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Why Hillary Clinton has Always Been a Republican In the first of a series of profiles, Alexander Cockburn and Jeffrey St. Clair chart the formative years of Hillary Clinton. Watch her as she zigzags from Nixon campaigner and vote-fraud investigator in 1960 to Goldwater Girl and President of Young Republicans at Wellesley to her internship for Gerald Ford and campaigner for Nelson Rockefeller. Witness her reaction to the student protests at Yale and the demonstrations at Grant Park during the Democratic Convention in 1968. Learn how she and Bill vowed to "remake" the Democratic Party--using the Nixon model HRC learned about as a member of the House impeachment staff. And much more! Plus: David Price on anthropologist Andre Gunder Frank, the FBI and the Bureaucratic Exile of a Critical Mind.
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Today's Stories July 21 / 22, 2007 Alexander
Cockburn Werther Ralph
Nader David
Keen Fred
Gardner Gary
Leupp Robert
Fantina Saker Rannie
Amiri Mike
Whitney Dr.
Susan Rosenthal, MD Monica
Benderman Dan
Bacher Michael
Baney Missy
Beattie Ron
Jacobs Thomas
Naylor
July 20, 2007 Eliza
Szabo Pam
Martens Alan
Farago Harvey
Wasserman Marjorie
Cohn Dave
Zirin Anthony
DiMaggio Scott
Liebertz Linn
Washington, Jr. Bill
Piper / Anthony Papa Ramzy
Baroud Website
of the Day
July 19, 2007 Patrick
Cockburn Remi
Kanazi Winslow
T. Wheeler Sharon
Smith Dave
Lindorff Conn
Hallinan D.
K. Wilson Joshua
Frank Norman
Solomon Russell
Hoffman Ray
McGovern Website
of the Day July 18, 2007 Brenda
Norrell Col.
Dan Smith Martha
Rosenberg Conn
Hallinan Binoy
Kampmark Patrick
Bond / Tom
Johnson Paul
Craig Roberts Bob
Quellos Felice
Pace Robert
Weissman CP
Newswire Website
of the Day
July 17, 2007 Patrick
Cockburn Marjorie
Cohn Evelyn
Pringle David
Rosen Susan
Miller Franklin
Lamb Don
Monkerud Harvey
Wasserman Russell
Hoffman Dave
Lindorff Dave
Zirin Website
of the Day
July 16, 2007 Gary
Leupp Ellen
Cantarow Paul
Craig Roberts Allan
J. Lichtman Dan
Bacher Patrick
Cockburn Manuel
Garcia, Jr. James
Brooks Liaquat
Ali Khan Julie
Flint Website
of the Day
July 14 / 15. 2007 Alexander
Cockburn Andy
Worthington Ralph
Nader Robert
Fantina Ron
Jacobs Joshua
Frank Conn
Hallinan Dr.
Susan Rosenthal, MD John
Ross Fred
Gardner Rannie
Amiri Charles
Modiano Anthony
DiMaggio China
Hand Missy
Comley Beattie Dr.
James J. Murtagh, Jr. Kenneth
Rexroth Poets'
Basement Website
of the Weekend
July 13, 2007 Patrick
Cockburn Winslow
T. Wheeler Imran
Khan Todd
Chretien Sam
Husseini Dr.
Herman Mindshaftgap Anthony
Papa D.
K. Wilson David
Michael Green Website
of the Day
July 12, 2007 Paul
Craig Roberts Robert Jensen Dr. Susan Block Joshua Frank John Chuckman Corporate Crime
Reporter Mike Whitney Nicola Nasser Richard Rhames William S.
