Here’s an important message to CounterPunch readers from
Here at CounterPunch we love Barbara Ehrenreich for many reasons: her courage, her intelligence and her untarnished optimism. Ehrenreich knows what’s important in life; she knows how hard most Americans have to work just to get by, and she knows what it’s going to take to forge radical change in this country. We’re proud to fight along side her in this long struggle. We hope you agree with Barbara that CounterPunch plays a unique role on the Left. Our future is in your hands. Please donate.
Yes, these are dire political times. Many who optimistically hoped for real change have spent nearly five years under the cold downpour of political reality. Here at CounterPunch we’ve always aimed to tell it like it is, without illusions or despair. That’s why so many of you have found a refuge at CounterPunch and made us your homepage. You tell us that you love CounterPunch because the quality of the writing you find here in the original articles we offer every day and because we never flinch under fire. We appreciate the support and are prepared for the fierce battles to come.
Unlike other outfits, we don’t hit you up for money every month … or even every quarter. We ask only once a year. But when we ask, we mean it.
CounterPunch’s website is supported almost entirely by subscribers to the print edition of our magazine. We aren’t on the receiving end of six-figure grants from big foundations. George Soros doesn’t have us on retainer. We don’t sell tickets on cruise liners. We don’t clog our site with deceptive corporate ads.
The continued existence of CounterPunch depends solely on the support and dedication of our readers. We know there are a lot of you. We get thousands of emails from you every day. Our website receives millions of hits and nearly 100,000 readers each day. And we don’t charge you a dime.
Please, use our brand new secure shopping cart to make a tax-deductible donation to CounterPunch today or purchase a subscription our monthly magazine and a gift sub for someone or one of our explosive books, including the ground-breaking Killing Trayvons. Show a little affection for subversion: consider an automated monthly donation. (We accept checks, credit cards, PayPal and cold-hard cash….)
To contribute by phone you can call Becky or Deva toll free at: 1-800-840-3683
Thank you for your support,
Jeffrey, Joshua, Becky, Deva, and Nathaniel
CounterPunch PO Box 228, Petrolia, CA 95558
Joking About Slavery at the Oscars
During the last night’s tedious Oscar telecast, host Seth McFarland was talking about portrayals of Abraham Lincoln in film. He first noted Daniel Day Lewis in Steven Speilburg’s Lincolnand then Raymond Massey in the 1940 film Abe Lincoln in Illinois. “Of course,” McFarland said, “the actor who really got into Lincoln’s head best was John Wilkes Booth.” The crowd gasped and groaned, to which McFarland smirked in reply: “I guess 150 years isn’t long enough to get over it yet.”
John Wilkes Booth shot Abraham Lincoln because Lincoln ultimately implemented John Brown’s strategy: Arm the slaves to destroy slavery. John Wilkes Booth shot Abraham Lincoln because Lincoln planned to give the vote to a section of African-Americans. There will never, in this year or any other, be any humor in any of that.
This is not some dusty old history. At the February 11 State of the Union address, a United States Senator brought as his special guest musician Ted Nugent, who openly proclaims that the South should have won the Civil War. Nugent has been embraced and defended by Texas Governor Rick Perry, who is a close friend of actor Russell Crowe, who appeared on stage at the Oscars this evening and whose band has often played at functions for Governor Perry.
This is not a case of white against black. At the Oscars, Daniel Day Lewis won as Best Actor for his portrayal of Abraham Lincoln in a film which has been well-received by tens of millions of Americans of all colors.
This is a case of the vast majority of decent Americans versus a relatively small group of powerful men and women who want to drag America back to the 19th century South when the majority of Southern whites, despite certain petty privileges (often not including the right to vote), were hurled into the ditch of the slave and sharecropping systems right on top of the blacks. Today the one per cent intends to push everyone there except themselves.
It was hardly a coincidence that Seth McFarland went on from his joke about killing Lincoln to make fun of the homeless and of people who speak Spanish.
Lee Ballinger, CounterPunch’s music columnist, is co-editor of Rock and Rap Confidential author of the forthcoming book Love and War: My First Thirty Years of Writing, interviewed Honkala for CounterPunch. He can be reached at: Rockrap@aol.com