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Today's
Stories
June 12-14, 2009
Mike Whitney
Bernanke's Next Parlor Trick
June 11, 2009
Kathy Kelly /
Dan Pearson
Down and Out in Shah Mansoor: With the Swat Refugees
James Bovard
The Latest Torture Cover-Up Scam
Tristan de Bourbon
The Toy Makers of Chenghai: the Financial Crisis Seen From China
Dave Lindorff
The Wheels are Coming Off the Recovery Program
Kevin Zeese
The Case for Disbarment of the Torture Lawyers
Ralph Nader
The Craft of Sam Maloof:
a Visionary Woodworker
Harvey Wasserman
The GOP's Trillion Dollar Reactor Plan Goes Radioactive
Nicole Colson
The Anti-Abortion Movement's Climate of Violence
Mark Weisbrot
Showdown Over the IMF
Dan Bacher
Big Water's Big Lie Unravels
Website of the Day
Top 10 Most Absurd TIME Covers
June 10, 2009
Ismael Hossein-Zadeh
Obama's Doublespeak on Iran
Jennifer Van Bergen / Douglas Valentine
The Dangerous World of Indefinite Detentions: From Vietnam to Abu Ghraib
Kathy Kelly
Visitors and Hosts in Pakistan
Paul Craig Roberts
Fear Rules
Rev. William E. Alberts
First the Torture of Truth ...
Peter Lee
Obama and North Korea: a Warm-Up in the Offing?
Carol Miller
Why
We Need a Holistic, Cradle-to-the-Grave National Health Care System
Emily Ratner
Dreams of Flight in Gaza
Robert Weissman
The IMF's Accountability Moment
Dave Lindorff
The Sutra of the Crushed Volvo
Website of the Day
Starving in Gitmo
June 9, 2009
Winslow T. Wheeler
Back From the Dead: Pentagon Pork!
Mike Whitney
Is Hyper-Inflation Around the Corner?
Stan Cox
Biofuel's Drug Problem
Sibel Edmonds
The Battle Against the State Secrets Privilege
Jonathan Cook
Where the Victim is the Guilty Party
David Macaray
A Bad Time for Unions
Robert Jensen
In South Africa, Apartheid is Dead, But White Supremacy Lingers On
Nadia Hijab
The Obama Difference
Mark Weisbrot
Vulture Funds Descend on Argentina
Website of the Day
Waging Non-Violence
June 8, 2009
John Ross
Mexico: Politics as Drugs / Drugs as Politics
Paul Wright
Deconstructing Gus: How a Former Prisoner Took On and Took Down Corrections Corporation of America's Top Lawyer (and Cheney Pal)
Paul Craig Roberts
Long-Term Economic Memory Loss
Franklin C. Spinney
"Natural Growth:" Israel's Demographic Hogwash
Franklin Lamb
Lebanon's Elections: Return to the Status Quo
Uri Avnery
The Tone and the Music
Jonathan Cook
Israeli Loyalty Oaths
Eric Toussaint
/ Damien Millet
The Partisans of Capitalism Have Lost All Credibility
Jim Goodman
The Dairy Oligarchy
Norman Solomon
Words and War
Reza Fiyouzat
When Accusations Fly: the Spectacle of the Iranian Elections
Website of the Day
Latino Jobless Rate Soars
June 5 -7, 200
Alexander Cockburn
High Words, Low Truths
George Galloway
Our Convoy to Gaza
Paul Craig Roberts
Obama in Cairo
Jennifer Loewenstein
How Much Really Separates Obama and Netanyahu?
Franklin Lamb
Watching Obama's Speech in Lebanon
Mike Whitney
The Biggest Rip Off Ever?
Andy Worthington
Death at Guantánamo
Missy Comley Beattie
Peace Be Upon You?
