FacebookTwitterGoogle+RedditEmail

New York City, Just Like I Pictured It…

by RON JACOBS

My stated reason for being in New York in 1973 was to go to school, but my real intent was to immerse myself in leftist politics and rock and roll culture.  Almost every weekend I headed to the Village and Lower East Side in search of weed and music or politics.  There were plenty of protests even after the heyday of 1968-1972 and the issues were still the same.  Imperialism, war, poverty, racism and police brutality.  The music, however, was starting to change.  There were rumblings of something new in the dives and occasional street fair.  I remember seeing a band (I think it was the New York Dolls or their predecessor) near St. Mark’s Place one Saturday afternoon.  I was not into the poor quality of the music, but found the presentation fascinating and unlike anything I had seen before.  Still, though, my primary musical preferences were Bob Dylan, the Stones, Grateful Dead and the Beatles.

One weekend a friend and I saw a poster for a rock show at the Hotel Diplomat near Times Square.  The show featured a woman whose book of poetry I had just bought on the Lower East Side. The book was called Witt and the poet’s name was Patti Smith. The show I remember I remember because of Smith. The hotel I remember because it’s where Abbie Hoffmann got busted for coke and then went underground.12282

I was a scholarship student at Fordham University in the Bronx.  So was almost everyone else on the floor of my dorm.  There were only a couple of us white-skinned guys on that floor.  The rest were Puerto Rican and African-American.  I heard more salsa than I knew existed.  Smoking pot, discussing Marxism and Eddie Palmieri was how I spent many Saturday nights.  Sometimes, nobody in the dorm would go home for the weekend.  On those weekends, the music leaking under the dorm room doors with the pot smoke included the Allman Brothers, the aforementioned Palmieri, Earth, Wind & Fire, Sly & the Family Stone, the Dead and Bob Dylan.  I left New York after seven short months.  A floormate from Teaneck, NJ had just introduced me to a new band on the scene known as Bruce Springsteen and the E Street Band.  I saw him in Maryland a few months later.

The changes I felt were soon to rule the world of popular music.  This is the story rock music writer Will Hermes tells in his 2011 book Love Goes to Buildings On Fire: Five Years in New York City That Changed Music Forever.  Recently released for the first time in paperback, Hermes’ text is more than a look at music in New York.  It is a history of the city during the period covered that rarely mentions economics and politics yet ekes them.  From the steamy street of the South Bronx and the future that would become hip-hop to the steamier bathhouses and clubs in lower Manhattan that became world-famous dens of disco, Hermes relates his tale.  Like his namesake, he carries the message that punk rock shouted and salsa sang.  The period herein may have been the last time New York mattered as much as it did in the world of popular culture.  Jay-Z may still be there, but there is no creative center any more.  In fact, the dispersion of that center into the global world may have been the unforeseen result of the bands, beats, and jazzmen Hermes writes about so wonderfully.

Lurking behind Hermes’ tales of Patti Smith and Richard Hell; Afrika Bambaata and David Murray; and the multitude of others that star in this book is the spectre of corporate greed destroying culture and pretty much anything else it touched. Indeed, this included an attempt by Gerald Ford and Donald Rumsfeld to make Manhattan default.  Yet, while this attempt to force austerity on the world’s cultural capital ultimately succeeded only partially, the mélange of cultural mixes did create what became termed world music.

This is a book about Debbie Harry and Eddie Palmieri; Bruce Springsteen and Grandmaster Flash; Abe Beame and CBGBs;   Miles Davis and Anthony Braxton. It’s a book about the clubbers and the brothers and sisters attending the DJ contests in the Bronx and the punkers bleeding in the Bowery.  The names are so familiar that some are forgotten.  The cover art is by Mark Stamaty, formerly of the Village Voice (back before Murdoch destroyed it).  He is also the author and illustrator of one of my favorite children’s books, Who Needs Donuts?  The drawings he does are cartoonish, encompassing and busy, as if he was on stimulants.  They are the artistic representation of the story Hermes has written down.  In a nutshell, that story is about the birth of hip hop via the transition of the beat; the C-section that was punk and the future of rock and roll that was Bruce Springsteen.  Love Goes to Buildings On Fire isn’t about passing a torch.  It’s about that torch enveloping the past and the future of popular music in its flames.