Lind Website of the Day
July 11, 2007 Patrick
Cockburn Richard
Neville Debra
McNutt John
V. Walsh Scott
Liebertz George
C. Wilson James
McEnteer Philip
Rizk Johnny
Hazard Dave
Lindorff Website
of the Day
July 10, 2007 James
Ridgeway Tariq
Ali Javed
Hussein William
Blum Ralph
Nader Jay
Arena Anthony
DiMaggio Eva
Liddell Jerry
Kroth Alice
Woodward Nikolas
Kozloff Paul
Shannon Website
of the Day
July 9, 2007 Fidel
Castro Diana
Johnstone John
Walsh Uri
Avnery Ramzy
Baroud John
Ripton Stephen
Lendman Bruce
Jackson Michael
Donnelly Doug
Giebel Website
of the Day
Saul
Landau Ismael
Hossein-zadeh Fawzia
Afzal-Khan John
Ross Pat
Williams Rannie
Amiri Farzana
Versey Bart
Gruzalski Paul
Rockwell Reza
Fiyouzat Monica
Benderman Kenneth
Couesbouc Dave
Lindorff Charles
Modiano Missy
Beattie Dal
LaMagna Jean
Gerard Anne
Dachel Ron
Jacobs Poets'
Basement Website
of the Day
Daniel
Ellsberg Gary
Leupp Harvey
Wasserman Omer
Subhani Marjorie
Cohn Christopher
Brauchli David
Michael Green China
Hand Renee
Saucedo Corporate
Crime Reporter Website
of the Day
July 5, 2007 Andy
Worthington Mike
Stark Norman
Solomon Michael
Schwartz Susie
Day Jacob
Hornberger Bill
Hatch Don
Fitz John
Wright Website
of the Day
July 4, 2007 St.
Clair / Frank Vijay
Prashad Carl
G. Estabrook Ron
Jacobs David
R. Dow Claudia
Johnson William
S. Lind Gregory
Afghani Paul
Edwards D.
K. Wilson Niranjan
Ramakrishnan Thomas
Jefferson Cindy
Sheehan Website
of the Day
Bill
Quigley Gary
Leupp Lynda
Brayer Richard
Thieme Helen
Redmond David
Swanson Jacob
Hornberger Ayesha
Ijaz Khan Franklin
Lamb Ray
McGovern Kevin
Zeese Dave
Lindorff Website
of the Day
Andy
Worthington Nina
Serrano Jack
Hirschman Paul
Craig Roberts Bill
Williams Anthony
Papa Sonja
Karkar Louay
Safi Anthony
Gregory Monica
Benderman Website
of the Day
June 30 / July 1, 2007 John
Ross Alan
Farago Peter
Quinn Christopher
Brauchli Robert
Fisk Uri
Avnery Judith
Siers-Poisson Saul
Landau Abbas
Zaidi Ron
Jacobs Ralph
Nader Donald
Worster Mike
Whitney Jacob
Hill Kenneth
Couesbouc Missy
Beattie Mohammad
Kamaali Ramzy
Baroud Leonard
Peltier Phyllis
Pollack Poets'
Basement Website
of the Weekend
June 29, 2007 St.
Clair / Frank Brian
Cloughley Patrick
Cockburn Gilad
Atzmon Dave
Lindorff Jennifer
Matsui / Kevin
Zeese Daniel
Klimek David
Michael Green John
Chuckman Website
of the Day
June 28, 2007 Bill
Quigley Vijay
Prashad Margaret
Kimberley Winslow
T. Wheeler Philip
Rizk D.
K. Wilson Bill
Williams Mahmoud
El-Yousseph Richard
Rhames Paul
Krassner Website
of the Day
Marjorie
Cohn Dr.
Susan Rosenthal, MD Alan
Farago Carla
Blank Matthew
Abraham Sunsara
Taylor Russell
D. Hoffman Robert
Weissman Sen.
Russ Feingold Paul
Buchheit Website
of the Day
June 26, 2007 Jonathan
Cook Ralph
Nader Corporate
Crime Reporter Ron
Jacobs Martha
Rosenberg John
Chuckman Denny
Haldeman Anthony
DiMaggio Stephen
Fleischman William
S. Lind Website
of the Day
Paul
Craig Roberts Jennifer
Loewenstein Bob
Anderson Robert
Pollin Patrick
Cockburn Eva
Liddell Dan
Bacher Larry
Atkins Mark
Brenner James
Rothenberg Website
of the Day June 23 / 24, 2007 Alexander
Cockburn Jeff
Taylor Oren
Ben-Dor Gary
Leupp Robert
Fisk David
Rosen Russell
Mokhiber Alison
Weir Robert
Fantina D.
