible to design into an object.

Critics will say I am being entirely impractical-- overlooking the need for office space in Manhattan and a place for people to remember the dead. Maybe I am being impractical, but then I would argue the original World Trade Center towers were equally impractical-- buildings too big for any memorial to capture in well designed sentiment. What remains of the impractical towers, a large crater in the center of America's financial stronghold, says more about hubris than any dedication to the dead.

On Sept. 11, 2112, when most of us who lived the 111 years previous are long dead, perhaps a small group of people will gather around a large hole in downtown Manhattan (built over, around and beyond) to stare into the void and wonder
how it all happened.

Most of the details will have also died, and the official body count will remain the one statistic of importance. Maybe, just maybe, a person will stare into the absence and stop to ask: How was this not preventable? That is what I hope a palindrome can accomplish.

John Troyer is a columnist for the Daily Minnesotan. He can be reached at: troy0005@tc.umn.edu