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Today's
Stories
March 1, 2005
Paul Craig
Roberts
The
Coming End of the American Superpower
February 28,
2005
Gary Leupp
Year
4 in the Five Year Plan: a June Attack on Iran?
Bill Quigley
Haitian Police Open Fire on Nonviolent Marchers
Mickey Z.
The
Million Dollar Interview: Mary Johnson on Clinton Eastwood, Hunter
Thompson and the "Right to Die"
Paul de Rooij
Why
Ted Honderich is Wrong on All Counts About Israel
David Swanson
Basic Income Guarantee Versus the Corp Media
Mario Lamo
Jimenez
Maria
Full of Cultural Contradictions at the Oscars
Emma Perez
The Attacks on Ward Churchill: a Test Case in the Neocons Purge
of Academia
Diana Johnstone
Censorship
and the Empire
Website of the Day
Stop the War Campaign!

February 26
/ 27, 2005
Alexander Cockburn
An
American Jew Laments Decline in Jewish Influence
Noam Chomsky
Nuclear
Terror at Home
Rev. William E. Alberts
Rhetoric in the Air; Reality on the Ground
Fred Gardner
AARP Gets Pot-Baited
Gary Leupp
Bush and Camus on Freedom
Saul Landau
An Interview with Cuban VP Ricardo Alarcon (Part 3): the Miami
Mafia
Robin Philpot
Second Thoughts on the Hotel Rwanda
Yitkhak Laor
In Praise of the Facts
Ben Tripp
Out of Sight; Out of Mind
Justin Taylor
Zizek Seen Over the Handlebars
Jack Random
The Wounds from Wounded Knee
Rafael Renteria
Ward Churchill and White America
Jim B.
Reflections on the Eve of Fatherhood
Seth DeLong
Land Reform in Venezuela: More Like Lincoln Than Lenin
John Chuckman
A Season of Depressing Political Reruns
Alison Weir
Relativity, LA Times Style
Richard Oxman
Political Solitude: From Garcia Marquez to Maria Full of Grace
Dr. Susan Block
It Always Rains in California: All About Female Ejaculation
Poets' Basement
Landau, Lowell, Louise, Davies, Soderstrom, Norris & Albert

February 25,
2005
Roger Burbach
Murder
in the Amazon
Behzad Yaghmaian
Iranian Distrust of America: 50 Years in the Making
Kurt Nimmo
Conclave of the Brats
Joshua Frank
Diagnosing the Green Party
John Farley
How to Stop the War in Iraq: Punish Pro-War Politicians
Lawrence Reichard
The D'Aubuisson Memorial: Flowers of Evil
Pratyush Chandra
The Royal Coup in Nepal and Global Imperialist Designs
David Smith-Ferri
When
the Battlefield has No Borders
Website of
the Day
The 2005 Election in 3-D

February 24,
2005
Omar Waraich
The
Galloway Saga: Smearing an Anti-War Politician
Brian Cloughley
Bribing and Twisting Amerian Journalists: Valerie Plame &
30 Pieces of Silver
Tom Wright
Torture Nation: Abu Ghraib, a Year Later
Sharon Smith
The Anti-War Movement After Kerry: Learning All the Wrong Lessons
Dave Lindorff
Do These Roosting Chickens Have Flu?
Fred Feldman
Lynching Ward Churchill
James Reiss
On Hearing About a Plot to Assassinate President Bush
Diane Christian
Bad
Blood: Ritual & Sexual Torture in Iraq
Website of
the Day
The Gray Line
Wars
of the Laptop Bombers

February 23,
2005
Werther
The
Poisoned Well: What the CIA's Nazi Files Can Tell Us About Iraq
W. John Green
A Salvador Option for Iraq? How Negroponte Changes the Ground
Rules
James Petras
A New Face to Bush Foreign Policy?
