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When NATO Killed Journalists
Ten years ago, NATO’s planes deliberately bombed Serbia’s main television and radio station. Sixteen media workers died. Tiphaine Dickson reports the barely credible aftermath, and CNN’s smelly role. Wounded Knee is back in the news, with an upcoming trial and new documentary. We launch James Abourezk’s thrilling series, Adventures in Indian Country, on the birth of AIM and his own role as US Senator. ALSO in this new edition of our subscriber-only newsletter, Alexander Cockburn tells the history of Harry Kingman and Stiles Hall, an institution that changed the face of Berkeley and shaped the Sixties. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories May 1 - 3, 2009 C. G. Estabrook April 30, 2009 Ellen Cantarow Dana L. Cloud Paul W. Lovinger / Binoy Kampmark Brian Downing Frank Snepp David Swanson Conn Hallinan Ron Jacobs John Goekler Jasmine L. Tyler / Website of the Day April 29, 2009 Joann Wypijewski Patrick Cockburn Andy Worthington Chris Floyd Dave Lindorff Jeremy Scahill Doug Henwood Michael Hudson Russell Mokhiber Eric Toussaint Website of the Day April 28, 2009 Uri Avnery Jeremy Scahill Dean Baker Michael D. Yates Conn Hallinan John Stauber Tom Barry Harvey Wasserman Jeff Nygaard Frederico Fuentes Website of the Day April 27, 2009 Pam Martens Patrick Cockburn Andrew J. Bacevich Guardian of the Status Quo: Obama's Sins of Omission Mitu Sengupta Franklin Lamb Firmin DeBrabander Dave Lindorff Russell Mokhiber Mike Whitney Mark Weisbrot Rev. José M. Tirado Website of the Day April 24-26, 2009 Alexander Cockburn Marjorie Cohn Andy Worthington Jeremy Scahill Chris Floyd Mike Whitney Anthony DiMaggio Chris Kromm Saul Landau Dave Lindorff Greg Moses Joshua Frank Fred Gardner Manuel Garcia, Jr. David Michael Green Ramzy Baroud Rannie Amiri Laura Carlsen Richard Morse Nikolas Kozloff Kent Peterson Robert Bryce Niranjan Ramakrishnan The Financial Experts Ron Jacobs Richard Rhames Stephen Martin David Yearsley Poets' Basement Website of the Weekend April 23, 2009 Eamonn Fingleton Ray McGovern Michael Ratner Alan Farago Rob Larson Nadia Hijab Fawzia Afzal-Khan Dave Lindorff Helen Redmond Adam Federman Website of the Day April 22, 2009 Chris Floyd Joanne Mariner Vijay Prashad Gareth Porter Dean Baker Peter Morici Winslow T. Wheeler Barucha Calamity Peller Harvey Wasserman Aisha Brown / Teo Ballvé Website of the Day April 21, 2009 Randy Rowland Dave Lindorff Fidel Castro George McGovern Greg Moses Benjamin Dangl Sonia Nettnin Frank Barat Binoy Kampmark John V. Walsh David Macaray Website of the Day April 20, 2009 Mike Whitney Andrea Peacock Henry A. Giroux Liaquat Ali Khan Fred Gardner Stephen Soldz Nadia Hijab Dave Lindorff P. Sainath Nelson P Valdés Mark Engler Belén Fernández Website of the Day April 17-19, 2009 Alexander Cockburn Saul Landau Franklin Lamb Ralph Nader Fred Gardner Dean Baker Rannie Amiri George Wuerthner Dave Lindorff David Swanson Jim Goodman Kathy Sanborn Don Monkerud Manuel Garcia, Jr. David Michael Green Nelson P Valdés Manuel Gomez Dr. Susan Block Ramzy Baroud Christopher Brauchli Stephen Martin Ron Jacobs David Yearsley Lorenzo Wolff Poets' Basement Website of the Weekend April 16, 2009 Mike Whitney Russell Mokhiber Ronald Teska Gareth Porter Paul Fitzgerald / Benjamin Dangl Kevin Pina Robert Bryce George Wuerthner Paul Garon, David Roediger and Kate Khatib The Surreal Life of Franklin Rosemont Website of the Day April 15, 2009 Kathleen and Bill Christison Ray McGovern Robert Sandels Heather Williams / Jack Willoughby David Swanson Paul Craig Roberts Sara Mann Kenneth Couesbouc Binoy Kampmark Kekuni Blaisdell, Lynette Hi'llani Cruz, George Kahumoku Flores, et al.: An Urgent Letter to Obama on the Rights of Native Hawaiians Website of the Day April 14, 2009 Conn Hallinan Mike Whitney Peter Morici Greg Moses