K. Wilson Nicole
Colson Stephen
Soldz, Steven Reisner and Brad Olson Dave
Lindorff Benjamin
Dangl Michael
Dickinson Poets'
Basement Website
of the Weekend
June 22, 2007 Andy
Worthington Sherwood
Ross Eliana
Monteforte Robert
Weissman Richard
Rhames Christopher
Brauchli Ramzy
Baroud Ehud
Krinis, David Shulman and Neve Gordon David
Michael Green Kathryn
Webber Website
of the Day
June 21, 2007 Peter
Linebaugh Natsu
Saito Ron
Jacobs Saree
Makdisi John
Stauber Scott
Liebertz Tom
Clifford Robert
Jensen Michael
J. Smith Jeb
Sprague Website
of the Day
Omar
Barghouti Andy
Worthington Margaret
Kimberley Robert
Weissman Russell
D. Hoffman Rannie
Amiri Stephen
Lendman Dave
Lindorff David
Swanson Anne
Dachel Website
of the Day
June 19, 2007 Ralph
Nader Dr.
Shepherd Bliss Bill
and Kathleen Christison Jeff
Leys Dave
Zirin Chris
Floyd Ben
Terrall Anthony
Papa VIPS Linda Flores Website
of the Day
John
Ross Paul
Craig Roberts Martha
Rosenberg Norman
Solomon Don
Santina Isabella
Kenfield James
Brooks Eva
Liddell Sam
Husseini Akiva
Eldar Website
of the Day
Alexander
Cockburn John
Halle Robert
Fisk Andy
Worthington Uri
Avnery Fred
Gardner Saul
Landau P.
Sainath Missy
Comley Beattie Alan
Gregory Walter
Brasch Website
of the Weekend
June 15, 2007 Alan
Farago Andy
Worthington Michael
Simmons Franklin
Lamb Gary
Leupp John
Ross Website
of the Day
June 14, 2007 Michael
Donnelly
Faisal
Kutty Harry
Browne Charles
Jonkel Steven
Higgs Bruce
Dixon Bruce
K. Gagnon
Website
of the Day June 13, 2007 Glen Ford Marjorie Cohn Bill Christison Charles Jonkel Silvia Cattori Richard Gott Firmin DeBrabander William S. Lind Keith Rosenthal Website of the Day June 12, 2007 Jeffrey St.
Clair Paul Craig
Roberts P. Sainath Ralph Nader Omar Waraich Dave Lindorff Harvey Wasserman Malini Johar
Schueller Ramzy Baroud Website of
the Day
June 11, 2007 Patrick Cockburn Paul Craig
Roberts Uri Avnery Norman Solomon Eva Liddell Rannie Amiri Rachel Voss Christopher
Brauchli D. K. Wilson Website of
the Day
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Weekend
Edition An IntroductionRadical LanguageBy ADAM ENGEL Language has been so debased by media that even in so-called "high art" (poetry, drama) sentences that one might easily hear spoken on Oprah or some other "real people" show, or sit-coms, has been "current" for the past 20 years. While poets like William Carlos Williams wanted poetry to represent "natural" speech, his work became more complicated later in life when he realized there is no "natural" speech. There are as many different dialects of English as there are Burroughs in every English-speaking city. Politically, poems and novels written in "regular" language, are using the language that injected racism, sexism, capitalism and nearly everything we know into our brains, where language either is or influences thought. Gertrude Stein and Louis Zukofsky, who remain unreadable to many, though it is not difficult to learn to read them (the idea that art and literature be "demanding" of close scrutiny, as opposed to "throwaway culture" of mainstream media is consistent throughout the avant garde in the 20th century) began to challenge the language of the dominant society by repeating words and sentences, re-ordering syntax (grammar rules either form spontaneously or are dictated from ON HIGH) etc. They were followed by the New York School of poets and painters, which included John Ashbery, Frank O'Hara, Larry Rivers, De Kooning and other radical artists. Since the early seventies, a new group of artists, loosely referred to as the LANGUAGE school, took the breaking off of "allegedly reality-based natural language" as a serious political issue. First of all, they began, taking off from Stein, to view words as signifiers first and foremost, rather than as "pointers" to the signified. This means that, rather than describing an object "realistically," which is a form of artifice in itself, they would use words as singular units of both meaning and ambiguity. For instance, the famous Gertrude Stein sentence, "A rose is a rose is a rose," refers to the fact that the word, "rose," means nothing but itself. Also, Stein, and later the LANGUAGE poets, described objects often with nouns and syntax that evoked the thing without using dead, cliched, description. More recently, LANGUAGE poets such as Lyn Hejinian, Charles Bernstein, and Ron Silliman (also an inveterate blogger) have conducted poetry and prose "experiments" in which, for