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STEPHEN GREEN reports on the real motivations behind Israel's MISSILE STRIKE on SYRIA. PETER MONTAGUE on the NUCLEAR RENAISSANCE or How the Nuke Industry is using Gore's Prize and Global Warming to Plot Its Big Comeback. WILLIAM BLUM on the DEVALUING of "ANTI-SEMITE" or How to Make a Term Meaningless. Get your copy today by subscribing online or calling 1-800-840-3683 Remember contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now
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October 18, 2007 Saree
Makdisi October 17, 2007 Steve
Niva Andy
Worthington Alan
Farago Russell
Mokhiber Sharon
Smith Mike
Whitney Robert
Fantina Chris
Irwin Website
of the Day October 16, 2007 Peter
Linebaugh Paul
Findley Robert
Bryce Uri
Avnery Paul
Craig Roberts Ray
McGovern Norman
Solomon Martha
Rosenberg William
S. Lind Joel
S. Hirschborn Website
of the Day
October 15, 2007 Gary
Leupp Andy
Worthington Heather
Gray John
Walsh Joshua
Frank Dave
Lindorff Matt
Vidal Ali
Khan Sen.
Russ Feingold Johnny
Barber Website
of the Day October 13 / 14, 2007 Alexander
Cockburn Wajahat
Ali Jeffrey
St. Clair Ralph
Nader David Heleniak Laura Carlsen Brian Cloughley Richard Rhames Ron Jacobs Fred Gardner John Ross Russell Hoffman Missy Beattie Poets' Basement Website of the Day
Cindy
Sheehan Brendan
Cooney Alan
Farago Jan
Oberg M.
Shahid Alam David
Macaray Julia
Kendlbacher Peter
Rost, MD Website
of the Day
Al
Giordano Saul
Landau Jacob
G. Hornberger William
S. Lind Joshua
Frank Josh
Mahan Pat
Williams
October 10, 2007 Michael
Yates Gary
Leupp David
Macaray Alan
Farago Tom
Clifford Col.
Douglas MacGregor Sunsara
Taylor George
Wuerthner Roxanne
Dunbar-Ortiz Michael
Dickinson Website
of the Day
October 9, 2007 Paul
Craig Roberts Andy
Worthington Alan
Farago Brian
Eno David
Rovics Farzana
Versey Andrew
Buncombe Website
of the Day
October 8, 2007 David
Macaray Jeff
Ballinger Brian
Eno Christopher
Brauchli Louay
Safi Matt
Reichel Dave
Lindorff Thomas
P. Healy Martha
Rosenberg Richard
Rhames Website
of the Day
October 6 / 7, 2007 Alexander
Cockburn Norman
Finkelstein James
Bovard Patrick
Cockburn Jeffrey
St. Clair Ralph
Nader Ray
McGovern Saul
Landau Ben
Tripp Terry
Lodge Seth
Sandronsky Kevin
Funk / Steve Fake Missy
Beattie Website
of the Weekend
October 5, 2007 Andy
Worthington David
Macaray Lee
Sustar Dan
La Botz Aaron
Hess William
A. Cook Website
of the Day
October 4, 2007 Uri
Avnery Dave
Marsh Valerio
Volpi Cecilie
Surasky Dave
Lindorff Norman
Solomon Laura
Carlsen Walter
Brasch Ben
Terrall William
S. Lind Website
of the Day
October 3, 2007 Vijay
Prashad Anita
Sinha Winslow
T. Wheeler Sharon
Smith Jeff
Leys Sen.
Russ Feingold Mohamad
Bazzi Brenda
Norrell Robert
Weissman Website
of the Day
October 2, 2007 Ibrahim
Warde Gary
Leupp David
Macaray Conn
Hallinan John
Ross Alan
Farago Sonja
Karkar Niranjan
Ramakrishnan Website
of the Day
October 1, 2007 Al
Giordano Paul
Craig Roberts Moshe Adler Ingmar Lee John V. Walsh Norman Solomon Roger Burbach Ramzy Baroud Stephen Lendman Susie Day Website of the Day
September 29 / 30, 2007 Alexander
Cockburn Uri
Avnery Andrew
Cockburn Jeffrey
St. Clair Wajahat
Ali Andy
Worthington Don
Santina Ralph
Nader Fred
Gardner Seth
Sandronsky Gideon
Levy William
S. Lind Reza
Fiyouzat Richard
Rhames David
Michael Green Zach
Mason Poets'
Basement Website
of the Weekend
September 28, 2007 Kathleen
and Bill Christison Roberto
J. González / Saul
Landau Tom
Clifford Christopher
Brauchli Martha
Rosenberg Dave
Zirin Laray
Polk Binoy
Kampmark James
McEnteer Website
of the Day
September 27, 2007 Alan
Farago Andy
Worthington Jonathan
Cook William
Hughes Ray
McGovern Ron
Jacobs Dave
Lindorff Joshua
Frank Anne
Dachel Website
of the Day
Bill
Quigley Paul
Craig Roberts Jeff
Kisseloff China
Hand Behzad
Yaghmaian Sonja
Karkar Mike
Ferner Col.