Ron Jacobs is the author of the forthcoming novel All the Sinners, Saints. He is also the author of The Way the Wind Blew: a History of the Weather Underground and Short Order Frame Up and The Co-Conspirator’s Tale. Jacobs’ essay on Big Bill Broonzy is featured in CounterPunch’s collection on music, art and sex, Serpents in the Garden.  His third novel All the Sinners Saints is a companion to the previous two and is due out in April 2013.  He is a contributor to Hopeless: Barack Obama and the Politics of Illusion, published by AK Press.  He can be reached at: ronj1955@gmail.com.

Ron Jacobs is the author of Daydream Sunset: Sixties Counterculture in the Seventies published by CounterPunch Books. His latest offering is a pamphlet titled Capitalism: Is the Problem.  He lives in Vermont. He can be reached at: ronj1955@gmail.com.

More articles by:

CounterPunch Magazine

minimag-edit

bernie-the-sandernistas-cover-344x550

zen economics

Weekend Edition
March 24, 2017
Friday - Sunday
Michael Hudson
Trump is Obama’s Legacy: Will this Break up the Democratic Party?
Eric Draitser
Donald Trump and the Triumph of White Identity Politics
Jeffrey St. Clair
Roaming Charges: Nothing Was Delivered
Paul Buhle
The CIA and the Intellectuals…Again
Andrew Levine
Ryan’s Choice
John Wight
London and the Dreary Ritual of Terrorist Attacks
Joshua Frank
Global Coal in Freefall, Tar Sands Development Drying Up
Anthony DiMaggio
Ditching the “Deep State”: The Rise of a New Conspiracy Theory in American Politics
Vijay Prashad
Inventing Enemies
David Rosen
Why Did Trump Target Transgender Youth?
Bill Willers
Volunteerism; Charisma; the Ivy League Stranglehold: a Very Brief Trilogy
Lawrence Davidson
Moral Failure at the UN
Pete Dolack
World Bank Declares Itself Above the Law
Nicola Perugini - Neve Gordon
Israel’s Human Rights Spies
Ralph Nader
Reason and Justice Address Realities
Ramzy Baroud
‘Decolonizing the Mind’: Using Hollywood Celebrities to Validate Islam
Colin Todhunter
Monsanto in India: The Sacred and the Profane
Louisa Willcox
Grizzlies Under the Endangered Species Act: How Have They Fared?
Norman Pollack
Militarization of American Fascism: Trump the Usurper
Pepe Escobar
North Korea: The Real Serious Options on the Table
Brian Cloughley
“These Things Are Done”: Eavesdropping on Trump
Carol Wolman
Trump vs the People: a Psychiatrist’s Analysis
Farhang Jahanpour
America’s Woes, Europe’s Responsibilities
Joseph Natoli
March Madness Outside the Basketball Court
Bruce Mastron
Slaughtered Arabs Don’t Count
Ayesha Khan
The Headscarf is Not an Islamic Compulsion
Ron Jacobs
Music is Love, Music is Politics
Christopher Brauchli
Prisoners as Captive Customers
M. Shadee Malaklou
An Open Letter to Duke University’s Class of 2007, About Your Open Letter to Stephen Miller
Robert Koehler
The Mosque That Disappeared
Barbara Nimri Aziz
The Gig Economy: Which Side Are You On?
Kollibri terre Sonnenblume
Marines to Kill Desert Tortoises
Charles R. Larson
Review: David Bellos’s “Novel of the Century: the Extraordinary Adventure of Les Misérables”
March 23, 2017
Chip Gibbons
Crusader-in-Chief: the Strange Rehabilitation of George W. Bush
Michael J. Sainato
Cybersecurity Firm That Attributed DNC Hacks to Russia May Have Fabricated Russia Hacking in Ukraine
Chuck Collins
Underwater Nation: As the Rich Thrive, the Rest of Us Sink
CJ Hopkins
The United States of Cognitive Dissonance
Howard Lisnoff
BDS, Women’s Rights, Human Rights and the Failings of Security States
Mike Whitney
Will Washington Risk WW3 to Block an Emerging EU-Russia Superstate
John Wight
Martin McGuinness: Man of War who Fought for Peace in Ireland
Linn Washington Jr.
Ryancare Wreckage
Eileen Appelbaum
What We Learned From Just Two Pages of Trump’s Tax Returns
Mark Weisbrot
Ecuador’s Elections: Why National Sovereignty Matters
Thomas Knapp
It’s Time to End America’s Longest War
Chris Zinda
Aggregate Journalism at Salon
FacebookTwitterGoogle+RedditEmail