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Today's Stories January 19 / 20, 2008 Alexander Cockburn
January 18, 2008 Allan Nairn Ralph Nader Joanne Mariner Alan Farago P. Sainath R.F. Blader Andy Worthington John Jonik Brian McKenna Daoud Kuttab Website of the Day
January 17, 2008 Paul Craig
Roberts Christopher
Brauchli Robert Fantina Patrick Irelan Paul A. Moore Stephen Lendman Beena Sarwar Walter Brasch Brenda Norrell Adam Federman Website of the Day
January 16, 2008 Jeffrey St.
Clair Franklin Lamb Julian Sanchez Sharon Smith Allan Nairn Ayesha Ijaz
Khan Andy Worthington Richard Behan Website of the Day
January 15, 2008 Andrea Peacock Wajahat Ali Joe Bageant Ralph Nader John Ross Elaine Cassel Peter Morici Beena Sarwar Robert Weissman Binoy Kampmark Dave Zirin Website of
the Day
January 14, 2008 Ishmael Reed Roger Morris Uri Avnery Mike Whitney Allan Nairn William Blum Alan Farago David Macaray Eva Liddell Zoe Blunt Website of the Day
January 12 / 13, 2008 Andrew Cockburn Saul Landau Corey D. B. Walker Col. Dan Smith Eric Toussaint Ron Jacobs Fred Gardner Stan Cox Jacob G. Hornberger Ramzy Baroud Joseph Grosso David Díaz-Arias Stacey Warde Dan Bacher Michael Dickinson Website of
Weekend
January 11, 2008 Dave Lindorff Paul Craig
Roberts Andy Worthington Kenneth Couesbouc Jeff Ballinger Christopher
Brauchli Manuel Garcia, Jr. Andrew Silverstein Marwan Bishara Robert Weissman Patrick Irelan Website of
the Day
January 10, 2008 Alexander Cockburn Bob Wing Michael Donnelly David Macaray China Hand Ayesha Ijaz Khan Rannie Amiri Website of the Day
January 9, 2008 Cockburn /
St. Clair Dave Lindorff John Chuckman James Bovard Alan Farago Russell Mokhiber William S. Lind Peter Morici Josh Reubner Mike Roselle Website of the Day
January 8, 2008 Paul Craig
Roberts Russell Mokhiber Robert Fantina Dave Zirin Shamako Nobel John Ross Brenda Norrell Laura Carlsen Patrick Irelan Evelyn J. Pringle Jonathan M.
Feldman Michael Dickinson Website of
the Day
January 7, 2008 Chris Floyd John Blair Uri Avnery Andy Worthington Binoy Kampmark David Macaray Ralph Nader Michael Donnelly Ron Jacobs Gideon Levy Dave Lindorff Website of
the Day
January 5 / 6, 2008 Douglas Valentine Kevin Young Richard Rhames Saul Landau Marc Lynch Robert Fantina Donna Volatile Jelle Bruinsma Bob Sutcliffe Harvey Wasserman Missy Beattie David Swanson Jacob Hornberger Shepherd Bliss Ron Jacobs Poets' Basement Website of the Weekend
January 4, 2008 Cockburn /
St. Clair Jonathan Cook Paul Craig Roberts Stan Goff Dave Lindorff Niranjan Ramakrishnan Allan Nairn Joshua Frank Peter Morici Mary McInnis Website of the Day