Dan Smith Clifton
Ross Brenda
Norrell Website
of the Day
September 25, 2007 Nicole
Colson Uri
Avnery Brendan
Cooney Harry
Browne Marjorie
Cohn David
Macaray Ralph
Nader Dan
Bacher Anthony
Papa Christopher
Ketcham Website
of the Day
September 24, 2007 George
Ciccariello-Maher Saree Makdisi David
Keen Sherwood
Ross Ron
Jacobs Donna
Saggia Mike
Ferner Malini
Johar Schueller Monique
Dols Website
of the Day
Alexander
Cockburn Jennifer
Loewenstein Linn
Washington, Jr. Jeffrey
St. Clair Alan
Farago Brian
Cloughley Robert
Fantina Roxanne
Dunbar-Ortiz Jason
Hribal David
Rosen Mike
Whitney John
V. Walsh Dave
Lindorff David
Michael Green Fred
Gardner Cassandra
Jones Roger
van Zwanenberg Poets'
Basement Website
of the Weekend
September 21, 2007 Karim
Makdisi M.
Shahid Alam Alan
Farago Joshua
Frank Dave
Zirin Kenneth
Couesbouc Dr.
Steffie Woolhandler and Dr. David Himmelstein Ben
Terrall Steve
Fournier Frederico
Fuentes, et al Website
of the Day
September 20, 2007 Kathleen
Christison Zoltan
Grossman Paul
Craig Roberts Stan
Cox Russell
Mokhiber Charles
Modiano Raymond
J. Lawrence Brendan
Cooney Website
of the Day
September 19, 2007 Paul
Craig Roberts Paul
Krassner Sgt.
Martin Smith Seth
Sandronsky Claud
Cockburn Victoria
Buch Robert
Weissman Mike
Ferner Dan
Bacher Website
of the Day
September 18, 2007 Mike
Whitney Alan
Farago John
Ross Ron
Jacobs Alex
Doherty September 17, 2007 Marjorie
Cohn Paul
Craig Roberts Ricardo
Alarcón Marc
Levy Eva
Liddell Website
of the Day Sept. 15-16, 2007 Alexander
Cockburn Vicente
Navarro Mike
Whitney Herman
Mindshaftgap Ellen
Cantarow Jordan
Flaherty Zachary
Hurwitz September 14, 2007 Debbie
Nathan Franklin
Lamb Patrick
Cockburn Farzana
Versey Alan
Farago Hank
Edson September 13, 2007 Patrick
Cockburn Scott
Vest, former Air Force Captain at Minot Andy
Worthington Michael
Baney Dr.
Susan Block September 12, 2007 Paul
Craig Roberts Stan
Goff William
Blum Manuel
Garcia Debbie
Nathan
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October 18, 2007 Imperial ExcessThe United States of ViolenceBy NORMAN SOLOMON We keep hearing that Iraq is not Vietnam. And surely any competent geographer would agree. But the United States is the United States -- still a country run by leaders who brandish, celebrate and use the massive violent capabilities of the Pentagon as a matter of course. Almost fifty years ago, during the same autumn JFK won the presidency, John Hersey came out with "The Child Buyer," a novel written in the form of a hearing before a state senate committee. "Excuse me, Mrs., but I wonder if you know what's at stake in this situation," a senator says to the mother of a ten-year-old genius being sought for purchase by the United Lymphomilloid corporation. "You realize the national defense is involved here." "This is my boy," the mom replies. "This is my beautiful boy they want to take away from me." A vice president of United Lymphomilloid, "in charge of materials procurement," testifies that "my duties have an extremely high national-defense rating." He adds: "When a commodity that you need falls in short supply, you have to get out and hustle. I buy brains. About eighteen months ago my company, United Lymphomilloid of America, Incorporated, was faced with an extremely difficult problem, a project, a long-range government contract, fifty years, highly specialized and top secret, and we needed some of the best minds in the country..." Soon, most of the lawmakers
on the committee are impressed with the importance of the proposed
purchase for the nation. So there's some Senator Skypack exclaims: "What the devil, couldn't you go over his head and just buy him?" "The Child Buyer" is a clever send-up, with humor far from lighthearted. Fifteen years after Hersey did firsthand research for his book "Hiroshima," the Cold War had America by the throat. The child buyer (whose name, as if anticipating a Bob Dylan song not to be written for several more years, is Mr. Jones) tells the senate panel that his quest is urgent, despite the fifty-year duration of the project. "As you know, we live in a cutthroat world," he says. "What appears as sweetness and light in your common television commercial of a consumer product often masks a background of ruthless competitive infighting. The gift-wrapped brickbat. Polite legal belly-slitting. Banditry dressed in a tux. The more so with projects like ours. A prospect of perfectly enormous profits is involved here. We don't intend to lose out." And what is the project for which the child will be bought? A memorandum, released into the hearing record, details "the methods used by United Lymphomilloid to eliminate all conflict from the inner lives of the purchased specimens and to ensure their utilization of their innate equipment at maximum efficiency." First comes solitary confinement for a period of weeks in "the Forgetting Chamber." A second phase, called "Education and Desensitization in Isolation," moves the process forward. Then comes a "Data-feeding