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Meat and Empire
The pig-raising factories of Smithfield Farms stretch from Mexico to Rumania and back to home sty in North Carolina, where swine flu first mutated. Viewing Earth from outer space an alien ecologist might conclude cows are the dominant species of our planet. Alexander Cockburn on the conquest landscapes of the meat-producers. Nanotechnologies, say their boosters, are changing the way people think about the future. They rush to buy nano-products. But how safe are they? Steven Higgs has a chastening message for us. And Senator James Abourezk concludes his vivid “Adventures in Indian Country”, with the story of the occupation of Wounded Knee. Yes, he was there and he was one scared senator. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories May 21, 2009 Jeffrey St. Clair / May 20, 2009 Michael Hudson Gary Leupp Michael D. Yates Jonathan Cook Peter Lee Binoy Kampmark Peter Zinn William Loren Katz Gary Lapon Trudy Bond Website of the Day May 19, 2009 Kristoffer Rehder Mike Whitney Ray McGovern Vijay Prashad Mirjam Hadar Meerschwam Mustafa Barghouthi Andy Worthington Binoy Kampmark John Walsh David Macaray Website of the Day May 18, 2009 Dave Lindorff Abdul Malik Mujahid Jonathan Cook Ben Rosenfeld Patrick Cockburn Ralph Nader Stephen Soldz Eugenia Tsao Walter Brasch Roberto Rodriguez Charlotte Laws Website of the Day May 15-17, 2009 Alexander Cockburn Jeffrey St. Clair David Rosen Mike Whitney Bruce Page Jeremy Scahill Fred Gardner Tom Barry Mats Svensson Ramzy Baroud Mark Engler Mark Weisbrot Farzana Versey Ron Jacobs Hannah Wolfe Cal Winslow David Macaray Christopher Brauchli Mark Seth Lender Robert Fantina David Ker Thomson Stephen Martin Charles R. Larson Chase Madar Kim Nicolini David Yearsley Lorenzo Wolff Poets' Basement Website of the Weekend May 14, 2009 Michael Hudson Andy Worthington Paul Craig Roberts Jonathan Cook Ray McGovern Lance Selfa David Green Dave Lindorff Frida Berrigan Sue Udry Website of the Day May 13, 2009 Brian M. Downing Gareth Porter Robert Sandels Ricardo Alarcón Eric Walberg Dave Lindorff Deepak Tripathi William S. Lind Kevin Zeese Franklin Lamb Website of the Day May 12, 2009 Gary Leupp Richard Neville Wajahat Ali Dean Baker Franklin Lamb Norman Solomon Paul Craig Roberts Lisa M. Hamilton Bob Fitrakis / David Macaray Website of the Day May 11, 2009 Andrea Peacock Michael Hudson Patrick Cockburn Ralph Nader John Kelly Saul Landau Dave Lindorff David Michael Green Anthony Papa Paul Krassner Website of the Day May 8-10, 2009 Alexander Cockburn Jeffrey St. Clair Paul Wolf Steve Niva Neve Gordon Mike Whitney Warren Hinckle Serge Halimi Gareth Porter Sharon Smith Andy Worthington Mark Weisbrot Rosa Miriam Elizalde Cyber Command and Cyber Dissident: More of the Same? David Macaray Missy Beattie Ron Jacobs Diane Farsetta Ramzy Baroud Phelie Maguire Robert Fantina Kevin Zeese Margaret Flowers, MD Dave Lindorff Richard Rhames Ben Sonnenberg Kim Nicolini Stephen Martin Charles R. Larson David Yearsley Lorenzo Wolff Poets' Basement Website of the Weekend May 7, 2009 Paul Craig Roberts Chris Floyd Andy Worthington Alan Farago Ray McGovern Dave Lindorff Eric Toussaint / Ana M. Malinow, MD Jeff Armstrong Norman Solomon Website of the Day May 6, 2009 Doug Peacock Patrick Cockburn Richard Neville Manuel Garcia, Jr. Winslow T. Wheeler Deepak Tripathi Stephen Soldz Reuven Kaminer David Macaray Kevin Zeese Marjorie Cohn Coalition for an Ethical Psychology Website of the Day