Farzana Versey
Walk Like an Egyptian: the Oprahfication of Obama
Stanley Heller
Obama's Non-Starter
John V. Whitbeck
Nothing Comes From Nothing
Robert Weissman
GM: the Path Not Taken
Lee Sustar
The Fall of GM: Why Workers Will Pay the Price
Dave Lindorff
What a State-Run GM Could Do
William Blum
The Great, International, Truly Demonic Iran Threat
Ernest Callenbach /
Harvey Wasserman
A Green-Powered Trip Through Ecotopia
Greg Moses
By George! Austin Leads the National Recovery
Ron Jacobs
The Meaning of Yasser Arafat
David Yearsley
Art Set in Concrete:
the Desolate Urban Landscape of High Culture
Tim Stelloh
Pot Home Invasions:
Bud and Blow Torches
Belén Fernández
The Joksters: Obama and Thomas Friedman
David Ker Thomson
The Academics
Karyn Strickler
Clean Coal: a Dirty Joke
Christopher Brauchli
Judicial Amnesia and the Federalist Society
Charles R. Larson
Leaving Tangier: Exile and Exploitation
Kim Nicolini
"Hunger:"
Art With a Punch
Lorenzo Wolff
Good Head (Or Why the End of Hand-Crafted Music Isn't (Necessarily) the End of Music)
Poets' Basement
Jenkins, Orloski and Willson
Website of the Weekend
Tankman
June 4, 2009
Arno J. Mayer
The Future of Israel and the Decline of the American Empire
Mike Whitney
Bond Market Blowout
Gareth Porter
Report Ties Dubious Iran Nuke Documents to Israel
Ayesha Ijaz Khan
Clearing Misconceptions on Pakistan's War in Swat
Mouin Rabbani
Paradigmatic Progress?
Jordan Flaherty
Life in Gaza
Adam Turl
Is Card Check Dead?
Nikolas Kozloff
Iran's Elections: the Latin America Factor
Yifat Susskind
Obama's Double Standard
Website of the Day
Pink Floyd's Roger Waters Slams Israel
June 3, 2009
Paul Craig Roberts
As the Dollar Falls Off the Cliff...
Kathy Kelly
A Weaver's Welcome to Pakistan
Alan Farago
Bailing Out the Land Speculators
Franklin Lamb
Israeli Spies and Fake IDs
Bill Hatch
Why Congressman Cardoza Stiffed Michelle Obama
Nadia Hijab
A Stifling Embrace
Dean Baker
Reporters With Pom-Poms: Cheerleading the Recovery
Binoy Kampmark
Whither GM?
Manuel Garcia, Jr.
What Happened to Air France Flight 477?
Remi Kanazi
Oslo Redux?
Behzad Yaghmaian
The End of Idealism in China?
Website of the Day
A Time Comes: the Story of the KingsNorth Six
June 2, 2009
Uri Avnery
Racists for Democracy
Robert Weissman
Bankrupt Thinking
Conn Hallinan
Shadow Wars
Gideon Spiro
Obama and Israel's Nuclear Arsenal
Roger Burbach
US-Cuba Policy: "Still Stuck in the Past"
Dylan Quigley
My Experience with Dr. Tiller
Dave Lindorff
The American Taliban Claim Another Victim
Ray McGovern
Navy Vet Honored, Foiled Israeli Attack
Belén Fernández
Israel's Newfound Concern for UNIFIL
Martha Rosenberg
Give It Up, Wyeth
Willie L. Pelote, Sr.
GOP: California's for the Rich (Poor People Should Move)
Website of the Day
You Bet Your Health
June 1, 2009
Pam Martens
Wall Street Braces for New Cops on the Beat
Yitzhak Laor
Washington's Mirror
Mark Weisbrot
More Stimulus, Not Deficit Reduction
Ramzy Baroud
Netanyahu's New Quest
Saul Landau
Dancing the Afghan Jig
Eugenia Tsao
Smug Toronto Seethes as Tamils "Go Too Far"
Afshin Rattansi
Women in Darfur: "We Saw No Evidence of Genocide"
Debra Sweet
The Murder of Dr. Tiller
Abdul Malik Mujahid
Obama's Trip Egypt and American Muslims
Bill Quigley
Haiti's Revolutionary Priest Gerard Jean-Juste: Presente!
John Wright
The Tragedy of Susan Boyle
Website of the Day
Young Neo Con Anthem
May 29-31, 2009
Alexander Cockburn
Sotomayor and the Last of the WASPs
Patrick Cockburn
Iraq: The Mother of All Corruption Scandals
Vijay Prashad
Reeling Republicans
Gary Leupp
The Destabilization of Pakistan
Ray McGovern
The Impossible Rehab of Colin Powell
Rannie Amiri
Spies, Lies and Mr. Lebanon's Demise
Bill Hatch
The Mechanic's Tale: a Short Chapter in the History of Foreclosures
Chellis Glendinning, Stephanie Mills and Kirkpatrick Sale
Three Luddites Talking ... on a Computer!