January 3, 2008 Fatima Bhutto Pam Martens Joanne Mariner Zoltan Grossman David Domke Norman Solomon Nikolas Kozloff Jacob G. Hornberger Martha Rosenberg Russell Means Website of the Day
January 2, 2008 Jeff Taylor M. Shahid Alam Gary Leupp Paul Craig Roberts Heather Gray Fred Gardner David Macaray Benjamin Dangl
January 1, 2008 Iain A. Boal B. R. Gowani Shahid Mahmood Linn Washington,
Jr. Harvey Wasserman John Ross Website of the Day
December 31, 2007 Alexander Cockburn Tariq Ali Liaquat Ali Khan Wajahat Ali Robert Fisk Ajai Sahni Marwan Bishara Uri Avnery Mark T. Harris Brenda Norrell Website of the Day
December 29 / 30, 2007 Alexander Cockburn Tariq Ali Fawzia Afzal-Khan Gary Leupp China Hand Jacob Hornberger John Chuckman Missy Beattie Ralph Nader Fidel Castro Robert Fantina Greg Moses Catherine Lutz Kristin Van
Tassel Kim Nicolini Phyllis Pollack Poets' Basement Website of
the Weekend
December 28, 2007 Farzana Versey Wajahat Ali Binoy Kampmark Ayesha Ijaz
Khan Anthony DiMaggio Ray McGovern Jim Goodman Ron Jacobs Russell Hoffman John Murphy Website of the Day
December 27, 2007 Dilip Hiro Murtaza Shibli Stephen Soldz Bill Quigley Paul Craig Roberts Omer Subhani Marjorie Cohn Allan Nairn Jacob G. Hornberger Norman Solomon Patrick Irelan Ben Tripp Website of the Day
Charles Tripp Paul Armentano Rannie Amiri Stanley Heller John Walsh Martha Rosenberg Norman Madarasz Website of
the Day
December 25, 2007 Patrick Cockburn December 24, 2007 Andrea Peacock Tariq Ali Uri Avnery Jill Jameson Steve Melendez Mike Whitney Chuck Munson John Walsh Farzana Versey Richard Neville Website of the Day
Alexander Cockburn Ralph Nader Andy Worthington Ahmad Faruqui Bill Moyers Rev. William
E. Alberts Timothy J. Freeman Anthony DiMaggio Fred Gardner Paul Krassner Seth Sandronsky William Loren
Katz Michael Dickinson Ron Jacobs David Vest Poets' Basement Website of the Weekend
December 21, 2007 John Ross Jacob Hornberger Dick J. Reavis Jeff Cohen
Peter Morici Jack McCarthy Raúl Zibechi Steve Early David Macaray Patrick Bond Lakota Freedom Delegation Website of
the Day
December 20, 2007 David Rosen Alan Farago Laura Carlsen Ashley Dawson Wayne Smith Website of
the Day
December 19, 2007 Saul Landau Paul W. Lovinger Norman Solomon Dave Zirin Marjorie Cohn Sen. Russell
Feingold Sonja Karkar Anthony Papa Christopher Ketcham Davey D Website of
the Day
December 18, 2007 R. F. Blader George Wuerthner Steven Higgs Vijay Prashad David Macaray Ralph Nader Eva Liddell Martha Rosenberg Dave Lindorff Peter Morici Website of
the Day
December 17, 2007 Mike Whitney Tom Barry Uri Avnery Greg Moses Allan Nairn Patrick Bond Stephen Lendman Charles Jonkel Laray Polk Stephen Fleischman December 15 / 16, 2007 Peter Linebaugh Howard Zinn Standard Schaefer Raymond J.
