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"Imperial Crusades: a Diary of Three Wars" by Cockburn and St. Clair
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November 30, 2007 Peter
Stone Brown November 29, 2007 R.
F. Blader Ismael
Hossein-Zadeh Stephen
Soldz Sheldon
Richman George
Wuerthner Felice
Pace Col.
Dan Smith Harvey
Wasserman Nikolas
Kozloff Paul
Krassner Dave
Lindorff CP
News Service Website
of the Day November 28, 2007 James
Petras Jeff
Halper Pam
Martens Peter
Morici Mohammed
Khatib Helen
Redmond William
S. Lind Ben
Tripp Liaquat
Ali Khan Jeff
Berg Website
of the Day
November 27, 2007 Joe
DeRaymond Paul
Craig Roberts Marjorie
Cohn Mike
Whitney Ron
Jacobs Col.
Dan Smith Ralph
Nader Karim
Makdisi Christopher
Ketcham Ronan
Bennett Website
of the Day
November 26, 2007 Kathleen
and Bill Christison Paul
Craig Roberts David
Macaray Sameer
Dossani Roger
Burbach Mark
Scaramella Brian
McKinlay Rick
Kuhn Binoy
Kampmark Monica
Benderman Brenda
Norrell Website
of the Day
November 24 / 25, 2007 Alexander
Cockburn Robert
Fisk Saul
Landau Jeffrey
St. Clair Rannie
Amiri Christopher
Brauchli Daniel
Gross Mike
Whitney Marjorie
Cohn David
Rosen David
Michael Green Kenneth
Rexroth Muhammad
Iqbal Website
of the Day
Gary
Leupp Laura
Carlsen David
Macaray Andy
Worthington Clifton
Ross Seth
Sandronsky Dan
Bacher William
A. Cook Website
of the Day
November 22, 2007 Alan
Farago Greg
Moses Dave
Lindorff Mike
Ely Omar
Azfar
November 21, 2007 Vijay
Prashad Martha
Rosenberg Manuel
Garcia, Jr. John
Ross Brian
McKenna Stephen
Soldz Monica
Benderman Ben
Terrall Website
of the Day
November 20, 2007 Oren
Ben-Dor Wajahat
Ali Alan
Farago Marjorie
Cohn Ralph
Nader Andy
Worthington Sara
Olson Dave
Lindorff Paul
Krassner Website
of the Day November 19, 2007 Winslow
T. Wheeler China
Hand Allan
Nairn Uri
Avnery David
Macaray Dave
Lindorff Bill
Quigley Ron
Jacobs Sunsara
Taylor Binoy
Kampmark Heather
Gray Website
of the Day
November 17 / 18, 2007 P.
Sainath David
Rosen Mike
Whitney George
Wuerthner Brenda
Norrell George
Ciccariello-Maher Karim
Makdisi Marie
Trigona Valerio
Volpi Fred
Gardner Robert
Fantina Mike
Ferner Missy
Comley Beattie Kenneth
Couesbouc Patrick
O'Hayer Poets'
Basement
November 16, 2007 Cockburn
/ St. Clair Dave
Zirin Gary
D. Barnett Alan
Farago Dave
Lindorff Russell
Mokhiber Robert
Ovetz Brenda
Norrell David
Swanson Peter
Letheby Website
of the Day
November 15, 2007 Cockburn
/ St. Clair Adolfo
Gilly Peter
Bohmer Andy
Worthington Gray
/ Derks Liaquat
Ali Khan Dave
Lindorff Christopher
Brauchli Anthony
Papa Martha
Rosenberg Ben
Terrall Website
of the Day
Cockburn
/ St. Clair James
Petras Al
Giordano Paul
Craig Roberts Andy
Worthington Stephen
Lendman Fatima
Bhutto Martin
Smith Jeff
Leys Website
of the Day November 13, 2007 Alexander
Cockburn Jeffrey
St. Clair Robert
Bryce David
Macaray Mike
Whitney Ralph
Nader Nikolas
Kozloff Jordan
Flaherty B.
