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Recent
Stories
April
21, 2003
Elaine
Cassel
An Administration in Contempt
Edward
Said
Give Us Back Our Democracy
Gary
Leupp
Easter Thoughts on Liberation, Jesus
and Kanaka WaiWai
Roger
Witherspoon
Why Michigan Needs Affirmative Action
Uri Avnery
At Midnight, a Knock on the Door
Steve
Perry
Bush's War Web Log 4/19
April
19, 2003
Gary
Leupp
The Rape of History
Saul
Landau
Shop, Go to Church, Support Bush's
War, Wait for Armageddon
Michael
J. Fellows
Off With Their Heads: the Constitution According to Scalia
Pablo
Mukherjee
Roadmap to Resistance
Omar
Barghouti
Sharon's Bloody Beat
Anthony
Gancarski
Tony Blair: the Most Powerful Man in the World
Mickey
Z.
Animals: the Other Collateral Damage
Will
Potter
When Police Attack Journalists
William
MacDougall
America's In-Bedded Journalism
Neve
Gordon
Haunted by History
Adam
Engel
Wal-Mart and Peace
Dr.
Susan Block
Art Bombs: American Libertines for Peace
Poets'
Basement
Albert, Buono, Guthrie
Steve
Perry
War Web Log 4/19
Song of
the Weekend
Baghdad to Basra
April
18, 2003
Uri
Avnery
Operation "Syrian Freedom":
This One's Not About Oil
Jorge
Mariscal
"They Died Trying to Become
Students": the Future of Latinos in an Era of War and Occupation
Mickey
Z:
Coalition of the Unindicted: Only Losers Get Tried for War Crimes
Hussein
Ibish
Syria and the Road to World War IV
Reza Ladjevardian
Tarqeting Iran? Do It With TV, Not Cruise Missiles
Matania
Ben-Artzi
You Are Not Protecting My Son's Rights: a Letter to the President
of Israel's Supreme Court
Bruce Jackson
Jews Like Us
Joe
Allen
My Lai Revisited
Carl Estabrook
Support Our Euphemism
Steve
Perry
War Web Log 4/18
Website
of the Day
Meet the Victims of War
April
17, 2003
Jeffrey
St. Clair
Patriot Gore: the Fatal Flaws in
the Patriot Missile System
Joanne
Mariner
Looting Antiquity: the Legal Implications
for the Pentagon
Issam
Nashashibi
Zalmay Khalilzad: the Neocon's Bagman
to Baghdad
Wayne Madsen
Another Sign of the "End Times" for American Journalism
Robert
Fisk
The Army of Occupation
Boris
Kagarlitsky
Virtual Saddam Takes Aim
Biljana
Vankovska
A Personal View of Iraq: Where
is the Truth?
Dan Brook
Oil War: Fueling the Empire
Stanley
Heller
Bomb and Steal: This is What Privatization Looks Like
Tim Robbins
A Chill Wind is Blowing Through This Nation
Harold
A. Gould
Iraq After the War
Steve
Perry
War Web Log 4/17
April
16, 2003
Michel
Guerrin
Embedded Photographer Says: "I
Saw Marines Kill Civilians"
Jason
Leopold
Halliburton's Bloody History: They'll
Work for Anyone
Kurt
Nimmo
The Destruction of Iraq: Hey, It's
Good for Business
Stephen
Green
Dancing to Sharon's Beat: the Road
to Unilateral Pre-emption
Diane
Christian
The Devil in Bush's Details
Carol
Norris
Mourning Iraq
Anthony
Gancarski
They Call Themselves Economists?
Michael
Sells
Nero in Baghdad
Alexander
Cockburn
Contract with Iraq
Ninan Koshy
India's Devious Middle Path Through the Iraq War
Brenda
Norrell
Lakota Leader: World Must Resist
American Empire
Wallace
Gagne
End of History; More in a Moment
Stew
Albert
On the Road Again
Steve
Perry
War Web Log 4/16
April
15, 2003
Uzma
Aslam Khan
The Unbearably Grim Aftermath of War:
What America Says Does Not Go
Robert
Jensen
Self-Determination in Iraq? Then the
US Must Leave
Dr.