Fidel Castro Robert Weissman Rebecca Macaux / Carmelo Ruiz-Marrero Dave Lindorff Walter Brasch Benjamin Day Website of the Day April 13, 2009 Patrick Cockburn Uri Avnery Jeremy Scahill Martha Rosenberg Karl Grossman Nadia Hijab Sam Smith James McEnteer Sean McMahon Namihei Odaira John V. Walsh Website of the Day April 10 / 12, 2009 Alexander Cockburn Chris Floyd Mike Whitney Saul Landau M. Reza Pirbhai Franklin Spinney Rannie Amiri William Blum Matt Vidal Jeff Howison Jeff Leys Dave Lindorff Ramzy Baroud Missy Beattie Fred Gardner Harvey Wasserman Another $50 Billion for Rust Bucket Nukes? Suzan Mazur Bernard Umbrecht David Macaray Janet Kauffman Ron Jacobs Norman Solomon Michael Winship Richard Rhames Wanda Fucha David Yearsley Lorenzo Wolff Ben Sonnenberg Jeffrey St. Clair Poets' Basement Website of the Weekend April 9, 2009 Mike Whitney Patrick Cockburn Stephen Soldz P. Sainath Ellen Cantarow Gareth Porter / Jeremy Scahill Jerry Kroth Binoy Kampmark Fidel Castro Website of the Day April 8, 2009 John Prados Bill Moyers / Winslow T. Wheeler Russell Mokhiber Kathy Sanborn Rev. William E. Alberts James McEnteer Rashomon and the Binghamton Shooter: the Rush to Interpret Jiverly Wong's "Statement" Nadia Hijab Adam Turl Kevin Zeese Website of the Day April 7, 2009 David Price Uri Avnery Chris Floyd Winslow T. Wheeler Defense Cuts: Gates and the System Marjorie Cohn Dean Baker Diana Johnstone Dave Lindorff Martha Rosenberg Evelyn Pringle Website of the Day April 6, 2009 Michael Hudson Andy Worthington Bagram: Guantánamo's Dark Mirror Ray McGovern Deepak Tripathi Mike Whitney Norman Solomon Jonathan Cook Judith Bello Deena Metzger Blackwater in Liberia Dr. M. Kamiar Website of the Day April 3-5, 2009 Alexander Cockburn Kathy Kelly / Peter Morici Kathy Sanborn Andy Worthington Rob Larson Saul Landau Steve Early John Goekler Rannie Amiri Dave Lindorff Lee Ballinger Ron Jacobs David Macaray John Wight Keeanga-Yamahtta Taylor Mychal Bell Missy Beattie Reza Fiyouzat Michael Boldin Christopher Brauchli Charles R. Larson Susie Day Stephen Martin Kim Nicolini David Yearsley Phyllis Pollack Poets' Basement Website of the Day
April 2, 2009 Robert Weissman Eric Toussaint / George Bisharat Russell Mokhiber Franklin Lamb Gareth Porter David Macaray Chris Genovali Sam Smith Suzan Mazur Website of the Day
April 1, 2009 Chris Floyd Stanley Heller Mark Brenner, Mischa Gaus and Jane Slaughter Obama's Perilous Plan for Detroit: Restructure the Big 3, But Not With Bankruptcy Jonathan Cook Eric Walberg Richard Morse Don Fitz Laray Polk Belén Fernández Harvey Wasserman Website of the Day March 31, 2009 Uri Avnery Peter Lee Nicholas Dearden Dave Lindorff Joanne Mariner Ron Jacobs Wiliam S. Lind David Michael Green Benjamin Dangl Johnny Barber Dedrick Muhammad Website of the Day March 30, 2009 Michael Hudson Patrick Cockburn Henry A. Giroux Mike Whitney Ralph Nader Paul Craig Roberts Jeremy Scahill Robert Bryce Jonathan Cook Ray McGovern Website of the Day
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May Day Weekend Edition "Together Through Life"Dancing with DylanBy PETER STONE BROWN If Bob Dylan’s previous studio album, Modern Times was about (among other things) finding love or maybe just romance, in a world, where some sort of impending doom lurked waiting around the next corner, on the new, Together Through Life, he’s decided, well there’s nothing much you can do about it except sing the blues, and if you’re going to sing the blues, then you might as well make it swing a little have a good time doing it. The blues has been the one constant in Dylan’s nearly five decades of musical adventures. It dominated his very first album and there’s maybe two albums that don’t have a blues song in structure, and it’s dominated every album since he returned to songwriting after a long layoff with Time Out Of Mind. And make no mistake about