Lawrence Alan Farago Saul Landau Jenna Orkin Ahmad Samih
Khalidi Robert Fantina Missy Comley
Beattie Ramzy Baroud James L. Secor Elijah Wald Website of
the Weekend
December 14, 2007 JoAnn Wypijewski John Ross Jacob Hornberger Andy Worthington Allan Nairn Dave Zirin Dave Lindorff Misty MacDuffee Ben Terrall Dr. Mustafa
Barghouthi Website of the Day
December 13, 2007 Paul Craig
Roberts Mike Whitney Ron Jacobs Norman Solomon Peter Morici Sandy Mayes Franklin Lamb Jacob Hornberger Nadim Rouhana Dave Zirin Website of the Day
Allan
Nairn Alan
Farago Ray
McGovern Winslow
T. Wheeler Evan
Jones James
Petras Joel
Hirschorn Joshua
Frank Sherry
Wolf Dan
Bacher Website
of the Day
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Weekend
Edition Trivializing a Human TragedyGood Time Charlie's WarBy SAUL LANDAU George Crile (Charlie Wilson's War, 2003) credits the Houston Congressman with convincing House Members to overcome their valid doubts and keep funding Zia al Haq. Members knew in 1979 that the Pakistani dictator had overthrown and murdered President Zulfilcar Ali Bhutto (Benzir's father), that his human rights record was abominable and that he fostered a nuclear weapons program realized in 1998. You won't learn this (or about Wilson's support for Nicaraguan tyrant Anastasio Somoza) from Hollywood's "Charlie Wilson's War." Mike Nichols' new film, starring Tom Hanks as the "good time" anti-communist congressman, and Julia Roberts as a dyed blond, super wealthy Ann Coulter type who says God intended the CIA to provide Afghan refugees with stinger missiles to shoot down Soviet planes. Philip Seymour Hoffman plays a street-smart Afghan desk chief. Unfortunately, this assemblage of talent cannot dissolve Hollywood's formula. Instead of shining light on current bloody affairs in Pakistan and Afghanistan, the movie follows box office instinct: obscure the important; stress the personal. Another high budget glossy exercise in banality! "How did we get into this mess?" asks a man waiting behind me at the supermarket checkout while reading the headlines. In other words, why should US Middle East and Persian Gulf involvement impact lives of citizens of the Republic? "Oil," many will say. But few Americans think of themselves as citizens of the world's most powerful empire. Traditional explanations blame foreigners or impulsive Presidents for inflicting "messes" on our country albeit the US motives always result from noble attempts to bring democracy and justice to lesser peoples. History texts have parroted "noble intentions" motives for US policy from "the war to end war" (WWI), through the war "to bring democracy to the Middle East" (Iraq). Films and TV series assume the US has shouldered the burden of world management as an unfortunate obligation. Hollywood often promotes supposedly political releases as "based on a true story." A hero intervenes in other countries' affairs to save the world, or rescue a babe. Mike Nichols used this formula for "Charlie Wilson's War." He assembled worthy actors to show how a noble, naïve and fun-loving American with no righteous cause through which to vent his sexually oriented energies -- can push US power to stumble and bumble its way into the contemporary quagmire of Middle Eastern wars and Al Qaeda terrorism. The endearing Congressman serves wealthy patrons from his congressional office while luxuriating naked with strippers, drinks and cocaine in a hot tub. Then, serendipitously, his eye glances at Dan Rather on TV disguised as a mujahadeen broadcasting from Afghanistan, describing the virtuous plight of those anti-communist rebels. Charlie experiences an epiphany, blows off the babes and sets out to redeem himself -- like Forrest Gump with more developed faculties pursuing his soul's upright path: Even though the Afghan rebels believe in Islam, their anti-Communism serves as a redeeming virtue, as if God created commies so that good guys could slay them. This film recipe requires a stodgy bureaucracy to overcome. The late 1970s CIA fills the bill, having lost its appetite for costly covert adventures in far off places and rightly so. Since the Agency lacks the will to push Congress for more money to supply eager anti-commies, Charlie -- with Joanne's moral and sexual support -- convinces his Committee chairman that freedom-loving Americans need to kill bad Russians. Although eager to pursue the build up of the covert weapons budget from $5 million to over $1 billion, the CIA heavy Gust Avrakotos, a take-no-shit Greek-American, head of the Afghan desk -- introduces mild ambiguity to temper the zeal of the playboy Congressman. Noble intentions don't always produce positive results. An instant of wisdom in a foolish film! The real Avrakotos advised the Greek colonels who overthrew the government in 1967and helped them establish a dictatorship. Hanks and Roberts run the obstacle gauntlet -- another adventure film prescription. The audience hopes lover-boy cum missionary will persuade more cynical Committee members to vote taxpayers' money to satisfy the righteous Afghan patriots. Nichols shows