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March
3, 2002
Frederick
Hudson
Toward
a Nonviolent Africa:
Bill Sutherland's Quest
Eric Schaeffer
Dear
Christie Whitman:
Take This Job and Shove It
John Chuckman
Why
the Rest of Planet is Unnerved by America
March
2, 2002
Alexander
Cockburn
Sweat,
Sex, Feet and
the Working Class
March
1, 2002
Brendan
Sexton III
What's
Wrong With Black Hawk Down: an Actor Speaks Out
Terry
Diggs
Why
Twain's Pudd'nhead
Wilson Still Matters
David
Krieger
Nuclear
Terrorism
and US Nuclear Policy
February
28, 2002
James
T. Phillips
Baghdad,
Spring 1992
Gideon
Samet
Sharon
Must Go
Rep. Ron
Paul
Before
We Bomb Iraq
M. Shahid
Alam
Samuel
Huntington:
Peddling Civilizational Wars
St. Clair
/ Cockburn
Rumble
from the Jungle:
Ecaudorian Farmers Fight
DynCorp's ChemWar
February
27, 2002
Eric Hobsbawm
The
Future of War and Peace
John Troyer
About
that WTC Memorial
Mokhiber
/ Weissman
Wired
for Democracy
or Business?
Alexander
Cockburn
Daniel
Pearl: Should His
Editors Have Sent Him There?
February
26, 2002
Jonathan
Steele
Kabul's
Loss
Vasily
Streltsov
The
Pentagon in
the Transcaucusas
CounterPunch
Wire
How
Corporations Use Shadowy "527" Groups to Influence
Politicians
Lt. Col.
Robert Bowman
ABM
Treaty: Alive or Dead?
Rep. Dennis
Kucinich
A
Prayer for America
February
25, 2002
John Clarke
Interrogated
at US Border
Blankfort,
Poirier, Zeltzer
ADL
Blinks, Settles Spying Case
Alex Lynch
Naked
from Sin:
The Ordeal of Nahla
and Sami Al-Arian
John Chuckman
Ashcroft
Speaks in Tongues
February
24, 2002
David
Vest
Skate
Date
February
23, 2002
Tom Turnipseed
Axis
of Evil and
Media Monopolies
Bahour/Dahan
Cracks
in the Occupation
February
22, 2002
Alexander
Cockburn
Axel
of Evil: Sex Crimes
and the Constitution
February
21, 2002
Gary Leupp
The
Philippines: Second Front in US's Global War
David
Vest
Reagan
Clone Project?
Mokhiber
and Weissman
Chicago
School and Corporate America: Rotten to the Core
February
20, 2002
Bernard
Weiner
The
Shallow Throat Document
Kay Lee
The
Prison Guard Who Never Owned Up to His Crimes
February
19, 2002
David
Orr
Waylon
Jennings, the Duke,
and the Navajo
John Chuckman
The
Devil and Georgie Bush
Prudence
Crowther
Giblet
Gravitas
Ramzi
Kysia
Caught
in the Iraq DMZ
February
18, 2002
Ron Jacobs
The
US and Iran
George
Lewandowski
Empire
in Declline
Lenni
Brenner
Life
and Death of a Folk Hero
February
17, 2002
Robert
Fisk
Lost
in a Pit of Desperation
February
16, 2002
Phillip
Cryan
Colombia
in War Time
February
15, 2002
C.G. Estabrook
From
New York to Porto Alegre
Robert
O'Brien
The
View from Porto Alegre
Mokhiber/Weissman
Resisting
the Assassins
February
14, 2002
Levy and
Easton
Ante
Pavelic
Real Butcher of the Balkans
Joan Claybrook
Dear
Jeb Bush,
About You and Enron
John Chuckman
Time
for a Woman Prez
Alexander
Cockburn
Banning
the Koran
February
13, 2002
Sen. Russ
Feingold
War
Powers and
the War on Terror
Tom Turnipseed
Bush's
Folly
George
Monbiot
American
Imperialism
February
12, 2002
Uri Avnery
The
Great Game:
Oil, Sharon and Iran
Tommy
Ates
Black
Land Loss
February
11, 2002
Walt Brasch
The
Synergizing of America
John Troyer
Enron's
Deep Throat?