it, Bob Dylan can be a great blues singer, up there with the very best, when he wants to be. Dylan’s initial work (meaning the ’60s) was so devastatingly brilliant – and to see why, all one has to do is compare his songs with similar Lost in the myth, is that the music is what it’s always been about for Bob Dylan. It’s what drives him, it’s his first love, and if the title of this album signifies anything, it’s that. What makes Dylan fascinating and what’s earned him his reputation as one of the greatest American artists is his absolute refusal to stand still. It’s death to him. The meaning of, as well as the sound to his work is always transient. What comes in second, or maybe third behind the lyrics, and the myth is that seen as a whole, Dylan’s work and maybe his greatest achievement has been an extensive exploration into American music and by extension American culture. While much of Dylan’s work in the studio and on-stage has been off the cuff, and whatever happens happens, in the past 15 years at least, he’s been more consciously in search of a sound. Following the success of Time Out Of Mind, he decided he could achieve the sound he wanted on his own, for whatever reason using the name Jack Frost. (Those who pay attention to album credits, Jack Frost appeared on 1990’s Under The Red Sky.) Together Through Life is easily the best Jack Frost production yet. The sound is loud, bright, punchy and clear, with all the instruments coming through. The arrangements are thought out and definitive. (The arrangements will probably change once Dylan does these songs onstage, but that’s another story.) For the sessions Dylan used three members of his road band, longtime bassist Tony Garnier; drummer George Recile, and Donnie Herron who plays steel, guitar, banjo, mandolin, trumpet, and while not listed in the album credits, violin. Augmenting this are guitarist Mike Campell, of Tom Petty & The Heartbreakers, who also plays mandolin, and David Hidalgo of Los Lobos on accordion and guitar. Hidalgo and Campbell’s contributions give the album its punch and its spark, while Herron, much like Garth Hudson did in The Band, provides the texture. He’s the glue holding it all together. After seven years playing hundreds of shows together, Garnier and Recile have become an extremely tight rhythm section. Whatever excesses Recili had when he first joined Dylan’s band, where you wondered if a fill would end on time have been reigned in and careful attention has been paid to Garnier’s bass sound. The result is you can actually hear what he’s doing and what an excellent player he actually is. Much has been made in the press as well as in the online interview at Dylan’s official site of the album having a sound reminiscent of Chess and Sun Records. That’s not entirely accurate, though on the blues songs, the bass in particular does have the Chess sound. While the blues dominate, the album crosses Dylan’s usual wide range of stylistic genres – Hidalgo’s according touches on not only Tex-Mex, but Zydeco, Cajun and polkas – the sound and feel of the album is cohesive throughout. The songs are not necessarily hard hitting in impact, and frankly were written that way on purpose. Much has been made that all except one are a lyrical collaboration with Robert Hunter, best known as lyricist for the Grateful Dead. Ultimately it’s not important, though I’m sure someone out there is busy trying to discern who wrote what line. These songs are meant to be taken as face value. While the usual references are there – it’s a good idea to be well read to listen to Bob Dylan, along with having a good knowledge of film – these songs do not dive deep into the mystic. That said, they have a way of creeping back into your mind, almost haunting you in a way that makes you want to hear them again. Certain lines hit you at certain times, in fact the have a