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"Imperial Crusades: a Diary of Three Wars" by Cockburn and St. Clair

Today's Stories

December 29 / 30, 2007

Alexander Cockburn
Options in America: Kill Yourself or Have a Baby

December 28, 2007

Farzana Versey
The Complex Electra

Wajahat Ali
A Pakistani Requiem

Binoy Kampmark
Death in Rawalpindi: Bhutto and Her Legacy

Ayesha Ijaz Khan
Not Dead Yet: The Pakistan People's Party Still Survives

Anthony DiMaggio
Turkey's Bombing of Iraq

Ray McGovern
Creeping Fascism

Jim Goodman
Biofuels, the Biggest Scam Going

Ron Jacobs
Transcending the Colonizer's History: Iran, a People Interrupted

Russell Hoffman
Mini-Nukes by Toshiba

John Murphy
Greens Gone Wild

Website of the Day
Guiliani Campaign Official: "Only Rudy Can Defeat the Muslims"

 

December 27, 2007

Dilip Hiro
A Tragedy Foretold: Will Bhutto's Death be a Boost for Her Party?

Murtaza Shibli
Who Killed Bhutto?

Stephen Soldz
Fallujah, the Information War and U.S. Propaganda

Bill Quigley
Locked Outside the Gates

Paul Craig Roberts
The Great American Lock-Up

Omer Subhani
Killing Bhutto: What Happens Next in Pakistan?

Marjorie Cohn
The Torture Tape Cover-Up: How High Does It Go?

Allan Nairn
Cataclysm By Money Whim

Jacob G. Hornberger
Smearing Ron Paul: Shame on the NYT

Norman Solomon
Channeling Suze Orman

Patrick Irelan
Rumsfeld Spills the Ink

Ben Tripp
Pass the Razor Blades

Website of the Day
Quagmire, For What It's Worth

 


December 26, 2007

Charles Tripp
From One Saddam to Fifty

Paul Armentano
No-Knock, You're Dead

Rannie Amiri
Lebanon in Search of a Government

Stanley Heller
Brzezinski and Charlie Wilson's War

John Walsh
Two Unreasonable Men

Martha Rosenberg
The Strange Career of Scott Gottlieb

Norman Madarasz
Bolivia Amends New Constitution and Faces Mutiny from Within

Website of the Day
Cockburn at the Battle of Ideas

 

December 25, 2007

Patrick Cockburn
Conscience and Empire

December 24, 2007

Andrea Peacock
A Dark Ride on the Border

Tariq Ali
Thinking of Edward Said

Uri Avnery
Help! A Ceasefire!

Jill Jameson
Burma is Not Back to Normal: A Trip from Rangoon to Mae Sot

Steve Melendez
Russell Means Goes to Washington

Mike Whitney
The Big Fix

Chuck Munson
Not Getting It About New Orleans

John Walsh
Clueless Crusaders

Farzana Versey
Tony Blair and the Hawking of Religion

Richard Neville
Dreaming of a White House Christmas

Website of the Day
Back in the USSR


December 22 / 23, 2007

Alexander Cockburn
Mike Huckabee's Ascending Chariot

Ralph Nader
Politics and Profits: How the Oil Cartel Gets Its Way

Andy Worthington
Intelligence Failures, Battlefield Myths and Unaccountable Prisons in Afghanistan

Ahmad Faruqui
The Comedian of Pakistan

Bill Moyers
Society on Steroids

Rev. William E. Alberts
Blessed are the Peacemakers

Timothy J. Freeman
From Kant to Lennon: Can War Really be Over?

Anthony DiMaggio
Democrats Continue to Capitulate on Iraq

Fred Gardner
Molecule of the Year, Cannabiodiol

Paul Krassner
Enhanced Hazing Techniques

Seth Sandronsky
17 Years of Meanness: Repealing California's Three Strikes Law

William Loren Katz
Christmas Eve Freedom Fighters: Recalling the Battle of Lake Okeechobee

Michael Dickinson
In the Dungeon of the Zabita

Ron Jacobs
Why Leon Russell Still Matters

David Vest
Doyle Bramhall's "Is It News?"