Phyllis Pollack
Dosed, But Not Spiked:
an Interview with Grace Slick
David Yearsley
Eros and Susan Boyle; Fakery and Simon Cowell
Jean-Christophe Servant
A River of Acid: Mined Out in Zambia
Dave Lindorff
Sotomayor's Problem Isn't That She's Too Latina
James McEnteer
Straw Dogs: the Media and Sonia Sotomayor
Missy Beattie
A Place Called Despair
James C. Faris
On Evolution: a Critique of Darwinism
David Macaray
When Workers' Rights Go Unenforced
Harvey Wasserman
The Catastrophic Economics of Nuclear Power
Adam Federman
Drilling the Marcellus Shale Through the Halliburton Loophole
David Ker Thomson
Turtle Island: Adventures in Recycling
Mark Seth Lender
Great Egrets Return
Stephen Martin
Big Trouble in Little Britain
Joseph Nevins
Sin Nombre is Only Part of the Border Story
Sophia Mihic
Star Trek and the Continuing Mission of American Imperialism
Lorenzo Wolff
Dylan Kelehan Gets What He Needs
Poets' Basement
Fleming, Shields and Greer
Website of the Weekend
Petition: Grant Parole to Leonard Peltier
May 28, 2009
Joan Roelofs
The Philanthropies and the Economic Crisis
Paul Craig Roberts
Torture and the American Conscience
Ralph Nader
Corporate Frankensteins
Mouin Rabbani
The Dangers of False Optimism in the Middle East
Joe Bageant
Plain Truths From Appalachia: a Redneck View of Obamarama
James McEnteer
America Held Hostage
Dedrick Muhammad
Obama and the Harsh Racial Reality
Richard Morse
On Speaking Out in Haiti
David Macaray
Have We Turned Into Sheep?
Harvey Wasserman
The 8 Green Steps to Solartopia
Website of the Day
Col. Peters: Just Kill the Gitmo Detainees
May 27, 2009
Joanne Mariner
Military Commissions, Round Three
Paul Craig Roberts
Doublespeak on North Korea
Walden Bello
Can China Save the World From Depression?
Dave Lindorff
Recidivism and Guantánamo
Brian M. Downing
Along the Durand Line
Carlos Villarreal
Separate But Equal Just Fine in California?
Nadia Hijab
Israel's Next Move:
Armageddon Now?
Adam Federman
The PCBs of the Hudson River
Laray Polk
RadWaste and Texas' Future
Isabella Kenfield
The Fall of a Brazilian Financier
David Michael Green
Overcoming the Poverty of Ambition
Website of the Day
The Case Against Shell
May 26, 2009
Manuel Garcia, Jr.
Fearful Pride: North Korea's Second Nuclear Test
Mike Whitney
The Next Leg Down: When Deflation Becomes Entrenched
Sharon Smith
Obama and Abortion Rights: What We Learned at Notre Dame
Marjorie Cohn
The Gitmo Appeasment Plan: Obama Buckles on the Constitution
Dean Baker
Waterboard the Fed
Deepankar Basu
Was the Indian Election a Debacle for the Left? If So, Why?
Fred Gardner
The Vindication of Sgt. Northcutt
Jordan Flaherty
New Orleans for Sale
Josh Ruebner
Rethinking the Costs of Peace
Brian Cloughley
The Man Who Murdered Count Foulke Bernadotte
Website of the Day
The Montana Town That Wants to Become the New Gitmo
May 25, 2009
Diane Christian
Looking at Torture
John Ross
Mexico's Shock Doctrine
Kenneth Hartman
The Trouble With Prison
Uri Avnery
Netanyahu Goes to Washington
Fred Gardner
"War on Pot" Overrides "Support Our Troops": the Punishment of Sgt. Northcutt
Cindy Sheehan
Day of the Dead
Sen. Russell Feingold
Prolonged Detention and the Rule of Law: a Letter to Barack Obama
Sibel Edmonds
Two Sides of the Same Coin: From State Secrets to War to Wiretaps
Franklin Lamb
Der Spiegel Tries Again
Dave Lindorff
Memorial Day in the Land of the Weak and Wussy
Daniel Wolff
Learning to Read in the Pacific Northwest
Website of the Day
Decoration Day
May 22-24, 2009
Alexander Cockburn
How Long Does It Take?
Michael Teitelman
Obama, Torture and John Walker Lindh
Mike Whitney
Credit Default Swaps: the Poison in the System
Ray McGovern
Cheney Breaks the Taboo: Support for Israel Feeds Terrorism
Sonia Cardenas /
Andrew Flibbert
Why We Love to Hate Pirates
Clive Hamilton
Biblical Prophesy and the Iraq War:
Bush, God, Iraq and Gog
Conn Hallinan
Swine Flu Fallout
Fred Gardner
Sgt. Northcutt's Homecoming
Carlo Cristofori
The Latest AfPak War
Dean Baker
A Friendly Financial Intervention
Rannie Amiri
King Abdullah's 57-State Solution
Andy Worthington
A Message to
Obama: No Military Commissions; No Preventive Detentions
David Macaray
Democrats Betray Labor:
Card Check is Pronouced Dead
Nadia Hijab
What Kind of State?
