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Inside the New Print Edition of Our Subscriber-Only Newsletter!
How the Press Gave Madoff Four More Years to Steal His Billions
It’s one of the greatest and most shameful failures in the history of journalism. In the new edition of our newsletter Eamonn Fingleton traces how the Wall Street Journal was handed a precise outline of Madoff’s Ponzi scheme in 2005 and sat on it. The New York Times also passed on chances to nail Madoff. Thousands, poor as well as rich, lost their life savings in consequence. Read Fingleton on how the watchdogs of the Fourth Estate took good care to snooze in their kennels. ALSO in the new edition, Paul Craig Roberts concludes the shortest, sharpest outline of economics ever written with a brilliant essay on the economics of a full, green world. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories February 16, 2009 Patrick Cockburn February 13 - 15, 2009 Alexander Cockburn Joshua Frank Mike Whitney George Ciccariello-Maher Nikolas Kozloff Brian M. Downing Paul Craig Roberts Christopher Ketcham Ron Jacobs Dave Lindorff Alan Maass Chuck Spinney Phil Gasper Stephen Lendman Charles Thomson Kathy Sanborn Saul Landau Len Wengraf Harvey Wasserman David Macaray Tom Stephens Seth Sandronsky David Yearsley Lorenzo Wolff Kim Nicolini Poets' Basement Website of the Weekend February 12, 2009 P. Sainath Jean Bricmont Michael Hudson Peter Lee Dave Lindorff February 11, 2009 Neve Gordon Peter Morici Andy Worthington Marjorie Cohn Fred Gardner Niranjan Ramakrishnan Zoe Blunt Belén Fernández Martha Rosenberg Website of the Day Blues of the Day
February 10, 2009 Kathy Kelly Nikolas Kozloff Uri Avnery Michael J. Berg Russell Mokhiber Joe Bageant Gareth Porter Dave Lindorff Rannie Amiri Harvey Wasserman Niranjan Ramakrishnan Website of the Day February 9, 2009 Vicente Navarro Paul Craig Roberts Julio Sanchez / National Lawyers Guild Jonathan Cook Alana Smith Binoy Kampmark Sam Bahour Nicole Colson Ron Jacobs Website of the Day February 6-8, 2009 Alexander Cockburn Ishmael Reed James Abourezk William Blum Patrick Cockburn Henry A. Giroux Manuel Garcia, Jr. Mouin Rabbani David Yearsley Saul Landau Jules Rabin Raymond J. Lawrence Janette Habel Dave Lindorff Missy Beattie Dale Gieringer John Ross Richard Rhames Bob Wing Robert Bryce David Macaray James L. Secor Jason Flom / Norm Kent Kim Nicolini Lorenzo Wolff Poets' Basement Website of the Weekend February 5, 2009 Michael Mandel Saul Landau / Ralph Nader Robert Bryce Russell Mokhiber Sameh Habeeb / Dave Lindorff Carmelo Ruiz-Marrero George Ochenski Website of the Day February 4, 2009 Arno J. Mayer Paul Craig Roberts Patrick Cockburn Jonathan Cook Fred Gardner Stan Cox Margaret Kimberley Lawrence Velvel Dave Lindorff Doug Giebel Serge Quadruppani Website of the Day February 3, 2009 David Price Bill Moyers Kirkpatrick Sale Conn Hallinan Peter Morici George Ciccariello-Maher Muhammad Idrees Ahmad Allan Nairn Norman Solomon David Macaray Website of the Day February 2, 2009 Uri Avnery Ralph Nader Gareth Porter Paul Craig Roberts Harvey Wasserman Rannie Amiri Cal Winslow Steve Early Alan Farago Diane Farsetta January 30 / February 1, 2009 Alexander Cockburn Michael Hudson Ismael Hossein-Zadeh Dave Lindorff Saul Landau Andy Worthington Subcomandante Marcos Robert Jensen Ron Jacobs Gareth Porter Allan Nairn Laura Carlsen Rev. William E. Alberts Christopher Brauchli Jules Rabin Col. Dan Smith Missy Beattie Tom Barry J. Michael Cole Manuel Garcia, Jr. Dan Bacher David Rosen Don Monkerud Binoy Kampmark Lorenzo Wolff David Yearsley Poets' Basement January 29, 2009 Peter Linebaugh Paul Craig Roberts Riz Khan M. Reza Pirbhai Wajahat Ali Gregory Vickrey Dina Jadallah-Taschler Alison Weir Alan Farago Walter Brasch Website of the Day
January 28, 2009 Norman Finkelstein Noam Chomsky Patrick Cockburn Rob Larson George Wuerthner Allan Nairn M. Junaid Stefan Simanowitz Charles R. Larson Website of the Day January 27, 2009 Winslow T. Wheeler Yigal Bronner / Joshua Frank Jordan Flaherty Ralph Nader Rev. José M. Tirado Benjamin Dangl Russell Mokhiber Martha Rosenberg C. G. Estabrook Website of the Day January 26, 2009 Paul Craig Roberts Deepak Tripathi Vijay Prashad Peter Lee Allan Nairn Uri Avnery John Sayen Dave Lindorff Lawrence R. Velvel David Macaray Roger Burbach Norman Solomon Website of the Day January 23 / 25, 2009 Alexander Cockburn P. Sainath Patrick Cockburn Saul Landau Sasan Fayazmanesh Alan Farago Christopher Brauchli Andy Worthington Ron Jacobs Lawrence Velvel Henry A. Giroux David Yearsley Raymond F. Gustavson Dave Lindorff Roberto Rodriguez Dina Jadallah-Taschler Fidel Castro J. Michael Cole Bob Fitrakis / Ramzy Baroud Mohammad Ali Shabani Richard Rhames Stephen Martin Lorenzo Wolff Kim Nicolini Poets' Basement Website of the Weekend January 22, 2009 Paul Craig Roberts Kathy Kelly Allan Nairn Lawrence Velvel Andy Worthington Peter Morici Joseph G. Davis Adriana Kojeve Benjamin Dangl Website of the Day January 21, 2009 Gabriel Kolko Harry Browne Michael Colby Lawrence R. Velvel Audrey Stewart Wajahat Ali Binoy Kampmark David Kεr Thomson John Ross Allan Nairn Sheldon Richman Website of the Day January 20, 2009 Chuck Spinney Kathy Kelly Raymond Deane Ralph Nader Audrey Stewart Jonathan Cook Harvey Wasserman Christopher Ketcham Robert Jensen Dave Lindorff David Macaray |