Poets' Basement
Orloski, Davies and Ford

Website of the Weekend
George W. Hates Santa

 

December 21, 2007

John Ross
New Massacres Loom in Mexico

Jacob Hornberger
Nothing Can Morally Justify the Invasion of Iraq

Dick J. Reavis
A Way Out of the Newspaper Abyss

Jeff Cohen
and Norman Solomon

The 2007 P.U.-litzer Prizes

Peter Morici
Business as Usual as Recession Looms

Jack McCarthy
Let Us Now Praise Judith Regan (Even If She Did Sleep with Bernie Kerik)

Raúl Zibechi
Sex and Revolution

Steve Early
How the Presidential Candidates Made Me an Atheist

David Macaray
Union Aftermath

Patrick Bond
Zuma, the Center-Left and the Left-Left in S. Africa

Lakota Freedom Delegation
A Declaration of Independence from the USA

Website of the Day
Solomon v. Beck: Tale of the Tape

 

December 20, 2007

David Rosen
Mitt Romney's Secret Life as a Pornographer

Alan Farago
The Huckster and the Wreckage: Jeb Bush and the Subprime Mortgage Crisis

Laura Carlsen
Standing Up to NAFTA

Ashley Dawson
The Return of the Bread Riot

Wayne Smith
and Jennifer Schuett
Cuba Changes, US Policy Stagnates

Website of the Day
How to Talk to a FoxNews Reporter

 

December 19, 2007

Saul Landau
Is the NIE Bush's Watergate?

Paul W. Lovinger
Hillary the Hawk

Norman Solomon
The Mad Corporate World of Glenn Beck

Dave Zirin
George Mitchell's Drugs of Choice

Marjorie Cohn
Bush Still Spinning Iranian Nukes

Sen. Russell Feingold
The Iraq War is Exhausting Our Nation

Sonja Karkar
A Christmas Reflection on Palestine

Anthony Papa
Open the Drug Gulags

Christopher Ketcham
Pave the Holy Lands with Good Intentions

Davey D
Britney's Little Sister is Pregnant: Should We Blame Hip Hop?

Website of the Day
When Republicans Use the F-Word on TV

 

December 18, 2007

R. F. Blader
The Politics of Teen Pregnancy

George Wuerthner
Gunning for Wolves in Idaho

Steven Higgs
Can the NAFTA Superhighway be Stopped?

Vijay Prashad
Encounters with Ghadar

David Macaray
The Free Rider Problem

Ralph Nader
Nine Books That Make a Difference: a Reading List for the Holidays

Eva Liddell
Privatizing War Abroad, Invading Privacy at Home

Martha Rosenberg
While the Bodies are Still Warm: Drugs, Shrinks and Shooters

Dave Lindorff
When Impeachment is Out of Print

Peter Morici
The Consequences the Trade Deficit

Website of the Day
Ron Paul: How Fascism Will Come to America

 

December 17, 2007

Mike Whitney
Staring Into the Abyss

Tom Barry
Planning the War on Immigrants

Uri Avnery
A Gaza Masada?

Greg Moses
Crossing the Line in Texas

Allan Nairn
Terrorism; Counter-
Terrorism: Excuses for Murder

Patrick Bond
South Africa's Fight Between Hostile Brothers

Stephen Lendman
Police State America

Charles Jonkel
Grizzly Right of Way

Laray Polk
An Inside-Out Crisis in Gaza

Stephen Fleischman
Pawns in Their Game

December 15 / 16, 2007

Peter Linebaugh
A People's Penny for the Magna Carta

Howard Zinn
Bomb After Bomb

Standard Schaefer
The Greening of Big Tobacco

Raymond J. Lawrence
Let's Take Christ Out of Christmas

Alan Farago
Down on Desolation Row: the Vultures and the Growth Machine

Saul Landau
Lord Byron and the Bad Tourists

Jenna Orkin
Lying to "Reassure" the Public: Bush's EPA and the Post-9/11 Toxic Air Cover-Up