Franklin Lamb
How Not to Win Votes for Team USA
Ted Newcomen
The Forgotten Casualties
David Ker Thomson
Joy (Or How Hope, the Thing With Feathers, Gets Plucked)
David Rosen
Porn Wars
Mark Weisbrot
Climate Change and Intellectual Property Rights?
Robert Fantina
Gitmo, Democrats and Business as Usual
Heather Gray
Some Positive Directions in Public Health?
Farzana Versey
The Myth of Manmohan Singh
Chris Genovali
A Paler Shade of Green
Ron Jacobs
His Terrible Swift Sword: the Legacy of John Brown
Jay Diamond
Why the Left Should Cheer Hannity and Limbaugh
Dr. Susan Block
The Binds That Bond
Ben Sonnenberg
"Ballast": An Endlessness of Almost Ending
David Yearsley
Handel's Ghost ... Again
Lorenzo Wolff
My Problem with Led Zeppelin
Poets' Basement
Corseri and Bohm
Website of the Weekend
Bob Graham's CIA Notebooks
May 21, 2009
Jeffrey St. Clair /
Joshua Frank
The Politics of Bait-and-Switch: Obama and the Environment
Paul Craig Roberts
Morphing Dick Cheney
Chris Floyd
In Defense of George W. Bush
Gerald Paoli
Inside Iraqi Kurdistan:
Life and Death in the Qandil Mountains
Zach Mason
Something's Gotta Give:
Obama and the Hustler
Uri Avnery
A Quarrel on the Titanic
Andy Worthington
Out of Guantánamo
Niranjan Ramakrishnan
India: Two Funerals and a Wedding
Norman Solomon
The Afghanistan Escalation
Dave Lindorff
A Corporate Crime Wave of Labor Law Violations
Website of the Day
Swine Flu: The Panic That Wasn't
May 20, 2009
Michael Hudson
The Toll Booth Economy
Gary Leupp
Courting Hekmatyar: Obama and the Warlord
Michael D. Yates
Work is Hell
Jonathan Cook
Netanyahu Adviser Steps Out of the Shadows
Peter Lee
The World Doesn't Have a Pakistan Nukes Problem ... It Has a David Albright Problem
Binoy Kampmark
The End of the Tamil Tigers?
Peter Zinn
Eulogizing Lawyers
William Loren Katz
Tortured Reasoning; Tortured Results
Gary Lapon
Why Women Need Single Payer
Trudy Bond
Torture, Shrinks and a Groundhog's Day Moment
Website of the Day
Meet the Climate Change Lobby
May 19, 2009
Kristoffer Rehder
Check Point Iraq: a Soldier's Tale
Mike Whitney
The Real Lesson of the Financial Crisis
Ray McGovern
How Colin Powell Got Duped by the CIA
Vijay Prashad
The Indian Elections: a Game Changer?
Mirjam Hadar Meerschwam
Intimidation and Interrogation in Tel Aviv
Mustafa Barghouthi
Is Obama Up to the Challenge of Dealing with Netanyahu?
Andy Worthington
Gitmo:
A Prison Built on Lies
Binoy Kampmark
Britain's Speaker Crisis
John Walsh
John Kerry vs. Single-Payer
David Macaray
Alcohol as Metaphor: Zero Tolerance in the Workplace
Website of the Day
So You Think That Veggie Burger is Organic...
May 18, 2009
Dave Lindorff
The US is Using White Phosporous in Afghanistan
Abdul Malik Mujahid
Thirty Years of Tragedy in Afghanistan
Jonathan Cook
How Many Secret Prisons Does Israel Have?
Ben Rosenfeld
Police Violence: How Many Kicks to the Head Does It Take?