February 16, 2009 How to Make a RenaissanceA New New Deal for the ArtsBy CARLA BLANK In response to President Obama's call for all Americans to contribute to our nation's future, many suggestions gain inspiration from New Deal programs instituted by President Franklin Roosevelt to revive the nation from the financial devastation caused by the Great Depression of the 1930s. As an artist, I suggest Obama and Congress include projects that employ creative ideas and energies of artists, as did two famous New Deal programs, the Public Works of Art Project, instituted in 1933, and it successor, the Works Progress Administration (WPA), formed in 1935, when more than 8.5 million jobless Americans worked on arts-related projects that paid the equivalent of today's minimum hourly wage. The 21st century version of New Deal arts programs could feature creative partnerships between artists and scientists, engineers, businesses, educators, skilled labor, city planners and community leaders throughout our nation's cities and rural communities. Besides reducing unemployment, the partnerships could add valuable creative thinking to projects that invest in infrastructure, revitalize education, and develop new and greener technologies. Based on 1930s programs and more recent models, three examples of programs that could be instituted are: Innovative Technologies Projects: Like Xerox PARC, founded in 1970 as a computer research center in today's Silicon Valley by Xerox Corp., which became the birthplace of many innovations that were developed into basic tools and components of computer science technology, this program could team artists with scientists and engineers to design innovations that help reduce energy consumption, increase use of recycled materials, convert empty malls and industrial parks for new uses, restore environments destroyed by natural disasters, and conduct experiments to invent materials and technologies for functions not yet imagined. Federal Writers Project: By updating documentary research projects, such as the gathering of oral histories and the encyclopedic American Guide Series that preserved much of the nation's geographic, cultural and political heritage up through the years they were completed, writers, journalists and photographers could build on these great resources, retrieving memories and images from our present 50 states and territories that could be lost without an organized effort. This updated documentation could be stored in the Library of Congress or National Archives, digitized for retrieval by anyone online. Community Art Projects: In addition to funding regional, state and local festivals and other events, this program could offer professionally directed classes and workshops in theater, dance, music, photography and visual arts, where people of all ages could gain access to training and appreciation of arts that are routinely omitted from public school curricula and community services whenever budgets have to be cut. Programs offered since 1971 under National Endowment for the Arts' Expansion Arts and Community Cultural Programs have documented how increased understanding and respect for all arts, through greater accessibility, also increases the quality of life in a community, besides increasing local revenues as visitors partake of these activities. The 1930s WPA programs financed projects other than those I have mentioned, including public art projects that continue to provide a source of wonder, such as San Francisco's Coit Tower murals, which still draw tourists from all over the world. Moreover, WPA projects provided enough income to make it possible for many artists to continue careers, making them today's canonized icons, such as Richard Wright, Orson Welles, Aaron Copland, Dorothea Lange and Jackson Pollack. Artists have collaborated with architects, educators and businesses for centuries. When such collaborations are successful, they are called a renaissance. Carla Blank is the author of "Rediscovering America" (Three Rivers Press, 2003). "Kool," Blank's multimedia collaboration with Robert Wilson, will premiere at the Guggenheim Museum in New York City this April. This essay originally appeared in the San Francisco Chronicle. |
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