Ahmad Samih Khalidi
Why a Palestinian "State" is a Punitive Construct

Robert Fantina
Politics By Photo-Op

Missy Comley Beattie
Resistance Amid the Ruins

Ramzy Baroud
Of Mormons and Muslims

James L. Secor
A Vision for China's Future

Elijah Wald
Ike Turner's Music Won't be Forgotten

Website of the Weekend
The Alliance for the Wild Rockies Needs (and Deserves) Your Support

 

December 14, 2007

JoAnn Wypijewski
The Dirty Cad: What Giuliani's Sex Life Tells Us About Him

John Ross
Iraqi Refugees Return: One Cruel Hoax

Jacob Hornberger
Terror Suspects Belong in Federal Court

Andy Worthington
Guantánamo and the Supreme Court: What Happened?

Allan Nairn
"Shoot Them on the Spot": Rewarding War Crimes

Dave Zirin
The Mitchell Report: Absolving the Owners

Dave Lindorff
The First Cut is the Deepest

Misty MacDuffee
Toxic Grizzlies

Ben Terrall
What Happened to Lovinsky Pierre-Antoine?

Dr. Mustafa Barghouthi
Prerequisites for Peace

Website of the Day
Sen. Kit Bond: "Waterboarding is Like Swimming"

 

December 13, 2007

Paul Craig Roberts
Shrinking the Dollar from the Inside-Out

Mike Whitney
Dershowitz for the Defense--of Waterboarding

Ron Jacobs
Blank Check DemocratsL the Great War Funding Conspiracy

Norman Solomon
The USA's Human Rights Daze

Peter Morici
The Dragon and the Toothless Dog: China Doesn't Flinch

Sandy Mayes
Blocking the Strykers: 13 Days of War Resistance at Port Olympia

Franklin Lamb
The UN in Lebanon: Whose Mission Is It Fulfilling?

Jacob Hornberger
Don't Reform the CIA, Abolish It

Nadim Rouhana
An Interloper in My Own Land

Dave Zirin
On Pigskin and Petrol

Website of the Day
Rachel's Needs (and Deserves) Your Support!


December 12, 2007

Allan Nairn
US Intelligence is Tapping Indonesian Phones

Alan Farago
How Sprawl Eats Its Young

Ray McGovern
Torture, Lies and Videotape

Winslow T. Wheeler
The Phony Pentagon Budget Cuts

Evan Jones
The Raid on Great Western: Why an Australian Bank Might Spell Doom for the US Farm Belt

James Petras
An Open Letter to Sarkozy on the Exchange of Political Prisonsers

Joel Hirschorn
The Horserace Fiction: Clinton, Obama and the Democratic Machine

Joshua Frank
Why Ron Paul Deserves Our Attention

Sherry Wolf
Why the Left Should Reject Ron Paul

Dan Bacher
Survey of a Fish Graveyard

Website of the Day
Men Eating Bugs

 

December 11, 2007

Patrick Cockburn
What's Really Happened During the Surge?

Diana Johnstone
The Next Kosovo War

Paul Craig Roberts
It's Waco All Over Again: Preventive Detention and the Constitution

David Macaray
Impasse in Hollywood

Ralph Nader
Gail Collins Versus the Underdogs

Andy Worthington
Guantánamo Britons to be Released: a Mixed Result

Martha Rosenberg
No Holiday for High Risk Sex Workers

Steve Champion /
Anthony Ross

Words for Our Brother, Tookie Williams

Kim Nicolini
Tangled Up in Dylan

Michael Dickinson
Say Goodbye to Purgatory: Pope Rat Gets Indulgent

Website of the Day
A Charming (and Worthy) Pitch


December 10, 2007

Uri Avnery
How They Stole the Bomb From Us

Debbie Nathan
The Perils of Journalism and Child Porn

JoAnn Wypijewski
Is There a Left Here Left? If So, What Can It Do?