Patrick Cockburn
These Killings Will Only Strengthen the Taliban
Ralph Nader
They Want It All: New Tricks From the Old Energy Lobby
Stephen Soldz
Psychologist Bryce Lefever Clarifies Defense of Torture
Eugenia Tsao
On the Devaluation of Labor
Walter Brasch
Cheney's Magical Mystery Media Tour
Roberto Rodriguez
War and Torture
Charlotte Laws
Politics and American Idol
Website of the Day
Disbar the Torture Lawyers
May 15-17, 2009
Alexander Cockburn
King of the Hate Business
Jeffrey St. Clair
The Case of the Missing H-Bomb
David Rosen
Sexual Torture: What is Acknowledged and What Remains Unknown
Mike Whitney
From My Lai to Bala Baluk: Obama Picks Up Where Bush Left Off
Bruce Page
A Real History of Rupert Murdoch
Jeremy Scahill
The Black Shirts of Guantánamo
Fred Gardner
Tortured Reasoning: Judge Bybee Rules Against Brian Epis
Tom Barry
Fighting the Drug War at Homeland Security
Mats Svensson
On the Beach in Tel Aviv
Ramzy Baroud
The Drones Are Coming
Mark Engler
Science Fiction From Below
Mark Weisbrot
Stealth Move by IMF to Get $100 Billion Without Congressional Debate
Farzana Versey
Of Scapegoats and Separatists
Ron Jacobs
It's Up to You to Save Troy Davis
Hannah Wolfe
What to Tell the Children
Cal Winslow
Fresno, the New Ground Zero in the Battle Between the SEIU and NUHW
David Macaray
Labor Needs a Southern Strategy
Christopher Brauchli
Involuntary Baptism
Mark Seth Lender
The Lion Tamer's Story
Robert Fantina
Lapel Pins, Arugula and Mustard
David Ker Thomson
Last Man Walking
Stephen Martin
Lipstick Nightmare for Spin Merchant
Charles R. Larson
Double Exile
Chase Madar
"Angels & Demons" and the Extraordinary Power of Imaginary Heretics
Kim Nicolini
Vaginas From Outer Space! Boldly Sitting Through Star Trek
David Yearsley
Handel's Ghost
Lorenzo Wolff
Killer Virtues
Poets' Basement
Gibbons, Jordan and Moser
Website of the Weekend
Catch F-22
May 14, 2009
Michael Hudson
Where Russia Went Wrong
Andy Worthington
The Poisoned Mosaic:
Judge Condemns Guantánamo Evidence
Paul Craig Roberts
The Impotent President
Jonathan Cook
The Pope's Pilgrimage: Legitimizing Netanyahu?
Ray McGovern
See No Evil:
Ugly Questions for General Myers
Lance Selfa
The Limits of Liberalism
David Green
The Deportation of Demjanjuk
Dave Lindorff
Obama Channels Cheney
Frida Berrigan
Nuclear Options
Sue Udry
The Bybee Question
Website of the Day
Our Bombs: Tracking US Air Strikes
May 13, 2009
Brian M. Downing
The Road Out of Iraq
Gareth Porter
Gen. McChrystal and Afghanistan
Robert Sandels
Obama and Latin America: No Light, All Tunnel
Ricardo Alarcón
Cuba: Measure of a Revolution
Eric Walberg
NATO in Georgia: Fun and Games
Dave Lindorff
The Sinking of GM: When Captains of Industry Don't Go Down with the Ship
Deepak Tripathi
A Culture of Abuse
William S. Lind
Back to the Balkans: Hillary and the Sleeping Dragon
Kevin Zeese
A Populist Health Care Rebellion
Franklin Lamb
Lebanon: From Perdition to Redemption?
Website of the Day
Beth McIntosh: The Wild Ride
May 12, 2009
Gary Leupp
The Bomb Iran Faction
Richard Neville
The AfPak Blues: Corpses of the Kids by the Truckload
Wajahat Ali
Obama Chooses a Reliable Dictatorship
Dean Baker
The Banker Boys Are Alright! Time to End the Bailouts
Franklin Lamb
What Palestinian Refugees Need From Lebanon's Elections
Norman Solomon
A Progressive Challenge to Jane Harman
Paul Craig Roberts
Beware the Hate Crimes Bill
Lisa M. Hamilton
Let's Grow a New Crop of Farmers
Bob Fitrakis /
Harvey Wasserman:
Why Isn't Obama Turning to Credit Unions?
David Macaray
Wading Through the Grassroots
Website of the Day
Electronic Police States
May 11, 2009
Andrea Peacock
No Justice for Libby
Michael Hudson
Gordon Brown Spills the Beans on the IMF
Patrick Cockburn
Who Killed 120 Civilians?