Susan Block
The Rape of Iraq
Ron Jacobs
Aiming at Syria: Stop Them Before They Kill Again
Robert
Fisk
The Final Sacking of Baghdad
Col. Dan
Smith
Post-War Iraq: Asking the Right Questions
Ali
Abunimah and Hussein Ibish
A Cycle of Chaos and Confrontation: Misadventures of the NeoCons
Steve
Perry
War Web Log 4/15
April
14, 2003
Chris
Floyd
Bush's War Without End
Uri Avnery
Gunboat Democracy: This is Only the Beginning
Wayne
Madsen
Americans: The New Mongols of the Mideast?
Shahid
Alam
Iqra: Iraq is Free
Hani
Shukrallah
Day of the Chicken Hawks
Terry
Jones
The Iraq Gravy Train
John
Chuckman
The Iraq War's Trashiest Piece of Propaganda
Patrick
Cockburn
US has a Lot to Answer For: Violence,
Misery and Poverty in Iraq
Steve
Perry
War Web Log 4/14
April
12 / 13, 2003
Carol
Lipton
Wag the Kennel: the Kenneth Joseph
Story
Wayne
Madsen
Meet the New Butcher of Baghdad: Maj.
Gen. Buford Blount III
John
Brown
"They Got It Down": the Toppling
of the Saddam Statue
Kathy and
Bill Christison
Final Thoughts from Palestine
William
Blum
Our Vulnerable Warmongers' Rush to Justify Devastation
Wallace
Gagne
Let the Stealing Begin
Ann
Harrison
Rosenthal Update: Judge Delays Ruling in Medical Pot Mistrial
Case
Henry Miller
What is the Greatest Treason?
Jeffrey
St. Clair
Render Unto Cesar
Zeljko
Cipris
Mocking Militarism: On Ishikawa Jun's Song of Mars
Ishikawa
Jun
The Song of Mars
Jamey Hecht
Chairman of the Sandwich Board
Adam
Engel
Hell of a Town: Mayor Bloomberg and
the News
Poets'
Basement
Chang Yang-Hao, Adam Engel and Hammond Guthrie
Steve
Perry
War Web Log 4/12
April
11, 2003
Omar
Barghouti
From Saddam to Uncle Sam
Ron
Jacobs
Greed is Rewarded
David
Vest
The Corporate War on Iraq
Paul
de Rooij
Propaganda Stinkers: Fresh Samples from the Field
Anthony
Gancarski
Foreign Aid: Embezzlement as Public Policy
Mas'ood
Cajee
Franklin Graham: Spiritual Carpetbagger
Michael
Neumann
Now What?
Michael
Berry
The Neo-Cons Have a Dream
Stew Albert
Oh Freedom
Steve
Perry
War Web Log 4/11
Website
of the Day
About Those Dancing Crowds
April
10, 2003
Zoltan
Grossman
The Perils of Occupation: the Easier
the Victory, the Harder the Peace
Uri
Avnery
The Night After
Wayne Madsen
The Telltale Signs of Empire
David Krieger
Before You Become Too Flushed with Victory, Think of Ali Ismaeel
Abbas
Jeremy
Brecher
What Can the World Do Now That Tanks Prowl Baghdad?
Robert
Jensen
The Unseen War
Geoffrey
Neale
Ashcroft's War on the Constitution:
A Patriot Attack on America
Jeffrey
St. Clair
Last Tango in Baghdad
Hammond
Guthrie
Rumors of War
Joseph
Heller
Nately's Old Man
Steve
Perry
War Web Log 4/10
Website
of the Day
The
Third Page
April
9, 2003
David
Lindorff
Secret Bechtel Docs Reveal: Yes,
the War Is About Oil
Doug
Lummis
Saving Private Lynch: Hollywood and
War
Susan
Davis
The New York Times and the Peace Movement
David Vest
Smoking Gun? You're Watching It
John
Chuckman
America's Sovereign Right to Do
as It Damn Well Pleases
Akiva
Eldar
Gary Bauer and AIPAC: an Unholy Alliance
with the Christian Right
Ray
Hanania
Suicide Bombers without the Suicide:
Racism, Hypocrisy and the War on Iraq
Steve
Perry
War Web Log 4/9
April
8, 2003
David
Lindorff
Killing the Messengers: It Doesn't
Matter If It's Deliberate or Accidental
Richard
Lichtman
Dr. Phil in the Trenches
John
Brown
Why Uncle Ben Hasn't Sold Uncle Sam:
a Former Foreign Service Staffer on Bush's Policy Failures
Ben
Terrall
Report from the Oakland Docks: "The
Cops Had No Reason to Open Up on Them"
Jason Leopold
FERC and Wall Street: Conversations
May Have Violated Federal Law
Anthony
Gancarski
Conyers Heeds the Call on Perle
Linda Heard
Journalists Die, the Networks Lie, Iraqis Ask "Why?"
