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THE MURDER OF COLONEL SABOW
The Story of a 15-Year Pentagon Cover-UpA Colonel in the US Marine Corps is bludgeoned to death in his home on the El Toro air station. A shot gun blast in his mouth fakes his suicide. His widow and his brother say he was set to expose secret arms flights. Former US Senator James Abourezk lays out a compelling case for a relentless cover-up by the Marine Corps and the federal government. PLUS Alexander Cockburn on the epics of Amazonia. Get your copy today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories May 31 / June 1, 2008 Alexander Cockburn May 30, 2008 Bassam Aramin Andrew Cockburn Saul Landau Nikolas Kozloff Robert Sandels Dave Lindorff Martha Rosenberg Harvey Wasserman Doug Giebel Shaun Harkin Website of the Day May 29, 2008 Jeffrey St. Clair Nikolas Kozloff Col. Dan Smith Karl Grossman William S. Lind Robert Weissman Dave Lindorff David Macaray Chris Genovali Laura Carlsen Website of the Day May 28, 2008 Wajahat Ali Ralph Nader Brian McKenna Corporate Crime Reporter Brian Cloughley Eric Walberg Michael Dickinson Ijaz Khan Website of the Day May 27, 2008 Alexander Cockburn Greg Kafoury Jean Bricmont Tim Wise Ricardo Alarcón Stephen Soldz Andy Worthington Alan Singer Richard Neville Susie Day May 26, 2008 Uri Avnery Bill Quigley Col. Dan Smith Cindy Sheehan Marjorie Cohn Fred Gardner Raymond J. Lawrence Harvey Wasserman Moncia Benderman David Rovics Website of the Day May 24 / 25, 2008 Alexander Cockburn Jeffrey St. Clair Barbara Rose Johnston Nikolas Kozloff Adriana Kojeve Robert Fantina Dave Lindorff David Yearsley Nelson P. Valdés Kathleen M. Barry John Ross Allison Kilkenny Fred Gardner Elizabeth Schulte Daniel Gross Christopher Brauchli Richard Rhames Daniel Cassidy Poets' Basement Website of the Weekend
May 23, 2008 Paul Craig Roberts Alan Farago Conn Hallinan Mark Engler George Wuerthner Kamran Matin Sandy Boyer / Robert Weitzel Cindy Sheehan Liaquat Ali Khan Website of the Day
May 22, 2008 Vijay Prashad Joanne Mariner Sharon Smith Jeff Birkenstein Brendan McQuade Peter Morici Niranjan Ramakrishnan Dave Zirin Ron Jacobs Stephen Lendman Website of the Day May 21, 2008 Jeffrey St. Clair Nikolas Kozloff Alan Farago Dave Lindorff David Model Eric Walberg Franklin Lamb Kenneth Couesbouc Website of the Day
May 20, 2008 Ralph Nader Uri Avnery Patrick Irelan Ray McGovern David Macaray Chris Genovali Ibrahim Fawal Christopher Ketcham Andy Worthington Martha Rosenberg Website of the Day May 19, 2008 Saul Landau Paul Craig Roberts Brian McKenna Patrick Cockburn B. R. Gowani Dr. Trudy Bond Cindy Sheehan John Mohawk Remi Kanazi Robert Day Website of the Day May 17 / 18, 2008 Alexander Cockburn Tim Wise Andy Worthington Robert Fantina Karim Makdisi Harry Browne John Ross Dave Lindorff Robert Weissman Laray Polk David Yearsley Ron Jacobs Paul Quinnett Sam Bahour Keeanga-Yamahtta Taylor Dr. Susan Block Kim Nicolini Jeremy Scahill Jeffrey St. Clair Poets' Basement
May 16, 2008 Stephen Soldz Jonathan Cook Paul Craig Roberts Christopher Brauchli James L. Secor Franklin Lamb Linn Washington, Jr. Dave Lindorff
May 15, 2008 Stan Cox Jeff Halper Greg Moses John Ross Ron Jacobs Binoy Kampmark Eve Spangler Martha Rosenberg Website of the Day May 14, 2008 Ismael Hossein-Zadeh Reza Fiyouzat Felice Pace Hamdan A. Yousuf / Dania S. Ahmed Robert Weitzel Ralph Nader Dave Lindorff Missy Comley Beattie Neve Gordon Dr. Susan Block Website of the Day May 13, 2008 David Rosen Alan Farago Saul Landau Saree Makdisi Paul Craig Roberts Andy Worthington Brother Bede Vincent Linda Mamoun David Macaray Website of the Day
May 12, 2008 St. Clair / Frank Ziga Vodovnik Gary Leupp Frankln Lamb Suzanne Baroud Martha Rosenberg Dave Zirin Carl Finamore Peter Morici Richard Rhames Website of the Day May 10 / 11, 2008 Alexander Cockburn Franklin Lamb Ciara Gilmartin Diane Farsetta Kent Paterson Alan Farago Rannie Amiri Patrick Irelan Robert Fantina Nikolas Kozloff George Ciccariello-Maher David Yearsley Ron Jacobs John Holt David Michael Green Ben Terrall Kim Nicolini Jeffrey St. Clair Poets' Basement
May 9, 2008 Franklin Lamb Andy Worthington Benjamin Dangl Mark A. Huddle David Macaray Dave Lindorff C.G. Estabrook Matt Kosko Robert Weissman Michael Dickinson Website of the Day May 8, 2008 Sharon Smith Saul Landau Laura Carlsen Binoy Kampmark Kenneth Couesbouc Liaquat Ali Khan Franklin Lamb Sen. Russ Feingold George Wuerthner Richard W. Behan Adam Federman Website of the Day
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Weekend Edition
