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Why the Bush-Cheney Gang
Shouldn't Leave the JurisdictionStephen Green details the crimes that opened the Bush gang to arrest warrants and sealed indictments. Eamonn McCann describes how a secret state scheme saw 150,000 children “exported” to Australia to stock that continent with white Christians. No, Barack Obama isn’t the best guide to Saul Alinksy’s ideas on organizing. Mike Miller on movement building in the 1960s and today. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and t-shirts make great presents.
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Today's Stories November 27 - 29, 2009 Carl Ginsburg Joshua Frank David Macaray November 26, 2009 Vijay Prashad Greg Moses Jayne Lyn Stahl Jeff Cohen John Blair Ann Robertson / Farzana Versey Sam Husseini Tom Mountain Website of the Day November 25, 2009 Dave Lindorff Marjorie Cohn Belén Fernández Ralph Nader Rannie Amiri Missy Beattie Rob Stone, MD Health Care Delusions: Better Than Nothing? Norm Kent Binoy Kampmark Handing It to France: the Sporting Trial of Thierry Henry Ron Ridenour Website of the Day November 24, 2009 Mary Lynn Cramer Dean Baker George Ciccariello-Maher Eric Walberg Andy Thayer David Macaray Laura Carlsen Gary Leupp Adam Federman William S. Lind Mission Creep: Counter-Insurgency in Salinas? Website of the Day November 23, 2009 Paul Craig Roberts Jonathan Cook Edward S. Herman / David Peterson Bouthaina Shaaban Helen Redmond Rannie Amiri Dave Lindorff Rev. William E. Alberts Mike Whitney Mark Weisbrot David Michael Green November 20-22, 2009 Alexander Cockburn Gareth Porter Mike Whitney Fred Gardner James J. Brittain Jonathan Cook Alan Farago David Macaray Binoy Kampmark Ben Sonnenberg Ron Jacobs David Yearsley Brenda Norrell Ron Ridenour November 19, 2009 Christopher Ketcham Shamus Cooke John V. Walsh Saul Landau Ralph Nader Nikolas Kozloff Fred Gardner Charles R. Larson John A. Murphy Jayne Lyn Stahl November 18, 2009 Uri Avnery John Ross Conn Hallinan Mike Whitney Ray McGovern Nelson P. Valdés Ramzy Baroud Ron Ridenour November 17, 2009 Mike Whitney Jayne Lyn Stahl Brian M. Downing Jonathan Cook Joanne Mariner Dean Baker Martha Rosenberg Danny Weil David Macaray Laura Flanders Walter Brasch November 16, 2009 Alan Nasser Jonathan Cook Mark Weisbrot Carol Miller Gary Leupp Harry Clark Ray McGovern Norman Solomon Ron Ridenour Norm Kent Brenda Norrell November 13-15, 2009 Alexander Cockburn Patrick Cockburn Tariq Ali Douglas Lummis Vijay Prashad Carl Ginsburg Manuel García, Jr. Rannie Amiri Mary Lynn Cramer Fred Gardner Dave Lindorff Robert Jensen David Macaray Corporate Crime Reporter Ron Jacobs David Model John V. Walsh Jon Mitchell Stuart Easterling Dan Bacher Franklin Lamb Farzana Versey Charles R. Larson Saul Landau David Yearsley Lorenzo Wolff Poets' Basement
November 12, 2009 Robert Weissman Franklin Spinney Nadia Hijab Afshin Rattansi Paul Craig Roberts Ralph Nader Belén Fernández Allan J. Lichtman Dave Lindorff Jayne Lyn Stahl November 11, 2009 Andrew Cockburn Mike Whitney Rev. Jesse Jackson Jeff Nygaard Stewart J. Lawrence James Ridgeway Eamonn McCann Michael Ortiz Hill Shepherd Bliss Walter Brasch November 10, 2009 Ellen Cantarow Dean Baker Rose Ann DeMoro Ramzy Baroud Peter Lee Dave Lindorff Roberto Rodriguez Winslow T. Wheeler Alan Farago Joseph Grosso November 9, 2009 Patrick Cockburn Linn Washington Carl Ginsburg Jeff Leys John A. Murphy John Halle Bouthaina Shaaban James Ridgeway Dave Lindorff David Macaray Stephen Fleischman Website of the Day November 6-8, 2009 Alexander Cockburn Mark Grueter Paul Craig Roberts Patrick Cockburn Gareth Porter Mike Whitney James Bovard Dean Baker Robert Lawless Saul Landau Jayne Lyn Stahl Stephanie Westbrook M. Shahid Alam Marc Levy Franklin Lamb Ron Jacobs David Ker Thomson John V. Whitbeck Julien Mercille Rannie Amiri John Ross David Michael Green Carl Finamore Farzana Versey Missy Comley Beattie Charles R. Larson David Yearsley Kim Nicolini Poets' Basement November 5, 2009 Pam Martens Vijay Prashad Brian Gallagher Norman Solomon Nadia Hijab Joseph Shansky Andy Thayer Tracy Rosenberg Website of the Day November 4, 2009 Stan Cox Andy Worthington From Gitmo to Palau: Who are the Uighurs? Robert Weissman Susan Galleymore Ralph Nader Michael Leonardi Bitta Mistofi Robert Bryce Martha Rosenberg Dave Lindorff Website of the Day November 3, 2009 Patrick Cockburn Mike Whitney Franklin C. Spinney Laura Carlsen Serge Halimi John Stanton Sophia Weeks Dave Lindorff November 2, 2009 Steven Higgs Ishmael Reed David Macaray Bouthaina Shaaban David Michael Green David Swanson Ellen Brown Adam Federman James McEnteer Stephen Fleischman Website of the Day October 30 - Nov. 1, 2009 Alexander Cockburn Jeffrey St. Clair / Carl Ginsburg Mike Whitney Joe Bageant Gareth Porter Saul Landau Anthony DiMaggio Dave Lindorff Rannie Amiri Niranjan Ramakrishnan Jayne Lyn Stahl Rev. William E. Alberts Alvaro Huerta Martha Rosenberg Binoy Kampmark Norm Kent Charles R. Larson Roth's "The Humbling:" Nothing