Ahmad
Faruqui
Wallowing in Hypocrisy
Wallace
Gagne
Baghdad Babble
Harry
Browne
Report from the Protests at the Bush/Blair
Summit
Larry Kearney
I Understand There's a Boy in
a Baghdad Hospital
Steve
Perry
War Web Log 4/8
M. Shahid
Alam
The Israelization of America
April
7, 2003
Todd
Chretien
Wooden Bullets & Grenades: Oakland
Cops Attack Peace Protesters and Dock Workers
David
N. Gibbs
Spying, Secrecy and the University:
The CIA is Back on Campus
Harry Browne
War and Peace Summit a Royal Farce
Gideon
Levy
America is Not a Role Model
Diane
Christian
A Scene from an Obscene War
Jules
Rabin
Remembering Deir Yassin
James Davis
Oddsmaking in Dublin: Will Bush
Shake Gerry's Hand?
Robert
Fisk
The Twisted Language of War
Patrick
Cockburn
Slaughter on the Road to Dibagah
John
Mackay
War and Art
Seth Sandronsky
Wars and the Color Line
Steve
Perry
War Web Log 4/7
April
5, 2003
Alexander
Cockburn
The Iraqi Humanitarian Relief is
in Shambles
Anne
Gwynne
A Drowning in Salem
Uri
Avnery
Roadmap to Nowhere
Chris
Floyd
Hell for Leather: Bombs, Bullets, Bibles and Bush
William
Cook
Would You Have Sent Your Son (or Daughter) Off to War If...
Gila
Svirsky
A Busy Day for Bulldozers
Mike Ferner
Back from Baghdad: What Next for the Peace Movement?
Joanne
Mariner
Civilian Deaths and Official Apologies
John Stanton
Bush Takes His Killing Orders
from the Lord
Romi
Mahajan
Learning to Count the Dead
Aluf Benn
After Iraq, US Vows to Deal with
Other Mideast Regimes
Mary
Ellen Peterson
Gay Marine Refuses to Fight
William
MacDougall
Country Music and the Crimes of Patriotism
Ron
Jacobs
War and Occupation
Bernie
Pattison
Aborigines and the Different God
Mark
Engler
Iraq War as Arms Expo
Adam Engel
Li'l Box of Love: a Novelini
Poets'
Basement
Tripp, Albert, Katz
Jeffrey
St. Clair
Flesh and Its Discontents: the Paintings of Lucian Freud
Norman
Madarasz
Canada and the War
April
4, 2003
Anthony
Gancarski
Colin Powell's Shame
John
Chuckman
Was Einstein Right About Israel?
David
Krieger
The Meaning of Victory
Tom
Gorman
The Mantra of the Troops: Support
or Treason?
Adam
Federman
The Absence of War
Vijay
Prashad
There Are No More Arguments
Tom
Stephens
The End of the Innocence
Mickey
Z.
Makes Me Sic (Sic): Copy Editing
Bush Speak
Pierre
Tristam
War Coverage: a Dishonest Reality
Show
Hammond
Guthrie
The Deadly Mihrab
Steve
Perry
War Web Log 04/04
April
3, 2003
Uri
Avnery
A Crooked Mirror: Presstitution and
the Theater of Operations
David
Vest
Can You Hear the Silence?
Anthony
Gancarski
Colin Powell Telemarketer
David
Lindorff
Takoma: the Dolphin Who Refused
to Fight
Michael
Roberts
War, Debts and Deficits
Ramzy
Baroud
Now That Iraqis Are Being Killed Is Israel Any More Secure?
Jo Wilding
From Baghdad with Tears
Anton
Antonowicz
Cluster Bombs on Babylon
Alison
Weir
Israel, We Won't Forget Rachel Corrie
Bruce
Jackson
Hating Wolf Blitzer's Voice
Eliot Katz
War's First Week
Steve
Perry
War Web Log 04/03
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April 23,
2003
Nina Simone (1933 - 2003)
Freedom Singer
By
DAVE MARSH
Sonny Rollins once said that if Nina Simone was
a jazz singer, then he didn't understand jazz. Nevertheless,
a lot of her obituaries call her a jazz singer. They also refer
to her as singing pop, cabaret, rhythm and blues, soul, blues,
classical art song and gospel.