R. Gowani Website
of the Day
November 12, 2007 Vicente
Navarro Ben
Brown Omar
K. Sadia
Abbas Farzana
Versey Richard
W. Behan Paul
Krassner Cindy
Sheehan Peter
Stone Brown Dave
Lindorff Website
of the Day
November 10 / 11, 2007 Alain
Gresh Mike
Whitney Ron
Jacobs Jeffrey
St. Clair Alan
Farago Binoy
Kampmark Robert
Fantina Fred
Gardner Ayesha
Ijaz Khan Nicola
Nasser Philip
Rizk Michael
Dickinson Joel
S. Hirschhorn Paul
Krassner Wadner
Pierre /
November 9, 2007 Patrick
Cockburn Mohammed
Hanif John
Ross Mike
Whitney Tom
Barry Corporate
Crime Reporter Badruddin
Khan David
Macaray Martha
Rosenberg Website
of the Day
November 8, 2007 Kathleen
& Bill Christison William
Loren Katz Mike
Whitney Sheldon
Richman Liaquat
Ali Khan Marc
Gardner Jackie
Corr Brenda
Norrell Dave
Lindorff China
Hand Sen.
Russ Feingold Website
of the Day
November 7, 2007 Paul
Craig Roberts Russell
Mokhiber Vijay
Prashad Niranjan
Ramakrishnan Alan
Farago David
Macaray Nikolas
Kozloff Charlotte
Laws Daniel
White William
Cook Website
of the Day
November 6, 2007 Mike
Whitney Ralph
Nader Andy
Worthington Pam
Martens Liaquat
Ali Khan William
Schroder Stephen
Lendman William
Blum Former
US Intelligence Officers
November 5, 2007 Alexander
Cockburn Russell
Mokhiber David
Macaray Gary
Leupp Dave
Lindorff Ludwig
Watzal Patrick
Cockburn Peter
Stone Brown Michael
Simmons Website
of the Day
November 3 / 4, 2007 Tariq
Ali David
Price Jeffrey
St. Clair Alan
Farago Paul
Krassner Rannie
Amiri P.
Sainath Ayesha
Ijaza Khan Robert
Fantina Seth
Sandronsky Ron
Jacobs Ramzy
Baroud Heather
Gray
November 2, 2007 Dr.
Mary Pipher Saul
Landau Andy
Worthington Sharon
Smith Gary
Leupp Gregory
Harms Christopher
Brauchli Peter
Morici Dave
Lindorff David
Penner Website
of the Day
November 1, 2007 Paul
Craig Roberts Patrick
Cockburn Dave
Lindorff Jonathan
Feldman Mike
Ferner William
S. Lind Diana
Johnstone Jacob
Hornberger A..K.
Gupta Lyuba
Zarsky / Felice
Pace Website
of the Day
October 31, 2007 Bill
Quigley Rev.
William E. Alberts Ray
McGovern Eric
Walberg V.
G. Smith Luis
J. Rodriguez Sheldon
Richman Walter
Brasch Website
of the Day
David
Price M.
Shahid Alam Andy
Worthington Patrick
Cockburn Anthony
Papa Floyd
Rudmin Sherwood
Ross Website
of the Day
October 29, 2007 Lisa
Hajjar Joe
DeRaymond Patrick
Cockburn Isabella
Kenfield / Fred
Gardner Farzana
Versey Stephen
Fleischman Marcelle
Cendrars Eamonn
McCann Martha
Rosenberg Website
of the Day
October 27 / 28, 2007 Alexander
Cockburn Jeffrey
St. Clair James
Bovard Ralph
Nader M.
Reza Pirbhai Robert
Sandels Jacob
G. Hornberger Missy
Beattie John
Ross Robert
Fantina Ron
Jacobs Ali
Moayedian David
Michael Green Poets
Basement Website
of the Day
October 26, 2007 Brian
Cloughley Saul
Landau Ahmad
Al-Akras Franklin
Lamb Mike
Whitney Dave
Lindorff Alan
Farago Yifat
Susskind Website
of the Day
Jeffrey
St. Clair / Manuel
Garcia, Jr. Paul
Craig Roberts Col.
