Exclusively in the new print issue of CounterPunch
HOW MODERN MONEY WORKS — Economist Alan Nasser presents a slashing indictment of the vicious nature of finance capitalism; The Bio-Social Facts of American Capitalism: David Price excavates the racist anthropology of Earnest Hooten and his government allies; Is Zero-Tolerance Policing Worth More Chokehold Deaths? Martha Rosenberg and Robert Wilbur assay the deadly legacy of the Broken Windows theory of criminology; Gaming the White Man’s Money: Louis Proyect offers a short history of tribal casinos; Death by Incarceration: Troy Thomas reports from inside prison on the cruelty of life without parole sentences. Plus: Jeffrey St. Clair on how the murder of Michael Brown got lost in the media coverage; JoAnn Wypijewski on class warfare from Martinsburg to Ferguson; Mike Whitney on the coming stock market crash; Chris Floyd on DC’s Insane Clown Posse; Lee Ballinger on the warped nostalgia for the Alamo; and Nathaniel St. Clair on “Boyhood.”
Darwin Bond-Graham on the planned destruction of America’s greatest industrial city; AMERICAN AMAZON: Susanna Hecht on the surreal history of American attempts to turn the Amazon into a colony for slavers and speculators; FOCUSING HIROSHIMA: Jeffrey St. Clair interviews artist elin o’Hara slavick on her startling new project photographing radioactive objects from the Hiroshima bombing; […]

KILLING DETROIT

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Darwin Bond-Graham on the planned destruction of America’s greatest industrial city; AMERICAN AMAZON: Susanna Hecht on the surreal history of American attempts to turn the Amazon into a colony for slavers and speculators; FOCUSING HIROSHIMA: Jeffrey St. Clair interviews artist elin o’Hara slavick on her startling new project photographing radioactive objects from the Hiroshima bombing; HUMAN RIGHTS, COPY WRONGS: Lee Ballinger on the perversities of intellectual property rights. PLUS: Empire of the Senseless by Jeffrey St. Clair; Gramsci in the Bronx by JoAnn Wypijewski; Obama’s Shock Doctrine by Mike Whitney; Pious Virtuosos of Violence by Chris Floyd; and War Chests by Kristin Kolb.