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How Bush Pushed Up Oil Prices
No newspaper has run the headline, “Bush to American drivers: drop dead!"It’s the biggest press failure since WMD. In fact Bush could easily cut oil prices in half. EXCLUSIVE to subscribers in our latest newsletter Michael Hudson lays out in detail exactly how the Great Oil Price scam works, and who’s benefitting. In 2003 he was on Don Rumsfeld’s bench urging war. Now he’s reinvented himself, yet again. Alexander Cockburn on the twists and turns of a pet intellectual of the Establishment, Fareed Zakaria. Copper, cobalt and zinc and villainy in the Congo: Colette Braeckman gives CounterPunchers the latest chapter in “the race for Africa". Get your copy today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories July 24, 2008 Greg Moses July 23, 2008 Winslow T. Wheeler Paul Craig Roberts Ralph Nader Mike Whitney Susie Day Website of the Day July 22, 2008 Nikolas Kozloff Patrick Cockburn Soldz, Olson, Reisner Arrigo and Welch Moshe Adler Martha Rosenberg Dan Bacher Harvey Wasserman Anthony Papa Binoy Kampmark Website of the Day July 21, 2008 Ishmael Reed Mike Whitney Andy Worthington Scott Pellegrino John Ross Robert Weitzel Mike Stark Website of the Day July 19 / 20, 2008 Alexander Cockburn Jeffrey St. Clair Dave Lindorff Saul Landau Ron Jacobs Uri Avnery Neve Gordon Roane Carey Robert Fantina Christopher Brauchli Fred Gardner David Macaray Richard L. Hutto Bill Moyers / Ronnie Cummins David Yearsley Alison McKenna Wajahat Ali Poets' Basement Website of the Day July 18, 2008 Corey D. B. Walker Mike Whitney Robert Bryce Mike Roselle Bouthaina Shaaban Eve Spangler Website of the Day
July 17, 2008 Paul Craig Roberts James G. Abourezk Ralph Nader Allan J. Lichtman Andy Worthington"Screwed Up" and"Abused": Omar Khadr's Interrogations at Gitmo Ronnie Cummins
July 16, 2008 Jeffrey St. Clair Paul Craig Roberts Conn Hallinan Dave Lindorff William S. Lind Christopher Brauchli Website of the Day
July 15, 2008 Michael Hudson Brian Cloughley Patrick Cockburn John Ross Howard Lisnoff Website of the Day July 14, 2008 Uri Avnery Paul Craig Roberts Trish Schuh Patrick Cockburn Mike Whitney Alan Farago Seth Sandronsky Phyllis Pollack Website of the Day July 12 / 13, 2008 Alexander Cockburn Jeffrey St. Clair James Abourezk Nicole Colson Stan Cox Ismael Hossein-Zadeh Wajahat Ali / John Stauber Alan Farago Missy Beattie Robert Fantina Rannie Amiri Gregory Kafoury Fran Shor Martha Rosenberg David Macaray Andrew Wimmer Ron Jacobs Farzana Versey Kim Nicolini Poets' Basement Website of the Weekend July 11, 2008 Kevin Alexander Gray Sasan Fayazmanesh Peter Morici Mike Whitney Manuel Garcia, Jr. Robert Weissman Ramzy Baroud Kelly Overton Adrian Burgos Website of the Day July 10, 2008 Brian McKenna Paul Craig Roberts Saul Landau Ron Jacobs Joshua Frank Peter Morici Alan Maass Robert Weissman William Blum Alan Farago Website of the Day July 9, 2008 Ismael Hossein-Zadeh Luis Rodriguez Sheldon Richman Fatemeh Keshavarz Chad Hanson Sen. Russ Feingold Niranjan Ramakrishnan Dave Lindorff Stanley Heller Philip Rizk Website of the Day July 8, 2008 Nikolas Kozloff Laura Carlsen Mike Whitney Andy Worthington Patrick Irelan Chellis Glendinning David Macaray Dave Lindorff John Chuckman Phillip Doe Website of the Day July 7, 2008 Patrick Bond Kathy Kelly Andy Worthington Clifton Ross Elizabeth Schulte Ralph Nader Dave Lindorff Binoy Kampmark Stephen Fleischman Website of the Day July 5 / 6, 2008 Alexander Cockburn Jeffrey St. Clair / Patrick Cockburn Mike Whitney Robert Fantina Binoy Kampmark Rannie Amiri Eric Ruder Brian Cloughley William Blum Frank Barat Christopher Brauchli David Yearsley Ron Jacobs Karim Makdisi Wendy Thompson / N. D. Jayaprakash Ramzy Baroud Kelly Overton Richard Neville Poets' Basement Website of the Weekend
July 4, 2008 Kathy Kelly Dave Lindorff Paul Krassner Jackie Corr Laray Polk Dan Bacher Walter Brasch Charles Modiano Website of the Day July 3, 2008 Sharon Smith Andy Worthington Laura Carlsen Peter Morici Ramzi Kysia Martha Rosenberg Anne Landman Dave Zirin Kristin Bricker Website of the Day
July 2, 2008 Patrick Irelan Vijay Prashad Brian Cloughley Ralph Nader Robert Fantina Dave Lindorff Parvez Ahmed Robert Bryce Website of the Day July 1, 2008 Alexander Cockburn Mike Whitney Douglas Macgregor Steven Higgs Andy Worthington Binoy Kampmark Dave Lindorff Roger Burbach Richard W. Behan Gary Leupp Website of the Day |