Conn Hallinan
Cornering the Dragon: the Return of the China Lobby
Joe Pietri
Cannabis: the Goose that Lays Golden Eggs (For Consumers and
Cops)
Louis Proyect
Hunter Thompson and the "New" Journalism
Alexander Cockburn
Hunter
S. Thompson and Gonzo
Website of
the Day
Did You Make the Blacklist? Why Not?
February 22,
2005
Naseer Aruri
The
Politics of the Hariri Assassination: Remapping the Middle East
Richard Manning
The
Economy of Hunger: Starvation is Part of the Economic Plan
William A.
Cook
Righteous
Racism Running Rampant
Paul Craig Roberts
The Agents of Instability
Ken Krayeske
Dr. Thompson is Out
Dave Zirin
How the Owners Destroyed the NHL
Kirkpatrick
Sale
Imperial
Entropy: the Collapse of the American Empire
February 21,
2005
Hunter S. Thompson
"He
Was A Crook"
John Ross
Mexico:
the Pentagon's Proxy Army in Iraq
Ward Churchill
What Did I Really Say? Why Did
I Say It?
Dr. Teresa
Whitehurst
Military Recruiting on Channel One: Geometry 101, Brought to
You by the US Navy
David Swanson
Fighting for a Living Wage, State by State
Dave Lindorff
All the News That's Fit to Fake
Stew Albert
Fear and Loathing: HST
Michael Neumann
Strategies
in Palestine: a Shrinking Pie in the Sky
February 19
/ 20, 2005
Alexander Cockburn
Back
to Salem: Paul Shanley and the Return of "Recovered Memory"
Kathleen Christison
Struggling
for Justice in Palestine
Ted Honderich
On Being Persona Non Grata
Gary Leupp
Self-Hating Gays: Welcome to the White House & Welcome to
Commit Suicide
Don Santina
Reparations for the Blues
Jennifer Roesch
John Negroponte: Dirty Warrior
Scott Richard
Lyons
Ward
Churchill and the Identity Police
Chris Clarke
Ward Churchill and Liberal Outrage
George Beres
Censorship in the Land of Wayne Morse: Gagging W. Churchill in
Oregon
Harry Browne
The Belfast Heist: the Plot Unravels
Manuel García,
Jr.
Who Killed Rafik Hariri?
Mark Scaramella
Lessons from the Hidden Afghan War
Michael Donnelly
Whatever Happened to John Edwards?
John Pilger
First, They Attack the Past
Norman Madarasz
Death Wish for Reform in Brazil?
Surendra Devkota
The Monarchy in Nepal
Deborah Rich
How Anti-GMO Ballot Measures May Miss the Mark
Fred Gardner
When Dr. Tod Met Merle Haggard
CounterPunch
News Service
About King Mswati: Political Developments in Swaziland
Richard Oxman
CounterPunching Arthur Miller
Poets' Basement
Albert, Giebel, Tripp, Engel and Orkin

February 18,
2005
Ben Moxham
In
East Timor, the Nightmare Continues
Dave Lindorff
The
Scum Also Rises: the Bloody Career of John Negroponte
Larry Birns
Negroponte: a Resume of Death Squads, Deceptions and Bribery
Gregory Elich
N, Korea's Phantom Nukes and the US's Subversion of Diplomacy
Samuel Logan / John Meyers
The Future of Colombia's Paramilitary Death Squads
Nicole Colson
Shock and Awe on Civil Liberties: From Lynne Stewart to Ward
Churchill
Suzan Mazur
Whose National Security Are We Talking About?
Mickey Z.
"One
Man Has Stopped Killing"
February 17,
2005
Joshua Frank
Hogtying
of the Deaniacs
Paul Craig
Roberts
Bush's
Willing Sychophants: the Conservative Media
Robert Fisk
Under
the Shadow of Death in Lebanon
Christopher
Brauchli
Where
Time Stands Still: Kinsey and Darwin in Cobb County, GA
Dr. Teresa
Whitehurst
Military
Recruitment TV: Why Send Them to College, When Your Kid Can be
Cannon Fodder?
Alison Weir
Russia, Israel and Media Omissions
Ahrar Ahmad
A Review of Shahid Alam's "Is There an Islamic Problem?"
