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There's no place like CounterPunch, it's just that simple. And as the radical space within the "alternative media"(whatever that means) landscape continues to shrink, sanctuaries such as CounterPunch become all the more crucial for our political, intellectual, and moral survival. Add to that the fact that CounterPunch won't sell you Extra Super Duper Mega Chelated Zinc suppositories, ultra-above-top-secret silver and gold coins and bullion, or the authentic, certified Oath Keepers starter pack with American flag bandana and optional tribal design tattoo. So it should be clear why CounterPunch needs your support: so it can keep doing what it's been doing for nearly 20 years. As CP Editor, Jeffrey St. Clair, succinctly explained, "We lure you in, and then punch you in the kidneys." Pleasant and true though that may be, the hard-working CP staff is more than just a few grunts greasing the gears of the status quo.

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What We’re Listening to This Week


Scott Miller and the Commonwealth: Citation
(Sugar Hill)

Scott Miller has been called
the Springsteen of Tennessee, which sounds like an oxymoron to
me. But this record by the former leader of the V-Roys is fueled
by brutal rocking and smart and gritty lyrics from the edgier
precincts of Appalachia.

Bruce Robison: Eleven
(Sustain Records)

I got started listening to
Bruce Robison, the gangly singer-songwriter from Austin, the
back way: through his wife, the sunny alt country singer Kelly
Willis. Robison, whose sister-in-law is the quite Dixie Chick,
Emily Robison, writes as deftly as that sad icon of the Austin
sound, Townes Van Zandt but, unlike Van Zandt, Robison’s voice
does justice to the emotional complexities his music. Every one
of these songs is a gem, but the duet with Willis on “More
and More” is a true thing of beauty.

Daddy: At
the Women’s Club
(Cedar Creek Music)

Okay, I know rock music is
long dead, having ex-sanguinated the moment Grand Funk Railroad
mis-struck their first powerchord. So I don’t know what you’d
call the music that Daddy plays: electrified Americana, perhaps.
Daddy doesn’t rock, per se; they just kick ass. Imagine the Sex
Pistols by way of Waylon Jennings. That’s as close as I can come
to putting a label on songs such as “I Miss Ronald Reagan,”
recorded live before a raucus crowd in Frankfort. That’s Frankfort,
Kentucky, dude.

Ralph Stanley: Clinch
Mountain Gospel
(Rebel Records)

If the voice of God ever calls
my name, I expect it to sound like Ralph Stanley’s on “I
Am Weary.” Bluegrass gospel at its most thanatic.


Anita O’Day: Sings
the Most

I remember her from the wonderful
film, “Jazz on a Summer Day”, her voice airy, luscious,
swinging. O’Day may be the great white jazz singer. You got the
sense that she truly was an improviser, who took as much from
Charlie Parker or Monk as from Ella Fitzgerald or Billie Holiday.
Diana Krall seems rigid and canned in comparison with O’Day–but
what do you expect from someone who married Elvis Costello? Anita
O’Day died this week and perhaps an era of American music died
with her. There are lots of O’Day recordings to choose from,
but she never sounded sharper than on this brisk set from the
1950s with the Oscar Peterson Trio.

Jeffrey St. Clair’s music writings (as well as CPers Ron
Jacobs, David Vest and Daniel Wolff) can be found in Serpents
in the Garden
. He can be reached at:

David Vest …

Julie London, About
the Blues
(Blue Note)

I looked for this album after
flipping channels and catching London opposite Robert Mitchum
in “The Wonderful Country,” which also featured Satchel
Paige in the cast. Why do I keep forgetting what a fine singer
she was? The intelligence and presence of her phrasing are legendary,
and “Meaning of the Blues” and “Dark” say
that needs to said about her voice, not to mention her soul.

Mary Black, Full

Amazon is still listing this
CD as an import, but it’s available for $9.99 on iTunes. Black
is a singer’s singer, not given to belting, with phenomenal breath
control. She never oversings a song, but she’s got plenty of
power when it’s called for. Her latest effort features two Dylan
covers, “Lay Down Your Weary Tune” and “To Make
You Feel My Love”. “Straight As A Die” is sensational.