May 5, 2009 William Blum Uri Avnery Steven Higgs Dean Baker Daniel Wolff Sibel Edmonds Carole King Klein Fidel Castro Belén Fernández Dan Bacher Website of the Day May 4, 2009 James G. Abourezk Jeff Leys Patrick Cockburn Andy Worthington Jaime Avilés David Swanson Paul Craig Roberts P. Sainath Eugenia Tsao Benjamin Dangl Sami Al-Arian Website of the Day May 1 - 3, 2009 Alexander Cockburn Gary Leupp Peter Linebaugh Jeffrey St. Clair / C. G. Estabrook Patrick Cockburn Mike Whitney Pierre Sprey / Andy Worthington Mairead Maguire Nadia Hijab Diane Farsetta Michael Calderón-Zaks Richard Rhames Russell Mokhiber Ramzy Baroud Rannie Amiri Deb Reich Steven Higgs Brian Cloughley David Michael Green Farzana Versey Jim Goodman Carl Finamore Christopher Brauchli Susie Day David Yearsley Lorenzo Wolff Peter Stone Brown Poets' Basement Dominguez, Orloski and Springate Website of the Weekend April 30, 2009 Ellen Cantarow Dana L. Cloud Paul W. Lovinger / Binoy Kampmark Brian Downing Frank Snepp David Swanson Conn Hallinan Ron Jacobs John Goekler Jasmine L. Tyler / Website of the Day April 29, 2009 Joann Wypijewski Patrick Cockburn Andy Worthington Chris Floyd Dave Lindorff Jeremy Scahill Doug Henwood Michael Hudson Russell Mokhiber Eric Toussaint Website of the Day April 28, 2009 Uri Avnery Jeremy Scahill Dean Baker Michael D. Yates Conn Hallinan John Stauber Tom Barry Harvey Wasserman Jeff Nygaard Frederico Fuentes Website of the Day April 27, 2009 Pam Martens Patrick Cockburn Andrew J. Bacevich Guardian of the Status Quo: Obama's Sins of Omission Mitu Sengupta Franklin Lamb Firmin DeBrabander Dave Lindorff Russell Mokhiber Mike Whitney Mark Weisbrot Rev. José M. Tirado Website of the Day April 24-26, 2009 Alexander Cockburn Marjorie Cohn Andy Worthington Jeremy Scahill Chris Floyd Mike Whitney Anthony DiMaggio Chris Kromm Saul Landau Dave Lindorff Greg Moses Joshua Frank Fred Gardner Manuel Garcia, Jr. David Michael Green Ramzy Baroud Rannie Amiri Laura Carlsen Richard Morse Nikolas Kozloff Kent Peterson Robert Bryce Niranjan Ramakrishnan The Financial Experts Ron Jacobs Richard Rhames Stephen Martin David Yearsley Poets' Basement Website of the Weekend April 23, 2009 Eamonn Fingleton Ray McGovern Michael Ratner Alan Farago Rob Larson Nadia Hijab Fawzia Afzal-Khan Dave Lindorff Helen Redmond Adam Federman Website of the Day April 22, 2009 Chris Floyd Joanne Mariner Vijay Prashad Gareth Porter Dean Baker Peter Morici Winslow T. Wheeler Barucha Calamity Peller Harvey Wasserman Aisha Brown / Teo Ballvé Website of the Day April 21, 2009 Randy Rowland Dave Lindorff Fidel Castro George McGovern Greg Moses Benjamin Dangl Sonia Nettnin Frank Barat Binoy Kampmark John V. Walsh David Macaray Website of the Day April 20, 2009 Mike Whitney Andrea Peacock Henry A. Giroux Liaquat Ali Khan Fred Gardner Stephen Soldz Nadia Hijab Dave Lindorff P. Sainath Nelson P Valdés Mark Engler Belén Fernández Website of the Day
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May 21, 2009 Something's Gotta GiveObama and the HustlerBy ZACH MASON Why is the “hustler” the iconic figure in hip-hop? The corporate consolidation of the music business has led to a dumbing down of hip-hop if not intentional perpetuation of racist stereotypes being carried out by corporate executives as they laugh all the way to the bank. Of course we still get our Talib Kweli and Common or the Roots in the mix occasionally to give at least a thin veneer of diversity, but new artists aren’t getting signed for speaking truth to power. There is a corporate filter on the music that strongly prioritizes the most materialistic, misogynistic and nihilistic artists. But as winds of change sweep across our society hip-hop will –to one degree or another- give voice to new progressive movements. The corporate influence is not the only factor contributing to a glorification of gangsterism in hip-hop. Why does the hip-hop culture produce and fetishize so many Bentley pushin, yayo slangin murderers? Jay-Z who epitomizes the celebration of gangsterism has described himself as a “product of Reaganomics”. This is so true. Some tenets of Reaganomics included, giving more money back to the rich with the idea that it would “trickle down” to the rest of society while the racism of arguments that scapegoated the poor were disguised by the thinnest of viels. The welfare cheat, not the greedy CEO we were told, was to blame for society’s problems. Fundamentalist free market economics replaced a more socialized version of capitalism in the mid 1970s and