Saul Landau
An
Interview with Cuban VP Ricardo Alarcon: "The US Tramples
the Laws It Wrote"
Website of the Day
Petition to Support Ward Churchill

February 16,
2005
Robert Fisk
Lebanon:
a Battlefield for the Wars of Others
Kevin Zeese
Creating a Real Ownership Society: Share the Wealth; Protect
Retirement
Gary Leupp
Meanwhile, in Nepal...
Ron Jacobs
Why the Iranian Opposition Should Not Trust the Bush Administration
Jessica Leight
Oil-Flush Chavez Begins to Strut His Stuff
Greg Moses
Houston, You've Got a Problem: Documenting Voting Irregularities
in Texas
Mark Engler
The Last Porto Alegre
Jack McCarthy
Where's the Outrage About Pat? Buchanan Does a Churchill
Bill Christison
US
Foreign Policy Dangerously Slanted Toward Israel
Website of the Day
The
World is Melting: a Photo Survey by Gary Braasch

February 15,
2005
CounterPunch
News Service
Dean
a "Safe" Moderate, Says NYT Citing CounterPunch
Robert Fisk
The
Killing of Mr. Lebanon
Uri Avnery
"Sharm-al-Sheikh,
We Have Come Back Again"
Stan Cox
Fighting Big Pharma in Little Digwal
Mickey Z.
Radio
Active North of the Border: an Interview with Chris Cook
Dave Zirin
Bashing Bush: Jose Canseco Comes Clean
Nadia Martinez
Ending
World Poverty? Opening at the World Bank, Apply Now
Lila Rajiva
"Little Eichmanns" and the 'Harijan': the Danger of
Magical Thinking in Politics
Paul Craig
Roberts
The
American Job Sell Out

February 14,
2005
Robert Jensen
Ward
Churchill: Right to Speak Out; Right About 9/11
Brian Cloughley
Kuwait's Freedom, Bush-style
Patrick Cockburn
Outcome
of the Iraqi Elections: Shortages, Corruption, Guerrilla War
Gary Leupp
Post-election Iraq: What Next?
Michael Donnelly
Sacred Nature: Just Another Commodity?
Dave Lindorff
When Bush Came to My Neighborhood
Elaine Cassel
The
Lynne Stewart Verdict

February 12
/ 13, 2005
Alexander Cockburn
Ward
Churchill's Genes
Saul Landau
Alarcon
Speaks: an Interview with the Vice President of Cuba
Paul Craig
Roberts
Nothing
to Fear But Bush Himself
Patrick Cockburn
Two Years After the Fall of Saddam, the Resistance Controls All
Major Roads into Baghdad
John Feffer
Bush
v. N. Korea: Round Two
Mickey Z.
Right to Remain Silent; Duty to Speak
Kurt Nimmo
Viva la Cucaracha!
Fred Gardner
Waiting for Raich
Dave Zirin
Fighting the New Republic(ans)
John Chuckman
Hiroshima, Mon Amour
Ben Tripp
A Leftist on the Bush Payroll
Carol Norris
"Buddy, Can You Spare a Dwarf?"
Robert Fisk
No Middle East Peace Without Justice
Frank / Chowkwanyun
Muzzled Activist in an Age of Terror: the Case of Sherman Austin
Mike Whitney
Condi's Euro Tour
Deborah Frisch
A Psychologist's Defense of Ward Churchill
Niranjan Ramakrishnan
Reading Khomeini in Colorado
Christine TenBarge
What's So Special About Ward?
Ron Jacobs
Curtis Mayfield's Train to Jordan
Dr. Susan Block
Chemistry of Love: a Valentine's Greeting
Poets' Basement
Louise, Smith-Ferri, Ford and Albert
Website of the Weekend
Free Sherman
February 11,
20055
Manuel Garcia,
Jr
The
Eight Percent War
Kurt Nimmo
Ann
Coulter's Racism: Where's Geronimo When You Really Need
Him?