instance, in the case of Silliman's "Ketjak," each sentence is viewed as an individual unit, often unrelated to the ones that came before and immediately after. In the same work, he repeats various sentences throughout, in order to show that the same sentence can have numerous meanings, depending on context. In addition to creating what Silliman called "The New Sentence" these writers have written brilliant literary criticism on how to read their work, why they write against, rather than for the language of Newscasters and politicians and even many respected writers. Marjorie Perloff's "Radical Artifice," is an excellent introduction to avant garde poets and painters who create "unorthodox" works, like Jackson Pollok and Andy Warhol, and others who influenced both poetry and painting (the two have had an incredibly creative relationship with each other since the turn of the century, when Stein began to try to write like Cezanne, Matisse, Picasso and others painted, creating "landscapes" with words). Her "Tender Buttons," which you can download for free on line, and "The Autobiography of Alice B. Tolklas," are also primary introductions to this radical theory of art. I am writing a series on Stein, Zukofsky, the New York School and the LANGUAGE school not to enhance people's appreciation for poetry, but rather because I believe the Left, in order to create a new world, must toss the racism, sexism, egotism etc. that is inherent in "regular" language, the language we were born to, receiving daily doses of images and words by the thousands each day. What one learns immediately is that nearly all the sentences created by copywriters, who often write better poetry for advertisements than many Establishment poets publishing in the New Yorker, are in accordance with the alleged "plain speech" and grammar approved by the corporate culture that commissioned them. This is directly applicable to the cliches, tropes, "pre-fab" sentences (i.e. "Have a nice day!") of corporate, mainstream media and advertising, print and image, that leftists rightly complain about. Yet, though the average article found in most "alternative" zines/sites is better written and reported than anything one might find in the mechanistic "journalese" of the Post or Times or reinforced, along with carefully selected sound bytes and video clips of TV, they are using the language of the Master to tear down HIS house. Thus far, only a small group of avant garde artists have found the means to combat this language. Rather than complain that Americans are duped by the Media into wars, corporatism, environmental neglect etc. etc., we should present an alternative method of reading as well as writing. William Blum's "Killing Hope," was researched by Blum using the radical technique of relegating his sources to mainstream reports available to anyone. For him, it is not so much a matter of reinvigorating the language with real (original) sentences and syntax, but teaching people to "read between the lines." In addition to teaching us a different way of reading, many writers are creating texts, such as Lyn Hejinian's wonderful, short (115pp) MY LIFE, an autobiography in which places, times, dates, are deliberately ambiguous, and proper nouns are never used. The author transitions continually between "her" and "she" and the present and past tense, and reaches an element of "strangeness" which I'll talk more about in a later essay, that one will almost never encounter in mainstream TV, advertising, or literature. Reading LANGUAGE poetry requires thought and concentration, as contrasted to "mind candy" of Media. Linear narratives, a phenomenon of 19th century Industrial culture, are no more "real" than non-linear. Does the story really end on the last page? Does "realism" actually describe reality? Perhaps the surface world created by corporatism, but it is no more absolute than Newtonian physics, which was taken to be "reality" until Relativity and Quantum Mechanics went deeper into the "unseen" in the 20th century. Just as painters became more abstract when "realism" was supplanted by photography and film, language must reflect the subjectivity of the author, not the accumulation of artificial detail and dialog that creates the "heroes" and "characters" of mainstream fiction. In LANGUAGE writing, the main event is the language itself, in which the smallest unit of signification is not the paragraph, as with the novel and