continued to dominate right through the presidency of Bush II. Reagan’s era was its pinnacle but not its beginning or end. This was a period in which the collective responses to social problems exemplified by the civil rights movement were de-legitimized and the pull yourself up by your bootstraps individualistic response was pushed as the only viable option, this period also happens to coincide with the existence of hip-hop culture. The “greed is good” mantra of free market capitalism has come under fierce scrutiny in recent months as de-regulated markets collapsed on each other like a house of cards, the hegemony has been broken, there is an opening for new ideas to be articulated and archetypes for a new era formed. As the pendulum swings back from right to left collective responses to social ills can be re-legitimized and hip-hop music has the potential to play a vital role in giving voice to this changing mood. As new social movements are born in the experimental struggles to win change, hip-hop will be offered new realities to reflect upon. A New Era The election of Barrack Obama as president has certainly signaled the beginning of a new political era. The broad rejection of Bush’s policies was already established before the U.S. economy plunged into its worst crisis since the great depression. The desperation for a new direction created by these conditions pushed many voters to look past the wedge issues of “family values” and barely disguised racism that have served Republican Party so well. The sheer magnitude of the situation led many centrist voters to look past these distractions and allowed Obama to win the election not by the razor thin margins of past elections, but with a slam dunk victory of a 7 point lead. Obama’s campaign raised people’s expectations leading the electorate to “vote their hopes and not their fears”. While Obama’s messages were often mixed –allowing people to hear and focus on what they wished for- the idea that “change comes from the bottom” has clearly resonated with many at the grassroots level. One striking example was the December unionization victory –after 16 years of organizing- of the workers at the enormous Smithfield pork processing plant in Tar Heel North Carolina. North Carolina has the lowest union representation in the country and the Smithfield plant contains an almost even mix of black and Latino workers whom the employer has attempted to pit against each other. But as Smithfield worker and union activist Aleisha Rascoe told the Fayetteville Observer “If we can change the White House, we can change the hog house,” she said. “And we did, we made history all in the same year.” In addition, the day after Obama’s victory ten’s of thousands of demonstrators poured into the streets of California to protest the passage of Proposition 8 banning same sex marriage. The actions in California inspired lesbian, gay, bi-sexual, and transgender (LGBT) activists across the country to breath new life into a broad movement for equal rights. In January when Israeli attacks in Gaza led to the deaths of more than 1,000 civilians a protest movement quickly took shape in the U.S. culminating in a march on the Whitehouse of 20,000. The fact that demonstrators were predominately Arab and Muslim is extraordinarily significant given that this population has been targeted and marginalized since September 11th. At the January protests for Gaza a potent synthesis of anger and hope was on the display. In all of these examples and many others (not least of which being the victorious sit in by factory workers in Chicago) a new confidence and willingness to fight has been shown which seems more likely to consolidate than dissipate in the coming months and years. Understanding Context This new political terrain will surely be reflected, observed, and influenced by Hip-Hop artists and this experience will change the character of culture (as all cultures are constantly evolving). But to consider the future of hip hop of we must understand its