Steve Kelly
Cheap Chips, Counterfeit Wilderness

Donna J. Volatile
Welcome to the Revolution

 

December 8 / 9, 2007

Alexander Cockburn
The Coup Against Bush and Cheney

Brenda Norrell
Seize the Land, Chain the Peace Activists

Saul Landau
The Ruins of Empire

R. F. Blader
A Rape in Every Drink?

Ray McGovern
Spinning Iran's Centrifuges

Allan Nairn
Imposed Hunger in Gaza, the Army in Indonesia

Linn Washington, Jr
Spotlight on Death Row

Paul Craig Roberts
When Will Bush Come Clean?

 

December 7, 2007

Sean Penn
Piano Wire Puppeteers

Arthur Versluis
Mining Water in the Desert

M. G. Piety
Racism and the American Psyche: Some Thoughts on Race and Intelligence

Pam Martens
Banksters Gone Wild

Alan Farago
Will the Free Market Kill Suburbia? Sprawl and the Credit Crisis

Allan Nairn
It Takes (Out) a Village

Col. Dan Smith
Bush, Iran and the Politics of Doomsday

Alice Slater
The Iran Opening

Robert Weissman
The Story of Stuff

Website of the Day
Something About Mitt

 

December 5, 2007

Mike Whitney
Why the CFR Hates Putin

Sharon Smith
The Anti-War Enablers: Tom Hayden and the Dead End Democrats

James Petras
Venezuela in the Aftermath

Ron Jacobs
The Iran Charade

Dave Zirin
Kicking a Dead Man: the Sliming of Sean Taylor

John V. Whitbeck
Two States or One? Time to Choose

Peter Zinn
Covered in New Orleans

Niranjan Ramakrishnan
Impeach Pelosi Instead

Alan Farago
The Credit Bomb Detonates in Florida

Heather Gray
US Meddling in Australian Politics

Website of the Day
A Donner Summit Night Before Xmas

 

December 4, 2007

Alexander Cockburn
Jackboot State Stubs Its Toe in Ann Arbor

Andy Worthington
Guantánamo and the Supreme Court

Paul Craig Roberts
The Lies at the End of the American Dream

Ray McGovern
No-Nuke Iran

Winslow T. Wheeler
Admiral Mullen and the Defense Budget: When White Elephants are Too Small

Allan Nairn
The Regime Still Stands in Burma, Where "the People Just Want Food"

Russell Mokhiber
The USA v. Al Arian

Nikolas Kozloff
As Chávez Falters: Raising the Stakes for the South American Left

John V. Walsh
Peace Movement Paralyzed

Ghada Ageel
Will Peace Cost Me My Home?

Stephen Soldz
The Facts be Damned!: Psychologists' President Defends Psychologist Involvement in Interrogations

Website of the Day
Hands Off the People of Iran

 

 

December 3, 2007

Tariq Ali
Venezuela After the Referendum

Bill Quigley
New Orleans: Bulldozers for the Poor, Tax Credits for Developers

Eric Walberg
The Bible and Middle East History

Uri Avnery
After Annapolis

Marjorie Cohn
Operation Iraqi Freedom Exposed

Dave Lindorff
Vengeance Isn't Sweet

Stephen Fleischman
Homeless in Paradise

Martha Rosenberg
Perp Walks for the Mink Clad on Chicago's Mag Mile

Website of the Day
So Just Lead!

 

December 1 / 2, 2007

Alexander Cockburn
Emblems of the Bush Age: Adrift in a Sea of Booze

Jeffrey St. Clair
The Bear Minimum: the Grizzly and the Future of the Rocky Mountain West

Mike Whitney
"Iraq Doesn't Exist Anymore": an Interview with Nir Rosen

Shemon Salam
A Visit From the FBI

Roger Burbach
The Battle in Bolivia

Benjamin Dangl
New Politics in Old Bolivia

Brian M. Downing
The Quiet on the Middle Eastern Front: How Much Credit Goes to the Surge?