Period"; then major surgery that "consists of 'tying off' all five senses"; then the last, long-term phase called "Productive Work." Asked whether the project is too drastic, Mr. Jones dismisses the question: "This method has produced mental prodigies such as man has never imagined possible. Using tests developed by company researchers, the firm has measured I.Q.'s of three fully trained specimens at 974, 989, and 1005..." It is the boy who brings a semblance of closure on the last day of the hearing. "I guess Mr. Jones is really the one who tipped the scales," the child explains. "He talked to me a long time this morning. He made me feel sure that a life dedicated to U. Lympho would at least be interesting. More interesting than anything that can happen to me now in school or at home.... Fascinating to be a specimen, truly fascinating. Do you suppose I really can develop an I.Q. of over a thousand?" But, a senator asks, does the boy really think he can forget everything in the Forgetting Chamber? "I was wondering about that this morning," the boy replies. "About forgetting. I've always had an idea that each memory was a kind of picture, an insubstantial picture. I've thought of it as suddenly coming into your mind when you need it, something you've seen, something you've heard, then it may stay awhile, or else it flies out, then maybe it comes back another time. I was wondering about the Forgetting Chamber. If all the pictures went out, if I forgot everything, where would they go? Just out into the air? Into the sky? Back home, around my bed, where my dreams stay?" Suppression of inconvenient memory often facilitated the trances that boosted the work of the Pentagon. But some contrary voices could be heard. Lenny Bruce wasn't a household name when he died of a morphine overdose in August 1966, but he was widely known and had even performed on network television. His nightclub bits, captured on record albums, satirized the zeal of many upstanding moralistic pillars. One of Bruce's favorite routines described a visit to New York by top holy men of Christianity and Judaism. They go to Saint Patrick's Cathedral: "Christ and Moses standing in the back of Saint Pat's. Confused, Christ is, at the grandeur of the interior, the baroque interior, the rococo baroque interior. His route took him through Spanish Harlem. He would wonder what fifty Puerto Ricans were doing living in one room. That stained glass window is worth nine grand! Hmmmmm..." In what turned out to be his final performances, Bruce took to reciting (with a thick German accent) lines from a poem by the Trappist monk Thomas Merton -- a meditation on the high-ranking Nazi official Adolf Eichmann. "My defense? I was a soldier. I saw the end of a conscientious day's effort. I watched through the portholes. I saw every Jew burned and turned into soap. Do you people think yourselves better because you burned your enemies at long distances with missiles? Without ever seeing what you'd done to them?" We saw butterflies turn into bombers, and we weren't dreaming. The 1960s had evolved into a competition between American excesses, with none -- no matter how mind-blowing the psychedelic drugs or wondrous the sex or amazing the music festivals -- able to overcome or undermine what the Pentagon was doing in Southeast Asia. As journalist Michael Herr observed in Vietnam: "We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop." At the same time that Woodstock became an instant media legend in mid-August 1969, melodic yearning for peace was up against the cold steel of America's war machinery. The gathering of 400,000 young people at an upstate New York farm implicitly -- and, for the most part, ineffectually -- rejected the war and the assumptions fueling it. Jimi Hendrix's rendition of "The Star-Spangled Banner" was an apt soundtrack for U.S. foreign policy. Days after the November 2004 election, while U.S. troops again moved into Fallujah for the slaughter, a dispatch from that city reported on the front page of the New York Times: "Nothing here makes sense, but the Americans' superior training and firepower eventually seem to prevail." Superior violence, according to countless scripts, was righteous and viscerally satisfying. Television and movies, ever since childhood, presented greater violence as the ultimate weapon and final fix, uniquely able to put an end to conflict. Leaving menace for dead -- you couldn't beat that. But at home in the USA and far away, the practical and moral failures of violence became irrefutable. In Iraq, sources of unauthorized violence met with escalating American violence. In the United States, war opponents met with presidential contempt. In a short story, published one hundred years ago, William Dean Howells wrote: "What a thing it is to have a country that can't be wrong, but if it is, is right, anyway!" This essay is excerpted
from Norman Solomon's new book, Made
Love, Got War.
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