May 31 / June 1, 2008 The Music of I See Hawks in LA Robins WeepBy RON JACOBS Some days I wake up and the music I hear in my head is the chorus to Hank Williams' “I'm So Lonesome I Could Cry.” All day long I hear that lonesome whippoorwill until night finally falls, the midnight train whining in the distance. It's not that I'm lonely or anything, mind you, yet that haunting chorus becomes the day's soundtrack. There's a band out of southern California that renders music as uniquely forlorn as any Hank Williams tune. The name of that group is, somewhat mysteriously, I See Hawks In LA. Composed of founder Rob Waller on acoustic guitar and lead vocals, guitarist Paul Lacques, former Strawberry Alarm Clock bassist Paul Marshall and percussionist Shawn Nourse, I See Hawks In LA bring experienced musicianship (and many experienced guest musicians) to their work. Echoes of the Byrds and Gram Parsons and even The Holy Modal Rounders inform the music this group makes while its lyrics touch on themes of war, peace, freedom, family and that greatest topic of all, love. Sometimes the lyrics are full of humor and sometimes they are full of sadness. Sometimes they sing of the counterculture and sometimes one hears ironic commentary on today's commercial culture of brands and empty meaning. Waller's vocal delivery is a countrified alto that capably evokes whichever emotion the song hopes to convey. Existing in a country world where the farmers of tradition grow organically and have parents who once called themselves Sunshine, the melodies I See Hawks In LA create are timelessly modern. One of my favorite songs by the group is titled “Raised By Hippies” and appears on their third album California Country. The story of a girl raised in a schoolbus by parents who conceived her in the Haight-Ashbury then moved to the hills of Tennessee, the song's catchy melody highlights the joy the girl transmits no matter where she goes. More than one of us knows a story like this one. The most recent album, titled Hallowed Ground (Big Book Records) continues the Hawks' trend of danceable rock music imbued with country sensibilities. Fiddle plays a prominent role in several of the songs on the disc yet it is the vocals that once again capture my ear. Lyrically, it is a concerned warning about the environmental disaster we are living in. If the song “Last Lonely Eagle” by New Riders of the Purple Sage were to become an entire album, this is what it would sound like. The third song “Carbon Dated Love” warns of an LA doomed to die. “Now all ye hunters and ye gatherers prepare/For wild blue wandering....” The pedal steel and guitar trade licks reminiscent of the best Sneaky Pete Kleinow. The next tune, with singer Rob Waller sounding a bit like an early Waylon Jennings, continues the theme of a parched, sterile and deadly future. Despite the dystopian outlook that underscores this album, the true spirit is that of a paean to the beauty of the western landscape and sky, Celtic history and life, love, and the hippie nomad. This spirit is quite clear in the song “Highway Down”--an LA cowboy's song to the countryside he loves and a prayer that it will somehow survive. Even as he digs a grave on the highway down. “Lord knows I love this Valley,” sings Waller. “Though it's as wounded as an alley.” Like the child raised by hippies, the folks in “The Environmental Children of the Future” is a tribute to those young and old who have taken the best of the counterculture ethos and are trying to live a future where the earth matters as much as the people on it. “The environmental children of the future,” go the lyrics, “Took their elders by the hand” and showed them how to live—after the flood as it were. There is an overall joy that emanates from the Hawks' music. Acoustic guitar progressions accentuate Celtic fiddle melodies on some songs while the melodies of others are carried by a rock guitar reminiscent of James Burton's work with Gram Parsons and Emmylou Harris. The lyrics display a wry sense of the situation we find ourselves in while remaining hopeful about our future as a species. Other songs display an equally wry approach to the ups and downs of love. This is the music the 1960s counterculture was meant to produce in its brightest hours. The fact that it appears now some forty years later in a world arguably more hopeless is a sign of hope in itself. Despite the echoes of that lonesome whippoorwill, I See Hawks In LA wipes away those tears we are sometimes too blue to cry. Ron Jacobs is author of The Way the Wind Blew: a history of the Weather Underground, which is just republished by Verso. Jacobs' essay on Big Bill Broonzy is featured in CounterPunch's collection on music, art and sex, Serpents in the Garden. His first novel, Short Order Frame Up, is published by Mainstay Press. He can be reached at: rjacobs3625@charter.net
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