Greg Moses
Night of the Living Redneck: a Texas Horror Story

Sonja Karkar
The "Never-Never" Peace Conference

Saul Landau
Ethics and Evil in South Boston

Margaret Kimberley
Black America Left Behind

John Ross
What are the Prospects for a New Mexican Revolution?

Reza Fiyouzat
Exit on the Left: When Che's Children Visited Iran

Judith Scherr
Berkeley Turns Right for the Holidays

Lance Olsen
Of Forests and Finance: Logging for the Wealthy

Christopher Brauchli
Mr. Bush and the Despots

Robert Fantina
Iraq as U.S. Colony

Dan Bacher
Fish Triage on Prospect Island

Michael Donnelly
Remembering How to be Human: John Trudell and the Music of Urgency

Website of the Weekend
Appalachian Voices

 

November 30, 2007

Peter Stone Brown
The Re-Packaging of Bob Dylan

Wajahat Ali
The Volatile Mistress: an Interview with Javed Jabbar, Pakistan's Former Minister of Information

Allan Nairn
Cold-Blooded Celebrity: Thomas L. Friedman and the Bali Bombers

Alan Farago
The Sorrows of Suburbia: Politics, Sprawl and the Housing Crash

John Ross
The Death of Latin America's First Revolution

Corporate Crime Reporter
America's Corporate Crime Capitals

Lucia Alvarez
Diego Gonzalez
Argentina's Political Future

James Rothenberg
The Iraqi Miracle

Website of the Day
Bio-Bling?

 

November 29, 2007

R. F. Blader
The Most Dangerous Kind of Bribe

Ismael Hossein-Zadeh
Distorting Fascism to Demonize Iran

Stephen Soldz
War on the Couch: Fear, Aggression and Empire

Sheldon Richman
Iraq 3.0

George Wuerthner
Forest Fires, Lies and Chainsaws

Felice Pace
Did All Things Considered Self-Censor on Annapolis?

Col. Dan Smith
The Meaning of Annapolis

Harvey Wasserman
Terror Target Nukes

Nikolas Kozloff
Primetime Hate Debate: Lou Dobbs, Immigration and Campaign '08

Paul Krassner
Huffington Post Bloggers Go On Strike!

Dave Lindorff
News Not Fit to Print: US Coup Planned for Venezuela?

CP News Service
The One State Declaration

Website of the Day
A Native View of Yellowstone Bison Slaughter

November 28, 2007

James Petras
CIA Destabilization Memo Surfaces on Venezuela

Jeff Halper
Annapolis: When the Roadmap is a One Way Street

Pam Martens
Crashing Citigroup

Peter Morici
Economy in Crisis: Avoiding a Recession

Mohammed Khatib
Separate and Unequal in Palestine

Helen Redmond
The Horror and the Hope: Health Care in America

William S. Lind
In the Fox's Lair: Quiet Before a New Iraq Storm?

Ben Tripp
We, the People: a Trope for All Seasons

Liaquat Ali Khan
Pakistan: First, Restore the Constitution and Reinstate the Judges

Jeff Berg
Holbrooke Says Bush Won't Attack Iran

Website of the Day
The Lies of Joe Klein

 

November 27, 2007

Joe DeRaymond
On the Road to the Torture School

Paul Craig Roberts
Meet the Only Two Candidates Worse Than Bush and Cheney: Hillary and Rudy

Marjorie Cohn
Remembering Victor Rabinowitz

Mike Whitney
A Dollar the Size of a Postage Stamp

Ron Jacobs
The Myths of Military Progress

Col. Dan Smith
The Pentagon's "People System" Still Doesn't Work

Ralph Nader
Family Learning

Karim Makdisi
Annapolis and the Unholy Alliance: the View from Beirut

Christopher Ketcham
Memo to Hollywood Writers: Strike Until You Drop

Ronan Bennett
Martin Amis Does a Coulter

Website of the Day
Celebrating the Uncensored Media

 