Ralph Nader
The Single-Payer Taboo
John Kelly
Pseudoscience and Wrongful Convictions in the War on Drugs
Saul Landau
Cuba's Biggest "Crime"
Dave Lindorff
Blaming the Dead Victims
David Michael Green
Get Obama
Anthony Papa
Gov. David Paterson Does the Right Thing
Paul Krassner
Jon Stewart and Truman, the War Criminal
Website of the Day
Generational Homelessness
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Weekend Edition
June 12-14, 2009
Sam Raimi's Frightfest
Foreclosure is Hell
By KIM NICOLINI
The first time I saw the trailer for Sam Raimi’s new horror installment Drag Me To Hell, I knew I had to see this movie. From the trailer, I could surmise that a young bank loan officer forecloses on a poor old woman’s home and brings on a horrible curse in which she is hounded by demons who want to drag her to hell. Sure the old woman is a scary, creepy, milky-eyed gypsy, but does that make it okay to foreclose on her home and render her homeless? Sometimes, it seems, an Evil Curse From Hell may be necessary, especially during trying economic times like the current mortgage crisis. Seriously, can anything be more timely at the multiplex than a little exercise in Foreclosure Horror?
Did Drag Me To Hell provide in-depth commentary on the current state of American economics and the mortgage crisis? Well, it certainly does make some brilliant points encased in B-Horror camp, but mostly the movie provides a lot of hilarious moments that are primarily generated by another genre of horror that has been around long before the current economic crisis. I’m talking about White Trash Horror (e.g. The Hills Have Eyes, Texas Chainsaw Massacre, and every Rob Zombie horror movie). White Trash has historically provided oodles of fodder to scare people at the movies. An evil predator from the bottom of the class basement, White Trash has haunted the screen in the guise of rapists, cannibals, and serial murderers for decades. Why is White Trash so scary? Because we live in a culture that promotes fear of economic failure and conditions the population to gauge success by material acquisition. Nothing puts a scary face on this fear more than a rotten-toothed, chainsaw wielding, filthy, beer-guzzling, homicidal maniac.
The difference between Drag Me To Hell and its White Trash Horror predecessors is that it is not about the externalization of the White Trash monster who reeks havoc on the paranoid bourgeoisie. Rather it’s about the horror of suppressing the White Trash Within and the inability to escape class. In other words, Drag Me to Hell is about the horror of trying to become the bourgeoisie rather than killing the bourgeoisie. The movie centers on protagonist Christine Brown (noted as possibly the Whitest Person Ever in cinema) who attempts to escape her class via employment and marriage. Poor Cristine goes through all the moves in her attempts to suppress her White Trash class origins and become the bourgeoisie, but at the end of the day, Cristine cannot escape her class, and she is dragged to hell for trying. In its way, the movie actually does address the current foreclosure crisis which was provoked when massive numbers of Americans tried to pretend they were from a different class by purchasing homes that were way beyond their economic means, only to find that credit does not buy your way out of your class, so they were drug into the hell of foreclosure.
I’m getting off track. The Foreclosure Horror element is only one component of the subtext of Drag Me To Hell. Horror movies almost always serve as allegories of something or other (gender, class, psychology, sex), and in this case the horror couples two classic horror elements – class and gender – while also mixing in a good dose of psychoanalytical horror (directly connected to class and gender). Sam Raimi brilliantly plays on the classic tropes of horror, encases them in kitschy B-horror style, and integrates a whole lot of theoretical punch into a bellyful of laughter. Drag Me To Hell doesn’t just tell the story of how a young white trash farm girl is unable to escape her class, but it also shows how her class position is inextricably connected to her gender. All the pieces are there, and because the pieces are delivered via White Trash Horror, the movie is a total laugh riot because seeing how white trash manifests itself through disgusting symbols (flies, maggots, kittens, goats) is funny.
The movie opens with Christine driving her lowly Ford to work, the car itself placing her in the lower echelons of the working class economic scale. Christine is not only driving a cheap Ford, but she’s also practicing her diction with audio tapes designed to teach her how to erase her White Trash Farm Girl accent and adopt the voice of the upper class. In other words, the movie opens with Christine trying to erase her class from her voice. When Christine arrives at work, Raimi’s framing and camera perfectly embody the bland, life-sucking tedium of bank administrative life. From wastebaskets to water coolers to name plates and pencil holders, every set detail echoes with the depressing reality of the bank worker’s life. As if working in this environment isn’t bad enough, Christine is then confronted with a slew of overt chauvinistic encounters which firmly place her in the role of subservient lowly female. She is treated as an inferior by her power grubbing male colleague Stu, and she is told by her boss Mr. Jacks that she isn’t tough enough to get promoted to a higher level at the bank (e.g. because she is female). To top it off, when she meets her boyfriend Clay for lunch, Christine overhears a phone call with his mother during which Clay’s mother berates Christine for being a “farm girl” and insists he dump her for a “country club” girl. Poor Christine. She gets it for being trash and for being female, and those audio tapes don’t seem to be working!