Dave Lindorff
Guckert
or Gannon? The Perfect Plant; He Fit Right In
Larry Birns
War is Peace; Slavery is Freedom: Democracy According to Elliott
Abrams
Bill Quigley
Twenty Questions: a Social Justice Quiz
Tom Barry
Bush's State of Delusion
Jennifer Van
Bergen
Lynne
Stewart's Conviction Hurts Us All
February 10,
2005
Dave Lindorff
What
Academic Freedom?
Christopher Brauchli
The Love of Slaughter: From Rwanda to Iraq
Patrick Cockburn
In Baghdad, It's Easy to Get Killed
Nicole Colson
Have the Democrats Surrendered on Abortion Rights?
Suzan Mazur
More
on the Assassination of Lumumba from Mr. Garsin of Kinshasha
Michael Donnelly
Salvaging an Opposition
Mike Stark
Driving Ossie Davis: "Give Them a Little Truth, a Little
Hope"
Greg Moses
Taking
Jesus Back from the Hijackers
Website of
the Day
The Missionary Positions
February 9,
2005
Jeffrey St.
Clair
Duck
and Cover Redux: Bunker Busters and City Levellers
Mickey Z.
What Ward Churchill Didn't Say
John Ross
Hecho
en Mexico: the Iraqi Election
Tom Barry
Ambassador of Lies: Elliott Abrams, the Neocon's Neocon
Conn Hallinan
The
Coup in Nepal: Nursing the Pinion
Patrick Cockburn
Sistani's Vision for Iraq: Cricket is Fine, But Chess is "Absolutely
Forbidden"
Steen Sohn
Danish PM Says It's OK for Israel to Violate UN Resolutions
Tim Wise
Reflections on Empire and Uppity Indians
Website of
the Day
Support Antiwar.com
February 8,
2005
Patrick Cockburn
Shia/Kurd
Coalition to Dominate New Iraqi Govt.: "It's an Electoral
Pact, Not a Party"
Brian Cloughley
Out
of the Mouths of Generals: "It's Fun to Shoot Some People"
Steve Breyman
Against the Selfishness of the "Ownership Society"
Harry Browne
"Don't
Get on that Plane!": Soldiers Seek Asylum in Ireland
Doug Giebel
"We Love Free Speech in America": the People, the President
and Ward Churchill
Nate Collins
The Censorship of Ward Churchill and Dancehall Reggae: It's the
Same Beast
Dave Lindorff
It's Time for a Labor-Oriented Newspaper
David Smith-Ferri
Sanctions and the Health Crisis in Iraq
February 7,
2005
Paul Craig
Roberts
Bush's
War on Jobs
Carolyn Baker
The New McCarthyism on Campus: Churchill and the Attack on Higher
Ed
Joshua Frank
Marc Cooper's Hit List: First Mumia; Now Ward Churchill
Mickey Z.
Warning: More Hate Speech from W. Churchill
Patrick Cockburn
The
Kidnapping Gangs of Iraq
Mike Whitney
Tom Friedman: Scribe for New Age Imperialism
Stacie Jonas
Pinochet: Fit to be Tried
Dave Zirin
A Miserable Super Sunday: Clinton, Bush and the FBI
Tariq Ali
Imperial
Delusions

February 5
/ 6, 2005
Alexander Cockburn
Ward
Churchill and the Mad Dogs
Kurt Nimmo
A Ward Churchill Kind of Day
Joshua Frank
Liberals Trash Ward Churchill
P. Sainath
Mumbai's Man-Made Tsunami
Patrick Cockburn
Sistani's Triumph; Allawi's Bust
Laura Carlsen
Bush, Rice and Latin America
Dave Lindorff
How the NYT Killed the Bush Bulge Story
Pamela Olson
West Bank Story
Behzad Yaghmaian
The Future of Sudanese Refugees in the West
Saul Landau / Farrah Hassen
A Threatened UN in King George's Court
Roger Burbach
World Social Forum: a Tale of Two Presidents
Robert Fisk
History by Laptop
David Swanson
James Forman and the Liberal-Labor Syndrome
Justin E.H. Smith
Gay Marriage: a Report from Canada
Cacie Hart
The "State" of the Union: More War and a Ban on Love
Ron Jacobs
Chairman Bob Avakian: a Revolutionary Life
Mickey Z.