Oscar Peterson, Solo
(Live) (Pablo)

I have seen serious jazz critics
spin the fact that Peterson sprang onto the scene more or less
fully formed in his technique as a “failure to develop.”
What crap. If it leaves them speechless, there must be something
wrong with it, right?

David Vest’s latest CDs are: Serve
Me Right To Shuffle
and Way
Down Here (Live)
. He can be reached at:

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CounterPunch Magazine


October 25, 2016
David Swanson
Halloween Is Coming, Vladimir Putin Isn’t
Hiroyuki Hamada
Fear Laundering: an Elaborate Psychological Diversion and Bid for Power
Priti Gulati Cox
President Obama: Before the Empire Falls, Free Leonard Peltier and Mumia Abu-Jamal
Kathy Deacon
Plus ça Change: Regime Change 1917-1920
Robin Goodman
Appetite for Destruction: America’s War Against Itself
Richard Moser
On Power, Privilege, and Passage: a Letter to My Nephew
Rev. William Alberts
The Epicenter of the Moral Universe is Our Common Humanity, Not Religion
Dan Bacher
Inspector General says Reclamation wasted $32.2 million on Klamath irrigators
David Mattson
A Recipe for Killing: the “Trust Us” Argument of State Grizzly Bear Managers
Derek Royden
The Tragedy in Yemen
Ralph Nader
Breaking Through Power: It’s Easier Than We Think
Norman Pollack
Centrist Fascism: Lurching Forward
Guillermo R. Gil
Cell to Cell Communication: On How to Become Governor of Puerto Rico
Mateo Pimentel
You, Me, and the Trolley Make Three
Cathy Breen
“Today Is One of the Heaviest Days of My Life”
October 24, 2016
John Steppling
The Unwoke: Sleepwalking into the Nightmare
Oscar Ortega
Clinton’s Troubling Silence on the Dakota Access Pipeline
Patrick Cockburn
Aleppo vs. Mosul: Media Biases
John Grant
Humanizing Our Militarized Border
Franklin Lamb
US-led Sanctions Targeting Syria Risk Adjudication as War Crimes
Paul Bentley
There Must Be Some Way Out of Here: the Silence of Dylan
Norman Pollack
Militarism: The Elephant in the Room
Patrick Bosold
Dakota Access Oil Pipeline: Invite CEO to Lunch, Go to Jail
Paul Craig Roberts
Was Russia’s Hesitation in Syria a Strategic Mistake?
David Swanson
Of All the Opinions I’ve Heard on Syria
Weekend Edition
October 21, 2016
Friday - Sunday
John Wight
Hillary Clinton and the Brutal Murder of Gaddafi
Diana Johnstone
Hillary Clinton’s Strategic Ambition in a Nutshell
Jeffrey St. Clair
Roaming Charges: Trump’s Naked and Hillary’s Dead
John W. Whitehead
American Psycho: Sex, Lies and Politics Add Up to a Terrifying Election Season
Stephen Cooper
Hell on Earth in Alabama: Inside Holman Prison
Patrick Cockburn
13 Years of War: Mosul’s Frightening and Uncertain Future
Rob Urie
Name the Dangerous Candidate
Pepe Escobar
The Aleppo / Mosul Riddle
David Rosen
The War on Drugs is a Racket
Sami Siegelbaum
Once More, the Value of the Humanities
Cathy Breen
“Today Is One of the Heaviest Days of My Life”
Neve Gordon
Israel’s Boycott Hypocrisy
Mark Hand
Of Pipelines and Protest Pens: When the Press Loses Its Shield
Victor Wallis
On the Stealing of U.S. Elections
Brian Cloughley
Drumbeats of Anti-Russia Confrontation From Washington to London
Michael Hudson
The Return of the Repressed Critique of Rentiers: Veblen in the 21st century Rentier Capitalism
Howard Lisnoff
Still Licking Our Wounds and Hoping for Change
Brian Gruber
Iraq: There Is No State
Peter Lee
Trump: We Wish the Problem Was Fascism
Stanley L. Cohen
Equality and Justice for All, It Seems, But Palestinians