Dan Smith Alan
Farago Chris
Kutalik Brian
McKinlay Cindy
Sheehan Website
of the Day
October 24, 2007 Natalie
Washington-Weik Andy
Worthington Michael
Birmingham Corporate
Crime Reporter Tariq
Ali Farzana
Versey Dave
Zirin James
Murren Todd
Chretien Martha
Rosenberg Website
of the Day
October 23, 2007 Ralph
Nader Lawrence
R. Velvel Vijay
Prashad Bonnie
Bricker / Dave
Lindorff Mike
Whitney Farzana
Versey Stanley
Heller / Marcelle
Cendrars Regan
Boychuk Website
of the Day
October 22, 2007 Ishmael
Reed Marjorie
Cohn Rannie
Amiri Diane
Farsetta Todd
Alan Price Robert
Jensen Stephen
Lendman Jemima
Khan Sunsara
Taylor Binoy
Kampmark Website
of the Day
October 20 / 21, 2007 Alexander
Cockburn Tariq
Ali Jeffrey
St. Clair Andy
Worthington Mike
Whitney Daniel
Wolff David
Rosen Saul
Landau Ron
Jacobs Robert
Fantina David
Heleniak Joe
Allen Prairie
Miller Poets'
Basement Website
of the Weekend
October 19, 2007 John
Ross Sheldon
Rampton Rahul
Mahajan Devra
Davis Christopher
Brauchli Wadner
Pierre Bill
Quigley Website
of the Day
October 18, 2007 Saree
Makdisi Meg
Dwyer Alevtina
Rea Norman
Solomon Kristoffer
Larsson Harvey
Wasserman Website
of the Day
October 17, 2007 Steve
Niva Andy
Worthington Alan
Farago Russell
Mokhiber Sharon
Smith Mike
Whitney Robert
Fantina Chris
Irwin Website
of the Day October 16, 2007 Peter
Linebaugh Paul
Findley Robert
Bryce Uri
Avnery Paul
Craig Roberts Ray
McGovern Norman
Solomon Martha
Rosenberg William
S. Lind Joel
S. Hirschborn Website
of the Day
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November 30, 2007 "I Had to Rearrange Their Faces and Give Them All Another Name"The Re-Packaging of Bob DylanBy PETER STONE BROWN The autumn of 2007 saw the marketing of Bob Dylan by Sony/BMG like no previous year. Of course promotion has happened every time Dylan releases anything, but this year smacked of product with a corporate touch. Sometime around the end of the summer, visitors to Dylan's official website, BobDylan.com were greeted not by the usual home page but by a page proclaiming in huge letters that essentially took up the entire screen, "Dylan 07," which turned out to be a new retrospective set spanning Dylan's career. Actually the album is simply titled "Dylan," and is available in three formats, a single disc sampler, a 3 CD digipak, and a cloth-bound box set. An I-tunes bonus was a remix by Mark Ronson of the Blonde On Blonde classic, "Most Likely You Go Your Way (And I'll Go Mine)." All this was accompanied by invitations to fans to send in stories, participate in a video, and add their own slogans to the cards Dylan tosses away in the "Subterranean Homesick Blues" video. At the bottom of the page was a slogan: EVERYTHING EXCEPT COMPROMISE. To long-time Dylan fans, it seemed exactly like compromise. On various the Dylan internet forums across the Internet, the reaction was generally negative, with threads along the lines of "Who isn't buying Dylan O7?" Most fans had everything on it several times over and there were no outtakes or new live tracks included. Only a completist would buy this one. This set was obviously intended for those who came aboard for Dylan's last studio release, Modern Times. Not lost in all this was the announcement of a new Dylan DVD, chronicling Dylan's performances at the Newport Folk Festival, from 1963 to 1965. Filmed by Murray Lerner who directed the '60s Newport documentary, Festival, this was Sony/BMG's gift to the fans, as it promised full-length versions of songs briefly sampled in Festival as well as many other not only never seen, but never heard but never heard as well legendary 1965 electric set which not only changed the Newport Folk Festival, but music in general. The track list was eventually leaked before the DVD was released, and the usual forums expressed consternation at what wasn't included. In addition to this was the impending release of Todd Haynes' not exactly bio pic, I'm Not There, in which six different actors portray various aspects of Dylan. Dylan had apparently given his blessing to the project by granting Haynes song rights and as it turns out a bit more. Accompanying the film was a two CD soundtrack album, featuring covers of Dylan songs by a wide assortment of artists as well as the first official release of the long bootlegged song "I'm Not There," from the sessions for what eventually became known as The Basement Tapes. Just as all these were about
to be released, Dylan managed to infuriate his fans (something
he has seemingly delighted in doing his entire career) by appearing
in an ad for the Cadillac Escalade. Cadillac is the sponsor of