Viewing America from the Outside
Ben Tripp
Republican Heroes: a New Breed of Good Guy
Ben Sonnenberg
France at the End of the Devil's Decade: Renoir's Rules of the
Game
Poets' Basement
Smith-Ferri, Davies, Collins, & Albert
Website of
the Weekend
John Trudell: How to Earn a 17,000 Page FBI File
February 4,
2005
Brian Cloughley
The
Army Symphonist: "Sometimes the Only Way to Change the Behavior
of Someone Like That is to Kill Them"
Bill Christison
Election
Parallels: Vietnam, 1967; Iraq, 2005
Elaine Cassel
Did Zoloft Make Him Do It?
Jacob Levich
Chomsky and the Draft
Kanak Mani Dixit
Return of the Royalists in Nepal
Ron Jacobs
The
Downward Spiral in Iraq
February 3,
2005
Ward Churchill
On
the Injustice of Getting Smeared: a Campaign of Fabrications
and Gross Distortions
Sharon Smith
Resisting
Soldiers Need Our Support
Mickey Z.
Leslie
Gelb Asks Iraq: Who's Your Daddy?
Mike Whitney
President of Alienation: a Desperate State of the Union
Jenna Orkin
9/11 the Sequel: the Toxic State of Lower Manhattan
Saul Landau
Elections Won't Prevent Civil War in Iraq
Yitzhak Laor
Strange is the Silence
Dave Lindorff
The
Assault on Social Security: a New Campaign of Lies
February 2,
2005
David Domke
/ Kevin Coe
Bush's
Brand of Christianity
Noam Chomsky
Iraq
After the Elections
M. Shahid Alam
O'Reilly's
Fatwah on "Un-American" Professors: FoxNews Puts Me
in Its Crosshairs
Richard Oxman
Ringing in 1984 with Ward Churchill and Derrick Jensen
Joshua Frank
The Suckering of Howard Dean
Dave Lindorff
A History Lesson from the NYT
Nina Hartley
Feminists for Porn
Website of the Day
War is a Racket
February 1,
2005
Joshua L. Dratel
The
Torture Memos
Patrick Cockburn
New Doubts About Allawi
Robert Fisk
"The Only Decent Food We Get is at Funerals"
Uri Avnery
The Stalemate
Col. Dan Smith
"W" Stands for Withdrawal
Alison Weir
Making America as "Secure" as Israel
Alan Farago
Heaven and Hell in the Everglades
Ray Hanania
Low Voter Turnout of Iraqi Expatriates: Less Than 10% of Qualified
Voters
Paul Craig
Roberts
American
Police State
Website of the Day
Statisticians Refute Official Rationale for Exit Poll Errors
December 22,
2004
James Petras
An
Open Letter to Saramago: Nobel Laureate Suffers from a Bizarre
Historical Amnesia
Omar Barghouti
The Case for Boycotting Israel
Patrick Cockburn / Jeremy Redmond
They Were Waiting on Chicken Tenders When the Rounds Hit
Harry Browne
Northern Ireland: No Postcards from the Edge
Richard Oxman
On the Seventh Column
Kathleen Christison
Imagining
Palestine
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FBI Torture Memos
December 21,
2004
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Dave Lindorff
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Chad Nagle
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"Things Always Get Worse"
Seth DeLong
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|
March 1, 2005
This is Madness
The
Last Poets Recalled
By
RON JACOBS
Summer 1971. Frankfurt am Main, Germany.