She had a different idea. "If I
had to be called something, it should have been a folk singer
because there was more folk and blues than jazz in my playing."
Maybe that's true of her piano playing.
But her singing, not her playing, defined her. Mainly, it defined
her as Nina Simone, sui generis. But if you need a label, try
this one: Freedom singer.
The term describes her militant presence
in the Civil Rights Movement of the 1960s and the way that she
sang, both within and without the limits of predictable cadence
and melody. More than that, it describes what she sought. Like
her good friends James Baldwin and Lorraine Hansberry, Nina Simone
made art about wanting to live like a free person. This certainly
didn't mean to live-or to sing-like a white person or for that
matter, an American. It meant living, and singing, like a person
who not only counted on the promise but lived in the actuality
of the American Dream.
Personally, she could be haughty, with
audiences as well as everyone else, but once the music started,
her hauteur showed its real face: an unshakable, irrevocable
commitment to her own self-worth, and by extension, ours, too.
This is what Aretha Franklin and everyone else found in songs
like "To Be Young Gifted and Black" and it's what let
Simone set "Mississippi Goddamn," otherwise a "protest"
song, to a jaunty cabaret arrangement and fill it with jokes
that turn out to be time-bombs. The shadow that she casts across
her blues, especially "Noobdy's Fault But Mine" and
"Work Song," represents not so much what it is to live
without freedom as what it is to live with the fear of losing
the sense of self that allows freedom to exist.
"I wish I knew how it would feel
to be free," she sang, so delicately that it sounds like
she feared the concept would shatter from merely being uttered
out loud. But she ends that song on an entirely different note:
"I sing 'cause I know how it feels to be free." In
that moment, so does the listener. This tension animates virtually
every one of the songs she sang and all of the songs she wrote,
starting with "Four Women," which speaks like a condensed
Toni Morrison novel twenty years early.
Her classical training made her wish
that she could convey that spirit simply by singing her songs.
If you hear her sing "I Put a Spell On You," "I
Loves You Porgy" or "To Love Somebody," you know
she could-she still stands as the greatest interpretive singer
of the '60s, pouncing on songs by the likes of Dylan, Leonard
Cohen, George Harrison and Randy Newman with cat-like grace and
singularly personal insight. (This week, I find many of them
too painful to listen to.) But once Hansberry convinced Simone
that joining in the Movement would not diminish but enhance her
work, she took off in the opposite direction. No singer-no artist--committed
herself or her work to the Movement more fully than Simone, and
she followed its twists and turns from the days of Freedom Marches
to the less hopeful time of identity politics that lay just the
other side. I
Put A Spell On You, one of the great music autobiographies,
spends at least as much time conveying her political attachments
and adventures as talking about her music career or personal
life.
Simone took the treacheries with which
the Movement it ended so deeply to heart that she went into exile,
first in Liberia, then in Barbardos, finally in the south of
France. She returned occasionally, always written up as a self-involved
diva but, perceptive as always. She found her native country's
racial and political malaise, she said in 1996, "worse than
ever." In that respect, what a mercy that she will not,
as planned, tour the U.S. this spring.
Nina Simone hadn't made an important
record or written a well-known song since the early '70s, so
in a sense her absence will not be widely felt. But she had a
song about that, too. "I've forgotten you, just like I said
I would / Of course I have / Well, maybe except when I hear your
name." The words are Hoagy Carmichael's. The sentiment is
hers. And ours.
Dave Marsh coedits
Rock and Rap Confidential.
Marsh is the author of The
Heart of Rock and Soul: the 1001 Greatest Singles.
He can be reached at: marsh6@optonline.net
Yesterday's
Features
Uri
Avnery
Operation "Syrian Freedom":
This One's Not About Oil
Jorge
Mariscal
"They Died Trying to Become
Students": the Future of Latinos in an Era of War and Occupation
Mickey
Z:
Coalition of the Unindicted: Only Losers Get Tried for War Crimes
Hussein
Ibish
Syria and the Road to World War IV
Reza Ladjevardian
Tarqeting Iran? Do It With TV, Not Cruise Missiles
Matania
Ben-Artzi
You Are Not Protecting My Son's Rights: a Letter to the President
of Israel's Supreme Court
Bruce Jackson
Jews Like Us
Joe
Allen
My Lai Revisited
Carl Estabrook
Support Our Euphemism
Steve
Perry
War Web Log 4/18
Website
of the Day
Meet the Victims of War
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