his Theme Time The just as the Cadillac furor was dying down, Dylan records a new version of "A Hard Rain's A-Gonna Fall" as well as a new video for the International Exposition on Water and Sustainable Development in Zaragoza, Spain. Two days before the Expo video appear, people who subscribe to the official newsletter of Bobdylan.com received an email "from Bob Dylan" offering discounts on a unisex robe, a Zippo lighter, and a "camo military hat." All of the above only helps to add to Haynes' multi-person concept and while I had lived through all of Dylan's various changes, I went to see the film highly skeptical. The various trailers that made their way to Youtube did little to dissuade me. I'm Not There ended up being a delightful and intriguing surprise. By not doing the film in linear fashion, often bouncing back and forth between time periods, at times in a dizzying manner, and toying with identity and myth as well as and fact and fiction, Haynes has managed to capture Dylan. I am usually a stickler for historical accuracy, but in this case it doesn't matter that quotes that took place in 1965 are placed in 1966, that Dylan didn't actually meet Allen Ginsberg in England in 1966 (it happened long before that) or that the character representing Dylan's manager at the time, Albert Grossman didn't fight with the character representing Pete Seeger. (In reality he fought with Alan Lomax and it was concerning Lomax's introduction to the Paul Butterfield Blues Band, not Dylan.) Just like Dylan's music, it's the feel that matters and the feel is of being inside a Dylan song for a couple of hours. Haynes made some brilliant casting decisions including the choice of the young black actor Marcus Carl Franklin to represent the young Dylan named "Woody Guthrie." Watching him I couldn't help but recall the descriptions of early Dylan by New York Times critic, Robert Shelton, who not only gave Dylan his first big break, by reviewing him when he was an opening act Not quite as successful is Christian Bale as "Jack Rollins," the folk/protest singer. Bale is too straight forward, and lacks the intensity Dylan generated as well as his humor. The same can be said for Mason Jennings who provides the musical performances during Bale's early folk segments. Bale does succeed in mimicking Dylan's restless, nervousness during a TV interview based on Dylan's 1964 appearance on the Steve Allen show, where Allen dragged on and on with interminable questions treating Dylan as something of a freak in the process. Sometimes two actors will overlap during the same period of time. Ben Whishaw as Dylan/Arthur Rimbaud and Cate Blanchett as Dylan/Jude Quinn both represent 1965/1966. Heath Ledger as Dylan/Robbie Clark and Richard Gere as Dylan/Billy the Kid cover the late '60s, early '70s. Ledger appears playing a Dylan-like character in a film during the '60s and Bale reappears as the born again Dylan of the late '70s, early '80s. Whishaw is kind of a commentator on the proceedings, and his setting which never changes is based on the legendary televised San Francisco 1965 press conference. The majority of Blanchett's scenes portray the stoned and amphetamine driven Dylan of '66 who mostly spoke in absurdities. Bordering exaggeration, she captures both the vocal mannerisms and the marionette aspects of Dylan's physical movements during that time. Ledger portrays clean cut the family man Dylan following the 1966 motorcycle accident, who was trying to escape his past and perhaps himself as much as possible. The epitome of this is a fictional scene that could be the Café Espresso in Woodstock sitting with his wife and another couple, where the man has to be based on singer/guitarist and Dylan friend from the Village Folkie days, Happy Traum. In 1968, Dylan did his first post-accident interview in Sing Out! (the folksong magazine) with John Cohen and Traum who was the magazine's editor at the time. Traum futilely tries to engage Dylan in discussing the war in Vietnam and Dylan is oblique at best, commenting "How do you know I'm not as you say, for the war?" In the movie, this character tries to coax an unsympathetic and evasive Rollins to take a stance and is met with hostile resistance. The closest Dylan (in real life) ever came to some sort of a stance on the war was his name was listed as being on the board of directors for the benefit concert, Sing-In for Peace at Carnegie Hall in the fall of 1965, meaning he helped fund it. Of course a good case could be made for the war being present in the songs and in one of the more comical scenes in the film, Lyndon Johnson is seen mouthing words to "Tombstone Blues." Nonetheless the war is present in the movie. The character representing Jack Rollins' wife