July 24, 2008 Actors and Producers Still Far Apart On the Prospects for a SAG StrikeBy DAVID MACARAY Despite their tough talk and ominous saber-rattling, everyone expects the Screen Actors Guild (SAG) to eventually reach a settlement with the Alliance of Motion Picture and Television Producers (AMPTP), rather than go on strike, as they’ve threatened. In fact, everyone is saying that there’s virtually zero chance of a SAG walkout. Why? Because, according to conventional wisdom, Hollywood is suffering from serious “strike fatigue” (the recent writers strike lasted a debilitating 100 days) and because the nation’s economy is in no condition to heal itself, much less absorb a major industry shutdown. Also, there’s the follow-the-leader or “inertia” argument. It’s irrational and glib, but the advice SAG has been getting goes something like this: The writers have settled; the directors have settled; AFTRA (American Federation of Television and Radio Artists) has settled; and now, even though you didn’t get everything you wanted, it’s your turn to step up to the plate and take what the AMPTP has offered. Simple as it sounds, it’s a little more complicated than that. What SAG is asking for in these contract negotiations is not only vitally important for building a foundation for future bargains, it’s eminently reasonable. While actors work in the same industry as writers and directors, the requirements and needs of each guild don’t necessarily coincide. Unlike writers and directors (or radio personalities), actors make their living off their images. Getting paid for the studios’ use of those images makes perfectly good sense; allowing the studios to use those images at their discretion, free of charge, without some structured form of compensation, makes no sense at all. The Actors also realize that, despite their denials, the Producers have the extra money to pony up. The fact that the AMPTP is pretending to be nervous, claiming that it’s too early to know where this so-called New Media market is headed, and is peddling doom and gloom predictions for the entertainment industry, is almost insulting. Just because management (in any industry, under any conditions) can always be expected to downplay its profitability during contract negotiations doesn’t make the AMPTP’s poor-mouthing any less annoying. Global demand for American movies is staggering. In the last 5 years, going back to 2003, Hollywood has earned more money in foreign markets than it had in the previous 70 years combined, and those markets are continuing to grow exponentially. The entertainment future is gloriously bright. But SAG does have a slight problem, one which—because it’s an internal, parliamentary issue—hasn’t drawn much attention. According to SAG bylaws, a full 75 percent of the membership is required to give strike authorization. That’s an extraordinary mandate, especially considering that most unions require only a simple majority (50% plus one) for a strike vote. Getting three-fourths approval for anything is a formidable task . . . from deciding on where to eat dinner to what color carpet to put in the living room. Think about it. Most U.S. presidential elections fall into the 55-45 percent range; a 60-40 percent victory (e.g., Reagan’s 61-39 defeat of Mondale) is considered a landslide. Accordingly, for Congress to pass a bill, a simple majority is required, and for the Senate to approve a treaty, a two-thirds vote is needed. The only time a three-fourths mandate is required is when they do something like add an amendment to the Constitution. A strike vote is easy to obtain, almost automatic in fact, when the membership sees it, more or less, as a “symbolic” gesture, as a means of provoking the company, of scaring them into sweetening their offer. When a strike vote is seen as symbolic, it’s not uncommon to get a 90 percent mandate. But when a vote is perceived as being the prelude to an actual strike (which it will likely appear to SAG members), it’s a whole other deal. Indeed, it’s that very dynamic that causes management to hope that the union negotiating team takes an inferior final offer back to the membership and has them vote on it, rather than have the guts to call a strike on their own. Politically, from the union’s point of view, it’s safer to let old-fashioned democracy prevail and place the decision in the hands of membership, even at the risk of them ratifying a patently inferior contract, than to call a strike on their own. In any event, it’s going to be very interesting to see how SAG negotiations proceed from this point. The lines have been drawn. The Alliance is showing no signs of being willing to come off what they’ve called their “last, best and final” offer, and SAG leadership, so far at least, is sticking to its guns, promising to take this thing all the way. Ultimately, whether it’s a strike vote or an actual contract presented to them for ratification (with or without the union’s recommendation) it will be up to SAG membership to decide their own fate. David Macaray, a Los Angeles playwright and writer, was a former labor union rep. He can be reached at dmacaray@earthlink.net
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