way of sneaking up on you, in a way that you end up thinking about what the line may really mean such as the title of the opening song, “Beyond Here Lies Nothing.” It’s an album in which the landscape the songs are written against is an important as the songs themselves, and it’s a shadowy, often menacing, sometimes violent landscape, the landscape of a fading America. That menace is found in Campbell’s guitar, Hidalgo’s accordion, and most of all in Dylan’s voice. Ongoing throughout this album, throughout life, is the search and more importantly the struggle to find love, but also friendship, in the belief that love and only love is the true sustaining force in life. Yes these songs are written, and sung with the full knowledge that love rarely lasts, and often the singer is left simply contemplating the shadows as night turns to morning. Dylan’s great trick in this is that the past, present, future, and the desires, hopes, as well as loss and even regrets are all one. Despite whatever bleakness lies in the lyrics, Dylan is having a great time singing this stuff. That of course is what the blues is about, rising above. He uses the increasingly gravelly remains of his voice to great effect. One of the best moments is near the end of “My Wife’s Home Town” a rewrite of the Muddy Waters classic, “I Just Want To Make Love To You” (for which songwriter Willie Dixon is credited), where he alternates between phrasing like Muddy, and phrasing like Howlin’ Wolf. This isn’t an album where you can pick one or two songs, and say they’re the definitive track. If one could pick a song as sounding like arrangement-wise, the typical Bob Dylan song, that would be, “I Feel A Change Comin’ On,” much the way “Mississippi” was on “Love And Theft.” The melody, one of the nicest he’s come up with awhile has echoes of his work with The Band. More accurately it’s the sound one always hoped would evolve from that collaboration. All the songs have what is perhaps a deliberate familiarity to them. The difference this time is the music and the production is spot on. There’s not a note that’s out of place, though sometimes on “If You Ever Go To Houston,” the omnipresent accordion riff can be a bit much. At the same time, the way Hidalgo uses the accordion to recreate Little Walter’s Harmonica on “My Wife’s Home Town” is brilliant. “Life Is Hard,” the song that initiated this album could be Dylan’s best attempt yet at writing a ’40s style ballad. There’s been a tendency over the past decade to proclaim every Dylan album a masterpiece, which is unfortunate. At this time, I wouldn’t put it in that category. What it is, is a good, solid album of songs that have a way of growing on you, where the music, the sound, the feel and the groove, are just as important, if not more important than the lyrics. If there’s a problem with this group of songs, it’s that Dylan’s current style of writing songs, borrowing lines from old songs, whatever he happens to reading, and innumerable other sources rolling around in his mind, is starting to approach being formulaic and more about craftsmanship than inspiration. However, if there’s one thing I’ve learned in listening to Bob Dylan for most of my life, it’s that he never stays in the same place too long. I remember wondering when Nashville Skyline came out, if it was gonna be those kinds of songs for the rest of time, and ten years later having similar thoughts during the “gospel period.” That said, Together Through Life is the first Dylan album, you can put on and dance through the whole thing, and maybe that’s good enough for now. Peter Stone Brown is a musician, songwriter, and writer. He can be reached at: psb51@verizon.net
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Now Available from CounterPunch Books! Spell Albuquerque: Waiting for
Lightning
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