At this point, we understand that Christine is a White Trash Bank Working Girl who is confronted with her lowly status at every turn. The conversation with Clay’s mother, when class and gender meet in Cristine’s face, is the icing on the cake and the turning point in the movie. It comes as no surprise that hearing her class ridiculed so blatantly provokes the horror to rise out of Christine and take over the rest of the film. Indeed, it is immediately after the phone call that Mrs. Ganush, the old gypsy woman who curses Christine, appears and that Christine decides to take her class destiny into her own hands and get tough (e.g. become a ruthless capitalist and foreclose on Mrs. Ganush’s home). Horrific in her natural state, Mrs. Ganush wears her lower class like a horror show. Her milky eye, filthy dentures, yellow phlegm, cracked and dirty fingernails, and candy-stealing grubby fingers are like the literal embodiment of Christine’s suppressed poor white trash background. Indeed, Mrs. Ganush can be read as an apparition of Christine’s class anxiety. Christine decides to get tough on Mrs. Ganush to prove to herself and others that she is not a Mrs. Ganush. At this point, Mrs. Ganush literally turns into a demon and unleashes a curse on Christine. Mrs. Ganush rips a button off Christine’s coat and dooms her to hell. Why a button? Because the coat that is ultimately cursed is the coat of Christine’s class, and it is buttoned tight onto her being as we will eventually see. I like to refer to this curse as the You-Are-So-Fucked-Curse because it is the curse which is impossible to escape (since it is programmed into Christine’s very genealogy).
The scenes with Mrs. Ganush are played out with disgustingly gross bodily humor as Mrs. Ganush spews all kinds of vile bodily fluids onto Christine and literally attaches herself to Christine’s body. We are so busy laughing at the disgusting humor that it’s hard to see how brilliant the whole You-Are-So-Fucked-Curse trajectory is. The foreclosure narrative flows seamlessly from the current mortgage crisis to classic psychoanalytical horror in which the unconscious materializes as some kind of monster that terrorizes the protagonist (usually female) in the film. In this case, foreclosure also directly refers to Jacques Lacan’s term cited here from the profound anals of Wikipedia:
Foreclosure is to be distinguished from other operations such as repression, negation, and projection. Foreclosure differs from repression in that the foreclosed element is not buried in the unconscious but expelled from the unconscious. Repression is the operation which constitutes neurosis, whereas foreclosure is the operation which constitutes psychosis.
Indeed, Mrs. Ganush is the manifestation of Christine’s class paranoia, and she is expelled from Christine’s unconscious and unleashes Christine’s psychosis into the material world. The horrors that ensue are a riot a minute as Christine’s White Trash Psychosis gets more and more out of control. Try as she might to deny her class and climb the social ladder, Christine remains doomed. Once trash, always trash, or at least that’s what Christine’s psychosis seems to be telling her. Mrs. Ganush unleashes the demon Lamia onto poor Christine, and it’s no surprise that Lamia first appears at Christine’s door right after a childhood photo of her as the Fat Girl Pork Queen falls out of a cook book. Christine stares in horror as her class is exposed in the photo of her white pudgy body posing with a pig on the farm. Christine drops the photo to the floor, and at that very moment, Lamia makes his first appearance in her house. It should be noted that Lamia bears the feet of a farm animal (e.g. the ghost of Christine’s farm girl past). Later that evening, the demon appears as flies invading Christine’s body. In a truly hilarious gross-out scene, a fly crawls in and out of Christine’s nose and finally wedges its way between her lips and disappears inside her mouth. We all know that flies are attracted to garbage (a.k.a. trash). The disappearing fly uproariously appears later in a dinner party scene at Clay’s parents’ house when Christine chokes at the dinner table and spits a fly across the table . While she can pretend to be accepted into the upper class life of Clay’s family, her psychosis and class anxiety provoke her to practically vomit her trash class all over the dinner table.
