FacebookTwitterGoogle+RedditEmail

Transparent Pink

by LORENZO WOLFF

Most of the time, it takes something more than the right choice of notes to make a good record. Whether it’s a nostalgic connection or an attraction to the reputation the music brings, people tend to have ulterior motives for their musical choices.

On the latest P!nk record, that extra incentive is the person behind the music. Funhouse is a record describing the aftermath of her recent divorce, recorded so soon after that the wounds are still fresh. It’s a very eclectic record, transitioning from big obnoxious rock songs to electronic club hits, and P!nk can subtly modify her voice to fit any of these styles. What holds the tracks together isn’t something clearly audible; it’s the personality that they evoke.

This personality isn’t a simple one. The first track is a rambunctious schoolyard taunt, equal parts swagger and defiance. It’s the perfect counterpoint to the next song, “Sober”, which leaves behind swagger in favor of introspection. Another facet of P!nk’s personality comes through on this cut. As she tries to rebuild her life without her husband, she says, “I don’t want to be the girl who has to fill the silence/The quiet scares me ‘cause it screams the truth.” This isn’t the same sentiment as the song before but it is certainly the same personality.

The majority of the record has this dichotomy, alternating between a carefree party girl on tracks like “Bad Influence” and someone much less boisterous in “Crystal Ball”. The song that most clearly departs from these two emotions is a country-tinged ballad called “Mean” that sounds like it could have just as easily been on a Dixie Chicks record. With the help of Butch Walker’s co-writing, P!nk dredges through the past trying to figure out what went wrong and how it happened. Its honesty is excruciating, and P!nk makes you feel just what she’s feeling in each understated verse and every big hook.

As the last piano notes fade in the closing track it becomes clear that what’s special about P!nk is her transparency. She’s incapable of hiding anything, whether she’s three quarters of the way through a bottle of Jager or halfway through an ugly divorce. Everything she’s feeling is there, all is takes is a leap of faith from the listener to hear it.

LORENZO WOLFF is a musician living in New York. He can be reached at: lorenzowolff@gmail.com

More articles by:

CounterPunch Magazine

minimag-edit

bernie-the-sandernistas-cover-344x550

zen economics

January 24, 2017
Anthony DiMaggio
Reflections on DC: Promises and Pitfalls in the Anti-Trump Uprising
Sharmini Peries - Michael Hudson
Developer Welfare: Trump’s Infrastructure Plan
Melvin Goodman
Trump at the CIA: the Orwellian World of Alternative Facts
Sam Mitrani – Chad Pearson
A Short History of Liberal Myths and Anti-Labor Politics
Kristine Mattis
Democracy is Not a Team Sport
Andrew Smolski
Third Coast Pillory: Mexico, Neo-Nationalism and the Capitalist World-System
Ted Rall
The Women’s March Was a Dismal Failure and a Hopeful Sign
Norman Pollack
Woman’s March: Halt at the Water’s Edge
Pepe Escobar
Will Trump Hop on an American Silk Road?
Franklin Lamb
Trump’s “Syria “Minus Iran” Overture to Putin and Assad May Restore Washington-Damascus Relations
Kenneth R. Culton
Violence By Any Other Name
David Swanson
Why Impeach Donald Trump
Christopher Brauchli
Trump’s Contempt
January 23, 2017
John Wight
Trump’s Inauguration: Hail Caesar!
Mark Schuller
So What am I Doing Here? Reflections on the Inauguration Day Protests
Patrick Cockburn
The Rise of Trump and Isis Have More in Common Than You Might Think
Binoy Kampmark
Ignored Ironies: Women, Protest and Donald Trump
Gregory Barrett
Flag, Cap and Screen: Hollywood’s Propaganda Machine
Gareth Porter
US Intervention in Syria? Not Under Trump
L. Ali Khan
Trump’s Holy War against Islam
Gary Leupp
An Al-Qaeda Attack in Mali:  Just Another Ripple of the Endless, Bogus “War on Terror”
Norman Pollack
America: Banana Republic? Far Worse
Bob Fitrakis - Harvey Wasserman
We Mourn, But We March!
Kim Nicolini
Trump Dump: One Woman March and Personal Shit as Political
William Hawes
We Are on Our Own Now
Martin Billheimer
Last Tango in Moscow
Colin Todhunter
Development and India: Why GM Mustard Really Matters
Mel Gurtov
Trump’s America—and Ours
David Mattson
Fog of Science II: Apples, Oranges and Grizzly Bear Numbers
Clancy Sigal
Who’s Up for This Long War?
Weekend Edition
January 20, 2017
Friday - Sunday
Paul Street
Divide and Rule: Class, Hate, and the 2016 Election
Andrew Levine
When Was America Great?
Jeffrey St. Clair
Roaming Charges: This Ain’t a Dream No More, It’s the Real Thing
Yoav Litvin
Making Israel Greater Again: Justice for Palestinians in the Age of Trump
Linda Pentz Gunter
Nuclear Fiddling While the Planet Burns
Ruth Fowler
Standing With Standing Rock: Of Pipelines and Protests
David Green
Why Trump Won: the 50 Percenters Have Spoken
Dave Lindorff
Imagining a Sanders Presidency Beginning on Jan. 20
Pete Dolack
Eight People Own as Much as Half the World
Roger Harris
Too Many People in the World: Names Named
Steve Horn
Under Tillerson, Exxon Maintained Ties with Saudi Arabia, Despite Dismal Human Rights Record
John Berger
The Nature of Mass Demonstrations
Stephen Zielinski
It’s the End of the World as We Know It
David Swanson
Six Things We Should Do Better As Everything Gets Worse
Alci Rengifo
Trump Rex: Ancient Rome’s Shadow Over the Oval Office
FacebookTwitterGoogle+RedditEmail