is continually watching news reports of the war on TV and as Nixon announces the war's end, she announces the end of the marriage, something that is roughly accurate time-wise and one of Hayne's surprising insights. Gere portrays the darker, dream mode Dylan, the creatively lost Dylan, but one who still sees. On one hand he looks too old, too wizened for the part but in his role as the seer, it works. The time frame is murky and confusing. However in the early '70s, there were a few years where Dylan was barely creating new songs. His appearance in Sam Peckinpah's Pat Garrett & Billy the Kid signaled the end of that period and a few months later Dylan's 1974 return to the stage which is not covered in the film was announced. In this segment Billy/Dylan is at first walking with his dog who runs away, and wanders into the town of Riddle (mentioned earlier by the young Guthrie Dylan) where it Halloween all the time and the characters range from Shakespearian to cowboys to medieval clowns and carnival sideshow freaks. Many of the characters, their names as well as the lines they speak are right out of The Basement Tapes. as well as the much later Rolling Thunder Revue. The town is controlled by a fictional Pat Garrett who wants to put a highway through the middle of the town and "Billy" wearing a plastic mask reminiscent of the one Dylan wears in the opening song of his film Renaldo & Clara is forced to take a stand. However in this particular segment it's the vision, the made-up, costumed townspeople that's as important if not more important than the storyline, perhaps signaling that the spark is still there, waiting to be unleashed. Ultimately "Billy" is arrested, breaks free, leaves town, finds his dog who stays behind as he hops a freight train and finds the same guitar case the young Dylan early in the film was carrying. Somewhere in the middle of this, the born again segment is thrown in which is possibly the one time the film (to me) fails, precisely because it feels like it was thrown in, almost as if Haynes knew he had to work it in, but wasn't sure how. Following the born again scenes, is where "Billy" finds the guitar case, but before that the film flashes again to the Blanchett Dylan riding in a limo explaining the myth and mystery of folk music in somewhat absurdist terms, and then as Gere picks up the guitar, suddenly Bob Dylan himself from 1966, in footage from his film, Eat The Document appears playing a wonderfully wild harp solo on "Mr. Tambourine Man" while a crowd of people at the obviously full hall listen on speakers placed outside. A fitting conclusion. Though the post gospel era Dylan is not represented, the lengthy rap on traditional music covers much of what Dylan has done in the last 20 years onstage and on record, he re-explored the traditional music that initially inspired him. But the scenario does not capture the film. Beautifully filmed, alternating between black and white and color, almost every scene pays homage to a known photo or a (Dylan) film scene as well as referencing a host of other movies and virtually every line (or so it would seem) is from a song, a poem, an interview, or a previous Dylan film. That they're often mixed up time-wise, or who originally said them for instance, when the character representing Albert Grossman is actually speaking the words of Phil Ochs when he says, "It's too dangerous for him to go on stage" doesn't matter. It's the effect Haynes is aiming for and it adds up in the end. If the film has a failing it that only the diehard fan is going to recognize the references. I'd be willing to bet as I'm writing this someone somewhere is hard at work on a website that will eventually catalog and annotate the origin of every scene and every line. At the same time it is why
the film works as a convincing portrait because all of Dylan's
work is loaded with references whether musical, literary, cinematic,
historic or spiritual. It's why his work has been analyzed and
dissected for four decades and more than likely will be for decades
to come. What is also remarkable about Hayne's achievement is the number of classic songs that are nowhere to be found, for instance "Blowin' In The Wind." Dylan of course has attempted to explore the same territory in the much maligned, perhaps over ambitious Renaldo & Clara and to a degree in the more recent Masked And Anonymous. In the former he jokingly cast Ronnie Hawkins as Bob Dylan, while he played Renaldo. My brief impression of that movie was that every male character represented Bob Dylan. In Masked And Anonymous, he portrayed an imprisoned ex-rock singer named Jack Fate, and my impression was that |