Like a Novel From an Old Pro Ron Jacobs David Yearsley Lorenzo Wolff Kim Nicolini Poets' Basement Website of the Weekend October 29, 2009 Michael Neumann Mike Whitney Gary Leupp Conn Hallinan Marshall Auerback Laura Flanders Eamonn McCann David Macaray Mark Weisbrot Stephen Soldz Christopher Brauchli Website of the Day October 28, 2009 Moshe Adler Dave Lindorff Frank Joseph Smecker Alexandra Early M. Shahid Alam Vijay Prashad John Ross Franklin Lamb Gregory Travis Susan Galleymore Website of the Day October 27, 2009 Mike Whitney Patrick Cockburn Stewart J. Lawrence Alan Farago Ralph Nader Dave Lindorff Bouthaina Shaaban Brian M. Downing Elections in Afghanistan, the Second Time Around Iain Boal Carl Finamore Jayne Lyn Stahl Website of the Day October 26, 2009 Bill Quigley / Paul Craig Roberts Uri Avnery Mike Whitney Michael Snedeker Shamus Cooke David Michael Green Martha Rosenberg Patrick Bond Binoy Kampmark Website of the Day
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Weekend Edition The Education of a British-Protected ChildThe Autumn of Chinua AchebeBy CHARLES R. LARSON The occasion of a new book by Chinua Achebe—Africa’s most celebrated writer and author of Things Fall Apart, the great African novel—cannot be ignored. It’s been twenty years since his previously published book and more than that since his last novel. Much has happened to Achebe and Nigeria during those years, much of it not good. But even prior to those twenty years there was the civil war in Nigeria (1967-1970), after the country’s Igbos succeeded and formed their own country called Biafra. It took years for the scars of those events to heal (if they ever did). Achebe and many other Igbos were left in a state of emotional collapse and, if you talk to Igbos today in southeastern Nigeria, they’ll tell you that a similar situation could occur again. An automobile accident in Nigeria in 2001 left Achebe paralyzed and wheelchair bound. A person of less inner strength would not have survived. Finally, there has been a kind of downward spiral in the country’s ability to emerge as the major moral force that it might have become on the African continent, leading the much-heralded but still unrealized African renaissance. Military coups, terrible leadership, the waste of the billions and billions of dollars from oil revenue, rampant corruption—even the “Nigeria scam”--have left a bad taste in many people’s mouths. You can’t call Nigeria a failed state, but it’s certainly difficult to see the country as much beyond that because of the extraordinary toll of wasted potential in all areas. Achebe speaks about many of these issues in his new collection of essays, The Education of a British-Protected Child, an especially ironic title given the writer’s ambivalent feelings about his country of birth vis-à-vis its current status in the world. How odd, I thought, when I learned of the title of the new book. Achebe first used the term in a lecture delivered at Cambridge University in January of 1993; apparently the text was not published until now. In 1957, he Thus, as a child growing up in a British colony, Achebe was a ‘British-Protected Child”; even if he had been an adult, the British would probably still have considered him a child. But that is not the irony that I mentioned above. Since Nigeria’s independence, Achebe has hardly been able to consider himself a “Nigerian-Protected Person.” He does not state this as directly as I just did, but one can’t help believing that if Nigeria had fulfilled its promise at independence, Achebe would be living not in the United States but in the country of his birth. It’s easy to extend the implication that the country’s sizeable brain-drain (artists, musicians, writers, professionals) would not have occurred with such magnitude were Nigeria able to nurture its intellectuals. Nigeria is only one of a number of African countries that are unable to “protect” its citizens and prevent them from fleeing their homelands--sometimes in search of jobs and a better standard of living but more often today because of wars. Achebe has not been known for talking about himself, but there are memorable passages in the new collection of essays in which he reveals fascinating autobiographical information. As a child, his concern with education and words earned him the nickname, “dictionary.” In an essay titled “My Dad and Me,” he writes warmly about his father’s religious faith (he was an Anglican catechist) as well as Christianity itself. Inevitably, the new religion and education were fused, as anyone who has read Things Fall Apart already knows. “I am a prime beneficiary of the education which the missionaries had made a major component of their enterprise. My father had a lot of praise for the missionaries and their message, and so have I. But I have also learned a little more skepticism about them than my father had any need for. Does it matter, I ask myself, that centuries before these European Christians sailed down to us in ships to deliver the Gospel and save us from