many poems and plays, but the sentence. Thousands if not millions of brilliant essays have appeared on the web, but how can we expect people whose minds were deliberately closed by the age of 12 or so by media and "education" to refute corporate media or even understand alternative ways of thinking if their deepest thoughts were not come upon by research or experience but "injected" by media? People say we are a nation of children, and they are right, but that is because the language of capitalism/corporatism/militarism, the language we were born to, is supplemented daily by the very sources that are allegedly "informing" us, i.e. mainstream "news," political speech, corporate advertising, and even corporate approved Pulitzer prize winners who appear on Oprah. Does anyone even know who Pulitzer was and what he was about? It sure wasn't excellence in what we might call reporting or literature, but tabloid, "yellow journalism," like that of William Randolph Hearst's empire, pointers to the status quo and compliance to corporate/government authority. I will try to present various
"alternative" writers not to study literature or writing,
but to explore how various techniques of reading, writing and
the creative use, of grammar, idiom and words, once learned,
can literally radicalize readers by pointing to new ways of thinking
and deflecting the explosion of propaganda that fills our days,
whether we're looking at magazine ads, billboards, TV, listening
to radio, or even reading mainstream newspapers without seeing
what the words, in their "correct" (economically and
politically authorized) grammar are really saying. STUMBLING UPON IDEOLOGY In the spirit of LANGUAGE writing, I tried an experiment of my own. Using a program called Stumble , which "spins" the web like a roulette wheel, stopping randomly at a site culled from the millions of English language pages in existence, I "lifted" a sentence from each site, then randomly stumbled on to the next. Of course, there is an element of subjectivity, for I chose the sentence from each website; nevertheless, my options were limited to the sentences available on each site. A few times I linked some sentences with connectives or added a word or two of my own in brackets but ultimately, this is a sampling of the language of the web (I did deliberately skip the occasional "lefty" site.). My "theory" was that, outside the small number of left/progressive sites, a more-or-less random sampling of sentences pulled from mainstream websites would create a "collage narrative" of our culture. Additionally, though I chose sentences from numerous sites arbitrarily, one sentence per site, the "voice" of the piece would sound as if it were written by one author, for in the general discourse of our "society," there really is one AUTHOR, and that is the language itself, an "official" language reflecting our obsessions with money, technology, violence. Again, my purpose is not literary so much as political. To explore the possibility of subverting the language of Media, suffused as it is with the predatory, authoritarian propaganda that, regardless of the text or who actually "wrote" it, is ultimately the language of Power in the form of technology/corporatism/militarism. "The page is only the documentation," wrote the poet/blogger Silliman, "or the page is more, the field, resistance." Below is the result of my experiment of creating a "prose-poem" using a sentence from each page I randomly "stumbled upon:" MEDIA FRANCA, by THE INTERNET At about the same time University College London published a number of establishment legal positions, the US declared itself Libya. "The one duty we owe to history is to rewrite it," said Oscar Wilde (or maybe he wrote it). Archery goes back thousands of years, yet today's equipment has made improper advances. Anyway, there are various ways to exploit and use the Internet profitably. Where did that end and this begin? 