November 26, 2007

Kathleen and Bill Christison
Heading for Annapolis

Paul Craig Roberts
The End of All That

David Macaray
Enter Mediator

Sameer Dossani
Pakistan's Wounded Dictator

Roger Burbach
The Final Battle in Bolivia

Mark Scaramella
Guns and Greed in the Emerald Empire

Brian McKinlay
Howard's End

Rick Kuhn
The Fall of a Racist Union Buster

Binoy Kampmark
Ruddslide and Dull Alec

Monica Benderman
What Do You Know of War?

Brenda Norrell
Return to Alcatraz

Website of the Day
Ghostworld by DJ Spooky

 

November 24 / 25, 2007

Alexander Cockburn
The Ordeal of Catherine Wilkerson, MD

Robert Fisk
Darkness Falls on the Middle East

Saul Landau
Norman Mailer will Not R.I.P.

Jeffrey St. Clair
Justice Stephen Breyer, Cancer Bonds and the Origins of Neoliberal Environmentalism

Rannie Amiri
Beirut's Black Friday

Christopher Brauchli
Iraq Embassy as Gilded Palace

Daniel Gross
The Gap and Black Friday

Mike Whitney
"A Generalized Meltdown of Financial Institutions"

Marjorie Cohn
Iran and the 2008 Elections

David Rosen
Senior Sex: the Real Sexual Life of Aging Americans

David Michael Green
If Conservatism is the Ideology of Freedom ....

Kenneth Rexroth
When Euripides Played the Hindu Kush: Greeks and Buddhists in Afghanistan

Muhammad Iqbal
Trans. Shahid Alam

Ghazal

Website of the Day
Aerial Footage of Delta Fish Kill


November 23, 2007

Gary Leupp
Killing the Buddha in Pakistan's Swat Valley

Laura Carlsen
Coming to Terms with Diversity in Bolivia: an Interview with Alvaro Garcia, Bolivia's VP

David Macaray
Keeping Labor Unions Out

Andy Worthington
Former Guantánamo Detainee Seeks Asylum in Sweden

Clifton Ross
Trashing Chavez: Keith Olberman's Toxic Rant

Seth Sandronsky
Battling Sodexho

Dan Bacher
Death in the Delta: Thousands of Fish Stranded by Bureau of Reclamation

William A. Cook
The Myth of Middle East Peace

Website of the Day
Waiting for the Guards: Stress Techniques as Torture, a Short Film

 

November 22, 2007

Alan Farago
Who Lost America's Everglades?

Greg Moses
A Thanksgiving Basting

Dave Lindorff
Impeachment is Back on the Table

Mike Ely
Native Blood: the Myth pf Thanksgiving

Omar Azfar
Gore for President of Pakistan?

 

November 21, 2007

Vijay Prashad
Our Dictator, Their Democracy

Martha Rosenberg
Undercover at a Turkey Slaughtering Plant

Manuel Garcia, Jr.
Epiphany on the Glacier

John Ross
The Last Days of Mexican Corn

Brian McKenna
Cancer Terrorists Unmasked

Stephen Soldz
Isolation Torture Routine at Guatánamo

Monica Benderman
Needing Peace

Ben Terrall
Slavery in the Fields: The Real Price of Sugar

Website of the Day
Mercy for Animals

 

 

 

 

 

 

 

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Weekend Edition
December 29 / 30, 2007