I was hanging out with a friend in his room in the Westend section
of the city. We were reading Zap Comix and some new underground
papers he had brought back with him from the States. A bowl
of hashish had set us up nice and the Grateful Dead's Anthem
of the Sun was spinning on his turntable. The music was
turned low so as not to disturb his neighbors on the other side
of the paper-thin wall of the rooming house. The two men who
lived there, one from some place in western Africa and the other
a Black man recently discharged from the US Army, worked nights
and needed their sleep. Just when Pigpen began the song "Alligator"
on the Dead album, a loud, intense percussive beat came through
the wall. My first thought was that one of the neighbors was
playing a conga. Then came the chanting voices"When the
revolution comes/some of us will catch it on TV/with chicken
hanging from our mouths/you'll know it's revolution/because there
won't be no commercials/when the revolution comes." My
friend nodded. "It's The Last Poets again."
I had met the neighbors once
before when they were selling the local Black Panther paper,
Voice of the Lumpen. So, on my way out of the building
I stopped at their room to say hello and inquire about the music
I had just heard. The vet suggested I borrow the album to give
it a better listen. I did. Six months later it was for sale
in the base Post Exchange and I bought it. Soon thereafter,
the Poets second album, This Is Madness, was available
in the German record stores downtown. This album included their
classic, "The White Man's Gat a God Complex." Later
that spring, some African-American friends of mine formed a music
group that performed songs by the Last Poets and Rahsaan Roland
Kirk. The only times I saw them perform were at a Black Student
Union assembly in our high school and at a concert at Goethe
Universitat in Frankfurt, where they opened for the German rock
band GURU GURU.
The Last Poets formed on May
19, 1968-Malcolm X's birthday. They borrowed their name from
a line in a poem by South African poet Willie Kgositsile that
goes:
When the moment hatches in
time's womb there will be no art talk,
The only poem you will hear will be the spearpoint pivoted in
the punctured marrow of the villain....
Therefore we are the last poets of the world.
Driven by the steady rhythm
of the percussion instruments they played, this assemblage of
artists chanted songs about life in the urban streets of black
America and challenged its inhabitants to get off their butts
and do something about it. Their masterpiece poem, "Niggers
are Scared of Revolution," portrays a population that was
looking for ways to be bought off by the corporate world as hard
as those who populated its white counterpart. In a graphic description
of Black America's version of the one-dimensional nightmare described
by Herbert Marcuse that we all live in, the Last Poets satirized
the susceptibility of their listeners to Madison Avenue's latest
scam. In their case, it was the "Black is Beautiful"
marketing then beginning to take over the world that African-Americans
lived in. In the counter-culture's case, it was the commodification
of everything from the music to the drugs and even to the politics.
By 1970, the Poets had released their first album. Not until
hip-hop came along would the world hear something like their
sound again.
Primarily geared toward an
African-American audience, the song poems on the record talked
about life in the Black enclaves of the US. In a vein first
explored by poet Langston Hughes, Omar Ban Hassen, Alafia Pudim,
and Abiodun Oyewole pound out verses about riding the New York
subway up to Harlem, making love and hanging out in Black America
in the middle of the 20th century. Like Hughes, there is beauty
and blemish, hope and hopelessness, and life and death in their
rhymes. Interspersed among these vignettes of African-American
street culture are calls for Blacks in the US to rise up against
the white establishment and mockeries of this audience's refusal
to throw out the system that has oppressed them for so long.
Oyewole would be convicted of robbery soon after the album's
appearance on the US album charts. He was sentenced to fourteen
years and did four.
If I were to classify the politics
of the Last Poets, I would place them in the same general sphere
as the part of the Internationalist wing of the Black Panther
Party that became the Black Liberation Army. This wing, which
was nominally led by Eldridge Cleaver from his exile in Algeria,
was best represented by the New York chapter of the Party. More
nationalist than Marxist-Leninist, this philosophy held with
the Panther argument that the only true African-American nationalism
was a nationalism that understood that the economic oppression
experienced by blacks in the United States was fundamental to
their national identity. However, unlike the Panthers, the Last
Poets were more separatist than the international wing or the
wing led by the Oakland, CA. chapter. Other forms of Black nationalism,
like that promoted by United Slaves leader Ron Karenga and others,
ignored the economic oppression of African-Americans and focused
more on the Black nation's African roots. In the language of
the Panthers and their supporters, this was considered to be
reactionary nationalism, as opposed to the revolutionary nationalism
of the Panthers.