'This' is everything to everyone, regardless, so why not let our mortgage experts help you determine "how much house" you can afford. Or perhaps refer the matter to Mr. Johnson Wang, Managing Director of Sinosteel Corporation. We deal on the following Products listed: [product product product, uhn; product product product, uhn!] One of our backers is an American soldier about to eat the spilled brains of a dead Iraqi man with his brown plastic Army-issue spoon. "You want to catch them off guard," he whispered. "You want to catch them in their sleep," he winked. A kitchen then they have a storage shed-type deal. Each tool is described by one or more attributes: natural cleaning formulas, concoctions and witches brews. MOST are non-poisonous. As any geek can tell you, Fascist regimes tend to make constant use of patriotic mottoes, slogans, symbols, songs, and of course, flags everywhere, not to mention the C++ and AWK programming languages. Arrogance, ignorance, and principal errors of judgment created the anarchy and warfare that engulfs Iraq today. And lest we forget, "seven" is the smallest number of faces of a regular polygon that is not constructible by straightedge and compass. [On the lighter side], hundreds of well-known on line stores like Barnes and Noble, Staples, and Amazon.com have a place within their shopping cart that gives a percent or dollar amount off your purchase. You might even know someone who has had it removed. As Sun Tzu said, "All war is based on deception." This is only the beginning of proof we were all lied to. For instance, according to the Constitution, Congress cannot suspend habeas corpus except in times of rebellion or when public safety requires it. George Bush originally displayed neither a love for nor disdain for religion, but the feeling that the New World Order should not involve itself in matters of religion. He had fallen into a classic trap -- he forgot why he went into politics in the first place. But, he reasoned, fundamentalist skills make you look great in the kitchen. Final Signs are everywhere. APOCALIPSA is coming Soon. Your picture will be shown. Whether you work for a business or want to start your own, check out our articles on marketing, hiring and more. String theory is radically changing our ideas about the nature of space, opening up the possibility that extra dimensions, rips in the fabric of space, and parallel universes actually exist, leading to focuses on top management and those aspiring to positions of corporate leadership in business. Don't keep it to yourself. Want to melt those years away? Travel to an outer planet! Stop wasting time folding shirts the normal way! Here come the odious excuses. If you have set yourself on fire, do not run. A lighthearted measurement of which famous artists have the greatest "mindshare" in our collective culture. Manage your server infrastructure efficiently. A little known naturally-occurring gemstone called [moishenite] is superior to diamonds in every essential way: cut, color, clarity, durability, fire, brilliance, and cost. The house was designed for young professionals who need minimal space while they focus on career... For everyone's easy reference, let's discuss plunder. If you need help, start here. A South African monkey was once awarded a medal and promoted to the rank of corporal during World War I. With this in mind I started to ponder making my own book: Building from natural materials does away with producers profits and the cocktail of carcinogenic poisons that fill most modern buildings. Throughout 2005 and 2006, a large underground debate raged regarding the future of the Internet. Do not feign respect for technical incompetence. We are not claiming to be experts on anything, we are merely doing what we can to gather knowledge and share the acquired information with the public. We are conducting a survey about your usage of media. It describes the laws of motion for atomic particles and describes the spin of electrons that had previously been predicted. Where did that end and this begin? 'This' is everything to everyone, regardless. Adam Engel can be reached at bartleby.samsa@verizon.net
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CounterPunch Books of the Crossroads: HOW THE IRISH INVENTED SLANG By Daniel Cassidy  Click Here to Buy! How the Press Failed The Gang's All Here: Judy Miller, Bob Woodward, Rupert Murdoch, Bill O'Reilly...End Times Leaves No Reputation Unstained!  Buy End Times Now! CounterPunch Books! Saul Landau's Bush and Botox World with a Foreword by Gore Vidal  Click Here to Order!  Michael Neumann's Devastating Rebuttal of Alan Dershowitz Grand Theft Pentagon: Tales of Greed and Profiteering in the War on Terror by Jeffrey St. Clair           The Occupation by Patrick Cockburn   Humanitarian Imperialism By Jean Bricmont               CITY BEAUTIFUL By Tennessee Reed        Bruce Springsteen On Tour By Dave Marsh                   |