darkness, their ancestors, also sailing in ships, had delivered our forefathers to the horrendous transatlantic slave trade and unleashed darkness in our world?” Related to the issue of slavery and Africa’s “darkness,” Achebe includes several essays in the collection that return to his on-going struggle to understand Joseph Conrad’s Heart of Darkness (1902), which, he has said on other occasions, became a kind of springboard that provoked him to begin writing himself. Paraphrasing Conrad, who said that all of Europe had contributed to the making of Kurtz, “[S]o had all of Europe collaborated in creating the Africa that Kurtz would set out to deliver and that he would merely subject to obscene terror.” In one of the most important essays in the collection, “Africa’s Tarnished Name,” Achebe once again challenges those who argue that Conrad could not be expected to present an enlightened picture of Africa because of the era in which he lived, i.e., no one else did. Achebe totally obliterates that ignorant position by identifying other writers and artists well before Conrad’s racist story was published who had nothing to do with that argument. Unfortunately, it is Conrad’s version that has mostly prevailed, but that can only be additional evidence—is it needed?--that racism has always contributed to the West’s distorted view of Africa. Make no mistake. Achebe is just as hard on Africans as he is on myopic Westerners, particularly with regard to his own country. “Nigeria is neither my mother nor my father. Nigeria is a child. Gifted, enormously talented, prodigiously endowed, and incredibly wayward.” Bad leadership is at the core of Achebe’s on-going litany about “the trouble with Nigeria.” Those last four words are, in fact, the title of a book the writer published way back in 1984. His agony over his country and his people has not diminished; if anything, it has evolved to a state of “anxious love, not hate. Nigeria is a country where nobody can wake up in the morning and ask: what can I do now? There is work for all.” This simple observation could easily be made about many of the world’s populations—especially about Americans, America being Achebe’s adoptive land. And, yet, the man has always been a person of good cheer, not a pessimist. We see his generosity of soul in virtually every essay in this collection, whether it be about his family, his defense of English as the language of his writing (and not Ibgo as some Africanists have questioned), or the importance of African literature. He asks why African writing in European languages came into being and answers that the African’s “story had been told for him, and he found the telling quite unsatisfactory.” More specifically, about himself he adds, “The day I figured this out was when I said no, when I realized that stories are not always innocent; that they can be used to put you in the wrong crowd, in the party of the man who has come to dispossess you.” Chinua Achebe was born near Ogidi, in eastern Nigeria, in 1930. The first thirty years of his life, until 1960, were lived under colonialism, but you could say that Achebe had already broken the colonial yoke on his country by writing and publishing Things Fall Apart two years earlier. In the early years after the novel’s publication, Things Fall Apart was read more widely in Africa than in the West—as it should have been. But in the last decade or two, Achebe’s masterpiece has achieved iconic status in the West where it is often taught as the African novel. The novel merits such status, which is not to overlook Achebe’s five subsequent novels, all uniquely addressing more contemporary issues. Last year, Achebe lived to see the publication of a special fiftieth anniversary edition of his masterpiece. Few writers are so fortunate. But there is an additional side to Achebe’s importance that few people know about. In the early 1960s for William Heinemann, the original British publisher of Achebe’s work, the still young writer began editing the “African Writers Series,” a daring series of literary works from writers across the continent. Achebe selected and edited the first two hundred titles. Thus, almost single-handedly he shaped the concept of African literature in a way no other writer has ever accomplished, defining the inspiration and development of an entire continent’s literature. Both in his own unique novels and in his role as editor of African Writers Series, Chinua Achebe has left an indelible mark on our concept of world literature. Without his own writings and the works of dozens and dozens of African writers whom he mid-wifed into publication, world literature would be much less rich and diverse, still locked into the geography of Europe and America.
Charles R. Larson is Professor of Literature at American University, in Washington, D.C.
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Now Available from CounterPunch Books! Yellowstone Drift:
"Powerful and shocking .. Waiting for
Lightning
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