Redacted, a Review

Brian DePalma's Scream of Outrage

By KIM NICOLINI

Brian De Palma's Redacted is hard to watch. When I first left the movie, the one word that held fast in my mind was "hard." The message of the movie is hard. The truth of the movie is hard. The way the movie challenges us is hard. Based on the real life incident involving US soldiers who raped, murdered and then burned a 15 year old Iraqi girl, this movie is not easy. This movie is like De Palma's scream of outrage. By whipping us back and forth through various video medium ­ hand-held camcorders, internet video, surveillance cameras, and documentary footage ­ , De Palma's movie is a scathing and damming document that underscores the absolute absurd, irrational, and senseless violence of the war in Iraq. It also reminds us how sheltered we have been from the harsh truth of the bloodshed, murder and atrocities that are occurring on a daily basis (that are occurring even now as I write this). Redacted is an indictment of the war and the media censorship that has hidden the war from the public. It shows us how the reality of the war has been excised from mass media and the public eye, and it unveils in graphic and shattering detail the consequences of the war and media censorship.

Critics have had a hard time with De Palma's movie. It's jarring, confusing, and disorienting. It leaves us psychologically and physically shaken up. Watching it literally makes our head spin just from the sheer velocity of the images being thrown at us. The whole movie is layered with a kind of digital noise as our eyes and senses try to adjust to violently shaking hand-held video, dark and murky infrared shots, and gritty low volume surveillance footage. It's a movie that is physically challenging to watch. It hurts our eyes. Our ears struggle to hear. We fight to make sense of what we are seeing. We leave the movie feeling a lot like this clip makes us feel.

At first I wondered what I could possibly say about this movie that slapped me so hard and left me so shaken. How can I possibly sit here and theorize a film when there is an actual war going on and people are dying? But the more I thought about the movie, the more I realized how brilliant, innovative, and important it is.

This movie is like a cinematic act of protest in which De Palma manipulates video media, gets in our face and forces us to confront the war and ask questions. It opens with the soldier Salazar talking into his own video camera, and we immediately lose our ground. We don't know if we're watching real video footage or a fictional recreation of real footage. Then De Palma uses authentic documentary technique and launches into a French documentary about US military checkpoints in Iraq. Again we are not sure if we are watching a real documentary that has been incorporated into the film or a simulation of a documentary. This disorienting effect goes on and on as we are pulled back and forth between our sense of what is real and what is simulated. There are a number of web videos presented in the film, including an American site dedicated to soldiers' wives and an Iraqi site that shows the execution of an American soldier . De Palma has gone so far as to create entire web pages that fill the movie screen. They look so real that it is hard for us to fathom that they could possibly be fiction. The confusing line between fiction and fact itself makes us think about how manipulated we are by the media and the information we are given (not given) about the war. The information we are given in mass media is "redacted," edited, manipulated and filtered so the actual war is removed from it. Whatever "true" images we are given from the war is provided by these outside mediums ­ blogs, personnel camcorders, cell phone photos, or appropriated surveillance footage. We do not see the graphic representation of the casualties of war that deluged the media during the Vietnam War. Speaking of which, it's interesting that the one overt film reference in the movie (because it wouldn't be De Palma without an over film reference) is from Sam Peckinpah's The Wild Bunch (1969) in a scene in which we watch a scorpion get killed by ants. The Wild Bunch is ostensibly a Vietnam War movie set in the Wild West. The Wild Bunch is a fictionalized account of the massive senseless killing of the Vietnam War. It follows a troop of men and the uncensored violence and bloodshed for which they are responsible just as we see in Redacted. The overt reference to film further complicates the web of media that winds its way around us in this movie.

Interestingly, the effect of using hand-held video cameras, surveillance cameras and web footage should provide a more "immediate" and "real" sense of the war. Instead, it actually conflates the "real" and the "artificial." While the presentation of the footage seems trustworthy as video documents given the intimacy of the medium, the actual digital medium itself also distances us. The technology of the medium leaves us feeling disoriented and unclear. Everything is pixilated, fragmented, grainy, and distorted. We simultaneously feel like we are watching something as reliable as a "home movie" but also feel like we are left outside the screen given the distortion of the medium. There's an agitated realness coupled with a kind of electronic noise that simulates stasis.