February
9, 2002
John Blair
Criticize
Cheney, Go to Jail
A Photographic Journal of Life
in an Afghan Refugee Camp
By Judith Mann
Resources:
100s of Links
About 9/11
CounterPunch:
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Coverage of 9/11 and Its Aftermath
Five
Days That
Shook The World:
Seattle and Beyond
By Alexander
Cockburn
and Jeffrey St. Clair
Photos by Allan Sekula
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War Diary
CIA's Assassination Plan a History of
Torture in US Prisons
bin Laden and Bush
Business Connections
Aisha Ikramuddin on the Hidden Hype
of US Food Bombs
Peter Linebaugh on
Pakistan
Christopher Hitchens' Love for Mrs. Thatcher
Jiang Zemin Tells Bush:
Nuke 'Em
Search
CounterPunch
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How the CIA's Backing of the Mujahideen Created the World's Most
Robust Heroin Market and Helped to Finance the Rise of the Taliban
and Osama bin Laden
Whiteout:
CIA, Drugs & the
Press
by Alexander
Cockburn
and Jeffrey St. Clair
The New Crusade:
America's War on Terrorism
By Rahul Mahajan
The Memphis Blues Again:
Six Decades of Memphis Music Photographs
Photos by Ernest Withers
Text by Daniel Wolff
The New Intifada:
Resisting Israel's Apartheid
Edited by Roane Carey
A Pocket Guide to
Environmental Bad Guys
by James Ridgeway
and Jeffrey St. Clair
The
Phoenix Program
by Douglas Valentine
Al Gore:
A User's Manual
by Cockburn
and St. Clair
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This Explosive
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Reviews of Gore:
a User's Manual
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March 3, 2002
Boycott Mel Gibson's
"We Were Soldiers"
By Paul Cox
Kenneth Turan's review of 'We Were Soldiers' on
March 1, had the courage to pan the film as simple-minded and
devoid of historical context. He was right on both counts, but
I must add the movie also lies massively about the historical
event itself. The book on which this stinker of a movie was based,
'We Were Soldiers Once...And Young', was written by one of the
battalion commanders, and a journalist who was on hand for most
of the LZ X-Ray battle. While the book itself was simple minded
and devoid of historical context, it is, at least, brutally clear
on what went down.
The movie, on the other hand, completely
changes the end of the story. In the movie, after Mel (The Patriot)
Gibson and his men of the First Battalion/Seventh Cavalry (1/7)
kill all the North Vietnamese in the neighborhood, they left
the field of battle as battered but victorious heroes, leaving
nothing behind but a pile of dead Vietnamese. In reality, 1/7
was relieved by a column of troops from Second Battalion/Seventh
Cavalry (2/7), who two days later were decimated in an intense
ambush while moving to LZ Albany. The official count of American
casualties from 1/7 was 49 dead and 124 wounded, and from 2/7
was 155 dead and 123 wounded. Thus, the movie has the temerity
to end on a victorious note after only one quarter of the American
fatalities had been inflicted.
Why did they do this? Randall (Pearl
Harbor) Wallace--producer, director and screen writer--could
have easily ended the movie as he began it. The movie began with
a short segment of a deadly ambush on a French column in the
same valley ten years earlier; it should have ended with at least
a passing reference to the dying that happened after Mel Gibson's
character left the battlefield. The audience would have perhaps
left the theater with a much different taste in their mouths,
and a much more accurate understanding of the historical truth.
However, apparently Mr. Wallace was more interested in a little
flag waving, and wanted to send the audience home with a patriotic
buzz.
This film should have been named 'Big
Fat Liar', but I understand that name has already been taken.
Paul Cox
served in Vietnam from 1969-1970 as a USMC grunt. He is a member
of Veterans for Peace, Chapter 69 San Francisco, CA.
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