More animals than flies appear with Christine’s psychosis. For example, there is the terrible Kitten Sacrifice scene, in which Christine murders her kitten as a blood sacrifice to the demon Lamia to try to save her ass. So much for the façade of Ms. Civilized City Girl. Once Christine’s White Trash Class Paranoia is foreclosed, the psychosis builds to the point where she non-chalantly kills her kitten like some kind of farm hog and buries it in the backyard. Sounds awfully scary, doesn’t it? Well, it’s not scary. It’s funny because watching this prim pristine girl covered with blood and flies and maggots and killing a kitty with a kitchen knife is funny. And the humor and animals don’t stop with the kitten. When Christine arranges to have the demon exorcised, the exorcism takes place in the form of a white goat. The goat itself is pretty darn funny, as in its white hairy goat face is literally hilarious. But when you read the goat as the literalization of Christine’s White Trash Farm Girl unconscious, the yucks are even more hilarious. The White Goat is Christine’s White Trash Background that she wants to kill. Christine is the White Goat, and the White Goat is Christine. Needless to say, try as she might, the goat refuses to be killed, and the exorcism fails. Christine cannot escape her class, and the goat lives! The goat always lives!
Speaking of spewing things, I must mention another over-the-top scene of gross-out spewage. When Christine returns to the bank after her first encounter with Mrs. Ganush and Lamia, she gets a nose bleed which starts with a couple of drops of blood on her desk and soon turns into a geyser of blood spewing out of her nose and spraying all over the bank. The two chauvinist men – Stu and Mr. Jacks -- look on in horror. How can this woman be bleeding all over the bank? Eww. We’ve all seen Carrie. We know what blood spewing from a female orifice means in horror movies. The horror of the female body! Yes, not only is Christine mucking up the place with her white trash farm girl dirt, but she also dares to leak her femaleness all over the bank. Talk about a horror show. Christine can’t seem to contain anything these days. And talk about funny, how can we not laugh when Mr. Jacks gets splattered with Christine’s blood and then asks in horror, “None of it got me in my mouth did it?” God forbid you get female sexuality in your mouth!
Christine’s battle with the demon goes on and on with lots of gross-out humor. It culminates in a battle in Mrs. Ganush’s grave in which Christine becomes a combination of a mud wrestler and a wet t-shirt contestant. She wrestles with Mrs. Ganush’s corpse trying to pawn off the coat button and pass on the curse. After lots of nipple exposing muddy t-shirt shots, Christine thinks her mud wrestling stint with the gypsy cadaver worked and that she has rid herself of the curse. She rewards herself by shedding the white trash coat of her past and buying a new classy blue coat as a symbol of finally transcending her class. She meets Clay at the train station wearing her new coat and her new class, ready to embrace the life of the upper social echelons. Isn’t that nice? Well, no it’s not. Just as Christine opens her arms to embrace her new social position, she gets sucked into hell, back to where she belongs with Mrs. Ganush and Lamia the farm animal demon. Sorry Christine. No go. You can’t escape your class by buying a new coat. Apparently, the You-Are-So-Fucked-Curse lasts forever. You’re born with it and get sucked into hell with it.
This brings us back to the Foreclosure Horror as a mirror of the current mortgage crisis. Just as Christine can’t buy her way out of her class with a new coat, millions of Americans learned the hard way that you can’t buy your way out of your class with credit. Maybe if Sam Raimi made this movie eight years ago, so many people wouldn’t have lost their pretty blue coats (homes) and would have realized it’s okay to wear the coat you can afford rather than buying the expensive coat only to lose it inside the gaping hungry mouth of Foreclosure Hell.
After the movie, most of the audience was bellowing about how awful it was, even though they laughed all the way through it. Sure it’s awful, but it’s self-consciously awful. Sam Raimi plays on the tradition of B horror and tropes on classic horror narratives and theories at every turn. Full of belly laughs and gross-outs, Drag Me To Hell is an incredibly tight film that packs a whole lot of punches. I think that one of the most brilliant things about this movie is how smart it is while being delivered in a seemingly stupid package. The acting is awful. The script is hilarious and unbelievable. The monsters are ludicrous. And the movie seems to be poking fun at itself all along the way. But because it’s so darn simplistic on the surface, every single moment counts as allegory and symbol. From flies to mud to cheap Fords to bloody noses, every single thing in this movie is loaded, and that’s why it’s fun to watch. Still, for all the poor white trash farm girls of the world who want to transcend their class, I can’t say that Drag Me To Hell offers a hell of a lot of hope, just a hell of a lot of hell. But it’s funny hell!
Kim Nicolini is an artist, poet and cultural critic. She lives in Tucson, Arizona with her daughter and a menagerie of beasts. She works a day job to support her art and culture habits. She is currently finishing a book-length essayistic memoir about being a teenage runaway in 1970s San Francisco. She can be reached at: knicolini@gmail.com.
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