Stasis is an effect of this movie as well. There are a number of long shots in which the soldiers do nothing. We sit and watch them holding their guns absent-mindedly at the checkpoint. They stare into the sun and dust and say nothing and do nothing. We get a sense of the ludicrousness of the war, that these soldiers are in Iraq killing time while killing people. We get a sense of emptiness and boredom laced with the threat of death and random violence. The flat affect of the soldiers compounds this effect. The two "villains" in particular seem as though they are operating on some kind of low budget sitcom set. Their banter seems canned and empty, like the entire depth of their existence reaches only as deep as a video game. The digital format of the movie exaggerates this effect. In addition, the soldiers distance themselves from the reality of war through their video cameras. Salazar is filming the war to get into film school and watches everything through his camera lens. He has turned his tour into a project and therefore distances himself from the reality of his situation, until he gets his head cut off in an act of revenge. He and one of his buddies who is also filming the war negotiate a trade of film footage should one of them die in the war. Without being overt, we get the sense that these men live mediated lives, whether through video/computer games, the internet, or their own camcorders. They are one-step removed from the violence in which they participate because they are insulated by the media. In fact, De Palma's overall point is that the media insulates and manipulates us, so that the war and its ceaseless murder, torture and crimes can continue to be committed safely out of public scrutiny.

The overall effect of this film is unsettling and horrifying. It's no surprise that De Palma, a master of the horror genre, has created a horror film about war. The effect of the film is like watching The Blair Witch Project in Iraq. We are violently tossed through the landscape of the film like we're riding some kind of crazy roller coaster. The rape and murder scene reminds us of the final scenes in the abandoned house in Blair Witch when we finally arrive at the site of the horror. Indeed the house in Redacted is also the site of the horror. But this is a real life horror. American soldiers did rape, murder and burn a fifteen year old Iraqi girl. How do we process this information? De Palma gives us a fictionalized account of a real event. He manipulates media to show how we are manipulated by media. He conflates fictional violence with real violence, and he forces us to try to understand a situation that is beyond comprehension. As theoretically complex and interesting as this movie is to think about in terms of media and how it has filtered the war ­ the role of blogs, camcorders and other personal media devices compared to mass media coverage ­, in the end we are left outraged and mortified.

De Palma ends the movie with a series of still photos of carnage from the actual war. Shot after shot after shot fills the screen. Dead bodies, dead babies, women screaming, men's heads blown off, and finally the actual burned corpse of the girl who was raped and murdered. In this sequence, he shows us what we don't see. We are no longer confused by the source of the material. This is not a blog or youtube. This is the real thing. What's remarkable is how different the actual still photographs are from the video footage, how much more real they seem. We realize the extent to which we have been sheltered from these kinds of images of the war. While documentary photos were all over Time and Life magazine during the Vietnam War, we rarely see these kinds of pictures today. De Palma forces us to witness that from which we have been censored, and it is horrifying.

That is why it was hard for me to write about this movie or wonder what I can possibly say about it. More than anything, it is De Palma screaming his outrage. And we should be outraged. All of us. But now what do we do now? Writing a review of a movie certainly seems like an impotent act of self-indulgence after seeing that girl's corpse on the screen. The real problem with the movie isn't the movie itself or our inability to understand what De Palma is doing. It's our inability to understand something that ultimately cannot be understood ­ the war, the casualties, the horror. The real problem with the movie is not understanding what we should do now that we have seen this movie. Like I said, it's hard. Real hard.

Kim Nicolini is an artist, poet and cultural critic. She lives in Tucson, Arizona with her partner, daughter, and a menagerie of beasts. She works a day job to support her art and culture habits. She is currently finishing a book-length essayistic memoir about growing up as a punk sex worker in 1970s San Francisco. Her work has appeared in Bad Subjects, Punk Planet, Bullhorn and Berkeley Review. She can be reached at: knicolini@gmail.com.



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