refugees in Pakistan begging for food and pleading for weapons. With hand held ground to air missiles and anti-tank weapons they can destroy the evil Soviets and reclaim their country for Allah. The film characters neglect to mention that these Russian killers hated not just communism but anything western. Nichols says he intended to create "moral ambiguity" -- raise questions but not offer answers. "You don't know the consequences of any act," Nichols says. "You don't know good things from bad things when they're coming at you, and sometimes [you don't know] for 10 or 20 years, or ever - because good and bad things keep turning into one another." (NPR Morning Edition, Dec. 20, 2007) Some lessons get learned, like not touching hot stoves; but not lesson of initiating expensive covert operations to alter other people's destinies, especially if you're ignorant of the nature of people you're arming and financing! Mike Nichols shows Pakistani tyrants and generals as sincere anti-communist allies at a time when they coveted the aid to help develop nuclear weapons and promote an Islamic state. Charlie Wilson and the anorexic Herring like CIA fanatics -- wanted to win the Cold War. For them, freedom meant everyone should be able to sit naked in a hot tub, sip whiskey and snort coke. But, by the 1980s, the CIA knew the futility of trying to export the US order. The Vietnam War was only five years gone. More importantly, the CIA knew Cold War propaganda had inflated the Soviet threat and underestimated its weakness. Indeed, looking back, the Cold War provided rationalization for financing unnecessary weapons, as if sophisticated nuclear technology would protect the world against Soviet threats and provide democracy. Now that same expensive crap drains the US budget -- seventeen years after the excuse, USSR, imploded. The original motive for super costly nukes and lush covert ops has disappeared. But the dangerous spiral of nuclear weapons production continues while Bush announces a new covert op plan for Pakistan in the wake of Bhuto's assassination. Covert operations don't forge democracy. They smash it as they did in Iran (1953), Guatemala (1954), Brazil (1964), Indonesia (1965), Greece (1967), Chile (1970-73) to name a few examples. US policy subverts democracy; it doesn't spread it. Even in Charlie's war government officials ignored post Soviet Afghanistan planning; they only wanted to "win." Charlie's humanitarian impulse runs rampant in liberal culture. Help poor Afghans solve problems so they can have a decent country as if! Where was this humanitarian impulse when Nixon and Kissinger decided in 1970 to overthrow Allende and his elected government in Chile? The imperial conspirators like Nixon and Kissinger collaborated with "Quiet Americans" (the CIA anti-hero from Graham Greene's novel) and fashioned and idealized rhetoric to sell the public myths: the government wants to improve third world life, so those ignorant people will adopt US commercial culture and get happy like Charlie. Do-good Charlie helped Afghanistan on its road to Hell. The Soviets like the US in Vietnam -- slaughtered civilians after they intervened in late 1979, but ironically key US officials had hoped the Soviets would invade. Zbignew Brzezinski, Jimmy Carter's National Security Advisor, wanted to draw the Russians into "the Afghan trap." Zbig told Le Nouvel Observateur that "The day that the Soviets officially crossed the border," I wrote to President Carter. "We now have the opportunity of giving to the USSR its Vietnam War." Carter agreed and in July 1979 authorized covert aid to the mujahadeen. Charlie facilitated and enlarged a small scale process. By personifying the Afghan covert op, Hollywood trivialized human tragedy, turning a volatile congressional clown into good box office. Aaron Sorkin's script avoids sticky details: who received the $1 billion released by Charlie's largesse and what did they do with it? The real Charlie became Santa Claus to corrupt war lords. In post Soviet Afghanistan these heavies battled each other, creating conditions that allowed the Taliban to prevail. The movie ends with Wilson pleading to fellow Committee Members in vain for a million dollars for Afghan schools. The film does show Congress eschewing interest in aid that's not for fighting commies, terrorists or drug cartels. The CIA honors Charlie. The screen goes blank. "It was a glorious victory and then we f'd up the endgame." Huh? A chess match? A morality tale? Or a film to justify naked partying and coke snorting as partners to noble life causes, like fighting communism? In the end, freedom and fun go together in America like marriage and divorce, life and suicide, aiding anti-communist Afghan guerrillas in the 1980s and getting terrorized on 9/11/2002! Saul Landau is an Institute for Policy Studies
Fellow. Read his Counterpunch book A
BUSH AND BOTOX WORLD and his commentaries on Counterpunch
and progresoweekly.com. See his WE DON'T PLAY GOLF HERE, on DVD
through roundworldproductions@gmail.com ![]()
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