It was this reactionary nationalism
that enabled the African-American struggle for liberation to
be manipulated by the very marketplace that oppressed them. Without
an understanding of the role that US capitalism played in their
oppression, Black people in the US were led to believe that could
express their identity by wearing dashikis, buying Jet
magazine and using Afro-Sheen cosmetic products. In a manner
quite similar to the marketplace's cooptation of the counterculture
revolution among the young white citizens of the US, the ability
of capitalism to co-opt the trappings of the Black liberation
movement was spelling that revolution's death, too. Of course,
the willingness of the adherents of these liberation movements
to go along with the manipulations of the market made this process
all the simpler. This verse from the Last Poets' song "Niggers
Are Scared of Revolution," makes this case quite clearly:
Niggers are scared of revolution
but niggers shouldn't be scared of revolution
because revolution is nothing but change, and all niggers do
is change. .
Niggers always going through bullshit changes.
But when it comes for a real change
Niggers are scared of revolution.
(Replace N**ger with antiwar
activist or some other term denoting a member of the non-electoral
opposition in the US and the logic usually works just as well.
It's the history that's different.)
The Last Poets' second album,
This Is Madness, explores the themes of the first album
even further. One difference, however, is a more explicit anger
towards not only the system but towards the average white person
who upholds that system. Unlike the first album, the Poets focus
some of their rage on the ordinary white men and women who support
the system, actively or tacitly. In other words, those of us
who live within the dynamic of white privilege and do nothing
to fight that dynamic. Conversely, other songs here are considerably
more positive in their estimation of blacks than the songs on
the first release. If the first album was the late 1960s version
of Langston Hughes, then this album is the early 1970s version
of Amiri Baraka-anger that is ready to explode at any time and
at anyone who might even look like the enemy. In short, this
album is representative of the time: cops and Feds killing and
jailing radicals, Blacks and hippies; racists and reactionaries
calling for a police state with Nixon and company happy to oblige;
and revolutionaries blowing up buildings and attacking cops.
Tolerance was not a word taken to heart by many because too
many people felt that the time had passed for that sentiment.
In a song whose title is more
figurative than literal (if only because the white man's also
got some darker-skinned folks doing his dirty work), the Last
Poets provide the listener with a succinct analysis of European-American
imperialism. Titled "The White Man's Got A God Complex,"
this piece lays out the fundamental motivation for the mess of
a world that colonialism and imperialism has made. It could
easily have been written today. On the top of a syncopated rhythm
that mixes the mood of the street with that of the African-American
Sunday church service (and a little Howlin' Wolf thrown in),
this poem's last verse provides the listener with their ten-line
outline of the world's history ever since Columbus hit Hispaniola.
A'makin' guns. I'm God!
A'makin' bombs. I'm God!
A'makin' gas. I'm God!
A'makin' freak machines. I'm God!
Birth control pills, I'm God!
Killed Indians who discovered him. I'm God!
Killed Japanese with the A-bomb. I'm God!
Killed and still killin' black people. I'm God!
Enslaving the earth. I'm God!
Done went to the moon. I'm God!
Add a line or two (How about,
Killed some Arabs and more Africans. I'm God! Put Bayview on
the TV screens of the world. I'm God!) and the song works all
too well for today, which may be why they still occasionally
perform. George Bush and Bill Clinton still wouldn't get it,
but the Last Poets weren't writing for them, anyhow.
Ron Jacobs is author of The
Way the Wind Blew: a history of the Weather Underground,
which is just republished by Verso. Jacobs' essay on Big Bill
Broonzy is featured in CounterPunch's new collection on music,
art and sex, Serpents
in the Garden. He can be reached at: rjacobs@zoo.uvm.edu
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