past and its context. As Jeff Chang wrote in Can’t Stop Won’t Stop: A History of the Hip Hop Generation, “If blues culture had developed under conditions of oppressive, forced labor, hip-hop would arise under conditions of no work.” Hip-hop became identifiable as a cultural movement during the last major economic crisis. But the crisis of the mid 1970’s resulted in a very different shift in direction than the current crisis. Hip-Hop in a New Era Rapper and one time prison guard Rick Ross recently expressed this ruling class sentiment with clarity when he declared “if you ain’t getting money that mean you done something wrong” in the recent mega hit ¨The Magnificent¨. While Ross is having great success playing the exaggerated character of a wealthy mobster, the hegemony of this individualistic outlook is waning. The dynamic is about more than Obama but he is certainly a major influence on and reflection of the changes in society and the impact on hip-hop has been dramatic. During his run for President numerous rappers lent their voices in support of his campaign. Certainly this was not the first time that hip-hop artists have encouraged their fans to vote, rappers have been involved with MTV’s rock the vote (a campaign to encourage young people to register to vote) since the 1990’s. In 2004 rappers Puff Daddy and 50 Cent led the Vote or Die campaign that was more specifically aimed at the hip-hop audience, but there damn sure weren’t any hip-hop artists writing inspired anthems about John Kerry’s candidacy. There have obviously been countless Obama references in Rap songs including Young Jeezy’s simple statement of fact that his president is black, while his lambo on the other hand is blue. And of course there was Three Six Mafia’s “Lolli Lolli Pop That Body” (dubbed “worst Obama reference ever” by one blogger –tuberaider-). There have also been thoughtful and nuanced Obama related rap songs, one of the most notable being “Black President” by Nas. Nas is easily one of hip-hop’s most brilliant orators who has often painted himself as both street thug/gangster and black revolutionary while recognizing the contradictions of his own persona. In “Black President” Nas mused on what could follow an Obama victory:
In these few lines Nas captures the gambit of fears, hopes, and doubts that swirl together in the consciousness of many. The video hit “Something’s Gotta Give” from Outkast member Big Boi and R & B icon Mary J. Blige is a beautifully composed ode to the struggles of the poor and a call for social change that clearly presents Obama as solution, but also goes deeper. For the song’s hook, Blige brings her legendary talents to bare, but his time as cry for change instead of tales of love and heart break: They try to tell us to stay strong, but every day we losing jobs, from College Park down to Beverly Hills, Something’s gonna have to give Across the world they live in fear but it’s the same thing over here. If you can hear me on Capitol Hill, Something’s gonna have to give. The promise of change has arrived in Washington and there is much to be hopeful about, but Mary J’s plea is in fact still a necessary one and for those who think the idea that “change come from the bottom up” is more than rhetoric, the work has only begun. Anyone who has hoped that the hip-hop generation will produce another Dr King should keep in mind that he did not descend from the heavens fully formed, but came to be the man he was through a process of collective struggle with hundreds thousands of others. As activist rapper Son of Nun lamented of an anonymous member of the hip-hop generation “he could have been a Malcolm but he’s Detroit Red”. We all have ability to make our own history, but not in circumstances of our own choosing. The objective conditions are shifting, the terms of the debate are changing and the next leader who has yet to emerge may be at this very moment doing the stanky leg in some bright fluorescent sneakers. |
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