FacebookTwitterGoogle+RedditEmail

The Art of Inequality

by SAM PIZZIGATI

Thomas Campbell directs the Metropolitan Museum of Art in Manhattan. He’s smiling a great deal these days. Why? Campbell has just received something museum directors only dream about: a donation of paintings, drawings, and sculptures worth over $1 billion.

The donor: cosmetics magnate Leonard Lauder. His gift? Seventy-eight masterpieces, including 33 Picassos and dozens of works by other prominent members of the Cubist movement.

Forbes estimates Lauder’s overall net worth at more than $8 billion. He’s been donating hefty chunks of these billions to the art world for some time now. In 2008 alone, Lauder gave $131 million to New York’s Whitney Museum.

Philanthropy this bold thrills apologists for inequality. Immense concentrations of private wealth, these cheerleaders for grand fortune claim, enrich our civilization’s culture.

“The rich make life more interesting,” the prominent business editor William Davis gushed in the early 1980s.

“Being rich doesn’t make you evil,” a New York Post editorial proclaimed after the new Lauder gift. “And the accumulation of wealth can enrich others — in countless ways.”

Subjecting the rich to “millionaire taxes” meant to “share the wealth,” the editorial board fumed, only discourages gifts as generous as Lauder’s.

In reality, we’re seeing precious little wealth-sharing. The Lauder family and their fellow billionaires have watched tax rates on their incomes plummet. And the resulting squeeze on the public purse is having a substantial — and troubling — artistic impact, especially in America’s schools.

In New York City, as one local arts group relates, budget cuts have painted a “grim picture for arts education.” Nearly a quarter of the city’s schools have no certified arts instructor.

New York hardly stands alone. In Los Angeles, an arts activist noted last fall, more than half the city’s elementary-age kids are getting no exposure to arts instruction. In Detroit, 60 percent of schools “lack art education as part of the curriculum.”

Nationwide, the same pattern. The U.S. Department of Education reported last spring that 4 million elementary school students are going without visual arts instruction. Adds Dan Domenech, the executive director of the American Association of School Administrators: “We haven’t hit bottom yet.”

The “top” for arts education came back in America’s share-the-wealth golden age in the mid-20th century, the years when America’s wealthiest faced federal income tax rates as high as 91 percent, over double the top current rate.

In 1960, lawmakers in Albany okayed the creation of the New York State Council on the Arts. Five years later, Congress established the National Endowment of the Arts. The federal government became, for the first time ever, a major player in arts funding. In community after community, federal dollars began leveraging a vital partnership of nonprofits and public agencies. The arts flourished.

We can’t, of course, totally blame the demise of this golden age on shrinking billionaire top-bracket tax rates. Other factors have been at play, most particularly the rising pressure on school systems to narrow the curriculum to subjects that lend themselves to endless rounds of standardized testing.

But who’s bankrolling this intensely market-driven approach to education that has no patience for “frills” like art? America’s billionaires, through the vast network of think tanks and foundations they’ve so lavishly underwritten.

So let’s keep in mind what really happens to the arts when we let wealth concentrate. Museums get paintings from the awesomely affluent. These donors get plaques in the museums attesting to their generosity — and lucrative deductions on their tax returns.

And the rest of us? We pay our $25 admission to enter museums like New York’s Met as art education fades away from our schools.

Sam Pizzigati is an associate fellow at the Institute for Policy Studies in Washington DC, editor of the journal Too Much and author of The Rich Don’t Always Win, Seven Stories Press, New York.

This column is distributed by OtherWords.

Sam Pizzigati writes on inequality for the Institute for Policy Studies. His latest book is The Rich Don’t Always Win: The Forgotten Triumph over Plutocracy that Created the American Middle Class, 1900-1970 (Seven Stories Press). 

More articles by:

CounterPunch Magazine

minimag-edit

bernie-the-sandernistas-cover-344x550

zen economics

May 25, 2017
Jennifer Matsui
The Rise of the Alt-Center
Michael Hudson
Another Housing Bubble?
Robert Fisk
Trump Meets the New Leader of the Secular World, Pope Francis
John Laforge
Draft Treaty Banning Nuclear Weapons Unveiled
Benjamin Dangl
Trump’s Budget Expands War on the Backs of America’s Poor
Alice Donovan
US-Led Air Strikes Killed Record Number of Civilians in Syria
Andrew Moss
The Meaning of Trump’s Wall
Leslie Scott
Trump in the Middle East: New Ideas, Old Politics
George Wuerthner
Environmental Groups as Climate Deniers
Pauline Murphy
The Irish Dead: Fighting Fascism in Spain, 1937
Brian Trautman
Veterans on the March
Eric Sommer
Trumps Attack on Social Spending Escalates Long-term Massive Robbery of American Work
Binoy Kampmark
Twenty-Seven Hours: Donald Trump in Israel
Christian Hillegas
Trump’s Islamophobia: the Persistence of Orientalism in Western Rhetoric and Media
Michael J. Sainato
Russiagate: Clintonites Spread the Weiner Conspiracy
Walter Clemens
What the President Could Learn from Our Shih-Tzu Eddie
May 24, 2017
Paul Street
Beyond Neoliberal Identity Politics
Daniel Read
Powder Keg: Manchester Terror Attack Could Lead to Yet Another Resurgence in Nationalist Hate
Robert Fisk
When Peace is a Commodity: Trump in the Middle East
Kenneth Surin
The UK’s Epochal Election
Jeff Berg
Lessons From a Modern Greek Tragedy
Steve Cooper
A Concrete Agenda for Progressives
Michael McKinley
Australia-as-Concierge: the Need for a Change of Occupation
William Hawes
Where Are Your Minds? An Open Letter to Thomas de Maiziere and the CDU
Steve Early
“Corporate Free” Candidates Move Up
Fariborz Saremi
Presidential Elections in Iran and the Outcomes
Dan Bacher
The Dark Heart of California’s Water Politics
Alessandra Bajec
Never Ending Injustice for Pinar Selek
Rob Seimetz
Death By Demigod
Jesse Jackson
Venezuela Needs Helping Hand, Not a Hammer Blow 
Binoy Kampmark
Return to Realpolitik: Trump in Saudi Arabia
Vern Loomis
The NRA: the Dragon in Our Midst
May 23, 2017
John Wight
Manchester Attacks: What Price Hypocrisy?
Patrick Cockburn
A Gathering of Autocrats: Trump Puts US on Sunni Muslim Side of Bitter Sectarian War with Shias
Shamus Cooke
Can Trump Salvage His Presidency in Syria’s War?
Thomas S. Harrington
“Risk”: a Sad Comedown for Laura Poitras
Josh White
Towards the Corbyn Doctrine
Mike Whitney
Rosenstein and Mueller: the Regime Change Tag-Team
Jan Oberg
Trump in Riyadh: an Arab NATO Against Syria and Iran
Susan Babbitt
The Most Dangerous Spy You’ve Never Heard Of: Ana Belén Montes
Rannie Amiri
Al-Awamiya: City of Resistance
Dimitris Konstantakopoulos
The European Left and the Greek Tragedy
Laura Leigh
This Land is Your Land, Except If You’re a Wild Horse Advocate
Hervé Kempf
Macron, Old World President
Michael J. Sainato
Devos Takes Out Her Hatchet
FacebookTwitterGoogle+RedditEmail